Review: German producer Vertical67 remembers the good times on this fine Lunardisko debut, presenting a three track journey through the deepest realms of dreamy electro. We launch with the expansive production "In Space" where brisk 808 patterns drive delicately onwards through a rich backdrop of kaleidoscopic warmth, a real sense of melodic intuition apparent throughout. Flip the 10" over and ease down to 33rpm for the title track which presents a nice contrast between the jagged, menacing acid modulations and the skipping playful house grooves that demonstrate there's more to Vertical67's palette than straight up electro, though subtle remnants remain. Yearning distant female harmonies floating around the channels of "Mutuality" expertly add that extra element of melancholy to this brooding production.
Review: Throughout his career, L.I.E.S. regular Beau Wanzer has proved adept at delivering decidedly fuzzy, lo-fi workouts that variously draw influence from industrial, EBM, techno and electro. He's at it again on "Do The Spider Shimmy", a tidy ten-inch containing six wonderfully wayward cuts. It's a noticeably stripped-back affair, with most of the cuts existing of little more than sparse but heavy basslines, occasional electronics, minimalist electro beats and the odd droning, stylized vocal. Highlights come thick and fast, from the gently spacey synth-scape "Never Look Back" and the buzzing simplicity of "You Can't Stand On Broken Shoes", to the lo-fi no wave pop of "Choice Curve" and the raw, laid back electro sleaze of the title track.
Review: 2013's Das Heise Experiment album was one of Robert Witschakwoski's wilder efforts under the storied Exaltics alias. This belated second volume is perhaps not quite as intense - there are less acid-fired workouts, for starters - but it is just as impressively mind-altering in tone. Although rooted in machine electro, the 12 obliquely-titled tracks draw on a myriad of influences, resulting in a largely dark, moody and clandestine mixture of dark and paranoid ambience, panicked IDM, punchy, Drexciya-style missives, end-of-days mid-tempo techno and fuzzy, L.I.E.S/Vatican Shadow style lo-fi murk. As you'd expect, the whole thing hangs together brilliantly, sounding not unlike the soundtrack to an imaginary sci-fi horror set on a haunted spaceship.
Review: Transhumanism is a collective of Dutch producers who first met on the dance-floor at Dave Clarke's Whip It party at Melkweg in Amsterdam, so that will give you a reliable indicator of their sound: it's brash, serrated electro that fires your synapses and awakens your every sense. Juan Atkins and Helena Hauff have been dropping it all summer and it's easy to see why. There is strobe lit action from Slaves Of Sinus, walls of high intensity sound from RXmode, rave tinged stuff from W1b0 and a more throwback jam from TFHats to round out a high impact EP.