Review: Clear the way when you see them coming through! Three albums deep since 2016, Jalapeno's in-house funk machine The Allergies wheel up with more brand new material. "Every Trick In The Book" shakes and slides with a wry psychedelic groove, a familiar vocal, big horns and lavish dollops of the feel-good flare the Bristol duo have made their signature. Need something spicier? Flip over for "Nuff Respect" where long-standing MC partner in vibes Andy Cooper steps up to cover one of the all time OGs: Big Daddy Kane. Back up and bow.
Engine Dub Number 9 (Jorun Dusted Out Space Echo edit) (4:34)
Opening Act (feat Emskee) (2:43)
Review: Fresh Pressings return with goods that are true to their name. It's Portugal by way of Halifax, Nova Scotia hip hop DJ and producer Jorun Bombay who is behind this one. He pioneered the scene in his native Canada, has led his own talent-filled coalitions and built up a fine discography over the last 15 years. This is a welcome new addition that finds him add tons of dubbed out space echo to "Engine Dub Number 9" while raw, funky breaks power it along. "Opening Act (feat Emskee)" is a more rolling beat with old school mic work and crisp hits.
Review: American funk band Breakwater is best known for their hit "Release The Beast," which gets a reissue treatment by Be With. Even if you don't know the name, you'll recognise the track's withering lead riff because it was sampled by Daft Punk for their iconic "Robot Rock". It's mad to think such a futuristic sound was created somewhere in Philly in 1979, but it was. The flip side houses the smooth and buttery "Let Love In", a feel good, deep cut funk gem with vocal harmonies, bulbous bass and hip swinging claps.
Review: Since launching last year, Lil Static has offered up new, lightly altered editions of classic tracks from Jeru the Damaja, Kraftwerk, Run-DMC, Nas and the Notorious B.I.G. Here they continue to serve up vital beats for break-digging DJs via classic cuts from Eric B. & Rakim and Mountain. The A side sports an edited version of 1986 cut "Eric B. Is President", a synth-bass propelled NYC hip-hop gem rich in unmistakable rap vocals and tight scratching. Over on side B there's a chance to savour Mountain's late '60s rock cut that provided the Eric B. & Rakim track (and so many others since) with its distinctive drum break, "Long Red". This edited version gives more prominence to the breaks, making it an ideal mixing tool for hip-hop DJs.
Review: Rocafort Records has excelled itself once again with this release, a four-track journey into "oriental jazz" by a quartet of international musicians helmed by young Turkish pianist, composer and arranger Gokhan Surer. He describes his style as "world, fusion, jazz", which is a neat summary of the exotic, evocative and emotion-rich material on offer. Check first the warm occidental jazz shuffle of "Chimera" before recoiling in wonder at the Turkish strings, double bass, hushed percussion and jazz-funk style electric piano solos of "Dere". Over on side B, "Makam Rasta" is an inspired fusion of reggae, jazz-funk and Arabian instrumentation, while "Onbesli" is a rolling fusion cut underpinned by hip-hop style beats.
Review: Way back in 1970, People In The News released their sole single on Knap Town, a tiny label based in Indiana. Original copies of that funk "45" are notoriously hard to find, thanks in no small part to the quality of both cuts. Step forward Athens Of The North boss Euan Fryer, who has secured the rights to reissue the single for the first time. A-side "Color Me" is the real bomb: a down-low chunk of mid-tempo funk with politically charged group vocals, rasping guitar licks and hip-hop style drum breaks. Over on side B, "Misty Shade Of Pink" is the kind of rock solid instrumental funk workout you'd expect to hear from the Meters.
Review: Pal Joey is a legendary New York house producer. Whatever alias he assumes - and there are many - you can be sure of real quality, and this 7" features two of his best: As Soho he offers the jazzy keys and funked up house loops of "Hot Music" which samples Wynton Marsalis's "Skain's Domain". On the flip, he becomes Earth People and serves up pure house joy on "Dance" with its ebullient vocal yelps, party starting sax lines and timeless chords. It's the sort of celebratory, end of the night weapon that will send people home in absolute raptures.
Review: Ubiquity is back with another of its two part 7"s, this time from contemporary soul group The Soul Surfers. Experts at covering the greats, they recently turned their hand to a classic from The JB's, while this time out it is Kool & The Gang's classic "Summer Madness" that gets a deep-cut and sexy make over. Part 1 is a sensuous slow burner with downtempo drums and heavenly guitar playing, while part 2 has harder drum grooves and dreamy , psyched-out guitars. It's another ageless rework that you need in your life.
Review: With the state of world politics at the moment, we could all do with the occasional pick me up. Enter The Pharaohs who link with Chicago natives Spencer Jackson Family for "Bring Back Peace To The World", which gets a timely reissue on Ubiquity. It's a spiritual bit of jazz funk with sax lines to get you grooving, deep soul vocals that stir you from the inside out and gospel overtones that get anyone ready to rejoice. Each part is as essential as the other and despite adding up to just over five minutes in total, both cuts will no doubt enhance your mood.
Karate Boogaloo - "Do You Even Know What A Passport Is" (4:35)
Review: The second salvo from Aussie imprint College Of Knowledge offers up two sizzling sides of revivalist instrumental soul and funk from bands who've yet to make their mark outside of the Southern hemisphere. Surprise Chef, who helped launched the label earlier in year, handle side A, offering up a loose, percussive and hugely attractive number rich in mazy organ lines, fuzzy bass and classic funk guitar licks. Karate Boogaloo take a slightly more relaxed approach on the flip, layering fluid guitar solos and sustained, elongated Hammond organ chords over a bluesy soul groove.
Ebo Taylor - "Peace On Earth" (Monsieur Scott remix) (4:55)
Pat Thomas - "We Are Coming Home" (5:51)
Pat Thomas - "We Are Coming Home" (2 Paris Septembre re-edit) (4:51)
Review: Comet's ongoing "Highlife Re-Edit" series is perfect for those who want a little contemporary pizzazz alongside their Afro-disco grooves and dancefloor-ready highlife classics. Like its predecessor, the series' latest volume boasts cuts from highlife legends Ebo Taylor and Pat Thomas. The former's punchy, breezy and trumpet-laden highlife-jazz cut "Peace On Earth" can be found on side A, alongside a dreamy Monsieur Scott version that drags the track further towards leisurely jazz-house territory. The Pat Thomas track showcased on side B is "We Are Coming Home", a righteous highlife/funk fusion effort rich in dense percussion and eyes-closed rock guitar solos. The accompanying 2 Paris Septembre Re-Edit brilliantly re-invents it as a bustling broken beat affair laden in shimmering synths and squelchy electronic bass.
Review: Now here's a traffic jam we're all happy to be in... Aussie funk super troupe The Traffic (comprising members of The Bamboos, Cooking On 3 Burners, Pickpocket and Punkawallahs) come correct with this follow up to their debut last year. Come for the awesome party-melting, wall-shaking Daft Punk cover on the A, stay for the groove-based soul-laced broken beat jam "Chasin' Feels". Both poles in their clearly broad and skilful musical scope, we can't wait to hear what they've got coming next.
The Truckin' Company - "Got The Feeling" (Massimo Berardi edit) (5:41)
Izk Eyes - "Ton Of Groove" (The Funk District re-edit) (6:30)
Review: Fledgling label Daje Funk is sure to turn heads with their second sizzling offering of edits, with Rome's Massimo Berardi and Mexico's The Funk District both stepping up to the buttons. Truckin' Company's "Got The Feeling" is a loopy and rolling funk gem that keeps the energy up as strings soar to the skies and a squelchy bassline keeps you locked. The Funk District takes care of the flip with a top tweak of Izk Eyes's "Ton Of Groove", which is an appropriate title: big brass sections to shake your booty, a buttery male vocal and busy guitar licks all drive it forward through big breaks and killer drops.