Review: Volume Six of Tempa Allstars collects contributions from some of the underground music scene's pioneers and leading lights Skream. "Rollin' Kicks" begins the EP with a tapping drumbeat and a Breakage hued sonic palette (circa "Open Up") which is a million miles away from Magnetic Man. D&B-turned-dubstep minimalist Icicle steps up with "Anything". Crisp, acerbic breaks feature heavily, perfectly calculated beats and a futuristic touch. Falty DL adds a funky touch with "Sunday" as chirpy bleeps and bellows of bass underpin the fidgeting rhythms here, with notable sunny, upbeat vibes in the synth work. Benga injects a dose of humour with the ticking percussive lisp and robotic chant of "I Come From London" driving things along into a hypnotic state of sentiency. SBTRKTs "Sleep In Tokyo" is all broken, funked up beats, warm keys and delicately textured rhythms. Alix Perez brings the EP to a close with "Metric". Deep, atmospheric crackling, crisp SFX and rumbling subs roll along with dark menace. A superb finale to one of the finest releases in the Tempa Allstars series so far.
Review: Chow Down serves up its second release with the adventurous grime exploits of Fallow and DJ Chalice, twisting out all kinds of audacious bass shapes that would set the dance alight at parties such as Boxed. Fallow takes the A side with confidence, fresh from a release on Blood Frenzy, and "Blitz" shows the emergent producer is taking no prisoners with a hail of bullets and haunting Indian classical samples. "Northern Don" is a more wobbly synth-rich beat, while "Operation Dark Fruit VIP" amps up the grime strings. DJ Chalice has a lighter touch, bringing in some sunnier melodics and embracing the RnB influences on "Artois Anthem".
Review: The Dream Eater crew have got the munchies again and it's another all-star feast featuring some of the label's most forward-thinking beat splicers. Teetering on the trippiest peripheries of instrumental grime, highlights include the seasick rolling breaks and disassociated humanised twangs of Kotei's "BUN", BThorough's vital rainbow-razzled pipe blaster "Flutter" and Filthy Gears' monstrous trappist drama slammer "Peace Treaty". Happy nightmares.
Review: Last year Burial and the Bug joined forces as Flame 1, delivering an in-demand EP on the latter's Pressure label featuring two sizable slabs of industrial strength soundsystem science. Here they return as Flame 2, once again offering up a pair of weighty dancefloor excursions. A-side "Dive" is a loud and claustrophobic affair, as the duo wraps dystopian dub bass and sparse, mutilated post-drill rhythms in layers of apocalyptic aural textures and mind-altering dub techno style processed noise. Flipside "Rain" is arguably more suitable for dancefloor plays and sees the esteemed twosome combine pulverizing sub-bass heaviness with dancehall style drums that come smothered in mind-melting effects and paranoia-inducing aural smoke.
Review: One of the heaviest, fire-stoked albums of the year returns in deluxe form. Metropolis and Vulgatron are sounding sharper, wittier and aggier than ever while the beats are powered up by some of the most respected and forward thinking artists in the game from Feed Me to Bangzy, Flux Pavilion to Alix Perez. A full spectrum assault that flexes from cyborg b-boy ("Flashback") cinematic panic ("The Mission") hazy introspective soul ("Crash & Burn") to come to bed 24th century R&B ("Bosh"), Foreign Beggars went categorically in on this. Jump on this if you missed the first time around.