I'll Take You There (Directors cut Classic Signature remix) (7:48)
I'll Take You There (Dimitri From Paris re-edit) (7:48)
I'll Take You There (The Shapeshifters remix) (7:42)
Review: Back in 2011, Frankie Knuckles and Eric Kupper debuted their Director's Cut project by teaming up with old pal Jamie Principle on "I'll Take You There". Here it gets the reissue treatment, with a trio of classic mixes being joined by a fresh revision from scalpel maestro Moplen. His version is delicious, with Principle's loved-up vocal rising above bubbly synth-bass, evocative organ lines, swirling synthesizer motifs and sunrise chords. There's another chance to enjoy Director's Cut's own warm and glassy-eyed "Signature Remix", a second spin for Dimitri From Paris's slightly breezier (but no less loved-up) re-edit and a boisterous funky house rework from the Shapeshifters that some may have missed first time around.
Fred P - "119 Black Key Experiment" (Continuation interlude) (2:33)
Review: The inimitable Fred Peterkin presents yet more incredible adventures on his newly inaugurated Perpetual Sound imprint. Following up the incredible EP from Black Jazz Consortium back in December, this sophomore effort sees the head honcho co-present some fine tracks with veteran Swiss producer Sam Geiser aka Deetron via the Lush Culture EP. It's all about Captain P on the A side, featuring the deep and moody tribal entrancement of "Liquidity" followed by the soulful title track - which features his trademark use of emotive synth sounds and immaculately programmed rhythms. On the flip, Deetron goes well deep and smooth on his offering "Sweet Science" which sees him deliver hi-tech soul in his usual idiosyncratic style before P returns to conclude the release with the retro-futurist, ambient "119 Black Key Experiment".
Jamie Jones & Darius Syrossian - "Rushing" (extended mix) (5:43)
Jamie Jones & Darius Syrossian - "Rushing" (Afterparty Basement mix) (5:36)
Darius Syrossian - "Come On Come On" (extended mix) (6:33)
Darius Syrossian - "Kouka" (Warehouse Basement mix) (6:17)
Review: Jamie Jones and Darius Syrossian are both house heavyweights, but with very different vibes. It's fascinating that they have come together on this EP then, with their collaborative "Rushing" opening the EP in steamy fashion. It features a well worn vocal repackaged on bulky, bass driven house drums that are designed to get the crowd pumping their fists. The "Afterparty Basement Mix" is even harder hitting with some chords layered in for extra fun, then Darius goes solo on the flip for "Come On Come On", which fits in with his rolling, well sampled house style and is a sure fire crowd pleaser. The more stripped back and hypotonic "Kouka" is perfect for big spaces and bringing crowds together to march to a beat.
Review: Soundscape Versions delivers its third edition of the various artists series and offers four effective cuts between subtle house breaks, acid house, electro and atmospheric techno. Featuring Kintaro 89, Faune, Arian Alexander and Douala.
Review: It has been two years since Jay Bliss presented the last installment of his respected Stomping Grounds imprint, and now he's back with a third various artists EP. Bliss certainly has selected some of the scene's very best for contributions on SG 005: the ever impressive VICARI serves up the deep and dubby afterhours stomp of "Uncalminginfluence", before the label boss teams up with fellow Club Guesthouse resident Dragos Ilici for some quirky and glitchin' minimal funk on "Oobleck". Label staple Discret Popescu (aka Crihan) makes an appearance too, serving up the rolling and hypnotic "Lose Touch".
Review: In recent years, Detroit Swindle's outings away from their own Heist Recordings imprint have been few and far between, so it's nice to see them popping up on Will Saul's Aus Music imprint. He's done a good job A&R-wise, with all three tracks hitting the expected highs. The Dutch duo are in fine form with "Wado Baya", a rubbery chunk of hot-stepping Afro-house where bleeping electronic melodies and glassy-eyed chords rise above a snappy-but-bouncy groove. "Rhythm Girl Swing" sounds like a slipped and slightly skewed take on hypnotic mid-90s house - all trippy riffs and slowly rising filtered motifs - while "Vibrations" sees them join the dots between warm and woozy early '90s deep house and organ-rich New Jersey flavours.