Les Mondes Engloutis (Psychemagik main mix) (7:17)
Les Mondes Engloutis (Psychemagik 5am mix) (9:07)
Review: Martin Brodin's MB Disco imprint continues to deliver the good stuff, this time featuring two utterly essential Psychemagik mixes of Alico vs Cagri's "Les Mondes Engloutis". These mixes actually first surfaced on a digital-only release back in 2013, but now they've been buffed up for a full vinyl pressing, and rightly so. A side "Main Mix" is a full bodied, emotional banger with a lead drop to get crowds waving arms and singing along wholeheartedly. Our pick is the "5am Mix" on the flip though, where the synths take on a more shimmering nocturnal tone without losing that bright and bold character that will land this 12" in all manner of record bags this summer.
Cody Currie - "As Of Yet" (feat Joel Holmes) (5:09)
Grant Nelson - "In The Dark" (5:59)
Pontchartrain - "Don't Change It Up" (5:43)
Goddard - "Almasti" (6:11)
Review: With such a star-studded line-up of old and new talent involved, it's little surprise to find that De La Groove's fourth vinyl release is seriously good. It's that good, in fact, that there's no space to go into each and every highlight. Instead, we'll point you in the direction of some of our personal favourites. Check first the breezy and soulful US garage revivalism of Art of Tones' impeccable "So Sweet", before turning your attention to the dreamy, vibraphone-laden deep house sexiness of Cody Currie's "As of Yet (featuring Joel Holmes)". Grant Nelson's "In The Dark" is a fine slab of late '90s style UK garage, while Goddard's "Almasti" sounds like a nu-disco era riff on Pepe Bradock deep house classic "Deep Burnt".
Review: Mainz-based house hooligan Butch teams up with good studio pal Christian Vogt (Yellow Tail/Rebirth) once again for their new thumper - a remix of Andy Gibbs of The Bee Gees' 1980 hit "Desire". Said to have been circulating for more than a year on selected USB sticks, it's finally available for all. The sexy and low slung main remix is sure to burn up any dancefloor, and is backed by a groovy and swing-fuelled dub version, a handy and functional drum tool and a nifty vocal tool too. It's what Gerd Janson & Co. best described themselves as "blue-eyed R&B house.. made to please and evoke those unifying and uplifting dancefloor moments".
Review: Mulen's latest must-check release is a collaborative affair from experienced producer Alexis Cabrera (Raummusik, Salty Nuts, Yaji) and Jorge Saveretti (Esperanza, Visionquest, Cadenza). Given their collective history, you'll be unsurprised to learn that the "Some EP" is really rather good. They set their stall out via an impressive title track that wraps spacey but funky riffs, deep space pads and undulating acid lines around a memorable bassline and typically swinging tech-house beats). "KInda" tips a wink to the glitchy, bass-heavy sound of Romanian minimal techno and the swinging intergalactic tech-house funk of Paris's YYY label, while "Science" is a deep, woozy and wonky affair full of minor key bleeps, jazzy motifs and locked-in beats.
Review: Pretty much anything Call Super has touched in recent years has turned to gold. This new collaboration with Parris is no different: it is a self-released project with a fictional backstory involving an ageing writer called Mortise Koshimitsu who lived in a small apartment. The music itself is uptempo but deep, with shimmering wooden hits gliding on elastic drums as ambient synth beauty bleeds into the spaces left behind. "Majenta" is a more cavernous and dreamier track that is as good for home listening as it does for tasteful dancing.
Review: Frazer Campbell has been on a prolific run since first emerging in 2016, showcasing a keen instinct for sleek, refined deep house with a techy edge. This drop on Counterfeit Soul shows off the expressive expansive of Campbell's sound, leading in with the punchy "Don't Leave Me Honey D" and following it up with the fluttering melancholy of "My System". "No Drama" brings further Detroit influences to bear on Campbell's sturdy tech house beats, and then "Gazette" rounds the EP out with yet more accomplished machine soul musings. Immaculately produced and engineered for maximum club impact, this record looks set to get plenty of peak time floors strutting the good stuff this summer.
Review: As legends go, Don Carlos can be held pretty high up there. There are few producers which can instil as much admiration as the Italian deep house producer. Here he steps up to the stellar Imogen Recordings with a two tracker which proves he can still do what he does best. 'Alina' is eyes closed business right from the off. Waves of atmospheric synth strings and hazy chords roll in, as blissful pads sway with filtered drum loops. Part II is a variation on this masterpiece, progressing through the intro in a speedier fashion for those that need an express ticket to that peak time power. Alone on a Mediterranean beach or surround by a packed dancefloor, Alina is one to get lost in from start to finish and a solid statement that Don Carlos certainly still has 'it'.
Review: Carrot Green from Rio de Janeiro is a very nice guy. Actually you can hear that in his music - he's providing beautiful world styles combined with classic electronic elements in a very different way since years. The Kin Sharuba EP contains an Acid driven original tune and another one called Orientacao Espacial which is more relaxed. Remix delivery successfully made by Dengue Dengue Dengue from Lima and Comeme's Christian S.
Review: Hot on the heels of a re-work of Bobby Caldwell, edit stylist Caserta is back with another golden nugget. This time he turns his attention to the one and only Luther Vandross and serves up two equally essential but very different tunes that pay homage to his unique voice. The King Street Mix is all hip swinging claps and nodding bass riffs that are organic and heartfelt, whereas the Henry Street Mix nods to the '90s heyday of New York. With warm neon organ stabs that will get any floor pumping, both interpretations have Luther's soulful voice front and centre.
Review: There are a lot of much-loved Kerri Chandler records, but it would be fair to say that 1998's "Rain" - originally tucked away on the flipside of "The Mood EP" - is one of the most celebrated. Here it gets given the re-edit treatment by arguably the world's most celebrated editor, Danny Krivit. The veteran New Yorker gets busy with the original version on the A-side, focusing on the soulful, improvised vocals, tasty minor key melodies, skipping drums and warm, rich synth bassline. Over on the flip, Krivit turns his attention to Atjazz's later remix, which re-imagines the track as a breezy chunk of Latin house rich in live pianos, bossa-driven beats, hissing cymbals and some choice vocal snippets.
Kerri Chandler - "Peace Of Mind" (D'Julz remix) (6:46)
Lafayette - "Better Late Than Never" (Kettama Garage remix) (5:00)
Jiletta Riley - "The Way It Was" (Marquis Hawkes Classic club vocal) (6:57)
Review: There's little better, house-wise at least, than vintage Kerri Chandler productions, though these fresh remixes of tracks by the New York maestro would certainly run them close. German producer Henrik Schwarz steps up first to re-imagine Chandler and Jerome Sydenham's "Powder" as a fluid but hypnotic chunk of building, synthesizer-heavy house in his usual melodic, tech-tinged style, before D'Julz turns in a wonderfully warm, locked-in revision of "Peace of Mind" full of drum machine handclaps, woozy chords and fizzing electronics. Over on side B you'll find a superb Kettama Garage mix of Lafayette's Chandler-produced classic "Better Late Than Never" - think late '90s UK speed garage and you're close - as well as a partoculalry reverential take on Jiletta Riley jam "The Way It Was" by Marquis Hawkes.
Review: Kiwi duo Chaos In The CBD has been on fire of late, delivering a string of deep and jazzy EPs for such labels as Rhythm Section International, Church, Mule Musiq and Amadeus Records. Predictably, this two-tracker on the freshly minted Youandmusic is equally as inspired. A-side "Global Erosion" is a warm and relaxed affair, despite the presence of rolling, Afro-tinged drums, with delay-laden horns drifting across the mix in evocative fashion. The duo's African influences are brought to the fore on "Global Explorer", a rolling, far-sighted affair full of dreamy deep house pads, twittering panpipe melodies and dense tribal percussion.
Review: On the A1 Chekov follows up their moves on Peach Discs and Timedance with a proper peak timer, they've been described by Ben UFO as 'king of the build up' and that's evident on this one. At the A2 London's Doppelate makes their Cong Burn debut with an elegant tech-house roller. Fresh from Russia's underground is Camin, on this, his debut 12" release he drops a useful tool which squeezes between electro and techno. Cong Burn founder Howes closes the B side with some warm hypnosis that could have landed in the golden era of Workshop.
Review: After almost 5 years Lonesome Hero is back and delivers two bassheavy club jams with Acid Barney getting spins from Offen's Vladimir Ivkovic at the Strange Sounds from Beyond Festival 2018 in Amsterdam.
Review: If you've yet to succumb to the charms of Children of Zeus - and there can't be many out there who haven't - then this "odds and ends" LP offers a neat introduction. Five of the seven tracks have been plucked from the Manchester crew's previous full-length excursions, while the other two - seductively soulful two-step garage reworks of "Vibrations" and "Slow Down" by fellow Manchester resident Zed Bias - have previously been almost impossible to get hold of. Setting aside the club-ready remixes, what "Excess Baggage" proves is that Children of Zeus are one of British music's most essential outfits right now, delivering sensual and life-affirming cuts that brilliantly blend the best aspects of hip-hop, R&B and modern soul.
Review: Christian Schafer made his name a few years back via a swathe of releases on the admirable Comeme label that offered a distinctively off-kilter - if still formidably club-ready - take on house music. He's at it again on "Tannin", his debut for Munich's Permanent Vacation label. Schafer sets the tone via the cymbal-heavy machine percussion and warped acid bass of "Tannin", before joining forces with Sano on bongo-laden analogue deep house workout "Ritmo". "Passant" is a deliciously hypnotic and trance inducing voyage through locked-in drums and echoing waves of synthesizer sounds, while the Kolkut ELbay edit of "Dancer" is deep, trippy and wonderfully positive. Closing the EP is the original version of that track, a looser and slightly sleazier affair made in cahoots with old pal Matthias Agauyo.