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As If To Nothing (20th Anniversary Edition) (CD with obi-strip)
Cat: DUKE 218CD. Rel: 16 Mar 23
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Review: Following on from Running Back's much-needed reissue of their seminal, saucer-eyed early 90s deep house gem 'Mermaids', Ali Tillett's Re:Warm label has decided to serve up a fresh retrospective of the sprawling career of Hull twosome Fila Brazillia. Tillett has done an excellent job too - not an easy task given the sheer size of the pair's catalogue - opting to mix kaleidoscopic early favourites (the dreamy, sunrise-ready brilliance of 'The Sheriff') and bona-fide chill-out classics (the superb 'A Zed and Two L's' and 'Harmonicas Are Shite') with stoner funk numbers from later albums ('Throwing Down a Shape', 'Airlock Holmes') and lesser-celebrated treats (the dense, slow-motion excellence of 'Neanderthal'). There's even a previously unreleased gem recorded last year: the return-to-their-roots brilliance of 'Toro De Fuego'.
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Cat: 56 BCCD. Rel: 30 Mar 23
Review: We're asked to Imagine This Is A High Dimensional Space Of All Possibilities. But the twist is, this plane of existence we somehow find ourselves in already is. Such is the overarching fable at the heart of James Holden's new album. The esteemed electronic musician and DJ knows as much, and is quoted to have said 'I want this to be my most open record, uncynical, naive, unguarded, the record teenage me wanted to make'. So, a high dimensional space of all possibilities can be found within us, right where we started - not some other dimension or higher plane of consciousness. All this is conveyed pretty neatly through Holden's crushed bitscapes, future techno ambientrancers, and exploration of revolutionary themes. Like exploring a bountiful rainforest full of bohemians and mushrooms, longtime fans and newcomers alike are sure to be delighted.
… Read more in stock $8.05
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Review: Second time around for Jean-Michel Jarre's 2022 album Oxymore, a loving tribute to French composer and 'music concrete' pioneer Pierre Henry. As the title suggests, this version features new remixes of album tracks (all of which feature sounds originally created by Henry) by a disparate group of musical talents. That makes for an interesting mix of interpretations, with armin Van Buuren's sizable trance translation of 'Epica' rubbing shoulders with a trippy, off-kilter electro take on 'Sex In The Machine' by Nina Kraviz, a moody Martin Gore interpretation of 'Brutalism', Irene Dresel's raw techno revision of 'Zeitgeist Botanica', and ambient pioneer Brian Eno putting his spin on 'Epica'.
… Read morein stock $8.96
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Review: 'Mordechai is another blissed-out record from Texan party-chill-psyche trio Khruangbin. It's also among the outfit's most defined and driven, a smooth, sticky hot funk odyssey made for hazy afternoon soirees. Leader Laura Lee is, as ever, unfathomably siren-like on vocals, her bass grooves aiding the process of seduction no end. Even at the most upbeat and anthemic, 'Time (You and I)', it's hard not to feel woozy and intoxicated by the pared-back breaks and guitar lick combination. Dance floor ammo for sure, as is Pelota. Overall, though, it's an album best savoured slowly, allowing you to fully appreciate every lackadaisical moment of opiate goodness, with tracks such as 'Father Bird, Mother Bird', 'One To Remember' and 'Shida' summoning stunning sticky, heavy, deep atmospheres.
… Read more in stock $8.05
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Review: There's a definite sense of "time and place" throughout John Carrol Kirby's latest album, Blowout. He recorded it all during a recent trip to Puerto Viejo, Costa Rica, "between 5am wake-up calls from orpopendola birds and psychedelic sunsets", drawing inspiration from the people, music and nature that surrounded him. It's certainly a joyful and colourful affair - despite his insistence that it's about "enjoying yourself even though life is tough, before the candle blows out" - with Kirby mixing sparkling, often kaleidoscopic 1980s electrofunk synth sounds with warming grooves, pastoral woodwind instrumentation, and musical motifs that draw on his love of jazz-funk and fusion. It's basically a sensationally summery affair whose mostly subtly nods to Costa Rican musical culture only enhance the album.
… Read morein stock $9.27
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Review: Exactly pinpointing the essence of Little Dragon's sound is tough - it's always soulful and groovy, but it's not soul in the classic sense and there's plenty of other musical influences in the mix - but by now it barely matters. Each of their albums thus far has been special, and Slugs of Love is no exception. The Swedish four-piece impresses early with the head-nodding grooves, echoing house pianos and swirling atmospherics of 'Frisco', opts for a New York no-wave disco flex on 'Slugs of Love', and offers a perfect platform for mic man JID to the warped, hip-hop-goes-synth-pop shuffle of 'Stay'. There are highlights aplenty elsewhere across the album too, with our picks including Damon Albarn hook-up 'Glow', the moody house-not-house of 'Gold' and the picturesque, breakbeat-driven pop breeziness of 'Tumbling Dice'.
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Review: Out of the Blue is arguably a more personal collection than many of Phil Mison's previous compilations. It was inspired by his first few trips to the White Isle of Ibiza, and specifically the unlikely set of circumstances that led to him filling in for the legendary Jose Padilla at the Cafe Del Mar. Musically, the track list is reflective of the story, joining the dots between impossible-to-find rarities (see the loved-up jazz-rock of "Jelly" by the Cactus Rose Project and the life-affirming fusion business of Christoph Spendel Group's "Forever"), huggable Balearic synth-pop, flamenco-inspired sunset gems and a smattering of head-in-the-clouds Italian dream house gems. Given Mison's heritage and status within the Balearic scene, it's little surprise to find that Out of the Blue is utterly brilliant.
… Read moreGespielt von: Ursula 1000
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Review: The 1990s was arguably the first 'golden age' of ambient - a time when the inherently atmospheric and laidback style not only exploded in popularity, but also became the post-club soundtrack of choice for a whole generation. This personal survey of the 90s ambient scene from journalist and author Jon Savage does a good job in gathering together a representative selection of genuine gems and overlooked classics, drifting between the bubbly, deep space brilliance of Richard H Kirk's Sandoz project ('Limbo'), bleeping ambient house ('Calm' by 2 Cabbages on a Drip), early progressive house (React 2 Rhythm), electronic psychedelia (the tabla rhythms and swirly noises of Rapoon), ambient blues (Underworld), IDM (U-ziq), and glacial, slow-motion bliss (Biosphere).
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