Generation Next - "Like Father, Like Son" (feat Big Strick)
Review: Like Father, Like Son sees Big Strick and his prodigious son Generation Next team up for a split 12" showcasing this pair of criminally underappreciated Detroit producers. "Rain Dance" sees the elder of the two deliver a deep techno journey filled with abstracted textures and organic chimes that sound, while the young Generation Next shows a remarkable maturity beyond his years on "And You Too", where sparse, subtle chords and the simplest of melodies drift by on a light rhythm. On "Like Father, Like Son" the two pair up for the most gently uplifting of deep piano jams. Just like pretty much everything on 7 Days Entertainment, this is some nigh on essential material.
Review: Rising Greek producer G.U.S. steps up on Equivalence with some pumped up vintage techno sounds that take more than a few cues from the UK. "Shelf Cloud" strikes a fine balance between tough and dreamy, using a twitchy set of drums moving at a decent pace and flooding them with atmospheric pads and a slice of vocal that forms a central hook to the track. "Halo" goes even deeper into British territory with its chopped up breakbeat funk calling to mind the dexterous sample magic of Stasis, and then "Haze Phenomenon" heads into deep tech house territory riding a pumped up shuffle beat and swooping pads.
Review: After an excellent first release featuring Freerotation lynchpin Steevio, Russ Gabriel's Rivers Of Groove label returns with a pair of excursions into lush, bubbling techno from Gabriel on his own. As a first generation UK techno stalwart, it's little wonder that he can turn out productions as accomplished as these, but there's no sense that he's treading water. "Ambulate" bears the hallmarks of modular production, all twinkling, morphing synth tones chiming around a delicate beat, while "Dover Calling" favours a snappier electro palette, but both stand out from the crowd for the sheer quality in the production, the warmth in the composition and the needlepoint focus given to every shred of detail in this crucial cuts.
Review: You have to admire Laurent Garnier's continued desire to push boundaries and confound critics. His plan to devote 2014 to releasing five EPs on five different labels, whilst mixing up the styles, is undoubtedly bold. This three-tracker for the ever-intriguing 50Weapons imprint is particularly impressive. "MILF" bristles with stuttering analogue rhythms, foreboding chords and attractive bleep melodies, coming on like an unlikely jam session between Sweet Exorcist and Orbital. "DSK" sees the French veteran moving further towards his techno roots, while "He" sounds like an homage to darkwave with techno overtones and more than a hint of stripped-back early Chicago acid. Bravo Monsieur Garnier, bravo!
Review: Having previously appeared on TINK! Music back in 2015, Portugese producer Gatupreto returns to the label for their second release with the powerful, vocal led "I Became Me". There's a loose, tribal lilt to the percussion on this lead track, while the wobbly bass gives everything a gnarly swagger that offsets the impassioned vocal in style. Philou Louzolo takes to remix duties with a perfect compliment to the original, edging the wild elements into a focused yet natural kind of Afro house. On the flip, "Afrowerk" brings a distinctive vintage soundtrack approach to the table, and "Gatu Di Noti" features heavily syncopated drums tumbling over even more darkside monosynth action.
Review: For their latest vinyl release, the TINK! Music label looks to Lisbon and the enigmatic duo Gatupreto, whose Modo Di Trabadja 12" betrays all manner of influences that seep beyond the realm of house music. In their own words, "the art Gatupreto generates is simple, unpretentious and sincere, it owes to the classic rave vibe as much as to the rawness of hip hop as much to the sunset of Cape Verde as to the sunrise of the Lisbon riverside." This manifests itself in two understandably diverse productions from Gatupreto with the heavily percussive workout of Vahagn's closing remix of "Grandi Loba" of particular note.
Review: Tom 'Dam Mantle' Marshallsay and Rich McMaster from Golden Teacher were first granted an outlet as General Ludd through Eamon Harkin and Justin Carter's Mister Saturday Night last year with the breathless pair of house burners that made up the Woo Ha 12". Since then the General has brought the Luddite house sound to Clan Destine, 10 Thousand Yen and Autonomous Africa among others and now lands back on the Mister for the keenly anticipated Are You Losing My Hearing? Another two-track exercise in 12" dynamism, the title cut finds GL in sprightly house mood with a rubbery feel not too dissimilar to Gerd's Geeeman output. Flip it over and "Moneychangers" veers off into more dystopian, heads down territory with some killer modular squiggles throughout.
Review: Apollonia co-head and all-round Parisian legend Dan Ghenacia steps up for his label's latest release. On The Egg EP, you can really hear the various shades of French house presented by a true expert who lived and played throughout the city's best times for over two decades. From the sexy and slinky late night bounce of "A La Coque" which could have been easily played at his Batofar residency at the turn of the millennium, and the tripped-out and slammin' shuffle of "Mykonos Huevos" (taking the best of early '90s Chicago) to the emotive dancefloor drama of "Sunny Side Up" taking on the very best of Detroit influences such as Terence Parker or Blake Baxter.
Review: The high grade, leftfield approach to house music Lyssna have set out as their MO continues in fine style on this new Colours series, starting with the Yellow EP and a strong cast of characters from the outer reaches. Riciar Ghir opens up proceedings with the tumbling deep house of "Cargo", making the keys dance with distinction and injection a subby rumble where it counts. Minimal Afrika follow that up with a percussive tryst entitled "Drakma Queen" that blossoms into a sumptuous ambient excursion. Robotalco takes a very different approach with some classically pumping sample-powered house music to shake feel-good fists to, and then Klubbhuset finishes up with an impassioned romp through peak time disco licks for the peak of the night.
Review: This rock solid tech-house four-tracker marks the return to Norse Projekt of the brilliantly named Bertalan Bagylas, better known as Giash. The well-regarded producer begins his first NP 12" for three years with "Lyskamm", a gently undulating late night roller rich in glitchy noises, ricocheting percussion hits, strange noises and subdued orchestration. Bagylas serves up some deeper, darker and dubbier fare in the shape of "Urban Landscape", before alternating between Romanian style minimal techno grooves and spooky breakdowns on bleary-eyed cut "Balfrin". To round off the EP, Vincentiulian gives that track a loose, dreamy and gently positive tech-house makeover.