Space Afrika - "After They Entered It Was Only Evident" (3:59)
Review: "Shared Meanings" has been one of Mumdance's most ambitious and explorative projects to date; pulling together the four corners of the hardcore continuum and tying them in a tight bow, his mix has drawn elements and parallels between all genres and laced them in a narrative that mirrors and reflects throughout. Now, for limited time only, we have five of the 32 tracks he included in the mix ranging from his and Logos' totem track "Teachers" which pays homage to the UK's forefathers, to the pulverising thumpy bumpy techno of Nkisi's "Kinenga" via stasis sensation ambience from Space Afrika in the form of "After They Entered It Was Only Evident". Coordinates don't come much broader or deeper, "Shared Meanings" is Mumdance in full on explorer mode. Long may his meaningful trips continue.
Alessandro Adriani - "Do Not Deliver Me Into The Enemy's Hands" (6:01)
Raw Ambassador - "Attack, Attack!" (5:49)
Review: New Italian label Hiroshima 45 Chernobyl 86 Windows 95 present Pubblicazione 001. Starting off on the A side is Penelope's Fiance from Thessaloniki, who serves up a lo-fi and coldwave perspective of the Boards Of Canada on "Run & Gun", while Italians Rawmance and Security team up on the slo-mo EBM mutation of "Un Bon Flic" - bringing you the sound of latter's Knick Knack Yoda burger club in Rome. On the flip, Mannequin boss Alessandro Adriani gives us the gnarly 303 acid epic "Do Not Deliver Me Into The Enemy's Hands" and Raw Ambassador aka Antonio Barbetta gives us the early industrial sounds of "Attack, Attack!" with its rusty aesthetic calling to mind the classics of Portion Control or Skinny Puppy.
Review: Proof of the rude health of the Australian underground abounds with this new label from Phile, who step out with a self-titled debut EP that tells you all you need to know. This is searing, brutalist techno crafted with invention and imagination - the dense crackle of the beats and scorched peals of synth on "Found In Blood" are a visceral force to behold. "Marauder" is mellow by comparison, furnishing a minimal beat with live bass, dramatic string licks and steadily building atmospherics. The analogue dirt of "Abhor" is positively evil, and that's before Karina Utomo's none-scarier vocals come into play. Brimming with personality and demanding of your attention, Phile made themselves a duo to watch in one fell swoop.
Review: As Psynote, Argentine producer Franco Cinelli released a couple of quietly impressive 12" singles in 2013 and 2014, but the project has lain dormant ever since. Here he re-launches it via a rather impressive return to the mighty Chiwax. Arguably the highlight is flipside "Acid Rescue", a formidably hypnotic dub techno outing rich in angular electronic pulses that runs for 14 mesmerizing minutes. That said, we're also enjoying Cinelli's A-side outings, where spacey and lo-fi electro jam "Noise Invaders" - check the wild synth solos and pitch-bend action - is followed by the deep space bleeps and sweaty ghetto-tech drums of "Cosmic War".
Review: New Sydney-based label Deep Seeded has a clear mission to subvert conventions about club music, and new signing ptwiggs is right in there with the kind of otherworldly grime weirdness that you might find around the likes of Visionist, Rabit and other such sonic tinkerers. There's plenty of brutality at work on "Day Of Wrath", while "Exuviae" aims for something airier while getting sideswiped by distortion and trance leads. There are calmer moments, but it doesn't take long for intense levels of sound design, sampling and raucous processing to shake up the situation.
Review: Los Angeles based producer Alex Gray aka D/P/I of CHANCEIMAG.es returns, this time on French imprint Shelter Press with more avant electronics excursions on the Composer LP. Thee seven sound collages are said to be an experiment in rhythm, where human error is introduced to basic sounds (such as a djembe or conga) via midi controllers, introducing complex processes and effects which naturally developed into compositions. Gray himself hopes his album "can act as a beacon of creativity for future generations, who are currently being completely saturated by marketing content for products and media that will do nothing but confuse and distract them.
Stanislav Tolkachev - "While You Are Drawing A Butterfly" (2:10)
Hoavi - "Aya Horizon" (3:57)
Review: Crimean label Krym Mryk returns with its sophomore release: a Various Artists collection putting the spotlight on several top musicians from Russia and Ukraine as well as a few newcomers to the scene. Highlights come fast and thick throughout; we're particularly loving the grinding cyclicality of Rim Menko's "Illusion", beatless yet hypnotic arpeggio workouts ("Amb Day Out" and "November Bad") by Pavel Milyakov (Buttechno), man of the hour Stanislav Tolkachev with slow-mo entrancer "While You Are Drawing A Butterfly" and Hoavi's "Aya Horizon", which closes the LP with its sublime ambience.
Review: For the latest release on the weird and wonderful Udacha label, Moscow based artist and producer Vasiliy Stepanov aka P SH steps up to the plate. With a selection of abstract and warped electronics, the Russian artists presents a wide variations of cuts, including pop, dub, soul, fourth world, tribal, comedic and all other distinctive and magical vibes. With highlight tracks such as Naam Drops, Indigo Swamp and pretty much every composition, the LP should appeal to all the lovers of the other dimensions
Review: The Horo label wouldn't be complete without the mischievous industrial patterns of Pact Infernal, a mysterious artist who specialises in all things on the grey end of the scale. Infernality is the artist's second LP for the imprint and, compared to his debut CD album, this dwells on much vaster, more cinematic landscapes that remind us of Prurient's top material. The A-side, a cavernous stretch of earth that goes from "Purification" to "Meditations", has been constructed with the notion of tribalism very much front of mind, and this builds at a constant rate to reach the climax of the B-side. "Principles" heads back to the nether zone with its eerie swarms of bass, while "Infernality" drops the listener into a thick swamp of loose beats and mind-bending background effects. The second vinyl follows the same steady path to all-out doom, dipping and rising at every turn with the help of powerful bass recipes floating in mid-air. It's an album of gloom, passion, dread and euphoria, all at the same time. Excellent stuff.