Back catalogue: House

Review: Mystery surrounds the story behind this edit-style two-tracker - and, indeed, the identity of Baggy Leggins and Duke Hobo themselves - but there's much to admire about it. Check first A-side 'Keep Marching', where a lightly beefed up and housed-up semi-acoustic groove offers a platform for sweet, bilingual female lead vocals, jaunty guitars and simmering strings. It's a genuine dancefloor revision, but one that will suit Balearic DJs and confirmed party starters as much as dusty-fingered crate diggers and selector sorts. 'Shuffleupagus', meanwhile, sees the mystery artist cut up and tool up a vaguely familiar Latin workout with predictably energetic and party-starting results.

Review: Dan Formless' "Fried All Day" is a minimalistic tech house track that becomes the second release for the upstart label Bank of Switches. The original track is characterized by its repetitive beat, sparse instrumentation, and hypnotic atmosphere. The title 'Fried All Day' evokes a sense of exhaustion and overindulgence, which is reflected in the track's strangely hypnotic rhythm and quirky sounds. The Alex Arnout remix takes a more driving approach, with a more upbeat and melodic approach. Overall, this record is essential for lovers of minimal tech house and techno. Showcasing Dan Formless' unique and uncompromising style he is bringing the fun back to dance music enthusiasts with this one.

Review: Twilight is the latest piece by long time DJ, producer and remixer, Dominic Dawson. The Japanese label Flower, has released this single to 7" complete with a remix for the second side. The title track is a catchy and funky house track that while the remix is a bit more Balearic and beachy. Both versions have their place in any house setlist and will set the tone for any eclectic DJ set. With the DJing background Dominic has, he is a great guide to setting the mood with music. Like the title artwork suggests, this is perfect music to watch the sun go down to.

Review: Shewey Trax welcomes California-based Delicate Instruments aka Delinstr for a pair of cosmic new cuts that he serves up as two different mixes each. Opener '2 Another Planet' (Superspace Breakdown mix) has sugary video game melodies raining down like old school Mario or Tetris over thudding deep house kicks. The Delisntr Speed Down mix brings some twitchy acid details while 'Solamente' (Problems mix) is another beguiling mix of 8-bit melodies and supple drums that tap out hypnotic patterns while floating through space. The final Synth mix of the same cut is a more widescreen and far-sighted take to close out a perfectly astral EP.

Review: Sushitech is back with another of its sublime vinyl-only projects and this one focuses on the work of Dexter. There will be three 12"s in all that draw together some of the producer's finest moments. He is a truly cult figure amongst those who know and he served up a fresh take on tech, acid, dub and house between 1997 and 2004 when these tracks were first made - if you can find any of those original records prepare to pay loads for them, or else dive into Past Moves I. It has a brace of slick, tightly programmed cuts underpinned by rolling pads with lovely lo-fi pads up top. Heady stuff.

Review: Past Moves III is the final instalment of the vinyl-only series served up by Berlin's ever-well-curated and cultured Sushitech label. It is another essential 12' that packs in plenty of heat from the long-time UK favourite. His records are hard to find and expensive when you do and this collection highlights some of his superbly blended acid, dub, tech and house grooves from back between 1997 and 2004. On this one, you will find a pair of weighty, warm, and dubbed out tech cuts with bounce in the drums and Detroit soul in the pads. Timeless stuff.

Review: The second part of Sushitech's three-part vinyl-only series looking at the work of Dexter is another 12" doozy. The UK underground mainstay has been behind many cult and much sought-after records over the years and they all fuse obscure dub and acid tech house in smart ways. They were recorded between 1997-2004 and if you can find any OGs then you will be paying upwards of 100 quid for them. This slab has three driving but deep sounds carefully detailed with wispy pads and filtered vocals for perfect backroom deployment.

Review: See-Saw records out of the Netherlands were a well-respected label very early in the rave era. Starting way back in 1991, the label was known for being one of the first rave labels in the area but also respected for their variety of styles like house, techno, hardcore and trance music. Their third record and one of their most desired The Jewel EP by Diamonds & Pearls aka Gijs Vroom, is getting a welcomed reissue on the Late Night Burners label. This reissue is a mirror to the original that features the heavy piano house monster 'What You Do To Me', the Euro house gem 'What You Do To Disco' and the Chicago influenced 'Rockin' Your World'. We can't say enough great things about the beautifully mellow ambient house track 'Perspective' which perfectly captures the amazing chill out sound of the time. A very worthy and welcomed reissue from beginnings of of rave post the New Beat era in the Netherlands.

Review: TV Hill Records starts things off rough and curiosity-rousing, with a technical itch from OG AG (Andrew Grant) in collaboration with fellow producer Dimneonsum. A mid-paced deep techno calculator, 'What's Up Everybody' pares back any semblance of emotion for pure robotic urgency, with every sound moving in juddering clockwork lockstep in an abstracted world of pure, preservative mathematic topology. Opener 'San Fran' pits nervous FM loops against an equally anxious Shepard-tonal riser, while calmer moments such as the beatless 'Drakey' still disquiet with their eerie glassiness. One for the bleepy heads, the only humanistic element is the revelatory vocal sample on 'Found Out'.

Review: The Mountain 45 label has been giving us some unique music that cross genres since its inception just a few years ago. Like previous editions, Double A contributes 'Super Badman Riddim' which is both catchy and clever. Featuring James Brown samples thrown in the mix takes this dub related track to the limit of fun. For the B-side, James Nasty's 'Fan Dem Off' with a peak time party song that should take the dancefloor to another level. These attention getters are ideal for being addictively fun and different. It's hard to categorise music like this, which is a sign of its originality.

Review: A sprawling, typically irreverent effort from the ever-prolific DMX Krew. With each unfolding track, Edward Upton charts a new tributary in the Detroit-Berlin-Sheffield pipeline, from the grouchy technoid stomp of 'Bathtime Bobby', to the hazy chillout room introspection of 'Escape To 92', to the dazzled machine funk of aptly named elektro quest 'Desperate Measures'. Another thoroughly satisfying entry in the ever-growing DMX catalogue, Spiral Dance is a sizzling hotplate of timeless electro wizardry.