Review: On the A1 Chekov follows up their moves on Peach Discs and Timedance with a proper peak timer, they've been described by Ben UFO as 'king of the build up' and that's evident on this one. At the A2 London's Doppelate makes their Cong Burn debut with an elegant tech-house roller. Fresh from Russia's underground is Camin, on this, his debut 12" release he drops a useful tool which squeezes between electro and techno. Cong Burn founder Howes closes the B side with some warm hypnosis that could have landed in the golden era of Workshop.
Review: Following releases from Huerta, Mandar and Makcim & Levi last year, Oscillat kicks off 2019 with an assured, brooding club 12" from long-serving producer Matthew Dekay.
Since surfacing in 2001, Dutch producer Dekay has put out a formidable body of work under a variety of aliases and in collaboration with producers including Lee Burridge and Maher Daniel. His sultry tech house approach has graced labels as highly regarded as Innervisions, Cecille, Aras and Maeve, and now he comes to Oscillat with "Spellbound," a track that finds him diving deeper than ever before into hypnotic, swinging rhythms loaded with atmosphere and longing.
On the B side, Oscillat bosses Mandar (Lazare Hoche, Malin Genie and Samuel Andre Madsen) take Dekay's original and inject it with an infectious peak time energy, creating a straight-up, acid-flecked workout that sits in neat contrast with the immersive shuffle of the original.
Review: The latest Hands Off joint features three artists making waves in intriguing corners of the deep house firmament. Desos opens up the A side with the dreamy groove of "Dubs", before Space Age lays down the classic, Mr Fingers-flavoured haze of "Sunday Rain". Desos returns on the flip with another subtle yet punchy cut, keeping the melodies submerged and sublime on "Jaaa" before Common Mode takes things in a distinctly dubby direction with "Beauty Queens".
Review: Originally active around the turn of the century, Difusion are back in action with a mission to champion real songwriting in the deep house scene. "Playin' With Fire" rides a funky disco groove and works around some seriously catchy vocals, while Daniel Maunick dubs the track out and rides the filter to deadly effect. "Shining" rounds the EP off with a sweet, sensitive jam that strikes the kind of melancholic tone that wistful dancefloor memories are made of. Once again the vocals lift to the track to another stratosphere of heartfelt expression - this is sure to go down a storm with the late summer crowd.
Review: Next up on Acid Pauli and Nico Stojan's Ouie imprint are two veterans of the electronic music scene, but the label bosses are pretty tight lipped about their identity beyond that. Showing off some serious night moves on "Slow Down", the title track is perfect Berlin sunrise material: a lush serving of low-slung techno-pop that makes the perfect summer soundtrack. On remix duties is Lovestruckk, the duo comprising of Stojan and Holmar Filipsson (aka Thugfucker) inject more dancefloor dynamics before closer "Slow Down", a slinky and hypnotic tech house cut moves the EP into a moodier sonic territory.
Review: Thanks to a string of fine disco and gospel-fired releases and remixes for the likes of Midnight Riot and Lumberjacks in Hell, Alan Dixon has become a must-check artist. Here he makes his bow on Running Back with arguably his most arresting and inspired EP to date. The real star of the show is co-producer Darren Morris (a regular Ashley Beedle collaborator), whose dazzling solos surge from the speakers on the driving, 1989 style piano house rush of "Moments" (reminiscent of his work on Beedle's peerless remix of Bent's "Always" in the early 2000s) and the Balearic house brilliance of "Star Dance" (think Phillip Lauer/Tuff City Kids). The fun continues on muscular, Italo-disco influenced opener "La Danza" and the colourful, sunrise-ready soundscape "Ambient Braindisk".
Review: Berlin deep house stalwart Hans Schaaf aka DJ Honesty is most known for being part of the local Cabinet Records crew, regularly collaborating with ZKY & Daniel Paul over the years. Outside of that, this will be the second time he's appeared on Losoul's Another Picture, following up 2017's "Janeiro" EP with yet more subtle groove magic here. On the A side we have the sublime minimal dub of "Santo Antonio" awash in hypnotic dub effects perfect for setting the vibe at the afterhours. On the flip, we have some jams which are more typical of Schaaf's usual work: the deep boompty swing of "Mais Populares" and the bleepy minimal funk of "Green Door".
Review: We're used to seeing DJ Rocca in collaborative mode; since making his debut in 2005, he's worked alongside everyone from Dimitri From Paris and Hard Ton to Fred Ventura, Rodion and In Flagranti. His latest collaborator is label-hopping London producer Alex Warren AKA Kiwi. A-side "Bronze" is warm and breezy, with the pair wrapping heavy analogue tones, dream house style chords and cosmic synthesizer flourishes around a sturdy, suitably bass-heavy groove. "I Got A Toy" is arguably even more fluid and colourful, with the combination of melodic positivity, bubbly bass and crunchy machine drums making a suitably Balearic impression despite its obvious house credentials.
Review: New label Nuances de Nuit kick off in fine style with a various artists 12" that draws on some emergent names to lay out a vision of cross-style dance music that favours the deeper end of the pool. Things get going with an organ-rich house bumper from DJ Steaw that pumps in all the right places, before Armless Kid switches things up with an untitled slice of dynamic, richly layered electro. T. Jacques thumps out a crafty, swinging cut with techy inclinations and oodles of groove, and E. Wan takes things in a more linear, deep techno direction laden with gorgeous synth work and plenty of artful effects processing.
Review: London duo Dusky are up next on Running Back, with what appears to be the first volume in their new Life Signs series. Best described by Gerd Janson and Co. as British bass science applied on classic house tropes, where breakbeats underpin transcendent melodies and IDM meets UKG. The lads behind the much lauded 17 Steps label are in fine form here: from the electrifying Italo disco influenced number "Boris Borrison's Trip To Morrisons" on the A side being unlike anything we've heard from the pair before. On the flip, it's a throwback to the illegal dance parties of the early '90s on the pitched-down hardcore breaks of "Lea Valley" and harking back to a similar era is the euphoric "Static".
Review: In recent years, Detroit Swindle's outings away from their own Heist Recordings imprint have been few and far between, so it's nice to see them popping up on Will Saul's Aus Music imprint. He's done a good job A&R-wise, with all three tracks hitting the expected highs. The Dutch duo are in fine form with "Wado Baya", a rubbery chunk of hot-stepping Afro-house where bleeping electronic melodies and glassy-eyed chords rise above a snappy-but-bouncy groove. "Rhythm Girl Swing" sounds like a slipped and slightly skewed take on hypnotic mid-90s house - all trippy riffs and slowly rising filtered motifs - while "Vibrations" sees them join the dots between warm and woozy early '90s deep house and organ-rich New Jersey flavours.