Review: Benjamin Brunn and Dave Wheels are old studio buddies, having worked together on and off since 2006. "2000", though, is their most ambitious joint project yet: a collaborative album for Sushitech that offers up breezy, melodious and cheery fusions of heady dub techno, gentle electronica, chugging sofa-friendly haziness and glitchy late night hypnotism. It's an interesting blend but one that certainly hits the spot. Highlights include the horizontal pulse of "Orainge", the wonderfully hypnotic after-hours throb of "Iratamoto (Version)", the bold and sun-kissed undulations of "In The Club" and the pie-eyed warmth of "Waldeck".
Review: "Der Say Ah" has long been a banger on dance floors tuned into international sounds. It's the sort of bouncy afrobeat and sax-laced classic that has been fetching huge amounts online. DJs like Gilles Peterson and Nightmare on Wax have been playing it for yonks and now, after many years of it being out of print, it is back courtesy of Push The Fader. The Akoya Re-Rub mix here was mixed by Ben Kane who worked on D'Angelo's Black Messiah, so this sounds beyond good. The 7" version comes from DJ Spinna with extra keys from Ticklah, psyched out bass and extra dub feelings.
Review: It's always a treat to spot Edward donning his Desert Sky guise for another trip into the hinterland of minimal techno, where expression reigns free and all kinds of sound sources tumble into a truly exotic mix. On this album for PAL SL, all bets are off as we get whisked down a mysterious and meandering path where organic and electronic matter merge in the shadows, all strapped to subliminal but pronounced grooves that make this some of the most potent, intriguing club material in circulation right now. Buy the ticket, take the ride and dance out under that Desert Sky.
Review: Having announced the first part of his new trilogy only a month ago, Dang-Khoa Chau presents yet another EP for Parisian imprint Antinote. "Riding For A Fall" is the follow up to the neon-lit and celestial ethno-house expressed on his recent Mystic Warrior EP. From the majestic acid freefall of "Voices", to the shimmering "Shoubuari" (Battle Mix) which reaches near tribal moments (and calls to mind his work under the 45ACP alias a little while back) and finally the title track with its shamanic new age vibe, this second instalment will take you deep into the rainforest for ritual rites.
Review: British artist Desert Sound Colony appears outside of his brilliant Holding Hands imprint here with a new one for Scenic Route - a new London-based label and party run by Bryce's Brother, Jon Phonics and Sean OD. Real name Liam Wachs, his productions have gained support from a wide variety of DJs such as Midland, Raresh, Andrew Weatherall and Lena Willikens, and you can count his new EP "Cartogropher" as another guaranteed dancefloor killer. The A side houses the title track - a fierce, rolling, bass-heavy backroom dub, followed by the trippy and off-kilter UK vibe of "Gypsy Moth (feat. Guava)" plus deep minimalist concentration of "Budapest" on the flip.
Fred P - "119 Black Key Experiment" (Continuation interlude) (2:33)
Review: The inimitable Fred Peterkin presents yet more incredible adventures on his newly inaugurated Perpetual Sound imprint. Following up the incredible EP from Black Jazz Consortium back in December, this sophomore effort sees the head honcho co-present some fine tracks with veteran Swiss producer Sam Geiser aka Deetron via the Lush Culture EP. It's all about Captain P on the A side, featuring the deep and moody tribal entrancement of "Liquidity" followed by the soulful title track - which features his trademark use of emotive synth sounds and immaculately programmed rhythms. On the flip, Deetron goes well deep and smooth on his offering "Sweet Science" which sees him deliver hi-tech soul in his usual idiosyncratic style before P returns to conclude the release with the retro-futurist, ambient "119 Black Key Experiment".
Review: Ovine build on the momentum of their first EP with another new house offering that is beautifully deep. It features two tracks each from Dan Piu and Pohl, and they all hack back to dreamy Italo, classic Mr Fingers and the more pensive Chicago greats. "Depresismatica" is a real highlight with its meandering basslines and infinite cosmic horizons. "Mello Phone" offers more pixelated melodies and busy beats and "Space In The Distance" has the sort of freaky edges and dusty analog textures house lovers always fall for. Already, then, this is a label that is setting a high standard.
Review: Enjoying a brief sojourn away from then 2000 Black label he's long called home, sometime 4hero member Dego pops up on Neroli with a two-tracker that blends his usual jazz-funk inspired instrumentation with warm and fragrant, dancefloor-focused grooves. The jazz-funk influence is strongest on flipside "Just Give It A Long Shot", a more languid affair rich in squiggly synth lines, toasty bass guitar, slack-tuned drum breaks and the kind of group vocals that would have once sent rare groove heads into a spin. A-side "Twelve Steps" is arguably even better, with whispered vocals, jazzy synth lines and sunny guitars wrapping around a pleasingly rubbery Brit-funk groove.
Review: A mysterious white label from a mysterious source with no details or even track titles. All we know is that there are only 200 copies and that they absolutely bump. "Track 1" is a real heads down driver with a well-known female vocal ghosting through the groove while "Track 2" brings home a job lot of funk with a much looser, off-grid groove and a breakdown to melt into. Get lifted.
I'll Take You There (Directors cut Classic Signature remix) (7:48)
I'll Take You There (Dimitri From Paris re-edit) (7:48)
I'll Take You There (The Shapeshifters remix) (7:42)
Review: Back in 2011, Frankie Knuckles and Eric Kupper debuted their Director's Cut project by teaming up with old pal Jamie Principle on "I'll Take You There". Here it gets the reissue treatment, with a trio of classic mixes being joined by a fresh revision from scalpel maestro Moplen. His version is delicious, with Principle's loved-up vocal rising above bubbly synth-bass, evocative organ lines, swirling synthesizer motifs and sunrise chords. There's another chance to enjoy Director's Cut's own warm and glassy-eyed "Signature Remix", a second spin for Dimitri From Paris's slightly breezier (but no less loved-up) re-edit and a boisterous funky house rework from the Shapeshifters that some may have missed first time around.