Yoshiko Okabe - "Tree 4" (Yamuraka club mix) (6:54)
Review: House Running are back with another of their signature compilation 12"s, calling on a host of talented producers keeping the house dream alive. Paris-based producer Colkin is bringing nothing but good vibes on piano chopping, lately bass-ing burner "Central 13". He also gets a second look in with "Gonna Be", which features none other than Detroit breakthrough star Javonntte on impossibly powerful vocals. On the flip, Meemo is on hand with the spaced out funk of "Untitled" while Yoshiko Okabe's "Tree 4" gets a 90s-style, club-ready re-rub from Yamuraka. If you're looking for high grade deep house music, look no further.
Bongneck - "The Robber's Daughter" (Ghiz Retouch) (6:06)
Makebo - "Unknown Beauty" (9:09)
Review: Moscow's Shanti Radio imprint has been on fine form of late, offering up must-check 12s from DSF, Lost Desert, Volen Sentir and many more. Here they offer up their first multi-artist EP of 2019, an undeniably attractive and ear-pleasing affair that effortlessly joins the dots between deep house, tech-house and more percussive tribal flavours. Highlights are plentiful throughout, with our picks including the string-drenched, bittersweet brilliance of Makebo's "Unknown Beauty", the sub-heavy throb of Ghiz's tasty rework of Bongbeck's "The Robber's Daughter" - all rolling hand percussion, insanely weighty bass and picturesque melodic flourishes - and the sunset-ready dancefloor bliss of Cornucopia's impeccable "Nature Boy".
Review: Maltese deep house dude Melchior Sultana becomes the latest addition to Jus-Ed's bulging list of collaborators, which also includes Levon Vincent, Fred P, Nina Kraviz, DJ Qu, Move D, Mr G, Lawrence and Son of Sound. The resultant jams are sweet, sticky and undeniably Moorish. Check, for example, the shuffling Afro-house beats, sumptuous electric piano solos, leisurely jazz guitars and spoken word vocals of "Choices", the piano and synth-bass driven breeziness of "Outside" and the classic deep house warmth of closing cut "Press It". "Now Scat", an ultra-deep, acid-flecked treat, is also top notch.
Paxton Fettel - "I'd Like To Know You Better" (5:50)
Kristy Harper - "Uncle Jungle" (5:27)
Manakinz - "Robopubez (Rust In Peace)" (6:59)
Maxime Alexander - "BSA Freestyle #1" (feat $hakes) (5:01)
Review: London-based Ben Gomori is back with the fourth installment of "Dialogues" on his Monologues imprint. It's another various artists affair featuring four choice cuts that pursue all things deep, emotive and sensual. Copenhagen's Paxton Fettel kicks off proceedings with some boompty and disco-fied vocal business on the loopy "I'd Like To Know You Better", followed by the smoky late night groove by Kristy Harper's "Uncle Jungle" featuring some infectious roaring diva vocals. On the flip, go deeper into the night on the sweltering and hypnotic vibes of Manakinz' "Robopubez (Rust In Peace)" where Sub Club resident Harri collaborate with his bud Max, and finally Maxime Alexander reps South Africa on the sultry mood music of "BSA Freestyle #1" with $hakes on the mic.
Review: London-based, Greek minimal tech house aficionados Holdie Gawn & Micawber return to present the tenth edition on their beloved Sylphe imprint. It's a limited edition affair as per usual, so don't sleep on this one. On the A side, Gawn (aka Kreon) serves up the tripped-out early morning reductions of "Gleech Huis"- the sort of oddball groove you could imagine the likes of Rhadoo playing at an ungodly hour of the morning. On the flip, it's over to Micawber, who is otherwise known as Alex Celler - so you know you're in for a treat courtesy of this true master of the art. His boompty minimal funk jam "Parsec Telemetry" is much more upbeat and less abstract than his usual work, and channels the early vibe of classic Daniel Bell.
Review: Plastik People cast their gaze back to a garage house staple and give it a new lease of life on this cool and deadly white label. The original "Blues For You" by Logic is a pinnacle on the Strictly Rhythm catalogue - some might say untouchable - but Danny J Lewis and Marc Cotterell are here to tell you otherwise. Lewis lands on the A side with a version that keeps the structure of the track intact, and speaks those iconic hooks through a different set of instruments that gives the track a new lease of life. Cotterell meanwhile smooths the garage jerk of the original out into a more linear house thrust while working the vocal samples with glee - it's a respectful approach that simply repositions the groove of the original to give it a fresh flavour.