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Synth modules

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Cat: 734882 Rel: 18 Jul 19
 
High-quality dual linear VCA with mixing functionalities
Notes: Audiophile Circuits League VC Dual Amp contains two fully discrete voltage controllable amplifiers with linear characteristic. It is based on a new circuit design which delivers unheard clarity of sound. To this day there is no other VCA using this special technique!

The module offers a very low harmonic distortion in the whole linear gain range, no crossover distortion and no overshoots nor ringing. Furthermore, it has a very high dynamic range which provides a lot of headroom. The VCAs will amplify the input signal very accurately and it will sound crystal clear, without any coloration, distortion or bleed. Each channel has a Gain potentiometer for manually setting the VCA's initial gain and a control voltage input which is equipped with an attenuverter for scaling the modulation.

Thanks to normalized signal and CV inputs, both VCAs can be used in conjunction - great for processing stereo material. Furthermore, you can create voltage controlled panning effects and crossfades in next to no time. Beside the two individual audio outputs from each VCA, there is a Sum-output which provides the mix of the output of both VCAs and of the signal coming from the Aux-input. This additional input has no level control and is mixed at unity gain. Thus three different signals can be mixed together.

The amplifiers are also suitable for processing control voltages thanks to a completely DC-coupled signal path. Behind its simple appearance, this module shines with its functionality and sound quality!
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 1 in stock $277.29
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quote 734882
Cat: 688775 Rel: 31 Jan 19
 
Flexible five stage function generator - 19HP
Notes: The 'Quaid Megaslope' is a five stage function generator or modulator which operates in one of 3 modes; a multistage 'CZ' or 'Juno' style complex envelope, a super flexible LFO and a step sequencer with per step programmable slew or slides.

Each mode produces a varying output voltage moving from point to point across a set number of chained together stages. Each stage features a destination level, an overall rate or time to reach its destination level and a variable slope for the output path to take. As well as direct control, every stage feature voltage control of both level and rate. There are both unipolar and bipolar voltage outputs together with triggers emitted for the end of each stage and the end of a full cycle.

The Quaid Megaslope is designed to be fun, flexible and intuitive to use.
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 3 in stock $218.97
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quote 688775
Cat: 688796 Rel: 11 Feb 19
 
MIDI to CV module featuring 4 channels of CV & Gate - 7HP
Notes: 1983 is a polyphonic MIDI to CV interface with creative voice allocation and automatic tuning capabilities. There are 4 channels of CV and GATE outputs that can be used in various layouts such as hybrid splits between monophonic and polyphonic voices or velocity, CC, aftertouch, triggers, clock or reset.

Each channel is able to LISTEN to the simple waveforms of the oscillators and with a single press of the TUNE button, it adjusts the CV outputs to the same tuning (such as A = 440 Hz in equal temperament or others). It also maps the response for all 7 octaves so all the oscillators are perfectly in tune with each other (and with other instruments). PURE MAGIC!

When the UPDATE jack is used, it forces the outputs to update only when a trigger is detected.

1983 always stores the notes played in a legato sequence in a buffer and the WINDOW jack allows for selecting which of these notes appear at the outputs.

This way the MIDI keyboard can be used as an input interface for harmonies and note sets that are further creatively processed with triggers and CV in the modular environment.

The TRANSPOSE jack shifts the outputs by semitones, fifths or octaves and the PORTAMENTO jack sets the glide time by CV.
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 2 in stock $284.45
Cat: 689669 Rel: 14 Feb 19
 
Punchy kick drum module - 6HP
Notes: Kickall is a 6HP compact synth voice that features everything needed to make a big fat Kick sound: A stable VCO that tracks V/oct, a couple of VCAs, envelopes for volume and pitch and an aggressive wave shaper.

The module has been designed with a kick synthesis patch in mind: VCO to VCA with an envelope to open the VCA and another one to change VCO pitch. As addition a CV controlled waveshapper has been added to the VCO and an extra VCA at the end of the signal path to control the volume of the sound to act as kind of an accent.
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 5 in stock $215.90
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quote 689669
Cat: 736449 Rel: 15 Jul 19
 
Facilitates effects processing between eurorack, guitar pedals & electronic instruments
Notes: Want to connect outboard gear to your eurorack synthesizer without taking up valuable HP in your case? The INTRFX allows eurorack-level signals to be processed with pedals and/or outboard effects, and also allows line-level instruments to be processed with eurorack modules. Each of its three channels has an Interchange Switch to swap this mode, as well as an FX Blend parameter which can be controlled via CV. Because of its compact physical design, the INTRFX can be placed almost anywhere and connected to eurorack systems with 3.5mm patch cables rather than bulkier 1/4-in cables.

Feedback effects can be achieved by switching into the "wrong" mode, sending the FX return back into the FX send, while still allowing for dry signal blend and modulation. Channels can also be patched into one another and toggled between modes for experimental routing. Conveniently, each channel can operate as a reversed linear VCA for both audio and DC signals if no effects are used.

Whether you'd like to patch eurorack through some classic pedals or run a drum machine through your gnarliest modules, INTRFX makes these connections easy and flexible.
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 9 in stock $203.63
Cat: 676695 Rel: 20 Dec 18
 
Four-channel MIDI-CV interface for playing polyphonic patches - 16HP
Notes: Module A-190-5 is a four voice Midi/USB to CV/Gate interface. For each voice a pitch control voltage (CV1, 1V/octave standard to control VCOs), a gate output (to control envelope generators) and two additional control voltages (CV2, CV3) are available. The two additional CV outputs can be controlled by Midi velocity, volume, modulation, pitch bend, after touch or free assignable Midi controllers.

- Four voice monophonic (i.e. to control four monophonic voices by four succeeding Midi channels)
- Four voice polyphonic (i.e. to control four monophonic voices by one Midi channel) with several sub-modes (e.g. rotating/non-rotating)
- Two voice polyphonic (i.e. to control two monophonic voices by one Midi channel)
- Unisono

The basic mode is selected by means of a momentary switch (probably Mode or Algor.) and is shown in the LC display. Certain parameters of each mode can be edited (e.g. the midi channel(s), the midi reference note for 0V CV, assigned controllers for CV2 and CV3). For this the momentary switch Edit/Play is used. The parameter values (e.g. midi channels) are shown in the display and can be modified by means of the momentary switches 1...4. In Play mode the LEDs of these four switches display the gate states.
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 2 in stock $259.90
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quote 676695
Cat: 690950 Rel: 25 Oct 18
 
Stereo effects processor - 16HP
Notes: Erica Synths Black Hole DSP 2, an updated version of Black Hole DSP features 24 custom effects, designed in close co-operation of Erica Synths team rider KODEK and creator of SpinCAD software Gary Worsham. Each effect has 3 manually and CV controllable parameters, manual and CV control over sampling frequency for spanning from 48kHz to really Lo-Fi crunchy sound and full analogue dry/wet control. All effect parameter settings can be saved to the memory and instantly recalled with the effect, which makes Black Hole DSP II ideal for live performances.
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 4 in stock $275.24
Cat: 717577 Rel: 31 Jan 19
 
Stereo mixer featuring 3 mono channel strips with level potentiometers - 14HP
Notes: Erica Synths Black Output is a high-quality output mixer and a stereo panner with balanced outputs and headphone amplifier for monitoring your modular masterpieces.

All inputs are buffered, we use stereo potentiometers (similar to those used in high quality studio mixers) for panning, IN4 is a stereo input with simultaneous level adjustment for both channels, IN3 has a CV controlled auto-pan function. There is also a 6.3mm jack for the balanced outputs and headphones.
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 1 in stock $244.55
Cat: 690937 Rel: 25 Oct 18
 
Synth module for creating bass drum sounds - 14HP
Notes: Bass Drum is developed in collaboration with the French company e-licktronick and it's Erica Synths' take on analogue bass drum circuits adapted for modular systems. Massive, punchy sound, Accent & CV control over key parameters of the module make it distinctively expressive in live performances.
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 2 in stock $244.55
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quote 690937
Cat: 690942 Rel: 19 Sep 18
 
Dual drive & distortion module with two independent distortion circuits 10 HP
Notes: For extreme, distorted drums Dual Drive module is a must! The module features two identical overdrive sections with adjustable Gain and Drive level, each with three flavours of overdrive.
CV control over Gain and Drive adds more expression, while built in limiter prevents output signal to run into undesired clipping.

Furthermore, the output of the first section is normaled to the input of the second, so you automatically get extreme, versatile dual overdrive circuit.
The module can be used in the stereo applications as well and it's not limited for drums only - it will turn any sound source into roaring monster.
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 3 in stock $219.99
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quote 690942
Cat: 690947 Rel: 01 Nov 18
 
Two Spin FV-1 chips in one module, each filled with eight custom effect programs
Notes: To add some space to your compositions and nuances in sound design Erica Synths Dual FX module brings you two identical sections of 8 custom effects with two adjustable and CV controllable parameters.

Dual FX combines two Spin FV-1 chips in one module, each filled with eight custom effect programs with two adjustable and CV controlled parameters per effect and analogue dry/wet circuit. All parameter settings can be saved with the effect and recalled instantly during the performance. Also the output of the first FX section is normalised to the second input so creating huge layers of effects is easy.
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 1 in stock $271.15
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quote 690947
Cat: 745359 Rel: 01 Nov 18
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


To add some space to your compositions and nuances in sound design Erica Synths Dual FX module brings you two identical sections of 8 custom effects with two adjustable and CV controllable parameters.

Dual FX combines two Spin FV-1 chips in one module, each filled with eight custom effect programs with two adjustable and CV controlled parameters per effect and analogue dry/wet circuit. All parameter settings can be saved with the effect and recalled instantly during the performance. Also the output of the first FX section is normalised to the second input so creating huge layers of effects is easy.
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 1 in stock $256.01
Cat: 690941 Rel: 06 Feb 19
 
Sample-based drum module with analogue VCA & decay envelope - 10HP
Notes: Hi-Hats D is Erica Synths take on classical digital hi-hats. Instead of using an integrated circuit DAC chip Hi-Hats D are using 6-bit discrete DAC for that unmistakable crunchy sound. For amplitude shaping samples are passed trough AS3330 based VCA and are controlled with an analogue envelope generator for versatile and snappy sound. Extra feature is Open Hi-Hat looping - when it's on, a certain part of the sample is looped while the envelope decay is on, thus creating distinct, delay-like effect.

Erica Synths Drum Sequencer has connectors for internal Trigger and Accent connections to Erica synths Drum modules. The connections are made via six wire ribbon cables with 2x3 connectors (similar to Eurorack PSU connectors), and you can save some patch cables if you have a lot of Erica Synths Drum modules. Internal connections will work only with Erica Synths modules and no other manufacturer module will support this functionality. If you have Erica Synths Drum Sequencer and other Erica Synths Drum modules and want to use internal connections, select "Hi-Hats D with internal connectors" option. If you do not want to use internal connections, select cheaper "Hi-Hats D without internal connectors" option.
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 1 in stock $225.10
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quote 690941
Cat: 712706 Rel: 10 Jan 19
 
Drum modulator featuring two independent modulation/pitched noise sources
Notes: Erica Synths Modulator is an advanced modulation and pitched noise source with focus on rhythmic (but not limited to) compositions in mind. It features two identical syncable to the BPM LFOs/noise sources with selectable morphing waveshapes. LFO frequency can be manually adjustable, as well as they provide frequency divisions and multiplication in Sync mode. Each LFO has two outputs- main one and secondary one with adjustable phase, so you can create evolving modulations. Furthermore, LFOs can be linked to work at the same frequency and the first LFO has built in VCA to control output signal amplitude.
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 2 in stock $202.59
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quote 712706
Cat: 690939 Rel: 25 Oct 18
 
Synth module for creating punchy tom sounds - 16HP
Notes: Toms is developed in collaboration with the French company e-licktronick and it's Erica Synths' take on analogue toms circuits adapted for modular systems. Massive, punchy sound, Accent and Tone CV make it distinctively expressive in studio and live performances.
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 1 in stock $281.38
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quote 690939
Cat: 731213 Rel: 08 May 19
 
Quad VC/Envelope - 10HP
Notes: The FLAME "X-4" is a compact multifunctional 4x Envelope/VCA module, which combines in a very small space (10HP) 4 AR envelopes and 4 separate VCAs.

The module complements quad VCOs (eg the FLAME "4VOX") to control 4 VCAs per envelope generator in a small space.

Each channel can be used separately as an AR envelope generator with VCA, or even as a VCA.

There are 3 modes:

AR: 4 CV controllable separate Attack/Release envelopes on 4 VCA channels (per gate)
AD: 4 CV controllable separate Attack/Decay envelopes on 4 VCA channels (one shot per trigger)
VCA: 4 CV controllable separate VCAs

There is available a three-level switch for three different envelope rates from extremely short to long.

The envelope shape is set with the sliders (also adjustable via CV inputs).

In addition, the envelope can be looped (gated AD envelope loop).
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 2 in stock $203.63
Cat: 734840 Rel: 15 Jul 19
 
Analogue VCO focused on all aspects of modulation - 12HP
Notes: The OSC1 from Future Sound Systems presents a voltage-controlled analogue oscillator with a few features unexpected of a basic oscillator, with a particular focus on covering all bases of signal modulation. Once triangle, sinusoidal and pulse waveforms are derived from its sawtooth core, each waveform is passed through a VCA. The outputs from these VCAs are then summed at the Mix output, which can be switched between 2- and 4-quadrant-multiplication modes. These two QM modes allow for a plethora of amplitude modulation effects to be achieved. Level controls for each waveform dictate both static level, but also depth of modulation through careful design of the control summation. Each individual waveform output is taken pre-VCA for maximum patching flexibility.

Shape modulation of the triangular, sinusoidal and pulse waveforms is also available. Both the triangular and sinusoidal waveshapes can be skewed forward or backward into ramp-like shapes, whilst shaping the pulse wave gives standard pulsewidth modulation.

Frequency modulation is available in both Linear and Exponential modes. The OSC1 also tracks to 1V/Octave over four octaves in its audible (HF) range, but can also be used as a low frequency oscillator in LF mode.

A Sync input allows for the OSC1 to be reset by an external signal. A rising edge will reset the sawtooth wave to its peak, from which it descends. The Inject input, meanwhile, allows for external signals to interfere with the sawtooth core. This allows for intermodulation-type effects to be produced, and opens new realms of chaotic oscillations.
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 3 in stock $243.52
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quote 734840
Cat: 739134 Rel: 16 Jul 19
 
Random looping sequencer - silver faceplate, 12HP
Notes: Permutation is a set of random sequencers that use a digital shift register to generate unpredictable CV and gate patterns that can be locked into repeating loops. The concept is based on the Turing Machine, an open source module designed by Tom Whitwell.

Permutation retains the core functionality of the Turing Machine while adding new features such as dedicated outputs for each bit of the shift register, CV inputs for all parameters, and an internal bipolar VCA. Locked sequences are also saved across power cycles.
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 2 in stock $218.97
Cat: 718062 Rel: 18 Feb 19
 
2-channel quantizer & step sequencer - 8HP
Notes: Scales is an 8hp dual-channel note quantizer and step sequencer. Fundamentally, it takes an input voltage, quantizes it to notes in a user-defined scale, and sends that quantized voltage to an output, where you can use it as a melodic pitch source for oscillators or any other module that expects to see discreet note values at its input.

Scales goes far beyond the fundamental, allowing you unprecedented control of the pitches and intervals hiding inside your control voltages; turn LFO's into arpeggiators; random voltages into harmonic counterpoint; and unquantized external CV sequencers into chromatically tuned note sequencers.

Quantization can be locked to an incoming trigger. There are a number of trigger output options as well, ranging from no triggering (good for pitch shifting drones); through triggers that sync with either of the two outputs (or both); to a trigger or gate transmitted in sync with one sent to the module's TRIG input.

Shift:

Scales features two independent outputs, enabling you to create shifted harmonic intervals within your chosen scale using only a single pitch input. Using the SHIFT input you can modulate changes on OUT A and/or OUT B.

You can also use the shift input to switch between scales or to change the root of any existing scale pattern or split Scales into two quantizers - each conforming to a common scale, but fed entirely different voltage sources.

Sequence:

Scales also features a 128-step SH-101 style step sequencer (complete with storage for up to 35 fully programmable patterns) - allowing you to feed OUT B with sequenced notes and rhythm patterns, while OUT A continues to function as a standard pitch quantizer for external voltages. You can even sync the sequencer to quantizer events on OUT A.
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 2 in stock $259.90
Cat: 718065 Rel: 18 Feb 19
 
4 track gate & trigger sequencer - 8HP
Notes: Steppy is a 4-track programmable gate sequencer with eight internal memory slots, external clocking, numerous tweakable parameters, and a performance-first design aesthetic.

Each track features numerous independent parameters that govern its playback independently of the other tracks. Specifically:

- Each track has its own length, which can range from 1-step to 64-steps, allowing for polyrhythms, fills, or constantly evolving gate interactions between tracks.
- Each track has its own gate length, which ranges from very short to very long, with tied gates possible at the extreme setting.
- Each track has its own clock divider, allowing patterns to play out over completely different periods of time.
- Each track has its own swing setting, which offsets the timing of every other step.
- Each track has its own delay setting, which offsets the timing of every step.
- Each track has its own probability control, which sets the likelihood that each programmed gate will fire when called upon by the pattern.
- Each track can be shifted (or 'rotated') forward or backward by a number of steps. So if you've created a pattern that 'feels' like it has its downbeat on step 3, you can shift that pattern two steps to the left, so that the downbeat sits on step 1.

Tracks can be programmed by entering active steps on the grid or tapped in live as the sequence is moving. Tracks can be selected and modified in real time as the sequence plays. A select button allows you to directly access each track (and each page of 16 steps within that track) directly through Steppy's intuitive multifunction buttons array.

Tracks can be individually muted and unmuted, and a special performance mode (called "Loopy") enables you to touch any two gate steps and instantly create a performance that loops between those steps.

Track patterns can be cleared without clearing its playback parameters, and all track patterns (along with their individual playback and performance parameters) can be saved as a preset to one of eight internal memory slots.
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 2 in stock $218.98
Cat: 707885 Rel: 02 Jan 19
 
Bass line generator with a rhythmic chord section
Notes: The Arpopone from LepLoop is a little synthesizer for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.

Trig1 and Trig2 potentiometers set the number of clock pulses.

With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.

The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).

With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.

The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.

The two envelope sections are identical, both have a selector for different trigger sources:

Trig1 & Trig2: The envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: The envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: The envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.

Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.

Two outputs jacks are available: the mono OUT jack on the back panel and the STEREO jack on the front panel, useful for listening with headphones and for separate channel output.
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 1 in stock $295.71
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quote 707885
Cat: 707881 Rel: 06 Dec 18
 
Polyrhythmic drum module featuring raw analogue drum sound
Notes: - 3 x external audio out
- 1 x audio out
- 3 x cassation bass drum
- With clock
- Internal or external
- Trigger in
- Click out

The MULTI CASSA is an electronic Eurorack module for percussion sound and special FX. Created by LEP Laboratories, the MULTI CASSA module takes inspiration from the Leploop synth. MULTI CASSA is a combination of two modules with different pitch settings, the first maintains the original pitch, the second increases the pitch to recreate the sound off high tom or snare drum.

TRIG MIX: The rhythm played by the MULTI CASSA is the sum of the two trig IN1 and IN2. The trig mix pot adjusts the mix between the two trig input, which is great for creating polyrhythms.

FREQUENCY: Adjusts the pitch of the sound, also effects the resonance.

RESONANCE: Adjust the resonance, i.e. the damping time of the case. Beyond a certain level the MULTI CASSA can go into permanent oscillation. The level at which the oscillation begins varies with frequency.

DISTORTION: Adjusts the level of signal distortion.
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 1 in stock $236.36
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quote 707881
Cat: 738272
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


- 3 x external audio out
- 1 x audio out
- 3 x cassation bass drum
- With clock
- Internal or external
- Trigger in
- Click out

The MULTI CASSA is an electronic Eurorack module for percussion sound and special FX. Created by LEP Laboratories, the MULTI CASSA module takes inspiration from the Leploop synth. MULTI CASSA is a combination of two modules with different pitch settings, the first maintains the original pitch, the second increases the pitch to recreate the sound off high tom or snare drum.

TRIG MIX: The rhythm played by the MULTI CASSA is the sum of the two trig IN1 and IN2. The trig mix pot adjusts the mix between the two trig input, which is great for creating polyrhythms.

FREQUENCY: Adjusts the pitch of the sound, also effects the resonance.

RESONANCE: Adjust the resonance, i.e. the damping time of the case. Beyond a certain level the MULTI CASSA can go into permanent oscillation. The level at which the oscillation begins varies with frequency.

DISTORTION: Adjusts the level of signal distortion.
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 1 in stock $233.50
Cat: 731192 Rel: 19 Jun 19
 
CV-controlled 5-channel stereo mixer - 10HP
Notes: X-PAN is a compact and powerful 5 channel Voltage Controlled Stereo Mixer with Low Noise and High Headroom allowing for creation of complex panoramic audio imagery in just 10hp.

X-PAN is highly responsive to control signals allowing for exploration of the fluctuating stereo sidebands possible with Audio Rate Crossfading and Panning. X-PAN is Direct coupled for use as a CV Processing and Routing toolbox.

X-PAN consists of two full featured Channels and one simpler Channel. The top two Channels each have voltage controlled cross-fading and panning while the third Channel is a stereo aux input with stereo VCA. All three Channels are combined together at the stereo SUM outputs.
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 More than 10 in stock $203.63
Cat: 676893 Rel: 31 Aug 18
 
Quad envelope generator with 16-step sequencer - 12HP
Notes: Quad Envelope includes 4 individual AHDSR envelope generators with individual outputs as well as a 16-step automation sequencer per channel. Hold the RECORD button and move the sliders for Attack, Hold, Decay, Sustain and Release to animate each of these settings for a given channel. Autosave in stand-alone mode, or save up to 16 presets of these settings using Varigate 4+ or up to 100 presets using Varigate 8+.

You can set each envelope to either Trigger, Gate, Loop or Gate/Loop. You can also set each individual envelope to either Fast, Slow or Tempo synced modes. Each automation sequencer can be set to either Forward, Reverse, Pendulum or Random. Link Mode allows for linking envelope channels 2-4 to channel 1. The Quad Envelope allows for a multitude of dynamic possibilities for live performance and recording.
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 2 in stock $242.50
Malekko Quad LFO Module (synth module)
Cat: 676892 Rel: 31 Aug 18
 
4-channel LFO generator with 16-step sequencer - 12HP
Notes: An LFO, or low frequency oscillator, sends control voltage out in the shape of a waveform. The Quad LFO available shapes include sine, ramp, saw and pulse and moves through these shapes using the SHAPE slider. You can send these 4 distinct LFOs directly out or to other modules for frequency modulation, VCA control, filter control, etc.

What makes this Quad LFO module different is that it also includes a 16 step automation sequencer as well as autosave or expanded preset functions when used in conjunction with Varigate 4+ and Varigate 8+.

To create a sequence of automation for an LFO, hold the RECORD button and move the sliders for Frequency, Phase, Shape, Distort and Level and those slider movements will play back automatically as the Quad LFO cycles through the sequence. This sequencing feature allows for a multitude of dynamic possibilities for live performance and recording.

Set each LFO to trigger via one of the 4 individual gate inputs, or set channels 2 through 4 to follow channel 1 for quadrature and phase modulation. Change the direction of each channel of sequenced automation to Forward, Reverse, Pendulum or Random. Switch the playback speed and style between Fast, Slow or Tempo Sync. There are also inputs for both Clock and Reset.
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 3 in stock $263.99
Modor Comb Filter Module (synth module)
Cat: 700648 Rel: 18 Oct 18
 
14HP Eurorack digital filter
Notes: What is a Comb Filter? It is a digital filter where the input signal is mixed with a slightly delayed version of the input signal. You won't hear it as some kind of an echo, as this delay is very short (40ms at max). But the mixing process creates a number of equally spaced peaks and holes in the frequency spectrum, that make it look like the teeth of a comb. That's where the name 'Comb Filter' comes from.

Comb filters are typically used to make chorus and flanger style effects. These effects are created by modulating the delay time. With longer and relatively fast modulated delays you receive a chorus effect. With short to very short slowly modulated delays, combined with some feedback you'll get the typical sound of a flanger unit.

So, the most interesting parameter in this is the delay time. That determines the frequency spacing of the comb teeth. So that's why there's a CV control for it. The typical chorus and flanger effects are made by modulating the delay time with a triangle LFO. So there's a triangle LFO onboard the module, with speed control. If you don't enter any CV in the CV1 connector, it is normalled to this internal LFO to make typical effects. CV2 is normalled to the reverse signal of CV1, to make Modor's typical wide stereo effects, just as on the NF-1 synthesizer. But of course, you can enter your own CV signals in there: LFO's, Envelopes or some rhythmically undulating spacy voltage signals...

The centre big DELAY control sets the delay time, the DEPTH control sets the amount of CV modulation of the delay time. DEPTH can go positive and negative.

The MIX control sets the dry/wet mix. The FEEDBACK controls the amount of feedback. It can be set both positive and negative. The SPEED control sets the pace of the internal triangle LFO.
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 2 in stock $225.10
Cat: 743810 Rel: 08 Nov 18
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Ataraxic Iteritas is a 10HP voice based on the original Ataraxic Translatron but beefed up with loads more features and tonal controls. AI starts with one of three bit tables shaped via variable interpolation that is then scrolled through, amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Subby basses, metallic drones, unrelentingly digital timbres and more are all to be had from the AI.
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 1 in stock $297.69
Cat: 703012 Rel: 01 Oct 18
 
Analogue-inspired parameterised digital percussion
Notes: Basimilus Iteritas Magnus is a digital drum synthesiser with its roots in the analogue world. At its heart is a six-oscillator additive synthesiser with adjustable waveform, harmonic spread, attack, decay and noise. These get fed into a built-in wave folder for extra crunch.

Size: 2 MU
Depth: 1.5 Inches
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 8 in stock $281.38
Cat: 741570 Rel: 29 Jul 19
 
Dynamic rhythm generator module
Notes: Integra Funkitus takes up to four input rhythms and combines and modifies them into rhythm outputs. There are three modes: two based on probability and one on generalized logic combinations.

Feed up to four rhythms from a rhythm module (such as Numeric Repetitor) into the inputs.

Connect the gate outputs to percussion modules, then turn the knobs to control how the rhythms are combined and modified.

Size: 8HP Eurorack
Depth: 1 Inch
Power: 2x5 Eurorack
Draw +12V: 50 mA
Draw -12: 5 mA
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 4 in stock $228.17
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Cat: 703010 Rel: 01 Oct 18
 
5U format digital synthesiser voice module
Notes: Manis Iteritas Magnus is a voice based on the architecture of Basimilus Iteritas, but designed to be more gritty and aggressive. It accomplishes this by producing only sawtooth waves that are manipulated, modulated, and distorted through a rethought interface. Manis is suitable for leads, bass lines, drums, darkness, detuned madness, or pure mayhem.

Size: 2 MU
Depth: 1.5 Inches
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$254.79 SAVE 20%
 More than 10 in stock $203.83
Cat: 728383 Rel: 09 May 19
 
New and improved version of the Qu-Bit Chord - 14HP
Notes: Polyphony is back!

Chord v2 is a plug and play solution for bringing musical polyphony to your system. It contains four oscillator voices, a multitude of waveforms, and intelligent tuning functionality. This new version features an expanded sonic palette and feature set in half the size of the original.

It features three primary modes of operation: Chord, Free Running, and Unison. These three modes allow the oscillators to be tuned as diatonic chords, run independently of each other, or be tuned to the same internal frequency for external v/oct sequencing through independent CV inputs.

The timbral possibilities of the Chord v2 bring its polyphonic tones to life. The module ships with eight banks of waveforms encompassing traditional shapes, vocal synthesis, organ emulation, and chiptune sounds. You can also load custom wavetables using the SD card slot on the front panel.

From harmonic drones to Switched On Bach, the Chord v2 is an unparalleled addition to any Eurorack modular.

Changes from v1:

- Half the size! 14HP down from 28HP
- Eight banks of waveforms
- Full polyphonic mode
- Harmonize in minor mode
- Custom wavetable compatibility
- Expanded chord types
- Improved synthesis engine
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 2 in stock $259.90
Cat: 725423 Rel: 19 Mar 19
 
Multi-dimensional signal processor with stereo inputs & outputs
Notes: Prism is a multidimensional signal processor that creates a framework for the spectral metamorphosis of any input signal. This stereo audio buffer can be navigated through on 3 axes, each of which provides a different sonic journey through its array of time based controls.

The X and Z planes are home to a flexible delay line capable of long clocked delays, slapback echo, or comb filtered vocoder-esque timbres. On the Y axis is the decimate control. This sets the audio fidelity of the buffer by manipulating the sample rate and bit depth of the output. A state variable filter with configurable low pass, high pass, and band pass outputs can be enabled at the beginning or end of the signal chain providing yet another dimension of spectral transformation. And thanks to its digital architecture, the current buffer contents can be locked in place with the Freeze control, creating glitch and beat repeat effects which can be synced to an external clock source.

The Prism blurs the lines between DSP effect, filter, and looper and transcends into a new realm of uncharted audio processing.
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 3 in stock $225.10
Cat: 677589 Rel: 15 Oct 18
 
Organic wavetable oscillator featuring scanned synthesis - 16HP
Notes: Scanned is an organic wavetable oscillator. It uses an unexplored technique known as Scanned Synthesis to animate wavetables that are created in real-time. This synthesis method was conceived by the father of computer music, Max Mathews, as the next paradigm in digital oscillators, and until now, has never been implemented on hardware.

The wavetables are dynamically generated from a set of "objects" tied together on a virtual string. These objects have physical properties including Mass, Stiffness, and Damping which affect the way that the string moves through space and time. Unlike physical modelling, however, this algorithm is a means of creating new electronic sounds, not replicating acoustic instruments.

To animate the waveform, the objects are morphed into the currently selected hammer shape and then released. This excitation of the sound generates evolving timbral landscapes that contain harmonic movement without external modulation. The hammer section also determines whether Scanned is a free-running oscillator, or a triggered sound source allowing it to function as a complete voice without additional filters or VCAs.
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 1 in stock $298.78
Cat: 677586 Rel: 30 Aug 18
 
Voltage controlled, cross fading switch - 20HP
Notes: Synapse is a crossfading switch with a signal path that can be rearranged on the fly. Its dynamic routing and mixing functionality make it capable of turning static waveforms into evolving soundscapes.

The core of Synapse is comprised of four crossfade circuits chained to a sequential switch, all under digital control. This enables many intelligent behaviours that aren't possible in the analogue domain. Crossfade positions can be saved in up to eight memory locations for easy recall. These let you create sections within your patch, and travel through them with a single knob - all without repatching. In addition, the switch outputs can be rotated left, right, or randomized, enabling unique spatialization of sounds through effect chains, filters, or other mixers.

Synapse can process CV signals just as well as audio and even generate its own adjustable DC voltage for modulation. A configurable +5V DC offset is normalled to each B input, allowing it to function as a four step sequencer or eight stage stored voltage source without needing any additional modules.
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 1 in stock $254.79
Cat: 706888 Rel: 10 Dec 18
 
Quadrature sine wave VCO/state variable filter - 18HP
Notes: The SPIN section is a quadrature sine wave oscillator. The GRIND section compares each phase against the input signal, then subtracts the resulting square waves from the input signal. If the spin section is either damped enough or enough signal is fed into it from the GRIND section then it will stop oscillating and become a state variable filter.

The Angle Grinder tracks volts per octave and can be used as a sine wave oscillator with voltage control over harmonic content available at the GRIND OUT. With no input it's four phase related sine outputs (0, 90, 180, and 27 degrees) remain clean from 0.1Hz to over 20kHz and are suitable for quad panning or XY applications.

With an input signal applied the GRIND out ranges from quadrature pulse width modulation (at LFO rate) to sync-like metallic tones (at audio rate). When GRIND is fed into the SPIN then it becomes a nonlinear feedback network with the faders and corresponding CV inputs providing instinctive control over phase cancellation, oscillation, and distortion. The four phase related outputs will become low pass, band pass, high pass, and inverted band pass filter outputs.

The function of the Angle Grinder depends on both the position of the knobs and the presence of an input signal.
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 1 in stock $266.05
Cat: 677505 Rel: 12 Oct 18
 
Discrete VCA
Notes: 8 channel, cascading analogue summing mixer with clickless mutes.
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 1 in stock $233.30
Cat: 731220 Rel: 15 Jul 19
 
Expander for the Demon Core Oscillator - 8HP
Notes: This module brings polyphonic control to the Demon Core oscillator.

The stacks can be divided between up to 16 polyphonic voices via MIDI or four 1V/oct inputs with attenuator. The oscillator can be set in continuous streaming mode or in MIDI gating mode with an ADSR envelope for each polyphonic voice.

The time sync can be also triggered via MIDI for each voice.
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 3 in stock $243.52
Cat: 737960 Rel: 21 Aug 19
 
All-analogue dual stereo crossfader - 6HP
Notes: Stereo patching is becoming more common each day in the Eurorack Modular Synth System and we here at the shop are performing out a ton. Over the past couple years we consistently felt the need for a simple crossfader module that would allow users to switch between two stereo sources, add a stereo effect path, or easily mix a mono source with a stereo one. AXYS was born from this need.

Each crossfader features stereo inputs with normalling for mono to stereo uses as well as independent CV control. Control both crossfaders with one CV easily and decide how the Y will react to X's CV.

Easily transition between two performers similar to a DJ transitioning between decks with one channel and add some master buss effects with the other. Use one channel for adding stereo effects and the other to dial up some nice parallel compression. Perfect for live performance and momentary effect blasts. A simple easy to use module with tons of uses.

All analogue signal path keeps your tone intact and sounding the way you intended it to.
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 4 in stock $229.21
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Cat: 728569 Rel: 20 May 19
 
synth module with professional trigger input and audio input
Notes: Feel the sizzle as you harness the energy of liquid metal. Forge your sonic desires, and rain hot fire onto the eardrums of your listeners. Cymbals, gongs, bells, and sheet metal are the territory of Crucible.

Have you ever wanted to start with the smallest cowbell, and then CV it until it becomes a gong larger than the room you're standing in? Crucible makes this possible.

By utilizing classic digital synthesis blocks like delay and digital filters, Crucible can fully synthesize, in real time, sounds similar to thin struck pieces of metal.

We expose the engine to the user through parameters specifically chosen for their sonic resemblance to the "parameters" of a real drum kit cymbal.

Size, Pitch, Tone, and Deform give the user the tools to shape their cymbal. The Excite knob allow the user to shape their exciter, completely changing Crucible's response. Finally, select where the exciter contacts the engine by triggering the EDGE and MID inputs, or trigger both to strike the "bell."

All of this adds up to a module that is lively and energetic, completely mimicking the feeling of playing a real cymbal, while still incorporating WMD's "New Sounds, Maximum Experience" philosophy.

- Realistic sound!

- Positional trigger input. Hit the edge, middle, or bell.

- 3 Model Types: Cymbal, Cracked Cymbal, and Curved Plate

- Audio input for experimental effects.

- Separate Pitch and Size controls for maximum realism.

- Choke input for perfectly timed catches.

- Proprietary Synthesis model using digital filter and delay networks. No samples!
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 2 in stock $250.69
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Cat: 742231 Rel: 21 Aug 19
 
Versatile band-pass filter - 12HP
Notes: TRSHMSTR is a collaborative effort between WMD and electro-dance heavyweights MSTRKRFT. TRSHMSTR features an aggressive combination of band-pass filtering (FLTR) and distortion (DRV). The FLTR and DRV sections can be used independently or together to produce a wide variety of tone-shaping, from subtle distress to full-on acid destruction. The INs and OUTs of the FLTR and DRV sections are cross-normalled, so you can run your signal through FLTR and into DRV or vice-versa with no extra patching.
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 1 in stock $229.21
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Cat: 718919 Rel: 23 Apr 19
 
Expander for XAOC Devices Praga mixer
Notes: The XAOC HRAD is an expander for their Praga voltage-controlled mixing console, adding CV control for Aux levels, master level control, gate-controlled muting, and other powerful features.

- Additional set of controls for the PRAGA mixer
- Stereo sum level control
- Euro/line switchable output level
- Sum LED meters
- Stereo headphone amp
- Cue input
- Mix/solo cue auditioning
- Individual AUX inserts
- Voltage control over AUX send amount
- Two stereo controls for AUX return level
- Gate inputs for VC channel muting
- Power drawn from Praga
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 3 in stock $226.13
Cat: 689804 Rel: 03 Sep 18
 
Innovative quad envelope - 10HP
Notes: Zadar is a powerful, four-channel envelope, modulation, and transient generator, in a compact yet very complete, feature-rich package. It is capable of synthesising a vast palette of envelope shapes starting from hundreds of shapes stored in the memory. These starting shapes are not mere wavetables, but flexible vectors that can be stretched (from a fraction of a millisecond to half an hour), flipped, warped, distorted, delayed, shuffled, repeated, and amplitude modulated in real time. A set of freely assignable CV inputs allows for external control of most parameters. Each channel can work independently or combined with other channels within one of the chaining and looping algorithms.

Operating Zadar is quick and immediate, thanks to its accessible interface and crisp OLED display. The main screen displays all parameters together with the currently selected shape. Entering the simple 3-page menu is needed only for advanced settings.
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 3 in stock $265.01
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