Review: Norwegian jazz pianist and composer Bugge Wesseltoft rose to prominence in the late 1990s on the back of a string of records that joined the dots between jazz, techno and hip-hop. Since then he's collaborated with many electronic producers - Laurent Garnier and Henrik Schwarz included - so it's little surprise to see him joining forces with Scandolearic hero Prins Thomas. The eponymous set was recorded at Oslo's legendary Rainbow Studio, where the pair improvised for a couple of days before editing down the results. There's much to admire, from the spaced-out brushed percussion and sorrowful piano of "Sin Tempo", liquid ambient vibes of "Norte Do Brasil" and wonky kraut-jazz bubbler "Bar Asfalt", to the slowly building brilliance of 16-minute opener "Furuberget". File under "ambient jazz".