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Synth modules

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Cat: 660457 Rel: 29 Aug 17
 
10HP Eurorack module generating warm, lush chorus & vibrato effects
Notes: An instant classic just like the pedal with sparkly compression sweeping through lush dreamy chorus to the hypnotic vibrato of low-fidelity warped vinyl-like goodness.

Controls are:

- Knobs and CV ins for Compression/LoFi vibrato mix, Speed, Depth, and Dry-Wet
- Three selectable wave shapes and CV in for modulation control

This module was designed to emulate the sounds and textures of the Lo-Fi Loop Junky in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a luscious emulsification that can be blended to the most perfect depth. Achieve new haunting chorus sounds and pulsating vibrato. Unusual and fun, you've never heard anything quite like it.
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 1 in stock $290.09
Cat: 676518 Rel: 15 Feb 18
 
Multi-function Eurorack module - 10HP
Notes: Sewastopol is a multifunction Eurorack module designed for easy interfacing of external gear to your modular environment. It can export line and professional level audio, import audio from instruments and electroacoustic transducers, and analyse the incoming audio to generate voltages and triggers to control your modular system.

This is a second, vastly improved revision to the original 2014 Sewastopol, featuring a completely redesigned preamplifier circuit, better ergonomics and various other improvements.
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 2 in stock $214.01
Cat: 689804 Rel: 03 Sep 18
 
Innovative quad envelope - 10HP
Notes: Zadar is a powerful, four-channel envelope, modulation, and transient generator, in a compact yet very complete, feature-rich package. It is capable of synthesising a vast palette of envelope shapes starting from hundreds of shapes stored in the memory. These starting shapes are not mere wavetables, but flexible vectors that can be stretched (from a fraction of a millisecond to half an hour), flipped, warped, distorted, delayed, shuffled, repeated, and amplitude modulated in real time. A set of freely assignable CV inputs allows for external control of most parameters. Each channel can work independently or combined with other channels within one of the chaining and looping algorithms.

Operating Zadar is quick and immediate, thanks to its accessible interface and crisp OLED display. The main screen displays all parameters together with the currently selected shape. Entering the simple 3-page menu is needed only for advanced settings.
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 4 in stock $262.70
Cat: 718919 Rel: 23 Apr 19
 
Expander for XAOC Devices Praga mixer
Notes: The XAOC HRAD is an expander for their Praga voltage-controlled mixing console, adding CV control for Aux levels, master level control, gate-controlled muting, and other powerful features.

- Additional set of controls for the PRAGA mixer
- Stereo sum level control
- Euro/line switchable output level
- Sum LED meters
- Stereo headphone amp
- Cue input
- Mix/solo cue auditioning
- Individual AUX inserts
- Voltage control over AUX send amount
- Two stereo controls for AUX return level
- Gate inputs for VC channel muting
- Power drawn from Praga
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 3 in stock $224.16
Cat: 621354 Rel: 28 Nov 16
 
Quadruple Low Frequency Oscillator (LFO) synth module in Eurorack format - 10HP wide
Notes: Batumi is a fully voltage controlled, quadruple digital LFO module with a slew of interesting and user-customizable features. Each oscillator can be used independently or in one of 3 synchronized modes: quadrature, phase and divide. For each oscillator, there are sine, square and assignable (saw, ramp, triangle and trapezoid) waveform otputs available. Voltage control is possible for each oscillator's frequency, reset, and external sync ("tap tempo"). The total frequency range spans from 28 hours in voltage controlled divide mode, up to 500 Hz.
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 7 in stock $242.42
Cat: 633368 Rel: 28 Nov 16
 
All-analogue voltage controlled filter module - Eurorack compatible
Notes: Belgrad is an all-analogue voltage controlled filter module which - on par with our other modules - brings something new to the table. While it can be used as a traditional VCF for "academic" subtractive synthesis, we guarantee countless hours of exciting timbral explorations thanks to its unique character, flexibility, and features. The most prominent feature is that it offers a multitude of frequency responses with two resonant peaks.

- Eurorack synth compatible
- 14HP, skiff friendly
- Current draw: +45mA / -42mA
- Reverse power protection
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 3 in stock $267.77
Cat: 633369 Rel: 05 Dec 16
 
Analog signal processing module with simultaneous four & six-stage outputs - Eurorack compatible
Notes: Kamieniec is an analog signal processing module directly inspired by a range of classic phaser effect units from 1970s that helped to define entire musical genres. Most of these classic devices contained a fairly small number of phase shifting stages, but made up for that lack with tons of character! However, what was initially intended for guitars is not necessarily sufficient for synthesizers. Therefore, the intention is to preserve the classic sound as it's transported it to a new tonal space while prioritizing flexible modular usability.

Just like many of the famous OTA-based phasers of the 1970s, Kamieniec sports four tuneable stages. However, there are two additional fixed stages included so as to increase the number of notches, and ultimately offer two versions of the mixed signal (that may be used as a stereo pair) at the two outputs of the unit. While the general topology is similar to a certain very classic phaser pedal, the circuitry has been redesigned with modern components and low noise op-amps to bring down the noise floor, improve the bandwidth, and offer a wider range of tuning. The feedback control can be set extremely deep, which results in a very high resonance that is capable of self-oscillation. This produces a unique sound otherwise unreachable for typical phasers, which can vary from subtle and creamy to utterly brutal and grinding. On top of that we've included switchable feedback paths, individual stage group outputs, CV inputs, built-in LFO, and daisy chaining ability to provide a comprehensive integration with a modular synthesizer system.

Expandability:
Unlike any other phaser module, multiple Kamieniec units can be chained together to achieve a more radical response with many notches. The general idea of chaining is to pass along the phase shifted signal to subsequent units before it is mixed with the original version in the last unit of the chain. This approach has a very different effect than plain cascading (connecting multiple phaser units in series), because a long chain of allpass sections yields a dense and uniform pattern of multiple notches, exactly like in a long phaser.

- Eurorack synth compatible
- 9hp, skiff friendly
- Current draw: +40mA / -40mA
- Reverse power protection
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 3 in stock $203.87
Cat: 580285 Rel: 03 Aug 15
 
4 input / 4 output routing synth module - 16HP wide
Notes: Introducing the WMD Sequential Switch Matrix: Our take on an essential module.

Four inputs can be routed with individual buttons to four outputs. Those routing settings are stored in an array of matrices that can be sequenced or controlled with CV. Preset routing, feedback loops, chop sequences, trigger blasts (with expander), four-bit-wavetable-synthesis, and dramatic controllable mayhem are all possible.

The Sequential Switch Matrix (SSM) is a four input, four output signal routing system. The digitally controlled analog signal paths allow for a variety of routing control options. The open architecture allows for many uses beyond simple signal routing and unity mixing.

The Sequential Switch Matrix (SSM) is a four input, four output signal routing system. The digitally controlled analog signal paths allow for a variety of routing control options. The open architecture allows for many uses beyond simple signal routing and unity mixing.

The signal path uses 0.1% resistors and will pass precision pitch or other CV signals with minimal gain and offset errors.
Inputs 1 - 4: These inputs accept bipolar +-10V signals before clipping. Signal level will illuminate the adjacent LED; green for positive voltages, red for negative.

Outputs 1 - 4: These outputs (along the bottom) contain the signals from the inputs (summed together) if the routing LED is lit.

Comparator: The Compare In input voltage is compared to each output voltage. If the output is higher than the Compare In voltage, the Comp output will be high (10V gate) for that channel. The blue LED will also be illuminated.

DAC 1:2 Out: This output is generated from the status of the first two columns. It is a weighted Digital to Analog conversion. 1-1 is the most significant bit, carrying a weight of 2.5 volts. 2-1 is exactly half that weight (1.25V). 4-2 is the least significant bit (0.020V). The two columns provide an 8 bit voltage output that is always present.
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 1 in stock $266.77
FORTHCOMING
WMD TRSHMSTR Bandpass Filter & Distortion Module (black faceplate)
Cat: 742231
 
Versatile band-pass filter - 12HP
Notes: TRSHMSTR is a collaborative effort between WMD and electro-dance heavyweights MSTRKRFT. TRSHMSTR features an aggressive combination of band-pass filtering (FLTR) and distortion (DRV). The FLTR and DRV sections can be used independently or together to produce a wide variety of tone-shaping, from subtle distress to full-on acid destruction. The INs and OUTs of the FLTR and DRV sections are cross-normalled, so you can run your signal through FLTR and into DRV or vice-versa with no extra patching.
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coming soon $227.21
Cat: 665766 Rel: 30 Jan 18
 
WMD Performance Mixer expander module - 10 HP
Notes: This module adds two more stereo channels with two sets of inputs each to your WMD Performance Mixer - 8 more inputs in just 10 HP!

Can be muted with Mutes expander, and includes CV over Gain, Pan, and Aux Level.

More than 30dB of gain over each channel lets you use external sources such as consumer audio equipment, not just modular signals.
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 1 in stock $223.14
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quote 665766
FORTHCOMING
WMD AXYS Stereo Crossfader Module
Cat: 737960 Rel: 02 Sep 19
 
All-analogue dual stereo crossfader - 6HP
Notes: Stereo patching is becoming more common each day in the Eurorack Modular Synth System and we here at the shop are performing out a ton. Over the past couple years we consistently felt the need for a simple crossfader module that would allow users to switch between two stereo sources, add a stereo effect path, or easily mix a mono source with a stereo one. AXYS was born from this need.

Each crossfader features stereo inputs with normalling for mono to stereo uses as well as independent CV control. Control both crossfaders with one CV easily and decide how the Y will react to X's CV.

Easily transition between two performers similar to a DJ transitioning between decks with one channel and add some master buss effects with the other. Use one channel for adding stereo effects and the other to dial up some nice parallel compression. Perfect for live performance and momentary effect blasts. A simple easy to use module with tons of uses.

All analogue signal path keeps your tone intact and sounding the way you intended it to.
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coming soon $227.21
Cat: 606407 Rel: 30 Mar 16
 
Variable-width bandpass filter synth module with 8-pole filter core
Notes: The Aperture is a variable-width bandpass filter with fast and tactile controls. It is capable of simple filtering, self oscillation FM timbres, nasty acidic squelches, and capturing images of UFOs descending from the heavens on a cold winter's night. The concept is a bandpass that ranges from transparent to gnarly, with precision controls that behave under stress, all while being joyful to wreak havoc with.
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 1 in stock $250.53
VSL
Cat: 662800 Rel: 31 Oct 17
 
14HP analog voltage controlled filter in Eurorack format
Notes: The VCF-74 is a 14HP voltage controlled filter in Eurorack format. VCF-74 features a dual analogue high-pass and low-pass filter, cascaded (series, from HP > LP). The discrete diode filter circuit is inspired by the 1970s Univox Mini-Korg synthesizer's "Traveller" filter section which provides warm, organic sound to your modular system. However, this design was not only adapted for Eurorack, but is feature enhanced for a wide array of possible filter characteristics.

A stage boost switch allows you to drive the 2nd filter section (Low-Pass) with a +5.3dB signal boost from the High-Pass output signal creating a warm saturation and varied resonance to signal ratio/dynamics. Independent manual resonance controls per filter section allows you to fine-tune a wide variety of focused sound. Input and Output level controls allow you to optimize dynamic range, including how hard you drive the filter--which drastically changes the dynamic interplay between signal and harmonic resonance. Both High-Pass and Low-Pass circuits have independent cutoff controls. Independent CV inputs for cutoff and resonance of each filter section, and attenuation/gain for CV to cutoff provide superior control over filter behaviour. The VCF-74 can be set up as a Low-Pass, High-Pass, or Band-Pass filter. Width of the Band-Pass can be adjusted by simply dialling in the offset controls appropriately.

What are the changes for the new MK2 version of VCF-74?

- The faceplate will look exactly the same, except the addition of "MK2" nomenclature screen printed
- The audio signal path will have slightly lower frequency response as a result of component value changes
- The audio signal path will now use fewer coupling capacitors (more direct-coupled circuits mean better performance, less slewing).
- Added buffer circuits at the input and final filter-to-output stage (which will improve performance)
- Added calibration trim-pots for resonance control.
- Revised "local" power supply filtering scheme to improve PSR for the discrete (Class-A) filter stages.
- Added ESD protection (ESD suppressor diodes) to each front panel jack.
- Changed power inlet header from 16P to 10P.
- Widened range for LOW PASS cutoff control

Note: Depth is now 29mm (current draw is the same as 41mA for +12V, and 48mA for -12V
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 1 in stock $213.00
Cat: 553428 Rel: 30 Jun 16
 
Transformer isolatoed audio interface synth module
Notes: The TAI-4 not only makes it easy to get balanced signals out of or into a modular system, it also does that job with superior audio quality. Above, it galvanically separates the inputs from the outputs by using a total of four high-end audio transformers and thus prevents unwanted noise interferences.

We decided to uses switches instead of potentiometers for adjusting the gain levels. This ensures accurate and equal leveling of stereo signals.

The TAI-4 is an extremely useful module when it comes to integrate external studio processors, or the opposite, connecting the modular system to outboard equipment or DAWs.
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 1 in stock $243.43
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Cat: 662852 Rel: 18 Sep 17
 
Four-channel voltage controlled polarizer featuring four identical attenuators - 10HP
Notes: You never can have enough modules that influence levels - be it for audio signals or control voltages.

quadroPOL is a four-channel polarizer module. It can attenuate any incoming signal, in-phase or out of phase. One of its most special features is the way each channel's level control works. Instead of having one dedicated zero-point, it has a "dead zone" where the input signal will be completely suppressed. Thus, you will easily find the off-position, even without a centre-click, while, at the same time you'll be able to create extremely sensitive level increases.

Further outstanding features are:

- A channel's output signal will optionally be forwarded to the next one, which allows the use of quadroPOL as a mixer-module. This way you can sum up to four signals.
- The module can be controlled via control voltages. Beside manually setting the level you can use each channel as VCA. You never can have enough VCAs in a modular system, can you?
- quadroPOL's circuits work with a four-quadrant-multiplier. This means the module is a ringmodulator without compromises - sorry - four ringmodulators.

Do you have 10 HP unused rack-space left in your Eurorack-system? You should consider getting a quadroPOL module. It is so versatile that it's hard to live without one, once you've gotten your hands on one of it.
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 2 in stock $207.93
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quote 662852
Cat: 702720 Rel: 30 Jun 16
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Format conversion the flexible way:
Our quad MIDI Interface picks up the flexible voice assignment of VERMONA's PERfourMER MKII to provide a fourfold MIDI-to-CV/Gate converter for Eurorack-compatible modular systems. This way, you can play your modular synthesizer in different monophonic modes or even polyphonically using MIDI.

More than just pitch:
Each of the four "output channels" offers a CV-output with 1V/octave-characteristic, a gate-output plus two additional control voltage outputs. These can be easily addressed by MIDI-controllers such as the modulation-wheel or pitch bender. The output channels can freely be combined or be used with independent MIDI-channels. Combined output channels can be used in unison, monophonically with rotating voice assignment or even to create polyphony. qMI 2 also offers four clock-divider-outputs. These convert incoming MIDI-clock signals into analogue gate-voltages. A reset-output allows sequencers with corresponding input to run in sync by MIDI-start/stop commands. A new feature of qMI 2 is the option to switch between both monophonic voice assignment modes using a gate signal.

Easy access to functionality:
An important part of the modular concept is the easy access to every parameter, without using displays or complicated menu structures. qMI 2 will help you to integrate your modular-system into your MIDI-setup straight-forwardly!
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 1 in stock $221.75
Cat: 617815 Rel: 30 Jun 16
 
Quad MIDI interface synth module
Notes: Format conversion the flexible way:
Our quad MIDI Interface picks up the flexible voice assignment of VERMONA's PERfourMER MKII to provide a fourfold MIDI-to-CV/Gate converter for Eurorack-compatible modular systems. This way, you can play your modular synthesizer in different monophonic modes or even polyphonically using MIDI.

More than just pitch:
Each of the four "output channels" offers a CV-output with 1V/octave-characteristic, a gate-output plus two additional control voltage outputs. These can be easily addressed by MIDI-controllers such as the modulation-wheel or pitch bender. The output channels can freely be combined or be used with independent MIDI-channels. Combined output channels can be used in unison, monophonically with rotating voice assignment or even to create polyphony. qMI 2 also offers four clock-divider-outputs. These convert incoming MIDI-clock signals into analogue gate-voltages. A reset-output allows sequencers with corresponding input to run in sync by MIDI-start/stop commands. A new feature of qMI 2 is the option to switch between both monophonic voice assignment modes using a gate signal.

Easy access to functionality:
An important part of the modular concept is the easy access to every parameter, without using displays or complicated menu structures. qMI 2 will help you to integrate your modular-system into your MIDI-setup straight-forwardly!
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 1 in stock $244.44
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quote 617815
Cat: 677526 Rel: 13 Feb 18
 
Random-based trigger sequencer - 24 HP
Notes: RandomRHYTHM is a random-based dual-channel trigger sequencer with a very unique concept. What you cannot do with it is manually setting steps or tapping-in a rhythm. Instead you have four sliders per rhythm-section to set the probability for the appearance of quarters, eighths, sixteenths and triplets to form sequences.

Realtime or Dice:

Each of the rhythm-section can work in realtime or dice mode.

Realtime means, that the module is continuously generating new random values for each note value whereas in dice-mode it generates them for a complete 3/4- or 4/4-bar. In both modes, even if a bar has been diced, the sliders still influence the resulting sequence.

Clock central and multiple outputs:

Beside the sequence output of each rhythm-section there are individual outs for the quarters, eighths, sixteenths and triplets. You can use them with or without random. The latter makes RandomRHYTHM a precise tool to generate or multiply clocks.

Apropos clocks, the module can create its own or work with external clocks (per rhythm-section if you like).

Additional fun is guaranteed by the flexible RESET input that lets you mute the outputs or restart your diced bar. As with all parameters, the functionality can be set individually per rhythm-section.

Endless creativeness:

RandomRHYTHM is a creativeness booster. It is easy to create complex rhythms or straight four-to-the-floor beats. Its fool proof user interface lets you play it without thinking about randomness and probabilities, although that's the fundamental concept of the module. You don't need to be a stochastic genius!

It doesn't matter if you use it as sole rhythm-base or as valuable addition to other sequencers. RandomRHYTHM gives you a different view to rhythms and the way to generate them.
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 1 in stock $233.29
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quote 677526
Cat: 634214 Rel: 18 Jul 18
 
Versatile voltage generator module with 16 touch-sensitive pads
Notes: The Twisted Electrons Cells features 16 touch-sensitive pads including integral LED lights to give visual feedback on which pads are activated. The Eurorack style module can be fed up to two 12-bit values (semi-tone quantized or free scale) ranging from 0 to 5 volts. This duophonic rack-style instrument is primarily made for generating low-bit tones but can be also used to modulate parameters such as filters or amps and anything else that features a CV input. You can use the module as a sequencer using the 2 trigger inputs with the left input shifting up a row and the right input shifting right by one column. The handmade design features 2 CV/gate outputs, 2 tune buttons and 2 trigger inputs for optimal versatility, allowing you to use the Twisted Electrons Cells for a range of modulation applications.

Operation Overview:

Feed It:
- Tap a pad to select it
- Hold a tune button to engage the "feeding process" (left button for channel 1, right for channel 2).
- Adjust a knob to the desired pitch (left knob for channel 1, right for channel 2).
- So long as a tune button is held, the output is automatically changed as you move the knob
- Release the button, pitch information is stored to Eeprom

You can toggle between free scaling and semi-tone increment modes by pressing both tune buttons simultaneously.

Play it:
- Press a pad to trigger both gate and CV outputs
- Hold 2 or more pads and Cells will arpeggiate, the rate can now be changed with the left knob. The right knob changes the octave range.

Sequence it:
- Sequence the cells using the 2 trigger inputs. The left input shifts up a row and the right input shifts right by one column
- The gate outputs mirror the trigger inputs.
- Cells requires +5V DC power to operate, as well as +/- 12V. On-board 12V to 5V conversion is provided if 5V isn't available in your system. This is configured via a jumper on the rear of the module
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 3 in stock $201.85
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Cat: 634215 Rel: 18 Jul 18
 
Multiplexer/switch module - sequences up to 8 signals or potentiometers
Notes: SWITCH 8 POTS, 8 SIGNALS:

Octopus is a dual 8 way multiplexer/switch capable of sequencing up to 8 signals or potentiometers. Sequence pitch with pots, switch audio signals with the CV inputs, so many possibilities! The horizontal axis sets the channel, the vertical axis stores 8 channel positions.

The fun begins when you start sequencing or modulating the channel selector either:

- Manually by use of the two large potentiometers
- By overriding the potentiometers with CV (0-5V DC)
- By moving up and down the vertical axis via Triggers (5v DC pulse)

NOTE: The CV inputs are not limited to Control Voltages. You can use octopus to "switch" audio too, like multiple waveforms of an oscillator, or audio tracks of a song!
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 1 in stock $201.85
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Cat: 690787 Rel: 31 May 18
 
Powerful, hand-wired tube distortion module featuring American military grade low-noise tubes
Notes: Strakal Orsel is a powerful, hand-wired tube distortion module. As known from other Touell Skouarn circuits, all sockets and control elements have Breton names. (Except for the audio input and output, which are marked with arrows.)

Triodenn (switch) - Here, you can choose between pentode and triode operation for the left tube. Thus, this switch varies the basic sound character.

Boukl Retroaktin (switch/knob) - The switch activates the feedback path. With the potentiometer, you can vary the feedback intensity. High values lead to screaming self-oscillation. At low settings, signals are nicely thickened.

Gounid (knob) - This potentiometer is used for determining the level between the first and the second tube stage.

Ampled (knob) - For setting the degree of distortion. How hardcore would you like your sound to be?

Enklas Modulan (socket) - CV input for influencing the feedback respectively volume. (It works even without the feedback being active.)

Without an input signal, but with wide open feedback, the Strakal Orsel can be used as a beefy effect oscillator. Using its CV input, the pitch can be varied. There is no accurate pitch tracking according to the standard 1 v/octave, though. If you now deactivate the feedback and dial in the right volume and distortion settings, you can enjoy the Orsel's noise floor in its purest form. In other words, the module will emit charming tube noise. Operation as a crude VCA is possible as well.

The following tubes are compatible with the Strakal Orsel:

- 6J1P
- 5654
- 6AK5
- EF95

The Strakal Orsel offered here is equipped with American military grade low-noise tubes, type 5654. This one sounds better than the 6J1P and offer higher gain.

Power consumption: 5 mA at +12 V, 5 mA at -12 V and 350 mA at +5 V

HP: 12
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 1 in stock $288.06
Cat: 590405 Rel: 09 Nov 15
 
Analog voltage controlled oscillator synth module - 14HP wide
Notes: The Z3000 is an all-analog, voltage-controlled oscillator that gives you the ability to implement synthesis techniques in a controlled and planned manner, turning your modular system into an even more powerful musical instrument.

The Z3000 is bilingual - equally fluent in the language of sound (frequency) and music (notes and octaves). Its intelligence comes from its built-in arithmetic processor, which allows for relevant data to be displayed constantly, taking the guesswork out of tuning your modular.

The 73000's analog core generates four waveforms with substantial character, giving you the sound signature that can only be created by a true analog VCO. The Z3000 unique circuitry allows for high levels of synthesis complexity such as frequency modulation, all while maintaining excellent wide-range tracking and without falling into chaos. The Z3000 brings a world of new possibilities that will give rise to a whole new sound spectra within your modular synthesizer.
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 1 in stock $213.00
Cat: 660460 Rel: 15 Mar 18
 
4-stage Analog Shift Register (ASR) module with built-in quantizer & digital noise generator - 14HP
Notes: The E102 is a 4-tap delay for control voltages (a digital implementation of the Serge ASR - Analog Shift Register). There is also a digital noise generator with 8 different types of noise spectra. With no CV patched into the INPUT jack, the digital noise is sampled. Each clock pulse (internally set by RATE or patched into CLOCK IN) samples the INPUT and stores it as a 14-bit value. Successive clocks then shift the sampled voltage to the next output. The sampled voltage is shifted in the delay line as OUT1 > OUT2 > OUT3 > OUT4. A quad 14-bit DAC drives the outputs with an accuracy of <1mv.

A unique addition to the traditional ASR is the voltage-controlled DELAY. Selectable in 3 ranges, this adds delay stages in-between each output. For example, if DELAY was 2, then it would take 6 additional clocks for the OUT1 to "travel" down the delay line to appear at OUT4. The INPUT is sampled once for each clock, no matter what the DELAY is. The outputs can be quantized to whole-note steps.

The most common use of the E102 is having each OUT drive a VCO. If you have a step sequencer, then use the sequencer's clock into CLOCK IN and the sequencer's CV out to INPUT. The 4 OUTs will then generate a musical canon (like "Row Row Row Your Boat") when driving 4 VCOs. Each VCO will play the same note as the prior clocked output. This is of course assuming DELAY = 1. DELAY is not the same as a 'clock divider': when DELAY is not 1 (say it is 12), then every sample clock, the INPUT is fed into the delay. In this case there are 12 clock-delay stages between each out. If 0.25V was sampled and appears at OUT1, then 12 clocks later that same 0.25V appears at OUT2. There is no delay from INPUT to OUT1. The delays are OUT1 to OUT2, OUT2 to OUT3, and OUT3 to OUT4. OUT1 is a 'traditional' sample/hold.
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 1 in stock $242.43
Cat: 731220 Rel: 15 Jul 19
 
Expander for the Demon Core Oscillator - 8HP
Notes: This module brings polyphonic control to the Demon Core oscillator.

The stacks can be divided between up to 16 polyphonic voices via MIDI or four 1V/oct inputs with attenuator. The oscillator can be set in continuous streaming mode or in MIDI gating mode with an ADSR envelope for each polyphonic voice.

The time sync can be also triggered via MIDI for each voice.
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 3 in stock $241.40
Cat: 655847 Rel: 06 Sep 17
 
Quad digital OSC module - 12HP
Notes: Deeply featured 12hp module with four digital oscillators - each with a selection of 64 waveforms, 7 different processing modes including phase distortion and wave sequencing, and a dedicated volt per octave input. In unison mode, all 4 OSCs can be played via the 1st 1V/O input, by 1V/O inputs 1-4, and widely detuned, or switched to a preset chord formation - a major move beyond the 'one note samba' monophonic, module choreography - scooch over Grainy, Quadnic is cookin' up digi-vittles for four. "Come 'n' git it!" and stay in record: the Quadnic is non-programmable; when the power recycles, the Quad defaults to voice 1 active with current pot positions. All edits are live; all edits are volatile. Exciting. Always fresh.

The Four Oscillator Structure image gets one into the weeds of the sound. Control of all the OSCs parameters globally without sacrificing individual CV control is now a reality: essentially a sensible polyphonic mode with individual CV control. Previous OS Master Modes used only OSC 1 as the controlling CV - the additional mode uses all 4 controlling CVs. Changing stronger together.

Master Matters:
- With MASTER mode switched on, the oscillator responds to it's own CV input
- Oscillators 2 to 4: If Master LED is not lit, the oscillator responds to CV 1, with the pitch control adding +/-1 octave offset
- Oscillator 1 always responds to CV input; the other oscillators follow CV 1 if they are not set to Master
- When all 4 oscillator switches/lights are selected, the Quadnic is in unison mode and all oscillators follow CV 1; the front panel control affects all 4 oscillators
- To get all oscillators to same pitch, adjust the Pitch and Fine controls
- To get all oscillators to play the same sound (they are quite independent), adjust all controls
- All 4 OSC lights on, with Master selected or flashing: unison can detune massively up to 4 octaves
- All 4 OSC lights on, with master not selected: unison and Chord produce chords

Inputs and Outputs:
1V/OCT 1 - Oscillator 1, 1 Volt per octave input. 0-10V input range. Controls the pitch of any other oscillator that is set to Slave mode.
1V/OCT 2 - Oscillator 2, 1 Volt per octave input. 0-10V input range. Only affects oscillator 2 when in Master mode.
1V/OCT 3 - Oscillator 3, 1 Volt per octave input. 0-10V input range. Only affects oscillator 3 when in Master mode.
1V/OCT 4 - Oscillator 4, 1 Volt per octave input. 0-10V input range. Only affects oscillator 4 when in Master mode.
Proc CV - Process CV input. +/-5V input range. One CV input for all oscillators, but can be attenuated for individual oscillators using the Process CV control.

Out 1 - Oscillator 1 output.
Out 2 - Oscillator 2 output.
Out 3 - Oscillator 3 output.
Out 4 - Oscillator 4 output.

- Size: 12hp
- Depth: 35mm including connectors
- Power Usage: 50mA max
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 2 in stock $203.87
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Cat: 655853 Rel: 06 Sep 17
 
Voltage controlled state variable filter module
Notes: Simultaneous high pass, low pass, and band pass outputs, all with a 12 dB/oct slope. The notch is the inverse of the bandpass, achieved by summing the low pass and high pass outputs. This version is a combination of the original SEM filter and the newer design from the OBX, along with improvements by SE. It has a modest current draw, which it pulls evenly from the plus and minus rails.

Potentiometer Potential:
Three attenuverter and four attenuation pots control the FREQUENCY, RESONANCE, FREQ CV 1, RESO CV, LP HP, INPUT and OUTPUT, delivering smooth, detailed, and complex expression.

Switch it Up:
FULL and HALF strength filter frequency keyboard/voltage tracking, and BP / LP-HP modes.

Patch it Up:
Seven patch points: 1 V/O, FREQ CV 1, FREQ CV 2, RESO CV, INPUT, BP LP-HP, and OUTPUT direct the deepest manipulation.

All Controls and Patch Points:
FREQUENCY - Adjusts the frequency, or cut-off of the filter.
RESONANCE - Adjusts the resonance of the filter.
FULL HALF TRACK - Switch between full and half keyboard/voltage tracking.
FREQ CV 1 - Frequency control voltage 1 input attenuverter.
RESO CV - Resonance control voltage input attenuverter.
LP HP - Low Pass / High Pass attenuverter.
INPUT - Adjusts the audio input.
OUTPUT - Adjusts the audio output.
1 V/O - One volt per octave control voltage input.
FREQ CV 1 - Frequency control voltage 1 input.
BP OUT - Band Pass Output. No cable patched, BP passes through the mains.
RESO CV - Resonance control voltage input.
INPUT - Audio input.
BP LP-HP - Switch between Band Pass and Low Pass - High Pass modes.
OUTPUT - Audio output.

- Size: 12hp
- Depth: 39.7mm with ribbon cable attached
- Power Usage: 32mA (+12 / -12)
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 1 in stock $201.85
Cat: 677505 Rel: 12 Oct 18
 
Discrete VCA
Notes: 8 channel, cascading analogue summing mixer with clickless mutes.
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 1 in stock $231.27
Cat: 658624 Rel: 18 Aug 17
 
Bass & drum synthesiser voice module - 14HP
Notes: The Entity Bass Drum is a complete and versatile synthesizer voice geared for designing a huge array of bass drum, percussive and synth sounds. Finally, a truly deep tool for creating analog bass drum, bass lines and other percussive effects is here!

The design consists of a high fidelity resonant filter, 2 stage slope generator (rise/fall) with independent slope shaping, a high fidelity VCA and discrete transistor saturation circuitry. Every parameter on the Entity Bass drum is voltage controllable.

By applying a trigger of any length and at least 2V amplitude, we excite the resonant filter to produce a percussive sine wave. The pitch control tunes the output with a range of 8Hz to around 2.2KHz. Both higher and lower levels are achievable using the FM input for modulation etc. The internal filter will track 3-4 octaves reliably and the tracking device is temperature compensated.

The slope generator (ENV) can be switched into the circuit via the 3 way switch below the FM LVL control. This control is a bipolar attenuator which affects the level of the slope generator and/or external modulator that affects the pitch of the output.
The 3 way switch selects FM, FM+ENV or just ENV as a mod source.

The rise/fall envelope is a two stage function generator. The controls provide slope timing from 1ms to about a minute. To the right of these controls is the shaping section where logarithmic, linear and exponential slope shapes are selected independently for the two envelope stages.

The envelope is designed to re-trigger at a set point. This allows for changing dynamics to occur to pitch and amplitude when the slope times are greater than the output transient time. For instance the sound can vary between any number of triggers that fire before the envelope set point is reached. Setting the slope time fast enough (below roughly 1 o'clock) provides for nominal operation. Settings will vary depending on trigger and ring decay timing.

The envelope can also be used exclusively or in a more complex patch via a direct +ENV output. Additionally, a novel DUCK output provides a means to control external VCAs - to work like slow compressors. DUCK is an inverted and positively offset version of the +ENV out. This keeps VCAs open when the envelope is off and effectively 'ducks' the VCA when the envelope fires. Of course, mod sources for these outputs are not limited to VCAs...

BODY is a subtle, yet novel control. This control simulates the tightness of a drum head. All the way tight, we get a softer and somewhat muted sound, to the right we achieve a more flabby sound. The middle region is the sweet spot for a nearly perfect resonant drum. BODY can have a greater effect depending on the other parameters and can be very useful for fine tuning the sound in a mix and designing original drum sounds.

RING controls the resonant decay time. Both short and plucky and an infinite ring are obtainable. The filter is tuned so that it will always resonate a little, even when RING control is all the way down.

Before the output section, we have the discrete transistor saturation. We like this because of the vintage low end distortion from overdriven class-A discrete amplifiers. This one is tuned a bit more aggressively and just a touch is necessary to add some bite. However, you can go over the top and get brutal if you so desire... ;-)
The saturator will overdrive the output stage for more of a hard clipping effect that can be tuned out by adjusting the output level control without sacrificing signal amplitude - its a hot signal by intention.

The OUTPUT section is a parallel signal processor design. The OUTPUT control blends the nominal output with a secondary input (or nothing) depending on the 2 way switch setting below the control and/or whether an external signal is patched into the AMP CV input. In 'AMP' mode, the OUTPUT control works like a volume control. If a signal is active on the AMP CV input, the control will blend between the nominal output and the CV control level. Similarly, in 'ENV' mode we get the same blending action using the internal envelope.

The VCA can also be accessed directly via the A-MIX input. This allows you to use the output section as a standalone VCA (modulated via the envelope or not) or to mix other sounds with the Entity. Feedback patching is a possibility using a stackable or mult to feed the output into the A-MIX input. This produces a juicy distortion effect of a different flavour, you may like it.

The filter can be used independently or in combination with the nominal output via the F-MIX input. This input is used as an aux trigger input that is sensitive to pulse/trigger width. As the effect is less dramatic than the main trigger, dynamic rhythms are achievable using both inputs and creative triggering.
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 2 in stock $293.14
Cat: 627849 Rel: 14 Oct 16
 
Source module with four combinations of low-pass filters and/or VCAs
Notes: SPUTNIK QUAD VCF/VCA is a Quad Low-pass Gate and each of the four independent gates have a selectable switch for VCF, COMBO and VCA . CV input varies the gain from -120dB to +3dB gain. The control knobs for each will also determine levels and cut-off frequencies. Outputs include individual outputs, "ALL" (all outputs summed for voltage controlled mixing), "ODD" (1+3 outputs summed) and "EVEN" (2+4 outputs summed).

The module is a four-fold combination of low-pass filters and/or VCAs. Its functions are extended by three different mix outputs.

A channel can be used as a low pass filter, as VCA or as a combination of both functions. Latter corresponds to the behaviour of acoustic instruments, where increase in volume changes the harmonic spectrum. The CV input controls the gain in a range of -120dB to +3dB. In addition to the channels' direct outputs the module contains mix outputs. ALL provides you with the mix of all four channels, ODD with the mix of channels 1+3, EVEN mixes channels 2+4.

Connectors:
- Per VCF/VCA channel: signal input, CV input, individual output
- Mix outputs for all channels, odd channels and even channels
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 4 in stock $254.59
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Cat: 599034 Rel: 22 Feb 17
 
8-bit wavetable oscillator for Eurorack with Uni-Five companion module
Notes: The Oscitron is an 8-bit wavetable oscillator for Eurorack. It is based around the Atmegatron audio engine but also has a lot of different features, which make it more suited to the modular environment.

One of the key differences is the ability to capture wavetables via an audio input. There is also a "continuous capture" mode which produces vocoder-style effects.

The resolution of the audio engine can be altered from the Atmegatron's 32 sample wavetables, down to 16 and up to 128 samples, creating radically different timbres.

There is a clock input that can be routed to many different parameters. There are 5 CV inputs for controlling the most common parameters. 16 patches can be stored internally. As with the Atmegatron, different software can be uploaded to the Oscitron. A port of the Odytron software is ready for release in the first quarter of 2017.

Uni-Five companion module:

The Oscitron comes bundled with the Uni-Five companion module. This is a utility module that takes 2 bipolar +5/-5V signals and 1 unipolar 8V signal and converts them to unipolar 5V signals, suitable for the Oscitron's inputs. This is most useful for bipolar LFOs and envelopes. There is also an attenuator on each input. The modules are also available separately.

Play:

- 8-bit wavetable module
- Unique wavetable PWM Synthesis audio engine.
- Quick and intuitive controls, no complex menu systems
- White aluminium faceplate with walnut side panels
- Nearly all parameters controllable by CV
- 16 preset sounds that can be overwritten with your own patches

Program:

- Huge selection of waveforms and filters
- Sample your own wavetables using the audio input
- Continuous sampling mode for vocoder-style effects
- Powerful synthesis features that takes Chiptune beyond 80s computer sounds
- Portamento and Quantizer
- Pulse width and phaser controls
- Unique 'wave crusher' effect

Hack:

- Download the open source code from the downloads page
- Download the free Arduino development environment
- Tutorials and forums to help programmers
- Upload software using FTDI cable

Inputs/Outputs:

- 1V/oct for pitch and filter cutoff
- 0-5V CV for pulse width, resonance and phaser
- Clock input (can be configured as extra CV control)
- Standard bipolar audio output
- 10 pin power and 6 pin FTDI programmer headers
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 1 in stock $232.27
FORTHCOMING
Sismo Samba Legacy Analogue Synthesiser & Sequencer Module
Cat: 735346
 
Rhythmic 8 steps tap sequencer - 8HP
Notes: SAMBA Legacy is a rhythmic 8 steps tap sequencer with three CV in. Each time you tap, add more steps.

SAMBA Legacy works as a passive module, used by external clock - include an analogue drum synth with bass and percussion rhythms.

This module also can be used powerless.

There is a Sync in-out and a synth part (square and noise) which brings different rhythmic flavours multiply by a low tone sine wave.

Power on, Plug the clock, tap the buttons and let's Samba!

8HP width
28mm deep
4mA +12V
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coming soon $226.19
Cat: 706888 Rel: 10 Dec 18
 
Quadrature sine wave VCO/state variable filter - 18HP
Notes: The SPIN section is a quadrature sine wave oscillator. The GRIND section compares each phase against the input signal, then subtracts the resulting square waves from the input signal. If the spin section is either damped enough or enough signal is fed into it from the GRIND section then it will stop oscillating and become a state variable filter.

The Angle Grinder tracks volts per octave and can be used as a sine wave oscillator with voltage control over harmonic content available at the GRIND OUT. With no input it's four phase related sine outputs (0, 90, 180, and 27 degrees) remain clean from 0.1Hz to over 20kHz and are suitable for quad panning or XY applications.

With an input signal applied the GRIND out ranges from quadrature pulse width modulation (at LFO rate) to sync-like metallic tones (at audio rate). When GRIND is fed into the SPIN then it becomes a nonlinear feedback network with the faders and corresponding CV inputs providing instinctive control over phase cancellation, oscillation, and distortion. The four phase related outputs will become low pass, band pass, high pass, and inverted band pass filter outputs.

The function of the Angle Grinder depends on both the position of the knobs and the presence of an input signal.
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 1 in stock $263.73
Cat: 658754 Rel: 11 Sep 17
 
Compact programmable universal CV generator - 12HP
Notes: Satellite is a compact 12HP module that can be loaded with all (or a subset) of the presets and preset sequences from a Rossum Electro-Music Control Forge or other Satellite and then function as a completely stand-alone CV generator. Once the presets and preset sequences are transferred from the other module (via a patch cord connection), Satellite no longer requires any connection to the module.

With one or more Satellites, you can take advantage of all of your Control Forge presets and sequences in multiple cabinets or even different systems.

Multiple Satellites can be programmed from the same Control Forge and synced together via their Gate inputs to create complex polyphonic sequences and modulation contours.

In addition to direct connection with a Control Forge or other Satellite, presets and preset sequences can also be loaded via audio file archives that have been saved from a Control Forge or Satellite. And since those files can be posted online and downloaded, it’s a great way to share and exchange presets.
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 1 in stock $232.28
Cat: 581798 Rel: 04 Jan 16
 
Dual envelope generator & low frequency oscillator (LFO) eurorack module - 16HP wide
Notes: Based on the classic SYSTEM-100M modular synthesizer, the SYSTEM-500 is a fully analog recreation of one of the most revered electronic instruments of all time. Newly designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of the original with the advantages of a modern instrument. Built in the USA and assembled in Japan, the SYSTEM-500 is made to exacting standards with top-quality components and solid controls. And it's surprisingly affordable, turning the fantasy of finally owning this legendary instrument into reality.

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analog and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens up vast possibilities for sound design and musical exploration.

The 540 Dual Envelope Generator and LFO (low frequency oscillator) is a multi-purpose modulation source. This unit features two independent ADSR (attack, decay, sustain, release) envelope sections that produce variable voltages for controlling other Eurorack format synthesizer modules such as oscillators, filters, and VCAs. Each section can be triggered externally, internally, or manually with dedicated jacks for each envelope, as well as an inverted output.

Additionally, the 540 includes a voltage controlled LFO with 5 waveform outputs. Front panel controls adjust both frequency and delay time of the LFO start. Delay and reset can be triggered from either envelope 1 or 2.
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 2 in stock $286.78
Cat: 728383 Rel: 09 May 19
 
New and improved version of the Qu-Bit Chord - 14HP
Notes: Polyphony is back!

Chord v2 is a plug and play solution for bringing musical polyphony to your system. It contains four oscillator voices, a multitude of waveforms, and intelligent tuning functionality. This new version features an expanded sonic palette and feature set in half the size of the original.

It features three primary modes of operation: Chord, Free Running, and Unison. These three modes allow the oscillators to be tuned as diatonic chords, run independently of each other, or be tuned to the same internal frequency for external v/oct sequencing through independent CV inputs.

The timbral possibilities of the Chord v2 bring its polyphonic tones to life. The module ships with eight banks of waveforms encompassing traditional shapes, vocal synthesis, organ emulation, and chiptune sounds. You can also load custom wavetables using the SD card slot on the front panel.

From harmonic drones to Switched On Bach, the Chord v2 is an unparalleled addition to any Eurorack modular.

Changes from v1:

- Half the size! 14HP down from 28HP
- Eight banks of waveforms
- Full polyphonic mode
- Harmonize in minor mode
- Custom wavetable compatibility
- Expanded chord types
- Improved synthesis engine
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 1 in stock $257.63
Cat: 677589 Rel: 15 Oct 18
 
Organic wavetable oscillator featuring scanned synthesis - 16HP
Notes: Scanned is an organic wavetable oscillator. It uses an unexplored technique known as Scanned Synthesis to animate wavetables that are created in real-time. This synthesis method was conceived by the father of computer music, Max Mathews, as the next paradigm in digital oscillators, and until now, has never been implemented on hardware.

The wavetables are dynamically generated from a set of "objects" tied together on a virtual string. These objects have physical properties including Mass, Stiffness, and Damping which affect the way that the string moves through space and time. Unlike physical modelling, however, this algorithm is a means of creating new electronic sounds, not replicating acoustic instruments.

To animate the waveform, the objects are morphed into the currently selected hammer shape and then released. This excitation of the sound generates evolving timbral landscapes that contain harmonic movement without external modulation. The hammer section also determines whether Scanned is a free-running oscillator, or a triggered sound source allowing it to function as a complete voice without additional filters or VCAs.
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 1 in stock $296.18
Cat: 677586 Rel: 30 Aug 18
 
Voltage controlled, cross fading switch - 20HP
Notes: Synapse is a crossfading switch with a signal path that can be rearranged on the fly. Its dynamic routing and mixing functionality make it capable of turning static waveforms into evolving soundscapes.

The core of Synapse is comprised of four crossfade circuits chained to a sequential switch, all under digital control. This enables many intelligent behaviours that aren't possible in the analogue domain. Crossfade positions can be saved in up to eight memory locations for easy recall. These let you create sections within your patch, and travel through them with a single knob - all without repatching. In addition, the switch outputs can be rotated left, right, or randomized, enabling unique spatialization of sounds through effect chains, filters, or other mixers.

Synapse can process CV signals just as well as audio and even generate its own adjustable DC voltage for modulation. A configurable +5V DC offset is normalled to each B input, allowing it to function as a four step sequencer or eight stage stored voltage source without needing any additional modules.
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 1 in stock $252.57
Cat: 725423 Rel: 19 Mar 19
 
Multi-dimensional signal processor with stereo inputs & outputs
Notes: Prism is a multidimensional signal processor that creates a framework for the spectral metamorphosis of any input signal. This stereo audio buffer can be navigated through on 3 axes, each of which provides a different sonic journey through its array of time based controls.

The X and Z planes are home to a flexible delay line capable of long clocked delays, slapback echo, or comb filtered vocoder-esque timbres. On the Y axis is the decimate control. This sets the audio fidelity of the buffer by manipulating the sample rate and bit depth of the output. A state variable filter with configurable low pass, high pass, and band pass outputs can be enabled at the beginning or end of the signal chain providing yet another dimension of spectral transformation. And thanks to its digital architecture, the current buffer contents can be locked in place with the Freeze control, creating glitch and beat repeat effects which can be synced to an external clock source.

The Prism blurs the lines between DSP effect, filter, and looper and transcends into a new realm of uncharted audio processing.
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 3 in stock $223.14
Cat: 649090 Rel: 11 May 17
 
Random voltage generator & noise module
Notes: The Chance is a random voltage generator and noise source. Its digital architecture allows for a fresh take on what random voltage can be. Four unique algorithms provide classic signals like smooth and discrete, while the wavetable and blend outputs take full advantage of its microcontroller core, utilizing lookup tables, and digital interpolation to create a one-of-a-kind modulation source.

Upon each successive clock pulse, coin toss seeds all outputs with new randomly chosen values. Freeze stops everything in its tracks and holds each output at its current state. After countless hours, the Chance will continue to surprise with new, unbelievable improvisations.
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 1 in stock $229.23
Cat: 620652 Rel: 11 Aug 16
 
Sequencer synth module in Eurorack format - 10HP wide
Notes: Octone is a sequencer designed with the creation of music in mind. Tonality, rhythm, and rests are all built into this powerful module.

The pitch output can be quantized to one of the pre-defined scales or unquantized, allowing for the creation of microtonal melodies. Scales are easily selected via a button and will save between power cycles; no more menu diving or edit functions needed! Analog portamento can also be applied to the pitch output, providing a smooth glide between notes.

In addition to the extensive control of pitch, gate programming has never been easier. Each step of the sequencer has an associated gate out which can be used for effect throws or timbre modulations for each note in your melody. There is also a customizable global gate out, allowing for the inclusion of rests and repeats to your sequence.

With the combination of powerful pitch and gate controls, the Octone is the ideal sequencer for crafting tonal melodies with intricate rhythmic patterns.
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 1 in stock $267.77
Cat: 637404 Rel: 10 May 17
 
Flexible six channel audio hub in Eurorack format
Notes: Packed with deep signal routing options and high quality preamps, the System Interface is a flexible audio hub, perfect for both studio and live performance. Squeezed into 24hp.

The System Interface is a six channel mixer with three channels featuring high quality preamps and stereo panning. Signal routing options include a post level auxiliary send with stereo aux return, and independent assignable bus and main mix sends. Headphone output can be assigned to the main mix, bus, or both.

Preamps on channels 1, 2, and 3 offer 15x of clean gain with a unique soft clipping overdrive circuit. They are perfect to raise the level of external, line level gear to modular levels or to dirty up an already modular level signal. Channel 1 has a dedicated output designed to allow it to function as an input for external sources without hogging the bus or aux send.

Because most mixes do not require each channel to have a full complement of features, channel 4, 5, and 6 share auxiliary, bus, and main mix controls allowing for maximum channels within a small footprint.

Three independent signal paths open the mixer up to complex routing possibilities. The auxiliary send can be used as an effects send or alternative mix while the bus is used to cue up sounds for live performance or to split the mixer channels into 2 independent mixers. The possibilities are deep.
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 3 in stock $232.27
Cat: 690903 Rel: 03 Jul 18
 
Cascading analogue waveform sculpting oscillator - 12HP
Notes: True analog innovation, the Lifeforms Primary Oscillator was designed to stretch the boundaries of pure sonic sculpting. The Primary Oscillator uses unique cascading waveform processing to create increasingly complex, fully modulatable waveforms. Through the use of multiple interwoven waveshapers, a simple waveform can quickly mutate into something deeply dynamic and harmonically rich.

Custom waveshapers include a harmonic sine wave; a sine processed to add just enough harmonics to give a resonant filter something to dig into. Next, the included blade wave processor is an evolution of our custom modulation circuit, creating modulatable ramp and pulse waves. The fragments generator is an analog downsampler capable of crushing waveforms to dust without ever sounding thin or cold. Also included, the timbre wave folder enables deep spectral change by repeatedly folding the waveform in on itself until the original waveform is unrecognizable.

The Primary Oscillator is not meant to be a clean oscillator that produces perfect waveforms. Controlled signal interactions and the unique set of cascading waveshapers at the heart of the Primary Oscillator allow for a uniquely musical approach to experimenting with a wide array of interesting sounds. Instead of relying only on the standard set of simple wave shapes, the Primary Oscillator builds on the basics to offer a powerful palate of infinitely variable waveforms. No other analog oscillator offers such a creative and deep set of audio processing tools.
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 3 in stock $223.14
Cat: 740947
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Packed with deep signal routing options and high quality preamps, the System Interface is a flexible audio hub, perfect for both studio and live performance. Squeezed into 24hp.

The System Interface is a six channel mixer with three channels featuring high quality preamps and stereo panning. Signal routing options include a post level auxiliary send with stereo aux return, and independent assignable bus and main mix sends. Headphone output can be assigned to the main mix, bus, or both.

Preamps on channels 1, 2, and 3 offer 15x of clean gain with a unique soft clipping overdrive circuit. They are perfect to raise the level of external, line level gear to modular levels or to dirty up an already modular level signal. Channel 1 has a dedicated output designed to allow it to function as an input for external sources without hogging the bus or aux send.

Because most mixes do not require each channel to have a full complement of features, channel 4, 5, and 6 share auxiliary, bus, and main mix controls allowing for maximum channels within a small footprint.

Three independent signal paths open the mixer up to complex routing possibilities. The auxiliary send can be used as an effects send or alternative mix while the bus is used to cue up sounds for live performance or to split the mixer channels into 2 independent mixers. The possibilities are deep.
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 1 in stock $218.08
Cat: 626225 Rel: 18 Oct 16
 
Four channel programmable drum controller
Notes: Welcome to the Eurorack Drum Machine:
The Pittsburgh Modular Lifeforms Percussion Sequencer is a seriously featured, 4 channel eurorack beat programmer with a classic drum machine style interface. The familiar interface allows for quick mastery of all the features leaving the focus on the music. Seamlessly move around the module tweaking patterns and effects without ever stopping the beat. Easily create new patterns using the live performance or step recording modes, then add one of the powerful pattern effects to each channel to take the sequence to a new level. Designed to integrate into any size eurorack system, simply patch 4 audio signals through the integrated high quality VCAs to create a set of unique percussion voices. Eurorack drum programming has come to life.

Anything is a Drum:
Traditionally, patching up a modular drum kit was constrained by the amount of envelope and VCA modules in a system, restricting the number and complexity of percussion voices in most systems. Another option was to use dedicated drum modules that offer a limited sonic palate and few modulation options. The Lifeforms Percussion Sequencer breaks through these barriers by including a percussion tuned analog envelope and VCA on each channel. Patching anything from a basic sine wave to heavily modulated and processed noise sources through the Lifeforms Percussion Sequencer will quickly create a distinctive drum kit that takes full sonic advantage of the unique synthesis options available in any system.

The Mind of a Modern Drum Machine:
At the heart of the module is a 4 channel, 32 step beat sequencer designed for live performance. Seamlessly move around the module tweaking patterns and effects without ever stopping the beat. Create and store up to 32 sequences using live performance or step mode recording with pattern lengths varying from 1 to 32 steps. Patterns can be copy and pasted to easily create multiple versions of a beat. The sequencer is driven by an internal tap tempo or external clock source. A dedicated clock in/out jack syncs the sequencer with other modules.

Four Integrated Analog Envelopes and VCAs:
Instead of limiting the drums to a few onboard voices or lo-fi samples, the Lifeforms Percussion Sequencer uses an analog envelope and VCA built into each channel to shape any audio source into a percussive instrument. The envelopes are designed with a razor sharp attack and variable decay/release allowing for maximum control over the output of each channel. The envelopes can also be used externally. A short envelope creates a trigger while longer envelopes can be used as a modulation source for oscillators, filters, or anything at all.

6 Adjustable Pattern Effects:
The Lifeforms Percussion Sequencer includes 6 unique pattern effects to expand the musical possibilities of traditional grid style beat programming. Effects include everything from swing and beat shifters to glitch and generative algorithms designed to manipulate the sequencer pattern. Each channel can run a unique instance of one pattern effect at a time. A master pattern effect channel is also available that affects all 4 channels of the sequencer. The combination of the channel effect and the master effect allows for up to two effects at a time on each channel. Each effect has one parameter that can be adjusted to dial in the perfect response.

- Shift Effect
Delays the trigger output of a channel by small divisions of the tempo. Use this effect to create half-step or stutter-step drum triggers. Effect knob controls the amount of channel shift. The range of shift is 1/8th to 7/8ths of a beat.

- Glitch Effect
Probability based glitch effect that creates chaotic gates based on a cascading chance algorithm. The resulting patterns are always in sync with some division of the clock, allowing for stuttering but not disjointed patterns. The probability is set using the effect knob. The range of the glitch effect is minimal to absolute chaos.

- Density Effect
Sets the number and timing of triggers created for each active step. The result can be anything from a doubling of the trigger to a rolling effect. The effect knob controls the trigger density.

- Morph Effect
Create evolving patterns. The morph effect is a probability based algorithm that modifies an existing pattern by adding or removing active steps. The effect knob sets the probability that the pattern will morph.

- Swing Effect
A classic drum machine effect meant to mimic the feel of a real drummer by shifting the timing of every other step. The effect knob controls the amount of swing.

- Add/Drop Effect
Temporarily add or drop steps from a pattern. The results are similar to the morph effect but changes to the pattern are not compounded as the pattern plays allowing the resulting pattern to stay anchored to the original sequence. The effect knob sets the probability that a step will be modified.
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 2 in stock $252.57
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quote 626225
Cat: 739108
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Mimetic Digitalis is a 10HP step sequencer optimized for live use. MD includes four individually editable CV outputs and a trigger out. Each step can be manually programmed or use MD to live record CV sequences using the encoder. The zero button mutes the CV at a step and shred randomizes the voltage. Save and load up to 16 patterns. Edit a pattern and use undo to return to the unedited version.
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 1 in stock $210.62
Cat: 703010 Rel: 01 Oct 18
 
5U format digital synthesiser voice module
Notes: Manis Iteritas Magnus is a voice based on the architecture of Basimilus Iteritas, but designed to be more gritty and aggressive. It accomplishes this by producing only sawtooth waves that are manipulated, modulated, and distorted through a rethought interface. Manis is suitable for leads, bass lines, drums, darkness, detuned madness, or pure mayhem.

Size: 2 MU
Depth: 1.5 Inches
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$252.57 SAVE 20%
 More than 10 in stock $202.06
Cat: 703012 Rel: 01 Oct 18
 
Analogue-inspired parameterised digital percussion
Notes: Basimilus Iteritas Magnus is a digital drum synthesiser with its roots in the analogue world. At its heart is a six-oscillator additive synthesiser with adjustable waveform, harmonic spread, attack, decay and noise. These get fed into a built-in wave folder for extra crunch.

Size: 2 MU
Depth: 1.5 Inches
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 8 in stock $278.93
Cat: 641950 Rel: 28 Feb 17
 
Probabilistic beat crossfader module
Notes: Confundo Funkitus crossfades between two sets of four rhythms using probability. Three different probability curves can be selected to control the behaviour of the crossfader. Per-part switch mutes are included with live performance in mind.

Connect up to four rhythm outputs to each of the two sets of inputs. Connect the outputs to modules that take triggers. Drums that take triggers are perhaps the easiest.

Toggle the Curve switch to the top position. If the crossfader is fully left, then only inputs on the left will create gates. If the crossfader is positioned in the middle, the Centre light is illuminated the two rhythms are blended together: gates are generated any time either rhythm is played. If the crossfader is all the way to the right the gates generated come from the second (right-hand) set of inputs.

Between these extremes the produced rhythm is a combination of both sets of input weighted by the position of XFADE and which curve is selected.

Size: 12HP Eurorack
Depth: 1 Inch
Power: 2x5 Eurorack
Draw +12V: 50 mA
Draw -12: 5 mA
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 1 in stock $213.00
Cat: 671743 Rel: 18 Dec 17
 
Gritty & aggressive Eurorack 10HP voice module
Notes: Manis Iteritas is a Eurorack 10HP voice based on the architecture of Basimilus Iteritas, but designed to be more gritty and aggressive. It accomplishes this by producing only sawtooth waves that are manipulated, modulated, and distorted through a rethought interface. Manis is suitable for leads, bass lines, drums, darkness, detuned madness, or pure mayhem.
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 2 in stock $299.23
Cat: 741570 Rel: 29 Jul 19
 
Dynamic rhythm generator module
Notes: Integra Funkitus takes up to four input rhythms and combines and modifies them into rhythm outputs. There are three modes: two based on probability and one on generalized logic combinations.

Feed up to four rhythms from a rhythm module (such as Numeric Repetitor) into the inputs.

Connect the gate outputs to percussion modules, then turn the knobs to control how the rhythms are combined and modified.

Size: 8HP Eurorack
Depth: 1 Inch
Power: 2x5 Eurorack
Draw +12V: 50 mA
Draw -12: 5 mA
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 4 in stock $226.19
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