Review: The tenth missive on Vortex Traks is full to bursting with tasty treats. As with many of the Berlin-based imprint's previous outings, it's a multi-artist affair. Marshall Applewhite kicks things off via the deep electro/dusty IDM fusion of "Better Do Not", where eight-bit electronics and undulating acid-style motifs rise above a crunchy beat, before Forehard attempts to batter dancefloors into submission via the full-throttle, Klakson-style Rotterdam electro filth of "Rhythm Device". Das Ding invites us to party in deep space via the high-tempo beats and swirling, some would say psychedelic electronics of "Analog Devices", before VCS2600 serves up some seriously punchy, acid-fired electro ("Modular Device").
Review: To complement Objekt's masterful 36-track session for their irregular Kern mix series, Tresor have put out two self-explanatory 12" samplers. Kern Vol. 3: The Exclusives sees contributions from accomplished electro technicians Clatterbox and Polzer as well as Bristol's rising Shanti Celeste and Via App of 1080p fame. "Aspect Ratio" from Clatterbox and Celeste's understandably incandescent "Lights" both feature in a movement on the mix that is a real highlight of Kern Vol. 3, but DJs will be happy both have been pressed her for full club play. On the B-side, the swift and snappy metallic tunnelling of Polzer's "Static Rectifier" could be mistaken for an angry DJ Stingray, whilst Via App's "From Across The Room (Edit)" is a more playful, if pensive affair.
Review: After years spent supporting the underground IDM scene digitally, Glasgow label Ambidextrous makes the leap to vinyl with this killer compilation of ear-catching deep techno and electronica. Christ brings a bubbling range of synth tones to "Rom" before Norken and Nyquist drop some brooding electro tones over rolling beats on"Od Detot". Solipsism has a more sassy house sound to impart, while Nyquist goes into full electro mode on his own. On the flip, Analogue Audio Association have some edgy acid to throw down, Cyan341 brings a touch of boogie flex to the record and Mich Chillage rounds the record off with emotive outboard electronics of a reflective nature.
Review: Crimes Of The Future is the kind of label you can trust, no matter who is at the controls. The same could be said for Giallo Disco, and certainly the two labels orbit a similar space for lurid soundtrack-inspired hardware jams from the Italo age. Vercetti Technicolor is one half of the Giallo team alongside Antoni Maiovvi, and here steps out with a perfectly bombastic range of compositions that revel in B-movie brilliance. "Golden Taurus" is the perfect slow-burner, those mono bass notes warming like no soft synth ever could, while "Topaz Fear" brings a more action-driven sequence into the mix. "Death Wish" too opts for a pumped up club scenario, while Heinrich Dressel smokes out "Golden Taurus" into a seedy slow-jam.
Review: Although better known for being one of the few European producers to fully embrace the early ethos of Detroit techno, Orlando Voorn's first love was actually electro. He's been returning to those roots a little in recent years, and here delivers another fine EP of bustling, beatbox-driven cuts as the Stalker (an alias he last used 21 years ago). There's much to enjoy throughout, from the chiming synthesizer melodies, wiggly acid bass and body-popping beats of "Electrocute" and warped electrofunk shuffle of "Tech The Soul", to the razor-sharp, high register acid lines, deep space chords and booming bass of "Solar System". We're not sure whether these tracks are brand new or rediscovered archive gems; either way, the EP is a thrilling blast from the past.