Review: Baby Ford and Dazmos take the limelight on this first release on Nice 1. We Are Syd's original "Gently" is a mellow downtempo roller featuring choice vocals from Shea Seger, but it's the remixes here that get pride of place. Ford and Dazmos lock into an understated drum machine funk draped in hazy pads on the A side "Backroom Mix", while on the flip they push the club elements to the forefront. Riding the rhythm section with intent while still retaining the smoky spirit of the original, the pairing come up with an impeccable "Frontroom" club cut that should nestle comfortably into the bags of all deep digging house heads.
Review: The peeps behind the People Of Earth label claim that Rick Wade is on top form on their latest release. While that's undoubtedly true, the Detroiter has incredibly high standards and rarely puts out anything mediocre. The four tracks here are all deliciously deep and fluid, with the Fender Rhodes solos, meandering organ lines, warm bass and chunky beats of "Never Give Up" delivering just the right blend of instrumental goodness and dancefloor-ready weightiness. "Seen At Night" is an even deeper and hazier treat, while "Forever Alone" sees Wade wrap bongo-laden beats and eyes-closed electric piano chords around a ludicrously warm and heavy bassline. Solo-laden closing cut "Rooftop" is also superb - a proper sundown selection of the highest calibre.
Review: Having first appeared on Toolroom way back in 2013, Richard Dinsdale AKA Weiss is one of the label's longest serving artists. He's also one of the most prolific, with this strong outing being his 16th single for Mark Knight's imprint. "Let Me Love You", a bouncy contemporary cover of Kariya's 1988 house classic, has all the makings of a massive hit. The A-side original version combines classic elements - bold piano riffs and synths that subtly doff a cap to Kariya's version - with heavy electro-house bass and bumpin' beats. Over on side B, Dinsdale pumps it up further on a jacking piano-house take that's sweatier than a sauna full of gyrating, leather-clad bikers.
Nata Alma (feat Sidsel Endresen & Bugge Wesswltoft - club Smash Hit version) (8:38)
Venq Tolep (Hit club version) (6:25)
Review: Veteran German producer (and one half of Wighnomy Brothers) Robag Wruhme returns to Pampa Records with two delightful servings of his idiosyncratic sound. The glassy-eyed and bittersweet daydream fantasy of "Nata Alma" (Club Smash Hit version) features some right legends of the Norweigian jazz scene: Bugge Wesseltoft on piano accompanied by a heartfelt vocal performance by vocalist Sidsel Endresen. On the flip, "Venq Tolep" (Hit club version) is equal parts melancholic yet utterly evocative, and is the title track of his first album-length release on DJ Koze's label in eight years.
Review: 2015 is fast turning into Henry Wu's year. Having already delivered killer 12s of baked deep house/instrumental hip-hop fusion for Ho-Tep and Odd Socks, he now pops up on Rhythm Section International with another brilliant EP. While as deep and blazed as previous excursions, there's a sun-bright freshness to the pleasingly varied selections on offer. Contrast, for example, the deep space, boogie-house slickness of "Yellow Brick", the bruk revivalism of "Neezy (Wok)" - think I.G Culture after a few too many bongs) - and the brilliant deep house/jazz-funk fusion of "Dubplate Special". Arguably best of all, though, is the Latin jazz-goes-deep house warmth of "Croydon Depot". Everyone will have a different personal favourite, though; it's that kind of EP.
Review: Bobby Donny head honcho Frits Wentink is back with the third edition of his BODOX remix/edit series, serving up more two bar house and chord stuff than you can shake an MPC at. Hear the Amsterdam-based house hero (and sometime Will & Ink man) get freaky like Adina - whatever time of day - on the smooth and smoky Rhodes-led vibe of the A side's first joint, while more dusty and evocative late night deepness awaits you on the flip. This is chased up by the rather upbeat shuffle of the S.A.D. Mix on B2, which is sure to get the hands in the air with its big piano chords. This will be limited to 800 copies, so don't sleep on this one people!