Notes: Mukatsuku branded Custom UK Made MDF wooden box for 7 inch records with metal branded logo & nameplates.Will hold up to 125 records (up to 125 x 45s in plain paper sleeves /100 in card sleeves) .Fixed together with high strength resin adhesive using 40mm screws & 25mm pins.Fixed together with high strength resin adhesive using 40mm screws & 25mm pins.
The internal/external - (approximate) dimensions are :
All I Do (Ryuhei The Man 45 edit instrumental) (4:05)
Review: Japanese live outfit, A Hundred Birds has a thing for creating classic covers. Over the course of their career, they've recorded countless covers, including organic, string-laden interpretations of techno scene staples such as "Blackwater" (originally recorded by Octave 8) and "Knights of the Jaguar" (The Aztec Mystic). Last year they offered up another warm and wonderous cover, this time of Stevie Wonder classic "All I Do". Here it gets a new lease of life courtesy of scalpel fiend Ryu The Man, who has delivered tightened-up, floor-friendly vocal and instrumental edits of the warm, rich, soulful and undeniably summery cover version. Both are rather good, though it's the vocal version that will win over dancers.
Review: Afrosynth Records has become renowned for its deep dives into the colourful, synth-heavy world of original South African disco, boogie and bubblegum. They're at it again here, offering up a fresh pressing of "Turn It Up" by Adaye, a one-off studio project featuring members of legendary South African 'supergroup' Stimela. This edition replicates the track listing of the original 1983 release, beginning with the A-side vocal version - a driving slab of bubblegum boogie laden with James Brown style lead vocals, colourful synth sounds and delay-laden drum machine beats. The flipside "Instrumental Disco Mix" naturally strips out all but the backing vocals, instead showcasing the intricacy of the studio outfit's Prince-style guitar riffs, jaunty bass and kaleidoscopic synthesizer flourishes.
Review: The Bees were a product of the late 80s South African music scene. They were an unknown band even in their homeland but its hard to see why given their happy kwaito sound. Now, 30 years later, international diggers are bringing the outfit the acclaim they deserve after the band was rather forgotten because they never had a big crossover hit in their early years. Here two of their best tracks are served up by Dutch label La Casa Tropical. They're lit up with pixelated synths and retro-future vibes that European party people love to get down to. "Mamezala" is the more considered of the two, while "Never Give Up" is a strident and rousing proto-house anthem with plenty of boogie in the bass.
BIG Poppa's Got A Brand New Bag (instrumental) (3:59)
Review: When it comes to mash-ups and unofficial reworks, sometimes the simplest ideas are the ones that make for the most effective versions. That's certainly the case here, as Soul Mates main man Amerigo Gazaway crafts four slabs of funk/hip-hop fusion fusing funky beats with hip hop accapellas plus the all essential instrumental versions...only 300 copies. Don't sleep !
Review: Originally pressed (on a limited run) in 2013, LA Latin funk troupe Boogaloo Assassins have reissued these two spellbinding cover versions again due to public demand. Still on a highly limited run, both cuts need to be in your collection: Dawn Penn's "No No No" gets a strict samba switch with lavish percussion and consistent vocal harmonies throughout while Sonny Henry's "Evil Ways" (best known from its Santana cover) gets the dreamy instrumental treatment where the horns and glocks do the narrating over a tight bed of wood blocks, shakers and liquid Rhodes. Killer stuff and Juno is one of the few stores outside of USA which is carrying the 45. Don't Sleep !
Review: Tastemaking US jazz label International Anthem serves up this special 7" from Angel Bat Dawid in response to Emma Warren's 2019 book "Make Some Space", which told the story of London DIY music space Total Refreshment Centre. Featuring clarinets, keys and drum machines, both tracks are hugely conversational, with emotional pain and power ebbing and flowing through both originals pieces. A-side "Transition East" overflows with ideas and narrative while "No Space For Us" is more cautious and subdued, but both leave a lasting impact. The track features Angel with Ben LaMar Gay and Brazilian talents Edbrass Brasil, Romulo Alexis, Tadeu Mascarenhas, Nancy Viegas and Germano Estacio.
Review: Afro disco fresh from 79: Eko Roosevelt Louis's third album Funky Disco Music will go down as one of Cameroon's finest disco LPs. Produced and pressed by French label Dragon Phenix, it's still reasonably easy to track down, too. For a taster, grab three of its tropical charms on this Fly By Night repress: "Funky Disco Music" is an infectious vocal-led cut that's written solely to make people get down, "Ndolo Embe Mulema" struts with much more Afro rock fusion while the harmonies of "Bowa'a Mba Ngebe" are sweeter than the finest honey you've ever tasted. For contemporary kicks Riccio has expertly touched the title track for a modern dancefloor/DJ friendly punch. Perfect.
Marvin Gaye - "This Love Starved Heart Of Mine (It's Killing Me)" (2:44)
Shorty Long - "Don't Mess With My Weekend" (2:29)
Review: Each release in Deptford Northern Soul Club's multi-artist single series, which gathers together Northern Soul scene classics and offers them up in freshly re-mastered form, has been nothing less than essential. Predictably, the label's latest seven-inch is another doozy. On the A-side you'll find one of the rarest cuts in Marvin Gaye's vast catalogue - 1967 stomper "This Love Starved Heart of Mine (Is Killing Me)", which was for some reason pressed in extremely limited quantities first time around. Over on the flip the Deptford boys and girls serve up Shorty Long's "Don't Mess With My Weekend", an insatiably funky Northern Soul scene anthem that Motown only ever released in Australia.
Review: K15 has been a man on a mission since he first emerged. The London based musician and beat maker has a truly cosmic sound that leans heavily on jazz for inspiration. He's worked on vital labels like Wild Oates and Eglo and now pops up on Mother Tongue to care of one side of this hot 12". His "elemental" is a far sighted track with cosmic keys and spiritual pads layered up over tumbling broken beats. On the flip, his other alias Culross Close appears with "Intrinsic Value" which is a lush track at the intersection of house, jazz, broken beat and jazz-funk. It is stuffed with the sort of very real feelings that define all his work.
King Most - "Rhythm Rug" (My Favorite edit Ever) (3:29)
Altered Tapes - "Ego Drip" (Outta This Horn remix) (4:20)
Review: If hot-to-trot and heavyweight funk re-fixes are your thing, you should already be familiar with the work of Chicago-based Heat Rock Records. Their latest limited seven-inch delivers two must-check workouts. On the A you'll find the "Rhythm Rug" edit by San Francisco scalpel fiends King Most, a cut-and-paste concoction that peppers a sunny, hip-hop tempo good-time soul-funk groove with excerpts from the acapella version of rap classic "Can I Kick It?" Over on the flip, label regulars and Windy City heroes Altered Tapes provide something even wilder: a hot-stepping fusion of Afro-jazz horns, dancehall style drums and what sound like occasional Q-Tip vocal snippets.
Review: Le Disques Bongo Joe's latest EP is a joint release with Calico Discos. It offers up four fresh cuts from L'Eclair, a self-styled "exogroove post-internet" six-piece with three must-check albums to their name. Musically, the four tracks offer a breezy, summery and mixed-up blend of Tony Allen style polyrhythms, tropical funk guitars, languid synthesizer sounds, psychedelic electronics and copious amounts of mind-altering dub effects. Our favourites include the low-slung deep Afro-psychedelia of "Dallas", the rousing, horn-heavy EP opener "Cebando" (a future dancefloor staple for sure), and the Moog-laden sunrise dreaminess of "Atlantis".
Review: When it comes to offering up authentically funk-fuelled, revivalist disco-funk treats, former crate digger to the stars turned re-editor and producer Lord Funk has an impressive track record. One of his most sought-after releases is 2018's colourful "Knock Me Out EP", so it's no surprise to see it being given the reissue treatment two years on. There's much to admire, from the early Sugarhill Records-sampling boogie/p-funk fusion of opener "Blow Your Mind", to the talkbox-sporting P-funk revivalism of "Knock Me Out" (seemingly a reissue of a lesser-known kaleidoscopic synth-funk gem from the early-to-mid '80s), and the rather brilliant, Prince style electrofunk headiness of closing cut "Do It (If U Like)".
Review: The third missive from crate-digging reissue specialists Discs of Fun & Love offers up a new pressing of a suitably obscure and hard-to-find private-press gem, Maggie Epting's sole single as Mandisa, 1981's "Summer Love". The song itself is superb: a wonderfully breezy and sun-kissed slab of dewy-eyed soul that sees Epting deliver an emotive lead vocal over a jazz-funk influenced smooth soul groove and plenty of spacey, intergalactic synthesizer sounds. Over on the flip you'll find original B-side "Love's Dream", a quirky, sax-laden slab of electric jazz that features an even bolder and more ear-catching Epting vocal. It's very good, though the real killer resides on the A-side.
Review: It's early days for Meftah, who you may have spotted remixing Amp Fiddler on Mahogani Music alongside Jahn Cloud, but this low key 12" highlights him as a serious talent to keep tabs on in the Detroit music community. There's no hiding his musical roots and influences, as dusty keys, live bass and loose, expressive percussion intertwine in a mellow, bluesy haze. This is cut from the same cloth as Kenny Dixon Jr, Theo Parrish, Jay Daniel and scores of others, but Meftah has his own mellow mood to impart on these five addictive, seductive trips through deepest jazz-inflected house.
Turn This Thing Around (feat Sulene Fleming) (4:07)
Turn This Thing Around (Exclusive unreleased instrumental) (4:04)
Review: Killer modern day funk masterpiece first released almost 20 years ago by the legendary Leeds outfit led by guitarist Eddie Roberts and the first time ever on a handy 7 inch format.Still as fresh as ever fierce drum kit and twangy guitar with hammond organ stabs leads way to upfront vocals from Sulene Flemming who has worked with Bernard Purdie, Reuben Wilson, Brand New Heavies and Incognito etc. Originally released in 2001 it still sounds fresh as ever and this version comes backed with an exclusive unreleased tuff breaks heavy instrumental version. Hand-numbered to 500 copies and served in a Juno exclusive sleeve. Supported by DJ Koco from Japan ,Skeme Richards,The Allergies & Oliie Cheeba from The Herbalizer so far..
Please Don't Make It Funky (The Patchouli Brothers Re edit) (5:05)
Review: "Please Don't Make It Funky" is one of those delicious curiosities that dusty-fingered crate diggers unearth every now and then. Recorded and released in limited qualities in 1980, it was apparently an attempt by Frank Pisani, then a veteran American singer who had last tasted success in the rock and roll era, to capture the disco/jazz-funk zeitgeist. While it was a commercial flop, the track is undeniably attractive and fun, with squelchy synth sounds, ear-catching horns, fluid piano solos and Pisani's blue-eyed-soul vocals rising above a tidy groove. This surprise - but most welcome - reissue backs Pisani's cheery original with a fresh re-edit by the Patchouli Brothers. This includes some filter trickery and a DJ-friendly arrangement, but otherwise sticks close to the original mix.
I Don't Know What It Is, But It Sure Is Funky (Fashion remix) (3:56)
Review: Legendary 70s funk band Ripple are back with two original members making new music again. Curtis "Kazoo" Reynolds & Keith "Doc" Samuels now go by the name of Ripple 2.20 and their first work is a new version of John Edwards' "Exercise My Love." It is a cover, but not as we usually know it - they lay down an incredible new vocal and play the parts with a real sense of sensuousness. On the flip is a new remix of some of Ripple's original material in the form of Fashion's take on "I Don't Know What It Is, But It Sure Is Funky", a raw, dirty, sleazy jam to get you in a sweat.
Review: Touchingly, the A side of latest single from Ruby Rushton is a tribute to de facto bandleader Tenderlonious' father, who spent many years working in Nepal. Entitled "Sun Khosi", the track is a brilliantly summery blast of percussive, Afro-fired jazz fusion laden with sweat-soaked horn blasts, snaking Latin trumpet lines, deep Rhodes notes and inspired alto flute solos from Tenderlonious. B-side "Chrysalis" was composed by keys-player Adrian Shepherd and was influenced by the style of one of his inspirations, jazz pianist John Taylor. It's up-tempo, bold, hugely enjoyable, electric piano-heavy and sits somewhere between jazz-funk and the kind of jazz-fusion fare made famous by Azymuth.
Review: There's plenty to set the pulse racing on this inaugural, limited-edition seven-inch single from Off Records. Check first Parisian producer Son of a Pitch's A-side spin "Alice Donut", a hot-to-trot re-edit of what sounds like a late 1960s French fusion of lounge music, Phil Spector wall-of-sound pop and Hammond-heavy funk. It's undeniably quirky, but thanks to the presence of ear-catching organ lines and crunchy breakbeats, also a bona fide dancefloor hit. Over on the flip, French Zulu Nation member DJ Suspect turns his attention to a tongue-in-cheek Gallic Mod-era number, fattening up the breakbeats and emphasizing the killer horn lines and swinging sixties vibes.
Review: When it comes to the jazzier, more Latin-focused side of GAMM's output, much of the best material has always come courtesy of Sugarloaf Gangsters - the re-edit alter ego of carnival house maestros Spiritual South. Here they return to the Swedish imprint for the first time in 14 years with a two-tracker that's every bit as sweaty and celebratory as their previous work. Check for example A-side "Temarasa", a brilliantly tweaked and subtly touched-up revision of a heavily percussive Brazilian workout laden with sizzling samba horns and heavy funk guitars. Equally as potent is flipside "Chor Gway", an epic African style drum track peppered with dub style electronic noises underpinned with a deliciously weighty, sub-heavy bassline.
Review: Thomas Xu tends not to release much music, but when he does it tends to be musically rich, rhythmically complex and very, very good. That's certainly the case with "Places In Time", his second EP on Steady Flight following an inspired 2017 debut on Theo Parrish's Sound Signature imprint. There's much to set the pulse racing across the EP, from the heavily analogue, synthesizer-powered, intergalactic jazz-funk looseness of "Easin", and the slipped 21st century instrumental space-jazz of "Tired A Being Tired (What Are We Here For)", to the densely layered, piano-driven ambience of "Promise 2", and the hard-to-pigeonhole eccentricity of closing cut "Let's Go See Roy".
Bob Brady & The Con Chords - "Everybody's Goin' To The Love-In" (2:48)
Review: Party brand-turned-record label Deptford Northern Soul Club is doing a great job in offering up reissue seven-inch singles packed with hard-to-find soul stompers from the late 1960s. Their latest "45" delivers two tried-and-tested classics from 1968. On the A-side you'll find Herb Ward's superb "Honest To Goodness", an effortlessly soulful and energetic affair in the typical Northern Soul style that benefits greatly from a life-affirming call-and-response style chorus. Over on the flip you'll find Bob Brady & The Con Chords "Everybody's Goin' To A Love-In", a scintillating blue-eyed soul affair reminiscent of some of Smokey Robinson's greatest moments. Two classics, one essential "45" - don't sleep!