Back in stock: Funk Soul & Jazz

Review: The strongly titled Death Breaks label, artistic outfit and release series isn't as terrifying as it may sound. For funk and disco loves, in fact, it's magic. This seventh volume kicks off with King Errisson's 'Well Have A Nice Day,' which brings some bright Philly style strings to funky bass riffs, luxurious arrangements and plenty of big horns all with a playful vocal. On the flip is In Search Of Orchestra's more driving and upbeat dancefloor disco pumper 'Phenomena Theme' with squelchy synth bass and jumbled drums and perc.

Review: After his hugely well received lovers' rock compilations for this label, Sam Don digs deep into the rich world of UK sweet soul on this - typically - excellent new compilation from the wondrous ashes of the North. He comes up with plenty of mega hard to find and expensive musical treasures that have all been painstakingly researched and tracked down. It was a short lived but fertile scene in the underground back in the 90s and if you didn't; know that already you will after one listen through of this - the sounds are highly danceable with silky, low-lit melodies and steamy and seductive vocals for loved up late night dancing.

Review: Leading Italian disco outlet IRMA is back with more irresistible and dazzling goodness, this time courtesy of Funky Destination with some pretty standout remixes. 'Take It Down' opens up as a new version by LTJ Xperience that has percolating funk lines and slow, sensuous grooves. 'Mr Bong' (Louie Beat Re-work) is a more percussive number with brilliant drumming and sunny melodies and 'Take It Down' offers a sensuous soul sound and some psyched-out guitar riffs. Last of all is the most streamy and busy of the lot with unresolved drum loops, disco percussion and rousing pads that will fill the floor.

Review: Croatian producer Funky Destination is back with an irresistible funk bomb here in the form of this new 45rpm on Sound Exhibitions out of Italy. It comes on limited edition red vinyl and opens up with 'I Wanna Love Ya' which is one of his signature grooves completes with snappy hits and jangling guitar lines. It's a loopy affair that bursts to life with the arrival of some big trumpets and has a throwback turn of the millennium feel. 70s Lonely Hustler' is the flipside jam and is a more organic and loose rhythm peppered with Latin energy, bird calls, tambourines and much more.

Review: For those of a certain age, Gwen McRae's "All This Love That I'm Givin" will always evoke memories of Cassius' French Touch classic "Feeling For You", which sampled it heavily. It remains a killer record in its' own right, though, as this timely reissue proves. Originally released in 1979, it sees McRae at her powerful best, delivering a potent message to an errant lover over a killer, low-slung disco-funk groove. It's one of the tracks that should really be in any discerning funk, soul or disco DJ's collection. Flip for original B-side "Maybe I'll Find Somebody New", a breezier chunk of laidback soul with a slightly Southern lilt. It's good, but pales into insignificance compared to the brilliant 'A' side.

Review: Athens of the North has got some fantastic and previously unreleased lo-fi goodness on their hands here. It comes from Lee Tracy and Isaac Manning's back catalogue and has been boosted subtly by some studio drumming from ECLA which adds a little more heft to it. 'Foxy Lady' is a lithe funk jam with shimmering synths and snappy snares over nice broken beats. It is backed with 'Jesus Going To Clean House' which is a standout cut from the album that has got many heads falling over themselves so good is it. The vamping chords and dusty deep house drums could all be a forgotten Chicago classic while the vocal is a real one packed with emotion.

Review: In 1977, Gaye Mody Camara, a young Soninke raised in Mali's Kayes region, settled in France to found his own empire modelled psychically after the great Soninko empire. Initially selling wax, kola nuts and other goods in his Parisian outlets, he rapidly started distributing cassette tapes and eventually producing a multitude of recordings for his own label, Camara Production. Crossing paths and collaborating over the next four decades with legendary artists, griots and industry moguls like Boncana Maiga and Jean-Philippe Rykiel, Camara became one of the great independent music producers of his generation, and a pillar of the Parisian Soninke diaspora. Released in close collaboration with Camara and with the assistance of Daouda N'diaye, one of A.P.S' (Association pour la Promotion de la langue et de la culture Soninke) historical members, this selection of songs and accompanying notes aim to shed a light on an intricate culture and its modern music, unjustifiably unknown outside of West Africa and the various diasporas around the world.

Review: French label Wagram is a go-to when it comes to quality compilations that take a broad look at certain sounds and scenes, and this one is an on-going series that focuses on house sounds with an Afro undertone. The grooves are lively and often come with plenty of percussion. The drums hit hard but with funk, the vocals are Afro-centric and plenty of irresistible hits come thick and fast from the jazzy tribal swagger of 'Imbalaye' to the big steel drum party sounds of 'Viet Dao' (Klement Bonelli & Yann DL remix). Another great collection of colourful Afro house sounds.