Review: Clear the way when you see them coming through! Three albums deep since 2016, Jalapeno's in-house funk machine The Allergies wheel up with more brand new material. "Every Trick In The Book" shakes and slides with a wry psychedelic groove, a familiar vocal, big horns and lavish dollops of the feel-good flare the Bristol duo have made their signature. Need something spicier? Flip over for "Nuff Respect" where long-standing MC partner in vibes Andy Cooper steps up to cover one of the all time OGs: Big Daddy Kane. Back up and bow.
Review: American funk band Breakwater is best known for their hit "Release The Beast," which gets a reissue treatment by Be With. Even if you don't know the name, you'll recognise the track's withering lead riff because it was sampled by Daft Punk for their iconic "Robot Rock". It's mad to think such a futuristic sound was created somewhere in Philly in 1979, but it was. The flip side houses the smooth and buttery "Let Love In", a feel good, deep cut funk gem with vocal harmonies, bulbous bass and hip swinging claps.
Review: Since launching last year, Lil Static has offered up new, lightly altered editions of classic tracks from Jeru the Damaja, Kraftwerk, Run-DMC, Nas and the Notorious B.I.G. Here they continue to serve up vital beats for break-digging DJs via classic cuts from Eric B. & Rakim and Mountain. The A side sports an edited version of 1986 cut "Eric B. Is President", a synth-bass propelled NYC hip-hop gem rich in unmistakable rap vocals and tight scratching. Over on side B there's a chance to savour Mountain's late '60s rock cut that provided the Eric B. & Rakim track (and so many others since) with its distinctive drum break, "Long Red". This edited version gives more prominence to the breaks, making it an ideal mixing tool for hip-hop DJs.
Review: Funk Night Records were quick to snap up some newly recorded material from Philly psych band Grimace Federation as soon as they heard it, and for good reason. These tracks were recorded during a weekend in a session with producer John McEntire and manage to sound raw and distorted yet seductive. "Dotsero" echoes the magic of Adrian Younge with its big horns and stirring soul, while "Starspots" is a more expansive track, with nebulous chords, busy drum playing and plenty of jazz elements making it a real cosmic voyage.
Review: Is there a more genuinely eclectic producer than Kalbata operating right now? We certainly can't think of one. Over the last decade and a half he's turned his hand to everything from dub, techno, dubstep and electro to Balearic beats, downtempo grooves and inspired musical fusions that simply cannot be categorized. His latest excursion - made in cahoots with five-piece Israeli band Tigris -falls into the latter category, offering up a brilliant blend of African and Caribbean rhythms, Turkish psych-funk organ solos, off-kilter electronics, wavy ambient chords and glistening guitars. It's hard to accurately describe but brilliantly produced and hugely entertaining. Don't sleep on this one!
Review: Founded in 1967 by singer/producer Carlos Oliva and other Cuban immigrants to the United States, Los Sobrinos del Juez were briefly one of the leading protagonists of the turn-of-the-'70s "Miami Sound" - a humid and intoxicating fusion of blues, rock, funk and dancefloor-focused Latin sounds. Their 1974 debut single "Harina De Maiz" - here reissued for the first time since - is a perfect example of that short lived style, offering up a mixture of wah-wah-guitar and psychedelic organ-powered Latin funk grooves and righteous Cuban vocals. On this edition it comes backed by the previously unheard "Corned Beef Hash", a swinging Latin-jazz number rich in vibraphone solos, jaunty piano riffs and plenty of hip-wiggling percussion.
Review: Way back in 1970, People In The News released their sole single on Knap Town, a tiny label based in Indiana. Original copies of that funk "45" are notoriously hard to find, thanks in no small part to the quality of both cuts. Step forward Athens Of The North boss Euan Fryer, who has secured the rights to reissue the single for the first time. A-side "Color Me" is the real bomb: a down-low chunk of mid-tempo funk with politically charged group vocals, rasping guitar licks and hip-hop style drum breaks. Over on side B, "Misty Shade Of Pink" is the kind of rock solid instrumental funk workout you'd expect to hear from the Meters.
Review: REPRESS ALERT: As far as collaborative delights go, this really takes the cake. Miami boogie wildcard Noel Williams, aka King Sporty, throwing it down heavy with legendary Jamaican reggae axe man Ernest Ranglin - as you might expect, the results are incendiary. "Soft Touch" has a hint of the cosmic about it as it romps through insanely catchy chorus chants, stirring brass stabs and Ranglin's sweet licks. "Keep On Dancing" has a more uptempo feel, "In The Rain" slips into a laid back reggae skank and "Be What You Want To Be" turns the vintage disco heat back up. Throughout this wonderful mini LP, the duo switch between each other's strengths and bring out the best in each other, like all good collaborations should.
Review: Australia's Choi Records drop their second release in the shape of two powerful cover versions either side of a devilish little 7" by The Traffic. The A-side, "White Lines", is a funky, horn-led reinterpretation of Grandmaster Flash's original tune : an instrumental brass ode to the original beast. On the flip, there's "Smack My Pitch Up", another mighty instrumental rework of The Prodigy classic, complete with a string of trumpets that imitate the original's inimitable vocal loop.
Review: Africa Seven's second tribute to the "funky sounds of female Africa" is packed to the rafters with gems. While some of the material may be familiar to those digging Afro-funk, disco and boogie - see Oby Onyioha's breezy boogie sing-along "Enjoy Your Life", the similarly awesome early '80s dancefloor pressure of Nayanka Bell's "Just A Boogie" and the gnarled disco-rock pressure of Christy Essien's "Nobody Can Stop You" - the vast majority of tracks are not only little-known, but also simply essential. Our picks include the disco-reggae bounce of Bebe Manga's "Lokognolo", Theodora Ifudu's Teena Marie style disco-boogie workout "This Time Around" and the spiraling heavy funk pressure of Diane Solo's "N'Ziketio".
Review: In 2016, Family Groove Records released a 12" of previously unheard 1979 demo recordings by Webster Station, a boogie-funk band from Dayton, Ohio whose studio efforts were initially binned by Warner Brothers for not being commercial enough. Demand for Family Groove's limited 12" of their recordings has remained high, so the label has decided to do a reissue. There's much to admire throughout, from the high-octane thrills of opener "Are You For Real" and the spacey warmth of the super-soulful "Can You Feel My Love", to the sugary sweetness of the Latin tinged ballad "Lady" and righteous closer "If You Feel Like Dancing", a killer combination of spacey synths, crunchy drums, urgent vocals and killer Clavinet lines.