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Synth modules

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Cat: 775080 Rel: 22 Jun 20
 
sampling module
Notes: Bitbox micro provides Eurorack sampling for smaller racks and smaller budgets. In only 18 HP of rack space you can get a touch screen based sampler with support for 8 stereo sample pads. Now you can record samples directly into the module or load them from the microSD card. Trigger your samples via CV or MIDI, then apply effects and mix the outputs. Save your configurations to multiple presets for later reuse.

Sample Playback

Play up to 24 stereo polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger stereo samples streaming directly from the microSD card
Configure 8 stereo sample pads per preset as single or multi-samples, clips, slicers, granular or new recordings
Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio
Trigger samples with the touch screen, CV gate inputs, or MIDI input
Control how samples start and stop by choosing from one-shot, toggle, and gate launch modes
Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, grain size, grain spread, grain count, and MIDI note and channel mapping

Sample Recording

Record Eurorack level audio straight into the module:

Record samples from a stereo audio input pair
Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Automate recording of a multi-sample bank via MIDI and CV
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer

Sample Modes
Find creative ways of using your samples with our 5 sample playback modes:

Trigger one shots or launch loops using sample mode
Load a folder of samples into a sample mode pad to improve the quality of the pitch shifting when playing a sample chromatically or to trigger different samples with each note
Play time-synchronized loops with constant pitch time shifting in clip mode
Skip between slices of a WAV using slicer mode
Create rich textures and other worldly sounds with granular mode

Inputs and Outputs
Use the 8 inputs the way you want: assignments include a stereo audio input, up to 8 gate inputs, up to 8 CV inputs and 1 clock input.
Route the audio from each pad out to one of 3 stereo audio outputs or one of 6 mono audio outputs
Listen to all of the pad outputs combined on the master stereo output

External Control and Synchronization
Playback can be immediate or synchronized to internal clock, TRS clock in, or MIDI clock in and out
Confidently connect with both TRS MIDI Type A and Type B, no adapter needed
Play a single or multi-sample pad pitch shifted using MIDI notes or CV
Trigger different sample slices using MIDI notes or CV
Modulate a wide variety of sample parameters through the MIDI input and up to 8 CV signals
Quickly set up MIDI modulation using Learn mode - no need to look up CC numbers
Module Features
Use the 2? diagonal touch screen to intuitively explore the features of the module
Get more creative with double the processing power of the original bitbox
Refine your sound with reverb and delay
Import or export WAV files with your Mac or PC using a microSD card
Save and recall multiple presets
Increase your capacity with larger microSD cards
Inputs and outputs are DC coupled so you can record and play out CV signals
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MRP:$518.58 SAVE 20%
 9 in stock $414.44
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quote 775080
Cat: 589504 Rel: 02 Nov 16
 
Advanced audio processor synthesiser module for creative synthesis - 20HP wide
Notes: Announcing the Dual Looping Delay from 4ms Company, designed by Gary Hall!

The 4ms Dual Looping Delay (or DLD) is an advanced audio processor for creative synthesis. Not a tape or analog emulation but a modern crystal-clear digital delay, the DLD combines features of delay, looping, and sample-tight synchronization for powerful and dynamic sound capture and modification. The DLD is designed to integrate seamlessly with modular time-base and sequencing devices such as the 4ms Quad Clock Distributor (QCD), etc.

What is a "Looping Delay"?
Modern looping devices grew directly from hardware digital delays of the late 70s and early 80s. A looping delay, modelled on units such as the classic Lexicon PCM42, has the very long storage times associated with dedicated looping, but without triggered record and playback functions.

By default, a looping delay records and plays continuously, though recording can be suspended at any time with Infinite Repeat. Sustain of delays and loops is mainly accomplished with regeneration, allowing an organic, evolving approach to sound creation as new material replaces old, more or less gradually. The 4ms Dual Looping Delay also provides advanced clock input and output facilities that allow for locking delayed and looped material with sequencers and rhythm devices of all descriptions.

The 4ms Dual Looping Delay is conceived and designed by Gary Hall. Implemented and manufactured by 4ms Company
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MRP:$623.55 SAVE 39%
 1 in stock $383.21
Cat: 589505 Rel: 10 Dec 15
 
Innovative resonant filter synthesiser module - 26HP
Notes: The Spectral Multiband Resonator from 4ms Company is an innovative resonant filter which can process audio like a classic filter bank, ring like a marimba when plucked/struck, vocode, re-mix tracks, harmonize, output spectral data, quantize audio to scales, and much more...
A gorgeous ring of colored lights displays the frequency of each filter, as well as the levels and current scale selection(s).

At a glance, the SMR works like a normal six-band graphic EQ: six frequency band-pass filters are mixed together using sliders. Resonance/Q is variable, which changes the "ringy-ness" or width of the bands.

But here's where comparison stops. The frequency of each channel is treated like a note in a scale, and the six bands form a chord. Spin the Rotate knob and the "notes" circle around the scale, rotating back to the bottom once they've reached the top. Adjust Spread and the distance (interval) between each note changes. Triggers for up/down motion, CV inputs for sequencing and scale selection allow for flexible control with external modules. Morph, which automatically cross-fades between frequencies, together with variable Slew allows rhythmic clocks drive the SMR as a variable-speed evolving resonant filter.

At maximum Resonance/Q, the SMR can be struck like a gong or marimba by inputting clocks or triggers. The frequency of each channel is quantized to a scale: beautiful chords, ethereal tones and eerie ambiance flows easily. With lower resonance, the SMR can pull out particular frequency bands, and sweep these across the spectrum.

Two 1V/octave Frequency jacks allow for tracking even and/or odd bands and creating floating melodies over evolving chord bases, or complex percussive membrane sounds.

Save your settings into one of six storage banks, and recall on the fly. On startup, the SMR instantly jumps to the last saved settings. The color scheme of the lights can be adjusted, so if you prefer all white lights on your modular, you can have that (or all red, or rainbows, pastels, etc..)!

Advanced features:
- Program your own scale. The frequency of each of the 20 notes can be assigned by setting the octave, the semi-tone, and coarse and fine micro-tone. Up to 11 scales can be saved permanently in the user bank
- Adjust color scheme of the LEDs. Pick a pre-programmed color scheme or create your own using the sliders to set Red/Green/Blue values. Custom color schemes can be saved permanently
- Save your settings in one of six parameter banks. Note position, scale and bank selection, Q value, Lock settings and color scheme can be saved and recalled on the fly. On startup, the SMR loads settings from the last saved bank.
- Optional alternative filter type for a more exponential decay when plucked and different timbral qualities. Freq jacks no longer track 1V/oct in this mode.
- Slider LEDs can be assigned to display level for each channel (combination of slider position and CV on the jack), or clipping for each channel.
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MRP:$543.58 SAVE 22%
 2 in stock $422.78
Cat: 655465 Rel: 29 Aug 17
 
High fidelity, two-channel stereo sample recorder & playback module
Notes: The Stereo Triggered Sampler can record high quality stereo files, while simultaneously playing two different stereo files. A maximum of 600 samples can be loaded from the removable/swappable microSD card, in a variety of formats up to 96kHz/32-bit/stereo WAV. All sample parameters (1V/oct pitch, sample file selection, length, and start position) are CV controllable.

600 Samples:
A maximum of 600 samples can be loaded at once, arranged into banks of 10 samples each. Samples and banks can be re-arranged on the fly using the simple on-board Edit features. Newly recorded samples can be instantly played back and re-pitched, reversed, chopped up, etc... the result of which can even be bounced down and re-recorded to as a new sample! Sample files are limited to 4GB each, which is over 6 hours at 44k/16b/stereo.

Two Stereo Playback Channels:
Each playback channel has a knob and CV jack for Sample File selection, as well as a Start Position knob and CV jack for controlling where in the sample playback will begin. The Length knob and CV jack determine how much of the sample is played back: from tiny grains, to percussive hits, to longer loops... or just the entire file. These are powerful tools for re-arranging a sample, joining multiple samples, and creating dynamically re-sized loops within a larger sample. Combined with the Play Trigger jack and the 1V/oct jack, the STS can be two complete multi-timbral pitch-tracked stereo voices!
There's also a Reverse button and jack for backwards playback, and an End Out jack for synchronizing loops, or cascading sample playback with other events.

Looping and Sync:
Looping is easy: just hold the PLAY button down for two seconds to toggle loop or one-shot. The loop timing clock will output from the End Out jack. Or, send a clock into the Play Trig jack to sync the loop to external timing.

Stereo Recording:
Whether you patched 47 modules to create the ultimate percussive blast, or you want to capture your four hour ambient performance, recording high-quality .wav files on the STS is simple. Just hit the REC button or fire a trigger and a new stereo .wav file will be created on the SD card. Do as many takes as you need: the STS never deletes your files. Re-ordering or re-arranging samples into banks is easy, even without a computer.
You can even fill a bank with 10 different variations and immediately use them for playback.
By default the STS records at 44.1kHz/16-bit, with an option for 24-bit (a future update may increase the sample rate to 96kHz)

Easy sample loading:
Using a computer is completely optional with the STS, since samples can be recorded directly to the module and placed into the bank of your choosing. But for users with large existing sample banks, the intuitive automatic bank loading features make dragging and dropping your entire sample library a snap. You never have to rename your files again!
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MRP:$514.84 SAVE 18%
 2 in stock $419.65
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quote 655465
Cat: 601493 Rel: 22 Apr 16
 
Eight output, modular control panel - 14HP wide
Notes: Highly configurable Control, Modulation, Triggering and Pattern module. 8 simultaneous Outputs and 12, individually assignable, Output types.

Output and Modulation types include Pulses, Gates, LFOs, Digital Noise, Loopable S&H modes and a collection of Arpeggios and Rhythmic Loops.

Tempo-sync for all Outputs is provided by the on-board Clock or
an External Clock Input with Tempo ranges from 20 to 270 BPM.

Outputs can be set to any Clock Division or Multiple from 1/16th
of a Beat to 16 Bars and can be Offset up to 360 Degrees.

Intuitive interface allows user-definable control over knob and parameter behavior to match the preferences of individual users.

For audio, please visit: http://www.abstractdata.biz/products/eurorack/3x/ade32/?tab=audio
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 2 in stock $310.31
Cat: 665165 Rel: 18 Oct 17
 
Transistor ladder VCF with advanced low-pass design - 18HP
Notes: The Discrete Core Ladder VCF shines with crisp sound, a very low noise-floor and a multitude of technical gimmicks. The module features a three-channel input mixer with saturation capabilities. Four outputs provide audio material filtered with -6 dB, -12 dB, -18 dB and -24 dB edge steepness. Each connector is phase-shifted by 90 degrees compared to the prior socket. Cutoff and resonance are voltage controllable. While self-oscillating, the filter can be played chromatically. This means, that the Discrete Core Ladder VCF is usable as a quadrature VCO as well. Thanks to a boost knob, the bass fundament can be kept intact at high resonance settings. A high-pass filter in the feedback path allows users to alter the resonance behaviour. Compared to Moog's classic Ladder design, the sound of the ACL circuit is considerably rougher. Saturation effects lead to roaring results. Tip: Be sure to try out filter FM patches!
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 2 in stock $409.24
Cat: 655470 Rel: 03 Jul 17
 
Envelope generator module - 21 HP
Notes: The ADSR envelope from the Japanese 100m system is well-known for its percussivity and the enormous punch. ACL gives us three of them in one single Eurorack module, the Envelope X3.

Sometimes an envelope generator doesn't have to be function-ladden, but just reliable, solid and good. This is what ACL achieves with the Envelope X3 module. The technical quality originates in precision components, as used in measuring instruments for instance, in order to keep the parameters exact, always the same and to keep you happy.

Three identical, classic Attack-Decay-Sustain-Release envelopes are integrated; function-wise rather simple with a gate input and one positive and one inverted envelope output each. The gate inputs are normalized (1 -> 2 -and 1 -> 3; with input 1 as master) which minimizes the amount of patch cords. Normalizations can be disrupted by patching a cable.

Each envelope generator has a time range switch with two positions to select between short and long envelope times.

The LEDs for visualisation were omitted to keep the power consumption low.
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 1 in stock $355.09
FORTHCOMING
ADDAC System ADDAC102 VC FM Radio Module (red faceplate)
Cat: 773955
 
FM radio module
Notes: This is Version 2 of this module, updated in order to be skiff friendly.

With the ADDAC102 FM Radio you'll be able to tune-in FM radio. Besides the ability of station broadcasts as sound generators for your synthesis, you can also have a lot of fun with the fact that its a great noise generator- the static picks up all kinds of great electromagnetic interference.

It provides controls like tune, volume and seek (all of them controllable through CV input) and there's two outputs for stereo sound.
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MRP:$323.65
coming soon $311.36
FORTHCOMING
ADDAC System ADDAC207 Intuitive Quantizer Module (red faceplate)
Notes: 4 Voices of Quantization with a 10 octave range.

Menu Reaction Time can be adjusted and saved.

User definable Scales- any scale is possible.

Simple Intuitive menu with settings such as:
User definable NOTES Intervals for Chord generation
Quantization types: Above, Below, Ignore
Definable Gate Out Length
Octave Offsets
Keyboard Mode (using Buttons as triggers)
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MRP:$343.64
coming soon $331.13
FORTHCOMING
ADDAC System ADDAC22110x9 Channel CV to CC MIDI System Module (red faceplate)
Notes: The ADDAC221 is a standard midi controller that allows CV inputs, converting CV variations to MIDI Control Change Messages. This allows interaction with your favourite standalone synthesisers and softwares through simple plug-and-play midi control.

A dedicated software permits the user to store up to 9 different presets, where the CC values of each channel can be configured as wished.

This way the user can preset his favourite synths to control filters, envelopes and whatnot from CC messages coming from the module CV inputs.

Ships with 2 stereo jack to din5 midi cables.
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MRP:$343.64
coming soon $332.18
FORTHCOMING
ADDAC System ADDAC222 4x6 Voices 1V/Octave to MIDI Notes Module (red faceplate)
Notes: Most recent from the ADDAC MIDI Series, the 222 converts 4 CV inputs to four distinct polyphonic MIDI NOTES streams, with up to 6 note voices per input. This allows the user to send midi notes to external midi devices straight from your modular: just plug it into your classic synth or your favourite virtual instruments. Combined with the ADDAC221 you can fully control any external midi device.

Ships with 2 stereo jack to din5 midi cables.
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MRP:$387.38
coming soon $373.83
FORTHCOMING
ADDAC System ADDAC402 Heuristic Rhythm Generator Module (red faceplate)
Notes: This module is a powerful rhythm generation machine- it features 4 voices of gate outputs (including inverted outputs for logic NOT sequences) where each voice can have independent lengths, all configurable with direct knobs anc cv inputs.

Perfect for precise polyrhythmic patterns and all sorts of non-linear sequencing.

The module works by 6 different rhythm generation "algorithms / principles":
Euclidean (equal distribution)
Golomb Rulers (inequal distribution)
Probabilistic (predictable distribution)
Game Of Life (organic progression)
Footwork'n (inducted error progression)
Pong (voltage controlled Pong game)

Plus a 4 channel Gate Sequencer Mode with up to 32 steps and 16 storable presets.

Add ADDAC402B Expansion for full I/O Midi control plus access to a powerful midi interface, with:
Midi Sync
5 cv to midi channels (notes and/or cc)
4 midi to gate channels
All panel controls (knobs, switches and push buttons) as cc controls.

All fully configurable with a midi learn feature for easier configuration.

MECHANICAL:
Format: Eurorack
Width: 20 HP
Depth: 5.5 cm

CONTROL VOLTAGE I/O:
CV inputs: 0 to +10v

ELECTRICAL:
Max current: 150mA
Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$472.35
coming soon $457.14
FORTHCOMING
ADDAC System ADDAC501 Complex Random Module (red faceplate)
Cat: 776328
 
random CV generator module
Notes: The ADDAC501 does random CV generation and outputs it through four independent channels. You can control the desired range of voltages and time frequency at which new values are generated.

It can also be triggered by an external CV source and the output voltages can be either free or quantized (if you prefer to have a standard C Major scale).

Finally you can choose between pure randomness or a brownian distribution, for both the voltage and time intervals.

Mechanical:
. Format: Eurorack
. Width: 8 HP
. Depth: 5 cm

Control Voltage I/O:
. CV inputs: 0 - 10v
. CV output: 0 - 5v (0 - 10v through jumper)
. Gate in threshold: 2.5v

Electrical:
. Compatible with +-12v and +-15v power supplies
. Max current: 150mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$323.65
coming soon $311.35
FORTHCOMING
ADDAC System ADDAC503 Marble Physics Module (red faceplate)
Cat: 776332
 
marble physics module
Notes: Newtonian physics on a modular synth! The ADDAC503 Marble Physics is a CV generator based on the mechanics behavior of a marble on a tray.

Through this realtime physics simulator you'll be able to control several parameters that will affect the behavior of a model of a spherical object against a plane. You can tilt the plane or bump the marble with a certain strength, which will cause it to roll and bounce on elastic walls.

The model will output the object's XY position or velocity and you can control other physical parameters, like the walls' elasticity or the strength of a bump. When the marble hits walls the bounce output triggers and you can additionally lock the X axis for a one dimension simulation. Finally you can also set the overall speed of the simulation.

By controlling all of these properties you be able simulate several scenarios where the marble falls, gets gently pulled by gravity, orbits indefinitely or bounces on walls like a pinball. Truly engaging physics simulations!

Mechanical:
. Format: Eurorack
. Width: 10 HP
. Depth: 5.2 cm

Control Voltage I/O:
. CV inputs: i 10v
. CV outputs: i 5v

Electrical:
. Max current: 150mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$354.89
coming soon $342.59
FORTHCOMING
ADDAC System ADDAC504 Probabilistic Generator Module (black faceplate)
Notes: This is a complex Gate / CV generator based on probabilities.

Functions:

Knob 1:
%1 = Gate 1 Probability
5TG = Fifth Output Type: Trigger/Gate
N1 = Note 1 Tuning

Knob 2:
%2 = Gate 2 Probability
T.SIZE = Trigger Size
N2 = Note 2 Tuning

Knob 3:
%3 = Gate 3 Probability
DIR = LOCK Mode Direction: Backwards/pendulum/forward
N3 = Note 3 Tuning

Knob 4:
%4 = Gate 4 Probability
S.SIZE = LOCK Mode Sequence Size: up to 16 steps
N4 = Note 4 Tuning

Knob 5:
SWING X = Clock Swing X: 1 to 16
Y = Clock Swing Y: 1 to 16
N5 = Note 5 Tuning

Gate Outputs Behaviour:

At every clock input, based on the four knobs probability settings, the module will select one active gate out, only one of the five gates will be active at all times. All Gate outputs can also behave as a Trigger instead, Trigger size can also be adjusted.

The knobs set the probabilities of each gate to be chosen, here's an example of how this operates

With all first four knobs at 12 o'clock the first Gate has 50% of being the chosen one, the remaining 50% of the times will be passed through the next knobs. So Gate 2 at 12 o'clock has 50% of the remaining 50% left by setting one, which leaves it with 25% chance of being the chosen one, the remaining 25% will be passed through Knob 3 which will have 12.5% chance of being the chosen one, the remaining 12.5% will be sent to Setting 4 which will have a probability of 6.25%. The remaining percentage left by the 4 Settings will always be the probability of Gate 5, in this case the remaining 6.25%.

Here's a couple more examples.

All knobs at 12 0'clock
Setting 1 = 50% chance, 50% left for remaining settings.
Setting 2 = 25% chance, 25% left for remaining settings.
Setting 3 = 12.5% chance, 12.5% left for remaining setting.
Setting 4 = 6.25% chance, 6.25% left for Gate 5.

All knobs at 9 0'clock (aproximate values)
Setting 1 = 20% chance, 80% left for remaining settings.
Setting 2 = 16% chance, 64% left for remaining settings.
Setting 3 = 12.8% chance, 51.2% left for remaining setting.
Setting 4 = 10.24% chance, 40.96% left for Gate 5.

Tuning and CV outputs:

While in the Tuning page you can use all knobs to set the 5 pitches
When in tuning page knobs should be rotated one at a time!
While rotating the knobs the CV out 4 will be used as a monitor, the other 3 CV outs will be behaving normally.
The module detects which pot is being rotated and outputs the relative pitch CV on CV out 4 for all knobs.
While on this page the tuning will be quantized or not relative to the panel Quantize on/off switch. Even if this process is done in quantized mode the module always store the free value in order to allow quantisation to be turned off later.
Once you're happy with the tuning you can exit the page, new values are stores to memory while exiting the page.
When tuning the module detects both the note selected and the relative octave.

CV Outs behaviour
This will be easier to explain with examples

Let's say we tuned these notes:

C0 or 0v
D1 or 1.166v
F2 or 2.466v
G3 or 3.583v
A4 or 4.75v

1. Next Logic out calculated is gate 3.
CV outs 1-2-3 will output a note in octave 2, the note itself is randomised from the 5 tuned notes (C,D,F,G,A).
CV out 4 will output the exact note tuned with knob 3 (F2)

2. Next Logic out calculated is gate 5.
CV outs 1-2-3 will output a note in octave 4, the note itself is randomised from the 5 tuned notes (C,D,F,G,A).
CV out 4 will output the exact note tuned with knob 5 (A4)

Out 1-2-3 is octave related
Out 4 always output the original tuned note

Knobs Pages access:

MENU/TRIGGER button is used to access pages
After power up it gets to first page by default.

Page 1:
MENU/TRIGGER button is off and blinks with clock inputs

Page 2:
Pressing the MENU/TRIGGER button for 3 seconds the Button Led lights up meaning you're in Page 2, changing knobs will affect the secondary function.
Releasing the button jumps to Page 1

Page 3:
Pressing the MENU/TRIGGER button for 3 seconds the Button Led lights up, keeping it pressed without moving any knob for 3 more seconds makes the Button led go off. At this time you can release the button. After that the button will light up meaning you're in page 3, or the tuning page.
Pressing the button one time jumps to Page 1

Soft-Recall and Memory:

Knob positions are stored in memory while in operation to be able to have a soft recall of the settings, so when jumping from page to page you'll need to rotate the knob until you find the last setting and only then they start to operate. Whenever the pot crosses the last setting point the MENU/TRIGGER button will blink indicating that the knob is now active.

Page 2 & 3 have permanent memory so it will always load the last settings after power up.
Page one is volatile and powers up with the initial knobs settings.
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MRP:$397.37
coming soon $384.24
FORTHCOMING
ADDAC System ADDAC506 VC Stochastic Function Generator Module (black faceplate)
Notes: Inspired and officially licensed from Teia's Stochastic Function Generator which was introduced in 2013 but is no longer available. This earlier version served as an inspiration, but with a completely rebuilt and reprogrammed mcu to a fully featured 4 voice 2 stage envelope and slew generator.

This new module + expansion is ADDAC System's take on a different envelope/slew generator. It's a fully featured Quad Analogue Core Envelope Generator and Slew Processor with digital control which also incorporates built in random generators to control the Rise and Fall times.

Covering the full range from short sharp notes to long slow sweeps of up to 6 minutes. Together with the random generators it excels when used for drone soundscapes.

Used as a Slew Processor the random generators act as dynamic modulation sources affecting the rise and fall slew speed.

Fully featured outputs act as encouragement to self-patching creating interdependent envelopes acting in sync.

width: 20HP
200mA +12V
150mA -12v

ADDAC506B:
width: 2HP
10mA +12V
10mA -12v

CV OUTPUT RANGE:
Each channel CV output range can be set with the [Amplitude] and [Offset] attenuverters.
Amplitude can be set to a maximum of 10v peak to peak(pp), ex 0 to +10v or -5v to +5v.
Offset can as a maximum range of 20v peak to peak and allows to offset the CV to i10v.
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MRP:$364.88
coming soon $353.00
FORTHCOMING
ADDAC System ADDAC601 VC Fixed Filterbank Module (black faceplate)
Cat: 776346
 
analog filterbank module
Notes: The ADDAC601 Analog Filterbank will have you shaping the spectrum of your sound "tout de suite".

With its 8 fixed frequencies, this very special filterbank has two additional features that you won't find anywhere else. Each of the 8 band volumes can be controlled through a linear high performance VCA, which adds great dynamics and new abilities to the art of filtering. Additionally this module also doubles as an envelope follower, with a dedicated CV output per band.

It features numerous output options: you can select between individual bands, the full processed sound, a wet/dry signal and even choose between odd or even frequencies.

Plus you can add up to two different signals, which are mixed internally by the ADDAC601 inputs.

. Format: Eurorack
. Width: 20 HP
. Depth: 5.5 cm

Control Voltage I/O:
. CV inputs: i 5v
. CV outputs: 0 - 10v

Electrical:
. Compatible with +-12v and +-15v power supplies
. Max current: +340mA/-350mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$387.38
coming soon $373.83
FORTHCOMING
ADDAC System ADDAC603 VC Triple Bandpass Filter Module (black faceplate)
Cat: 776351
 
triple bandpass filter module
Notes: The ADDAC603 VC Triple Bandpass Filter provides three channels of bandpass filters, fantastic for sculpting complex sounds. Each of the channels feature a gain/distortion control with switch to select between x3 or x100 gain, which can cause the input signals to distort, adding another layer of harmonic interest.

The inputs are cascaded together to allow for one source to be filtered three different ways - or each filter can be used independently. The three filters also feature controls for frequency, which sets the cutoff point; width, which sets the width of the band that is being filtered; feedback, which at high settings causes the filter to self-oscillate, and level control, which sets the amplitude of the output. Frequency, bandwidth, and output level each have CV inputs with attenuverters.

A switch sets whether the filter is 24 dB or 12dB per octave. There are individual outputs with phase switch, plus a mix output and dry/wet output with adjustable control for mix balance. This module provides a wide variety of filtering options to add complex tonal shaping to your rack.

Tech Specs:

22HP
3.5 cm deep
250mA +12V
250mA -12V

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MRP:$387.38
coming soon $373.83
FORTHCOMING
ADDAC System ADDAC611 Gotharman's VC Tube Filter Module (black faceplate)
Notes: This module was developed upon the Tubaz Filter which was released in 2014 by Gotharman but is currently no longer in production. We loved the original module so much that we officially licensed it's circuit and expanded it to feature several new functionalities.

Here's a paragraph from Gotharman regarding the original design:
"I designed it with the purpose of adding crunch, edge and distortion to my eurorack system. It is not an ideal bandpass filter, that cuts off all frequencies above and below the center frequency.
Because of its high drive, there are, in most cases, some bleedthrough of the harmonics, that should have been cut off. You might consider calling it a "Band Add" filter. The main purpose of it, was to add edge, not to be a perfect bandpass filter."

While everything he mentions is still true we believe he was being modest, It's a dirty, gritty, growling and whining monster which promises you some of the most peculiar filter sounds you'll ever hear.
However do not classify it as a "weird" distortion unit just yet because besides this hairy character it can be easily tamed (using lower volume levels) and then, with some care and intention from the user, it will transforrm itself showing it's feline purrrrr and cuddle sweet and caring, or like any good mut, showing up at night all happy, wet and dirty from a full dog's day and will lay down at your feet while wiggling it's tail howling as yawning just happy to be back home.

As such, standard volume principles do not quite apply to these units, the Audio Levels will go up to x2 amplification, Drive will go up to x11 and master outs go up to x2. The combination of these will cover all diferent qualities it can present. Overall sound can be distorted pre-Tube (raising input levels), in Tube (raising drive) or post-Tube (raising Out levels).
Higher Inputs and Drive will always be gritty, lower Inputs and Drive volumes together with higher Output levels will make the overall behaviour more mellow and closer to what a typical filter would behave like.

No standard expectations should be considered when acquiring these units, all of the tubes were built in the 70's and were bought from various sources, we always kept the premise that no tube was a bad tube (unless not really workinng) so due to each specific characteristics no module will sound exactly the same, making each unit particularly unique. This uniqueness will be particularly evident on their resonance/self-oscilating timbre as well as in their own microphonic qualities.

Regarding power and current draw, the module is designed using a low power tube, so it won't starve your eurorack power supply.

Tech Specs:
12HP
3.5cm deep
90mA +12V
60mA -12V
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MRP:$343.64
coming soon $332.18
FORTHCOMING
ADDAC System ADDAC702 Dual VC Filter Module (black faceplate)
Notes: Here's our first Voltage-Controlled Variable Filter, inspired by the original MS-20 filter.

This module features:

Two independent filters, a High-Pass and a Low-Pass with dedicated audio inputs and outputs.

Besides individual outputs the HP and LP are also sent to a voltage-controlled Mix between the HP and LP filters.

Both Cutoff and Resonance are voltage-controlled with dedicated cv attenuator pots.

Switch for selecting between normal cutoff behaviour and an adjustable Smooth circuit to simulate a vactrol behaviour for cutoff control.

Switch for setting filters Filters in Parallel (independent) or Series (HP > LP).

Inspired by the Oscar synthesizer we added a Coupling switch to tie the HP Cutoff control to the LP Cutoff control, in this case the LP cutoff controls act as an offset from HP setting.

Three position switch selects different resonance clipping paths: diodes / no clipping / leds.

Both filters features a post Distortion/Fuzz circuit that adds extra harmonics adds an even deeper growl or extra gritiness to it.

All audio outputs (HP, Mix, LP) feature a switch for choosing phase output, allowing additive or subtractive mixes.

Three Leds monitor the amplitude of the three outputs (HP, Mix, LP).
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MRP:$397.37
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FORTHCOMING
ADDAC System ADDAC800X High-End Outputs Module (red faceplate)
Notes: Inspired by the legacy designs of premium vintage gear, the ADDAC800X behaves like a high-quality DI box and is all about keeping the sound coming from your Modular free from any undesired noisy interferences, making sure that what you're getting from your outputs is what your Modular is actually producing. It provides galvanic electrical isolation between the Modular system and external sources preventing impedance mismatch and ground loop induced hum. ADDAC's 800X circuit is designed around a unity 1:1 type nickel core Hammond Audio Transformer from the 140UEX series (equivalent to Jensen audio transformers).

Operating in the 20 Hz to 20 KHz range and providing exceptional shielding from external sources, this impedance matching transformer provides the 800X with two fully balanced high-end outputs (via XLR connectors).

Applying a transformer balanced output isolation has lots of advantages over other less expensive ways for dealing with ground loop issues. This method provides the chance to set a very simple and clean circuit in which the signal transfer process develops smoothly and humming free. The transformer is a device that performs both signal balancing and high-to-low (or vice-versa) impedance conversion, while rejecting straggled DC voltage and Radio Frequency Interference from signal passing through a magnetic bridge. In a transformer, two (or more) coils (called windings) of insulated wire wound around a magnetic metal core allow for its input(s) and output(s) not to be physically connected together. When an AC signal passes through the input winding (the primary), a perfectly related AC signal appears on the output winding (the secondary). This way, by the fact that signal flows via inductive coupling between the two windings of the transformer, the ADDAC 800X presents a most accurate electrical isolation between its input and output. A same number of windings on each coil guarantees that there's no gain loss when audio signal passes from the primary to the secondary windings. Furthermore, since these two windings are insulated from each other, the transformer will electrically isolate the 800X from any other device, preventing hum problems coming from an outsider ground.

LEFT IN will output sound to both channels.
Through RIGHT IN, signal will only find its way on OUT 2 (if the LEFT/RIGHT toggle is lifted up, RIGHT IN will be ignored and LEFT IN will be present in both OUTs). With both INs connected you'll have two separate outputs (LEFT IN -> OUT 1 & RIGHT IN -> OUT2). However, lifting up the LEFT/RIGHT toggle you'll also find RIGHT IN ignored and LEFT IN will fed both OUTs.

Each TRANSFORMER ISOLATED OUTPUT section has its signal overload warning led and two dedicated toggle switches: one that works as a simple amplifier / attenuator pad to +6dB / -10dB respectively, and a LIFT/FLOAT/GND toggle. This last one is a 3-way selector that lets you choose between lift, ground or floating ground (toggle's middle position) to be taken as reference for the ground point. In the LIFT position the module circuit will be lifted to ground through a 100R resistor and a 10nF capacitor and pin 1 of the XLR connection will act as the ground point. Choosing GROUND will put ground to be shared between inputs and outputs. Floating ground will leave ins and outs grounds completely apart from each other. Any of these three positions may be the best form of avoiding ground loops or any other undesired interference occurring between your modular and the sound system you're plugging it into. Try out which one of this options will work the best in a given situation.

An HEADPHONES AMPLIFIER (with VOLUME knob) connection is available for quietly working with your modular or pre-listen your sounds before making them public matter in a live situation. This section features an OPA2134 High-Performance Audio Operational Amplifier. This device presents the ideal characteristics for use with an headphones set, like ultra-low distortion and low-noise fully specified for audio applications, in combination with high-output drive capability and excellent DC performance that altogether allow for high-dynamic headroom and really superior sound quality.

Mechanical:
. Format: Eurorack
. Width: 8 HP
. Depth: 6.7 cm

Electrical:
. Max current: 100mA? on each rail
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$429.86
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FORTHCOMING
ADDAC System ADDAC802 VCA Quintet Module (red faceplate)
Notes: This module comes to update the previous ADDAC802 Audio Mixer.

Each of the 5 channels has:
. VCA with initial Knob
. Monitor LED
. Independent output
. Linear or logarithmic control
. Solo/Off/Mix switch that routes their audio to the Solo Channel or the Mix channel. In Off position the VCA does not go to the outputs.

All 5 VCA's can be used separately for different sources (audio or cv) or mix in 2 different chains.

Outputs:
. 1 Pre Master VCA output
. 1 Post Master VCA output
. 1 Solo output

The Solo line is also intended for Pre Listening purposes, using this output to connect your headphones through a headphone amplifier module.

Mechanical:
. Format: Eurorack
. Width: 12 HP
. Depth: 55mm

Control Voltage I/O:
. CV inputs: i 10v

Electrical:
. Compatible with +-12v and +-15v power supplies
. Max current: +190mA/-150mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$323.65
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FORTHCOMING
ADDAC System ADDAC802R VCA Quintet Reversed Panel Module (red faceplate)
Notes: Our Reversed panel version of the ADDAC802 VCA Quintet.

Each of the 5 channels has:
. VCA with initial Knob
. Monitor LED
. Independent output
. Linear or logarithmic control
. Solo/Off/Mix switch that routes their audio to the Solo Channel or the Mix channel. In Off position the VCA does not go to the outputs.

All 5 VCA's can be used separately for different sources (audio or cv) or mix in 2 different chains.

Outputs:
. 1 Pre Master VCA output
. 1 Post Master VCA output
. 1 Solo output

The Solo line is also intended for Pre Listening purposes, using this output to connect your headphones through some headphone amplifier module.

Mechanical:
. Format: Eurorack
. Width: 12 HP
. Depth: 5 cm

Control Voltage I/O:
. CV inputs: i 10v

Electrical:
. Compatible with +-12v and +-15v power supplies?
. Max current: +190mA/-150mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$376.13
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FORTHCOMING
ADDAC System ADDAC803 Quadraphonic Spatializer Module (red faceplate)
Cat: 776406
 
quadophonic spatializer module
Notes: This is ADDAC System's Quadraphonic output module.

Using the VBAP (Vector-Base Amplitude Panning) principle, it allows to position a mono signal over a quadraphonic speaker array for sound spatialization. The VBAP algorithm can be controlled by Cartesian or Polar methods

Sound path is fully analogue featuring 4 high quality VCA's.

Featuring both 1/4 inch and 3.5mm jacks for adapter free connections.

Four 16 bit CV outputs mirror the signal sent to the VCA's control, when connected to 4 external VCA's these can be used for Polar Mixing of 4 diferent sound sources.

The 2 Filter CV outputs react according to the distance from the center point. The + output increases as the sound gets further away from the center of the room allowing to sync a Low Pass Filter to the input sound so that as it moves away from the center the High Frequencies get attenuated further increasing the spatialization experience. Another good practice would be to sync a reverb dry/wet signal as well so that the sounds gets more difused as it moves away from the center into the horizon.

Both the filter and the reverb should be plugged between the sound source and the 803, in order for the incoming sound to be processed before being routed to the 4 outputs.

The X and Y CV outputs mirror the cartesian sound position between 0 and +5v.

Mechanical:
. Format: Eurorack
. Width: 14 HP
. Depth: 6 cm

Control Voltage I/O:
. CV inputs: i 10v
. CV outputs: + 5v

Electrical:
. Compatible with +-12v and +-15v power supplies?.
. Max current: 150mA on positive rail, 100mA on negative rail
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$429.86
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FORTHCOMING
AION Mdular 921 Voltage Controlled Oscillator Module
Cat: 780149
 
voltage controlled oscillator module
Notes: The AION 921 VCO is a variable waveform generator which produces frequencies ranging from sub-audio (LFO) to 40.000 hz. Four waveforms are available: sine, triangular, sawtooth and rectangular (with variable duty cycle A.K.A. pulse width modulation).
Both fixed and variable levels can be obtained from the front panel output jacks. Nominal frequency and range controls (octave) are found at the top of the module.

Voltage controlled rectangular width (VC-PWM) is set by the knob in the upper center (left) with the accompanying voltage input jacks.
Multiple frequency control inputs 1 and 2 can be plugged into this module in parallel. Control input 3 is used via the pot for linear frequency response (Liniar FM). All waveform outputs can be used if desired.

This is what we consider an improved version of the Moog 921 VCO, not a direct clone. Improvements were made concerning tuning and stability issues.

Frequency range:
0.01 hz - 40.000 hz

Range switch:
sub audio - 0.01 - 400 hz
audio - 1 - 40.000 hz

Scale switch:
2 or 12 octave frequency span.

Auxiliary outputs:
2 jacks (one normal, one inverted) with selected waveforms (sine, triangle, sawtooth, inverted sawtooth rectangular and inverted rectangular).
Waveforms amplitude controllable from 0 to maximum.

Hard and Soft synchronisation selectable via a switch.
Synch must be "OFF" (center position) when synchronisation is not beeing used, otherwise it will sound out of tuning.

Specifications:
Depth: 40mm
Doepfer compatible.

30 mA +12V
30 mA -12V
0 mA 5V
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MRP:$459.85 SAVE 19%
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FORTHCOMING
AION Modular 907A Fixed Filter Bank Module
Cat: 780134
 
filter bank module
Notes: The 907A Fixed Filter Bank is a non-voltage controlled modifier which emphasizes or reduces the gain of the center frequency bands indicated on each of the eight center pots, in addition to the cut-off points from low pass and high pass filters at either frequency extreme. A total of 10 overlapping filter networks are included.

Specifications:
Power: +12 (30mA), -12 (15mA)
Depth: 20mm
Doepfer compatible.
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MRP:$459.85 SAVE 19%
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Cat: 677411 Rel: 05 Feb 18
 
Four-band equaliser, reverb/delay, maximiser & exciter in Eurorack modular format - black faceplate
Notes: Perfect for adding that final touch to a modular patch, the AJHSynth Finaliser R-EQ module includes seven Mono / Stereo reverb types, along with a four band equaliser and a Sonic Maximiser / Enhancer.

The Reverb, EQ and Maximiser can be used in Mono IN, Mono OUT mode or Mono IN, Stereo OUT modes. The reverb alone can also be used in Stereo IN / Stereo OUT mode too.

The fully analogue four band Equaliser includes three parametric equalisers for Low, Low Mid and High Mid ranges, and the High EQ has switchable shelving of either 2kHz or 5kHz. The Low EQ also includes a shelving mode.

The Maximiser is a fully analogue circuit too, with low and high treatment bands which change the phase and amplitude relationships of the sound to add punch and harmonics and really bring the sound to life in the mix.

The Reverb engine is based on 20 year old DSP technology, harking back to the reverb units which were used extensively on many synth and EDM tracks a couple of decades ago. We have added full control of reverb wet / dry mix, either manually or under CV control.
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MRP:$431.11 SAVE 17%
 1 in stock $357.17
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quote 677411
Cat: 708095 Rel: 25 Jan 19
 
14 band inductor based fixed filter bank - black, 30HP
Notes: This 30HP wide module features twelve fixed frequency, inductor based bandpass filters, set at half octave interval spacing and covering from 125 Hz through to 5.8kHz. It also features low pass and high pass shelf filters, again they are fixed frequency and both are active inductor based circuits. It has a vintage pedigree that harks back to the original and highly sought after 914 Fixed Filter bank from the 1960's Moog 900 series modular synthesiser system, however we have brought this design up to date and made it compact enough to fit into skiff friendly Eurorack cases by using gyrator based active inductors, and have added some other very useful features too - the bands are split alternatively to left and right channels, each having their own individual output, and there is also an inbuilt Voltage Controlled cross-fader that allows panning between the left and right banks, with a mix of all bands available in the central position.

In addition, we have a second cross fader that can mix between the dry incoming signal, or an external signal fed into input 2, and this is cross-faded against the wet MIX Output - this allows Voltage Controlled crossfading from wet to dry signals, or between wet and external signals - and the level of each can be adjusted using the Input 1 and Input 2 level controls.

A further addition is the feedback control, this is similar in design to the resonance control on a regular VCF, but because of the multiple fixed filters topology it is rather different in operation - it would normally be added in small amounts to thicken up the sound, however we have allowed the feedback to traverse to quite extreme settings for howling feedback and even soft clipped self-oscillation, especially for the noise merchants out there...

Using L/C inductor topology bandpass circuits rather than the usual Sallen Key R/C active bandpass filters does give a slightly different sound and this is part of the magic of the original 914 filterbank, as the LC based circuit exhibits less phase shift against frequency that the more common Sallen Key R/C based bandpass filters that are used in many Modular synths.

Many people often wrongly assume that a fixed filter bank is exactly the same as a graphic equaliser - however this is certainly not the case, if all of the controls of a graphic EQ are set to centre then a flat frequency response is expected and the output will sound very similar, or identical to the input - this does not happen with a fixed filter bank, the frequency response rises and falls as it passes between each stage (but to a lesser extent than if the filters are all set to maximum output), so it acts as a soft slope comb filter, and the resulting output sounds very different from the input signal. Also, with all of the individual filters turned to zero there will be no output at all.
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MRP:$581.06 SAVE 15%
 3 in stock $493.59
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quote 708095
Cat: 673546 Rel: 23 Feb 18
 
Dual vintage state variable filters - black faceplate
Notes: The Gemini 2412 is a creamy, extremely fat sounding dual filter based on vintage Oberheim SEM circuits. In addition to high-pass, band-pass and low-pass, there is the infamous variable filter type, which allows you to blend between several characteristics. Thanks to its dual concept, serial and parallel modes of operation and an ingenious modulation system, the Gemini 2412 should not only be able to achieve classic, extremely bulbous results, but also wafting stereo effects and lively formant sounds.
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MRP:$431.11 SAVE 17%
 1 in stock $358.22
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Cat: 708079 Rel: 22 Jan 19
 
12 stage multi tap stereo phaser - black, 18HP
Notes: The next generation 12 stage, analogue multi tap Phaser, which is a development of, and replacement for, our earlier MegaPhase 12 unit. It includes all the features of the MegaPhase 12 and is also built around the circuitry of the superb sounding EH Smallstone Phaser, which was used to such great effect on synthesisers and string machines by J M Jarre on his early albums. It has the same versatile Stage and Emphasis stage switching, and the same configuration of stereo outputs, where the left channel is taken from the Stage switch, and the Right output from the Emphasis Stage Switch.

New features include independent Level Controls for Input 1 and Input 2, and a Phase "Colour" Control, which can lighten or darken the phasing effect. We have also used much lower noise internal VCA's and low noise audio op-amps along with a four layer PCB design, so that the S/N ratio is improved and the noise floor is considerably reduced compared with the previous MegaPhase 12 phaser. Like its predecessor it occupies 18HP of Eurorack space.
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Cat: 708085 Rel: 18 Apr 19
 
12 stage multi tap stereo phaser - silver, 18HP
Notes: The next generation 12 stage, analogue multi tap Phaser, which is a development of, and replacement for, our earlier MegaPhase 12 unit. It includes all the features of the MegaPhase 12 and is also built around the circuitry of the superb sounding EH Smallstone Phaser, which was used to such great effect on synthesisers and string machines by J M Jarre on his early albums. It has the same versatile Stage and Emphasis stage switching, and the same configuration of stereo outputs, where the left channel is taken from the Stage switch, and the Right output from the Emphasis Stage Switch.

New features include independent Level Controls for Input 1 and Input 2, and a Phase "Colour" Control, which can lighten or darken the phasing effect. We have also used much lower noise internal VCA's and low noise audio op-amps along with a four layer PCB design, so that the S/N ratio is improved and the noise floor is considerably reduced compared with the previous MegaPhase 12 phaser. Like its predecessor it occupies 18HP of Eurorack space.
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MRP:$431.11 SAVE 14%
 2 in stock $369.67
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Cat: 584261 Rel: 15 Apr 16
 
Dual voltage controlled oscillator (VCO) synthesiser module with authentic 4 operator digital FM - 38HP wide
Notes: 'Akemie's Castle' is a dual voltage controlled oscillator with authentic 4 Operator digital FM using 'new-old-stock' Yamaha IC's for audio signal generation.

Each of the 4 operators feature independent waveform selection, frequency multiplier and level control via direct panel operation and voltage control. Operators can be combined in various ways across both oscillators, which together with independent feedback control on each VCO, offer an extremely wide palette of sounds.

Oscillator A also features a chord mode providing a range of up to 5 voice chords and voltage controlled inversion.
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Cat: 733238 Rel: 18 Jul 19
 
Eight channel audio & CV sampler for Eurorack - 21HP
Notes: Our favourite module of 2019. Eight channels of audio and CV sampling with real-time editing and processing. Does basic sampling well but quickly gets creative and weird. We love it.

Supplier's notes:
The 'Squid Salmpler' is a Eurorack 8 channel audio & CV sampler. It is designed for immediate real time sampling, editing and mangling within a modular context.

Taking influence from early hardware samplers, The Squid Salmple focuses on usability and instinctive operation, incorporating a proven Pamela's Workout style user interface for minimal screen dependence and a fun, hands on experience.

With support for sampling and playback for both audio and CV, as well as CV control of all parameters, on-the-fly bank loading and saving to USB, The Squid Salmple brings a unique take on old school sampling into the modular realm.

The Squid Salmple comes with a USB Stick containing approximately 90 banks of original carefully curated royalty free samples. This includes a wide range of sounds from classic drum machines and weird synths to field recordings and CV modulations. Banks are provided by both ALM and some of our favourite artists and friends including Mumdance, Solid Blake, Russell Haswell, Lauren Flax, Dave Burraston (NYZ), Sue Zuki, Dungeon Acid, Sasha Lewis and Andrew Duff.
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Cat: 777036 Rel: 02 Jul 20
 
LFO/envelope generator module
Notes: The Synthishaper module is made under license of the EMS and is a remake of the EMS envelope shaper known from VCS3, Synthi A and AKS.

It is a very unique modulator which can be used as a trapeze or triangle shape LFO and/or a attack-hold-decay envelope generator. For the real EMS feeling combine the 500e Filter with the 510 Trapezoid. The Trapezoid Generator has Attack, On, Decay, Off parameters. The "Off" parameter can determine a amount of time until the envelope can be re-triggered. A very short "off" time will make the unit loop, changing it into a LFO. VC of Decay time, Gate input and a manual trigger button. Two signal outputs that can be adjusted in level in polarity with one common knob. Additionally the module has an internal VCA which explains the Signal in- and output and is being controlled by the trapezoid signal.
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MRP:$339.89
 1 in stock $309.26
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Cat: 670606 Rel: 11 Jan 18
 
6-channel performance mixer with three band EQ, mute & pan - 28HP
Notes: Hexmix System is a six channel performance mixer specially designed for Eurorack.

The system has two separate modules, the core of the mixer: Hexmix that has six channels with three band EQ, mute, pan and EQ section on the master, and Hexpander that add three auxiliar sends per channel, PFL, individual outs and balanced output.

The mixer has a strong inspiration in classical DJ mixers, providing sharp EQ's for enhanced performance, auxilliar send for effects and individual outputs to record your performance per channel.

The unique Mute Section is a powerful tool for performances, providing a momentary mute function controlled by vactrols and adding a smooth release to the signal decay.

The system is designed to be placed in 6U, instead of the traditional 3U paradigm in Eurorack. So we will have every feature for each channel vertically as a conventional tabletop mixing deck.

This is a six channels mixer with three band EQ, vactrol mutes, pan and volume control per channel.

Inputs for every channel are located at left side of Hexmix. Each jack is normalized to a VCA Expander connection in the back, so if you have a Hexmix VCA, you will have the output of each VCA to every input. connecting a jack in any input will disconnect whatever is coming from VCA.

Each Channel Strip is divided in four basic sections, that will go in the following order: Gain, Mute, EQ and Pan.

Gain is set to unity, so it will act as an attenuator of the input signal. Mutes are clickless, as they are vactrol based. This circuit provide some decay on the mutes, rather than a sharp cut.

Switches have latch position and momentary ones to unmute the channel, providing some really nice performative capabilities.

EQs are quite sharp (12dB) inspired in classic DJ mixers to aggressively cut selected frequencies.

Master section has its own EQ and volume control for the mix of all channels. Master EQ is software than individual channel's (6dB) and it's meant to provide control over the final mix.

It's possible to change output level from line to synth with a switch located in the back.

This will be pretty useful when used in combination with Hexpander, that provides a balanced out at line level. Like this it's possible to have a mix at synth level to re-route the master signal while having an output to PA.
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MRP:$536.08 SAVE 20%
 2 in stock $426.95
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Cat: 670607 Rel: 10 Jan 18
 
Expander module for the Befaco Hex Mix
Notes: Hexpander adds great functionality to Hexmix module. Featuring Three aux send with stereo returns, individual outputs for each channel, complete PFL system and balanced output.

Hexpander is designed to be placed on top of Hexmix. Expanding Eurorack concept to 6u, allows every channel to be aligned as in traditional tabletop mixers.

Auxiliar sends:
For every channel you have three auxiliar sends. One pot will measure the amount of signal sent to each of them.

Every auxiliar send has a volume pot, that will measure the level of the signal sent. There are two jacks available so it is possible to send the signal both pre or post fader/EQ at the same time, allowing to patch externally depending if its desired to have the original signal, or the signal after being EQ'ed on the effect.

Returns are stereo, having a switch to select if the signal is coming from synth or line level. Like this, levels can be set, for example, either for a guitar pedal or a FX module at synth level.

Monitor section:
Hexpander features a complete PFL system, to send channels to the headphones before you add them to main mix.

Flip PFL switch to send that channel to the headphones out.

With PFL/Master Pot you can do a crossfade between the master signal and every channel sent to PFL. Headphones out will control headphones volume.

Level meter will show the level of the sum of all active PFLs. When there is no PFL active, it will show master level.

Output section:
Every channel has individual 6,5? jacks out at line level. Here you have the signal of every channel post EQ.

As an addition, you have master balanced output.
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MRP:$398.62 SAVE 20%
 5 in stock $320.73
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Cat: 739915 Rel: 24 Oct 19
 
Full voltage-controlled instrument interface
Notes: Interesting MIDI option for Eurorack. Eight faders and buttons, mappable to MIDI note, CC and lots more parameters, then controllable using CV and gate signals. Versatile.

Supplier's notes:
A fully editable MIDI controller with eight faders and push buttons. Each of them with a CV or Gate input associated to automate their functioning via external signals or to be configured independently for further control.

Each control on VCMC can be edited on its OLED screen and will be output either via DIN-5 or USB as a class compliant MIDI device.

- Current needs: +12V: 64mA, -12V: 12mA
- Width: 20 HP
- Depth: 30 mm
- Aluminium, heat-treated front panel
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MRP:$398.62 SAVE 21%
 2 in stock $314.49
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Cat: 774000 Rel: 13 May 20
 
VCO module
Notes: Typically excellent stuff from Blue Lantern Modules. Proper versatile VCO that also goes slow enough to handle LFO duties, with a wealth of FM, sync and modulation options plus sub-osc output.

Supplier's notes:
This product produces continuous wave forms that can be used as an LFO or audio rate VCO. There are 11 possible wave form outputs. This is a discrete, triangle core design based on the Bergfotron 'Advanced' VCO. This particular version uses a VCA based exponential converter for the core 1v per octave converter.

11 Wave Form Outputs: Ramp, Double Saw x2 Frequency, Sine with Level Out, Triangle, Saw, Even Harmonic, Pulse with PWM, Falling Stairs, Folded Triangloid, Pulse Train, Sub Generated Pulse Output (Divider)

Model: BLM Lunar Modulation Lab VCO
Analog Oscillator, LFO,VCO
Width: 18hp
Current: +91mA,-61mA


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MRP:$386.13 SAVE 17%
 2 in stock $321.77
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Cat: 775779 Rel: 13 May 20
 
velocity amplifier module
Notes: This module contains everything you need to complete an analog voice- all you need is a VCO for example. There is CV velocity for the filter, and CV velocity for the amplifier. You can create very dynamic sounding accents, and percussion sounds with this module.
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MRP:$456.10 SAVE 20%
 1 in stock $363.42
Cat: 671550 Rel: 29 Nov 17
 
VCO module featuring four precision oscillators - 18HP
Notes: A-111-4 contains four precision VCOs and has individual controls, inputs and outputs for each VCO available as well as a common control and output unit. After all the A-111-4 is very similar to four A-111-3 without LFO mode but built in output mixers for the three waveforms, and a master unit for all four VCOs.

Controls, inputs and outputs for each of the four VCOs:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: ~ 2 semitones / ~ 1 octave / ~ 4 octaves)
- Modulation CV input
- Modulation destination:
- Upper position: exponential frequency modulation (XM)lower position: linear frequency modulation (LM) or pulsewidth modulation of the rectangle (PM), selectable via internal jumper
- Frequency Modulation (FM) or Pulsewidth Modulation of the rectangle (PWM)
- Modulation intensity
- Triangle output
- Sawtooth output
- Rectangle output (about 50% without external PWM)
- Sync input (hard or soft sync internally selectable via jumper, CEM3340 hard sync type)
- Min. 10 octaves range (with appropriate external CV)
- CEM3340 based VCO (triangle core)
- Each VCO has it's own separate internal +/- power supply for each for best stability and the prevention of unwanted synchronisation of the VCOs

Controls, inputs and outputs of the master section:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: 2 semitones / 1 octave / 4 octaves)
- Frequency Modulation CV input (FM)
- FM intensity
- Triangle sum output
- Sawtooth sum output
- Rectangle sum output
- As soon as the single waveform output of a VCO is patched this waveform of the VCO in question is removed from the sum (this function can be turned off for each single output socket by means of solder bridges on the pc board, i.e. the sum contains then all signals independent of the patching of the single output)
- CV output (outputs the sum CV that is used to control all four VCOs)
- Bus CV (selectable via jumper)

Typical applications:

- Fat sounding monophonic VCO with the possibility to adjust any intervals
- Paraphonic patches in combination with the polyphonic CV interface A-190-5 (all four VCOs processed by one VCF/VCA)
- Full polyphonic patches in combination with the polyphonic CV interface A-190-5 and four complete VCF/VCA sections
- Complex VCO patches with up to four VCOs by means of the frequency modulation features (exponential an linear) and the sync functions
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quote 671550
Cat: 734878 Rel: 09 Jul 19
 
Quad precision VCO - 18HP
Notes: A-111-4 contains four precision VCOs and has individual controls, inputs and outputs for each VCO available as well as a common control and output unit. After all the A-111-4 is very similar to four A-111-3 without LFO mode but built in output mixers for the three waveforms, and a master unit for all four VCOs.

Controls, inputs and outputs for each of the four VCOs:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: ~ 2 semitones / ~ 1 octave / ~ 4 octaves)
- Modulation CV input
- Modulation destination: Upper position: exponential frequency modulation (XM) / Lower position: linear frequency modulation (LM) or pulsewidth modulation of the rectangle (PM), selectable via internal jumper
- Frequency Modulation (FM) or Pulsewidth Modulation of the rectangle (PWM)
- Modulation intensity
- Triangle output
- Sawtooth output
- Rectangle output (about 50% without external PWM)
- Sync input (hard or soft sync internally selectable via jumper, CEM3340 hard sync type)
- CEM3340 based VCO (triangle core)
- Each VCO has it's own separate internal +/- power supply for each for best stability and the prevention of unwanted synchronisation of the VCOs

Controls, inputs and outputs of the master section:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: 2 semitones / 1 octave / 4 octaves)
- Frequency Modulation CV input (FM)
- FM intensity
- Triangle sum output
- Sawtooth sum output
- Rectangle sum output
- As soon as the single waveform output of a VCO is patched this waveform of the VCO in question is removed from the sum (this function can be turned off for each single output socket by means of solder bridges on the pc board, i.e. the sum contains then all signals independent of the patching of the single output)
- CV output (outputs the sum CV that is used to control all four VCOs)
- Bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)

Typical applications:

- Fat sounding monophonic VCO with the possibility to adjust any intervals
- Paraphonic patches in combination with the polyphonic CV interface A-190-5 (all four VCOs processed by one VCF/VCA)
- Full polyphonic patches in combination with the polyphonic CV interface A-190-5 and four complete VCF/VCA sections
- Complex VCO patches with up to four VCOs by means of the frequency modulation features (exponential an linear) and the sync functions
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quote 734878
Cat: 745786 Rel: 09 Sep 19
 
52HP 8-channel, 16-step-button Eurorack step sequencer with breakout modules
Notes: A-157 is a trigger sequencer subsystem that generates eight trigger signals controlled by a 8x16 LED/button matrix (some customers call it "Miniature Schaltwerk" as it is based on the same matrix as the no longer available Schaltwerk).
The subsystem contains three modules:

A-157-1: 8 x 16 LED/button matrix and function addressing buttons/LEDs
A-157-2: Trigger Output module
A-157-3: Control Inputs module

The LED/button matrix module A-157-1 is the core of the subsystem. It is used to set or reset the trigger event on each of the 16 steps of each of the 8 rows. In addition the buttons and LEDs of the matrix are used for other functions too (like setting the first and last step of each row or addressing the preset memory).

The Trigger Output module A-157-2 outputs the 8 trigger signals and has an LED display for each trigger available.

The Control Inputs module A-157-3 has manual controls and trigger inputs available for the basic control functions start, stop, reset and clock. In addition four functions inputs are available which will be used in future firmware versions to assign these inputs to special functions (e.g. shifting a row left or right by means of an external gate/trigger signal or a second set of start, stop, reset and clock for individual rows).
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FORTHCOMING
Electrosmith Daisy Patch Metamorphic Sound Environment Module
MRP:$391.12 SAVE 17%
coming soon $325.93
Cat: 688859 Rel: 10 Sep 18
 
Modular drum synthesiser with seven voices 30 HP
Notes: It's black, it's loud, it's dark.

BLCK_Noir is an amazing 30 HP modular drum synth with a very flexible sound-engine inspired by the Roland CR-78 CompuRhythm. Unlike other modules from Endorphin.es, this one is black, thus the name: Blck_Noir.

It includes seven drum voices: bass drum, snare, tambourine, closed and open hi-hat, cymbal and metal beat. It uses hybrid sound generation: digital noise with spectrum animation, injected into analogue circuits. The analogue generation part is fully discrete, using inductor coils instead of op-amps, giving a raw and powerful sound. Thanks to this special design Black_Noir will sound good in every setting.

Several CV inputs will let you control various parameters for lively drum sounds.

On top of that, the module has an on-board effect processor with eight effects: hall, shimmer, room, plate, spring reverb types, tap and tape delay types as well as a new freezer effect with additional auxiliary input and firmware update over audio.

With this module you will be able to create drums that have character! It will fit all styles of music, from Darkwave to Techno.
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quote 688859
Cat: 774848 Rel: 20 May 20
 
fusion module
Notes: Fusion Modulator is complex, all analogue modulation source with lots of distinct features. It consists of several blocks - two EMS Synthi functionality inspired looping envelope generators with simultaneous unipolar (0V-10V) and bipolar (-5V-+5V), VCA, Noise generator and Sample&Hold. This makes Fusion Modulator a versatile modulation source for advanced modular setups, especially drone music oriented ones. Set lopping envelope generators to high frequencies and have two sub bass sound sources, use VCA to control the amplitude of the envelope signal, modulate the decay time by random voltages from S&H circuit and get ever evolving sonic awesomeness.

Technical Specifications:

Attack time: 6ms - 850ms
On time: 0-1,5s
Decay time: 16ms - 2s
Off time: 14ms - 1,3s
Sustain level: +10V
Panel width: 22HP
Module depth: 36mm
Power consumption: 125mA@+12V, 74mA@-12V
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MRP:$406.12 SAVE 17%
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Cat: 774828 Rel: 20 May 20
 
fusion series module
Notes: Fully analogue, valve-based low-pass filter from Erica's excellent Fusion range. Built-in CV recording allows you to create complex, looping automation of filter cutoff frequency.

Supplier notes:
The Fusion VCF3 is resonant 24dB/oct lowpass filter of unique design that combines vacuum tubes and vactrols, providing distinct, soft filtering. For more versatility, the independent audio mixer and buffered multiple is incorporated in the module, and, most importantly - a CV recorder that records motion of the potentiometer, so you can design advanced modulation patterns.

Technical Specifications:
Filter slope
24dB/oct
Audio Input level
10Vptp
CV input level
-5V - +5V
CV Output level
0V - +5V
Panel width
20HP
Module depth
36mm
Power consumption
81mA@+12V, 76mA@-12V
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MRP:$431.11 SAVE 17%
 2 in stock $358.21
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quote 774828
Cat: 731930 Rel: 21 May 19
 
analogue synth module with simultaneously waveform outputs
Notes: Fusion VCO2 is a full analogue sound source with lots of distinct features.

The core of the module is highly stable AS3340-based VCO with three simultaneously available waveforms, transistor-based suboscillator and detune function - two BBD delay lines that make frequency shifter that is mixed back to the principal oscillator in order to emulate two detuned VCOs. Tube crunch - distinct tube overdrive - is added on the top of the mix. Furthermore, Audio input mixes an external audio signal with the principal oscillator which results in crazy sonic experience. Fusion VCO2 is exactly what you need, if you wish to get really low frequencies and have a sound that sets your modular system apart from mass!

Features:
" Full analogue design
" Great tracking over 8 octave range
" Detune function for thickening the sound
" -1 oct transistor based suboscillator
" Tube overdrive circuit
" External audio input
" VCO synchronization
" Simultaneous waveform outputs
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quote 731930
Cat: 771733 Rel: 06 Apr 20
 
VCO grpahic series module
Notes: Better known for analogue modules, it turns out Erica Synths are pretty damn good at digital too. Draw your own waveforms, build wavetables, tweak in real time and get freaky. Killer VCO.

Supplier's notes:
Erica Synths Graphic VCO allows you to draw your own waveforms, arrange them in wavetables and wavetable banks, morph between two selected waves and alter the resulting wave in advanced ways (FXes) - apply FM, phase distortion, ring modulation, wavefold/wavewrap, bitcrush.

Waves, wavetables, FXes and other settings can be saved and recalled from the memory instantly. The module has two outputs - the main output and the output with configurable suboscillator.

NB! To have the module functionality up to date, we recommend you to check the Erica Synths home pageor our social media from time to timefor announcements about firmware updates for the Graphic VCO. You can update the firmware of the module via miniUSB cable. More detailed instructions of the firmware update can be found in the User Manual.

The sound is clean, modern, punchy and detailed thanks to the unit running at 96kHz - quite different to some low bit-rate wavetable oscillators on the market. Wavetable interpolation is smooth as butter and with the built-in effects you can dirty things up in many different ways. The module scores highly on the sound front. The Graphic VCO is a very capable oscillator module with excellent sound quality and a lot of features that could make it the right choice, especially if live performance is your thing. - Sound On Sound
The bottom line is that the Graphic VCO is a joy to use. It's a module that's unashamedly digital, yet unmistakably eurorack. I think Erica showed a great deal of careful judgement and restraint in the design of this module. It would have been easy to have made it bloated and cumbersome trying to cram as many features as possible into it, but they kept it fairly simple which keeps the module fun and immediate in use. It's capable of a huge tonal palette ranging from beautiful to brutal that is bound to fit in with a lot of different styles and systems. - Ask Audio
The ability to draw and then effortlessly jump between different custom digital waveforms in this way feels unique on the Eurorack stage, and allows for a wide range of tones and transitions between them. - Orb Mag

Technical specifications:

Audio output amplitude
10Vptp
Octave range
C0-C8
Sample rate
96kHz
Unipolar CV input range
0 -+10V
Bipolar CV input range
-10V -+10V
Panel Width
16 HP
Module depth
30mm
Power consumption
152mA@+12V,
20mA@-12V
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quote 771733
Cat: 749524 Rel: 16 Oct 19
 
Compact modular system with full analogue design - Eurorack version
Notes: Pico System III brings modular synthesis back to the basics - the system has multi functional (instead of single-function, like Pico Drums or Pico Trigger in the Pico System II) analogue modules and is intended to encourage creativity in modular patching.

The system has 31 inputs and 20 outputs (master output is duplicated) + 7 switches; if you have enough patch cables at your disposal, you can patch the system in 121000931215044250740178662400 or 1.21x1029 variations (we ignored the possibility to adjust potentiometers here). Even though only 0,0001% of all patches will sound more-less enjoyable, you and all your future generations can spend a lifetime only patching the Pico System III.

Voice-cards with preset patches set it apart from other eurorack systems - they allow user to change patches instantly and radically, which makes the system well suited for experimental live performances. The system comes with 5 great sounding "factory preset" voicecards, and 5 DIY voicecards that are empty and users can develop their own patches. More voicecards will be available from the Erica Synths shop.

Eurorack module includes: 1 Hosa stackable cable, ribbon power cable, 5 factory preset & 5 DIY voice-cards, user manual and patch note sheets.
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 2 in stock $435.27
Cat: 690936 Rel: 18 Apr 19
 
Dual-channel drum sample module - 14HP
Notes: Performance oriented Sample Drum brings you two independent drum sounds or loops with plenty of manual and CV controlled parameters. Samples are stored on the microSD card, and OLED screen makes working with samples instant and easy.

Sample Drum allows you to slice up loops directly in your modular system and rearrange them to taste. For processing, there are tuning functions (including 1 v/octave pitch tracking) and virtual VCAs plus AD envelopes. Thanks to the module's dual-channel concept, two loops can be combined. It is also possible to load one-shot samples instead of entire rhythms, of course. A total of six CV inputs guarantees lively results.

Sample Drum is composed of two identical audio players. WAV files (including cue points) are fed to the module via a micro SD card. Loops can be cut into several sections using the Data, Start and End potentiometers. The resulting slices may be played back in any order imaginable. A tune control allows real-time pitch changes. Additionally, there is a virtual VCA plus AD envelope per slice. - But that's not all! There are three CV inputs per channel, which can be routed to any parameters. It is even possible to play sounds according to the 1 v / octave standard. Results are emitted via one output per player.
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quote 690936
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