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Synth modules

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2hp Pmkn Mult Signal Splitter Module (limited edition module)
2hp
Cat: 797074 Rel: 26 Oct 20
 
2-input/6-output signal splitter module
Notes: The Limited Edition Pumpkin Mult is here! Craft sonic concoctions with this pulp-free multiplier, exclusive for a limited time.

Mult is a 2 input, 6 output signal splitter. Channel 1 is normalled to channel 2 when no cable is present, allowing the user to split an input signal six ways, or two input signals with three outputs each.

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 2 in stock $36.60
4MS Percussion Interface & Expander Modules
Cat: 794765 Rel: 30 Oct 20
 
Envelope follower/envelope generator/external/expander synth module
Notes: Nice dual-module gate/envelope generator which can run off any audio signal. Feed it drums, synths, samples or a mic input and and generate CV modulation signals.

Supplier's Notes:
The Percussion Interface (PI) and PI Expander are a pair of Eurorack modules that generate gates and envelopes from acoustic drums, samplers, drum machines, and virtually any audio source.

Converting microphone, instrument, line and modular signals into CV and clock/gate signals, the PI and PI Expander are suited for synchronizing sequencers or other modules to the rhythm of an audio track or live percussion. The modules can simultaneously be used as a pre-amp for microphones or line-level signals, while generating inverted envelopes useful for side-chaining. The PI module contains all the core functionality and can be used without the Expander to conserve space. The Expander requires the main PI modules and adds three gain stage options, a modular-level audio output jack, a 1/4" (6.35mm) input jack, and envelope attenuation capabilities. The two modules are only sold together, they are not available separately.

Electrical and Mechanical Specifications:
Module size (PI):
4 HP Eurorack formal module
0.98" (25mm) maximum depth with power cable
10-pin Eurorack power header

Module size (PI EXP):
4 HP Eurorack formal module
0.98" (25mm) maximum depth with power cable
8-pin cable connects to PI

Power consumption:
with PI Expander
+12V: 104mA
-12V: 65mA
without PI Expander
+12V: 69mA
-12V: 56mA

Audio Inputs:
1/8" [3.5mm] on PI main module, and 1/4" [6.35mm] on PI Expander
100k input impedance, AC-coupled

Audio Outputs:
Voltage range: -10.4V to +10.8V, DC-coupled
1k output impedance
Gain Characteristics
Gain range: < -100dB to +54dB (500x)
Clip light turns blue when signal (post-gain) exceeds 2.5Vpp
Gate is triggered when signal (post-gain) exceeds 6.3Vpp
Clip light flashes red when signal clips on Audio Out jack (exceeds +10.8V)
Gate Out Jack
1k output impedance
+8V gate/trigger signal
6ms - 0.5s pulse width
+ Env Out jack (jack on PI main module)
1k output impedance
+9V peak (sustain), -60mV resting (off)
15ms attack time
70ms - 6s exponential decay time (1% of peak voltage)
- Env Out Jack (jack on PI main module)
1k output impedance
+9V resting (off), -150mV peak (sustain)
15ms attack time
70ms - 6s exponential decay time (1% of peak voltage)
Env. Out jack (attenuated jack on PI Expander)
1k to 26k variable output impedance
+9V maximum
-60mV minimum
Inv. Out jack (attenuated jack on PI Expander)
1k to 26k variable output impedance
+9V maximum
-150mV minimum
Included with the PI+EXP:
8-to-16 pin power cable
8-to-8 pin cable for connecting to the Expander
M3 Knurlie screws (4)
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MRP:$201.04 SAVE 15%
 7 in stock $170.86
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AION Modular 904B Voltage Controlled High Pass Filter Module
Cat: 780159 Rel: 18 Nov 20
 
filter module
Notes: Premium sound quality from this premium module, based on the classic Moog high-pass filter. Steep 24dB/oct filter curve with precise CV-controlled cutoff frequency tracking over a 12-octave span.

Supplier's Notes:
The AION Modular 904B High Pass filter is an Eurorack clone of the classic Moog Modular High Pass filter.
The 904B High Pass Filter attenuates frequencies below the Fixed Control Voltage(cutoff frequency) point at a rate of 24dB per octave.

The cutoff frequency is voltage controlled through the three control inputs at the bottom of the module (1v per octave).

The Fixed Controlled Voltage knob adjustes frequency over 12 octaves span (1v per octave).

The Frequency Range switch:
LOW- 4Hz to 20kHz
HIGH- 10Hz to 50kHz

Specifications:
Power: +12 60mA, -12 50mA
Depth: 40mm
Doepfer compatible.

60 mA +12V
50 mA -12V
0 mA 5V
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MRP:$336.84 SAVE 20%
 1 in stock $270.71
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Analogue Systems RS-650N Echo & Reverb Module
Cat: 799757 Rel: 13 Nov 20
 
Echo & reverb synth module
Notes: The RS-650 Echo / Reverb is a combination of the RS-310 and RS-440 which are based on the same circuit.

It offers both delay (echo) and reverb settings in one module. It is based on a bucket brigade device (BBD) with six parallel delay taps. Those six delay times have no relationship to each other and their outputs have different levels. You have to consider the reverb effect as a mixture of six different short delays what results in a dense sound. The clock frequency which scans the bucket brigade is audible and you'll have to use a low pass filter in order to eliminate or minimize it. In Reverb mode the delay time can be set between 2.5ms and 150ms and in Echo mode it spans from 75ms to 200ms.

All modules by Analogue Systems come ready to use with five years warranty mounted in the by the customer preferred rack or cabinet.

Depth: 65mm
HP : 12
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MRP:$332.85 SAVE 17%
 1 in stock $277.37
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Befaco/Rebel Technology Lich Programmable Multi-Function Module
Cat: 799077 Rel: 20 Nov 20
 
Function generator synth module
Notes: Lich is a programmable multi-function module based in Rebel Technology OWL platform. This is a Befaco Rebel collaboration that brings back Owl’s platform with this new hardware iteration. It has stereo in and out, four pot controls summed to cv inputs (like the classic Owl module) And as addition, CV and Gate outputs, patch selection with display and USB MIDI host and device connections.

FEATURES
Stereo Audio IN and OUT at 48k 24 bits.
4 CV controls (Pot + Attenuated CV in)
2 CV outputs.
2 Gate intputs + buttons.
1 Gate Output.
Patch selection and visialization via display.
USB host and Device connections

SPECS
Current needs: +12V: 130mA, -12V: 30mA
Width: 12 HP
Depth: 26 mm (including power connector)
Aluminium, heat-treated front panel.
Designed, kits prepared and completed modules assembled in Barcelona.
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MRP:$424.72 SAVE 17%
 7 in stock $353.93
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Behringer 121 Dual VCF Module
Cat: 772865 Rel: 19 Oct 20
 
dual VCF module
Notes: Another module inspired by Roland's System 100, the 121 dual VCF offers tons of filtering options for very little money thanks to a pair of matching low-pass filters with built-in mixers and high-pass options.

Supplier's Notes:
This is the Behringer SYSTEM 100 121 DUAL VCF Module. An authentic reproduction of the original System 100M circuitry from the 80s that can fit in a standard Eurorack case, at a very affordable price. Mix the 121 DUAL VCF in with your existing rig or start your modular synth journey from here.

The 121 DUAL VCF features 3 CV inputs and 3-channel mixers per VCF; allowing you to independently mix all input signals. All of these inputs have their own attenuators to provide you more control over each signal that goes into the module.

Each VCF has its own output accompanied by a resonance slider that boosts resonance frequencies and a cutoff control to adjust the cutoff frequency of the lowpass filter. The 121 DUAL VCF also features a 3-mode Fixed HPF switch where you can select between Off, 1 (1 kHz), 2 (2 kHz) or 3 (5 kHz). Combine this with the resonance and cutoff sliders to create intricate and interesting patches.

Installing the 121 DUAL VCF is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 121 DUAL VCF to be mixed with other synth modules for a truly unique set up.
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 More than 10 in stock $108.72
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Behringer 140 Dual Envelope/LFO Module (B-STOCK)
Cat: 801492 Rel: 19 Oct 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Inspired by circuits from the classic Roland System 100 modular system, the 140 combines two independent envelope generators and CV-controllable LFO. Both envelopes offer two positive outputs plus one inverted.

Supplier's Notes:
This is the Behringer SYSTEM 100 140 DUAL ENVELOPE/LFO. An authentic reproduction of the original System 100M circuitry from the 80's that can fit in a standard Eurorack case. The best part? It's at a very affordable price. Mix the 140 DUAL ENVELOPE/LFO in with your existing rig or start your modular synth journey from here. Either way you're sure to have a lot of fun.

The 140 DUAL ENVELOPE/LFO features 2 independent ADSR envelope generators that can be controlled via an external gate or manual triggering. Each envelope generator comes with a Manual Gate that you can press and hold to start the envelope cycle; independent Attack, Decay, Sustain and Release controls to adjust the rate of these parameters and 3.5 mm envelope outputs that allows you to send up to two positive wave forms out to two modules and one negative wave form.

The LFO on the 140 comes with 5 waveforms: sine, triangle, square, ramp and saw tooth. The Frequency Range switch which sets the oscillating frequency of the LFO along with the Frequency and Delay sliders gives the 140 unparalleled flexibility when it comes to shaping LFO's. You can also connect an external trigger switch which can work with the Delay control to phase lock the LFO to your keyboard playing.

Installing the 140 DUAL ENVELOPE/LFO is designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 140 to be mixed with other synth modules for a truly unique set up.
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 1 in stock $102.57
Behringer 173 Quad Gate/Multiples Module
Cat: 772876 Rel: 19 Oct 20
 
quad gate & multiples module
Notes: This is the Behringer SYSTEM 100 173 QUAD GATE/MULTIPLES. An authentic reproduction of the original System 100M circuitry from the 80s that can fit in a standard Eurorack case. The best part? It's at a very affordable price. Mix the 173 QUAD GATE/MULTIPLES in with your existing rig to expand its capabilities and you're sure to have a lot of fun.

The SYSTEM 100 173 QUAD GATE/MULTIPLES Module features 4 signal gates (switches) with buffered audio inputs and outputs for immediate signal switching. This provides users the option to choose between a control gate operation, non-inverting (active high) input or an inverting (active low) input.

6-channel multiples, each with 4 floating parallel connectors, are available for optimal signal integrity. You can now send out your signal to other modules to help you create more intricate patches and deliver more compelling sounds from one source.

Installing the SYSTEM 100 173 QUAD GATE/MULTIPLES is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the SYSTEM 100 173 QUAD GATE/MULTIPLES to be mixed with other synth modules for a truly unique set up.
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 3 in stock $84.32
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Behringer 903A Random Signal Generator Module
Cat: 772802 Rel: 19 Oct 20
 
signal generator
Notes: Enter the Behringer 903A RANDOM SIGNAL GENERATOR Module, a vintage-sounding noise generator from the '70s. An authentic reproduction of the circuitry from the "Modular 55" series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

Enter the Behringer 903A RANDOM SIGNAL GENERATOR Module, a vintage-sounding noise generator from the '70s. An authentic reproduction of the circuitry from the Modular 55 series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 903A RANDOM SIGNAL GENERATOR generates both white and pink noise via two 3.5 mm outputs each allowing you to send different signals to other modules in your rig.

Installing the 903A RANDOM SIGNAL GENERATOR is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 903A RANDOM SIGNAL GENERATOR to be mixed with other synth modules for a truly unique set up.

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 9 in stock $46.59
Behringer 904B VC High Pass Filter Module
Cat: 772804 Rel: 19 Oct 20
 
filter module
Notes: Enter the Behringer 904B VOTLAGE CONTROLLED HIGH PASS FILTER Module. A vintage-sounding authentic reproduction of the circuitry from the Modular 55 & 35 Series used by the world's most famous pop, rock and jazz musicians for their shows. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 904B VOLTAGE CONTROLLED HIGH PASS FILTER allows you to attenuate low frequencies and accentuate higher ones in a signal. With the Fixed Control Voltage knob, also known as a cutoff frequency, determines the frequencies attenuated below a certain point. Switch the Frequency Range between Low (4 Hz to 20 kHz) or High (10Hz to 50 kHz) to select what frequencies the Fixed Control Voltage affects. You can use the 904B to let you cut through a mix for some searing lead tones or pair it with the Behringer 904A VOLTAGE CONTRLLED LOW PASS FILTER and be prepared to hear some very interesting sounds.

Audio in and out connectors are available on the 904B that let you process an incoming signal before sending it to another module via a 3.5 mm TS cable. You can also use the Control Inputs to connect voltage signals from other modules to affect the cutoff frequency. Use this module to add distinct tweaks to your patches so you can create more unique sounds.

Installing the 904B VOLTAGE CONTROLLED HIGH PASS FILTER is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 904B VOLTAGE CONTROLLED HIGH PASS FILTER to be mixed with other synth modules for a truly unique set up.
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 More than 10 in stock $105.39
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Behringer 921B VCO Module
Behringer 921B VCO Module (oscillator module)
Cat: 780467 Rel: 19 Oct 20
 
VCO module
Notes: Clone of the Moog 921B module, a free-running LFO or oscillator driven by the accompanying 921A oscillator driver module. An affordable entry point to classic Moog-inspired sounds.

Supplier's Notes:
Enter the Behringer 921B OSCILLATOR. An authentic reproduction of the circuitry from the "Modular 55 and 35" series oscillators used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 921B OSCILLATOR module is controlled by the Behringer 921A OSCILLATOR DRIVER or can be used as a free-running LFO. Separate Frequency and Range knobs allow you to adjust the frequency range in semitones and in octaves. The 921B along with the 921A modules form the foundation of a proper modular synthesizer and the basis for some really great music.

The 921B OSCILLATOR features independent audio outs for each of the 4 waveforms which include sine, triangular, sawtooth and rectangular which can be patched out to different modules to unlock even more creative possibilities. A dedicated oscillator sync input and switch can be used to sync the 921B to a signal introduced into the Sync In jack. Parallel link jacks allow the 921B to link to other 921B in the chain.

Installing the 921B OSICLLATOR is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 921B OSICLLATOR to be mixed with other synth modules for a truly unique set up.
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 More than 10 in stock $85.42
Behringer 923 Filters Module
Behringer 923 Filters Module (eurorack module)
Cat: 772935 Rel: 19 Oct 20
 
filters module
Notes: Enter the Behringer 923 FILTERS. An authentic reproduction of the circuitry from the Modular 35 and 15 series filters used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 923 features separate Low and High Pass filters each with their own dedicated frequency cutoff controls. The Low Pass filter control will roll off all frequencies above the set threshold frequency from 10Hz to 10KHz while the High Pass filter control will roll off frequencies below the set frequency. Each filter comes with their own 3.5 mm ins and outs giving you the ability to route incoming signals through the IN jack, through the filter and back out the OUT jack.

For you to shape an endless number of tones, the 923 comes with a white and pink noise generator. Use the parallel jacks for each of the noise sources to send out a white or pink noise signal and start sweeping frequencies to build tension and excitement in your songs, or use them to create some percussive sounds for a real groovy drum beat.

Installing the 923 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 923 to be mixed with other synth modules for a truly unique set up.
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 9 in stock $66.90
Behringer 961 Interface Module
Cat: 772932 Rel: 19 Oct 20
 
interface module
Notes: Enter the Behringer 961 INTERFACE Module. An authentic reproduction of the circuitry from the Modular 55 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 961 features an audio to V-Trig Converter, allowing you to plug in any audio source and transform it into a voltage trigger to drive other modules in your rig. Dual S-Trig to V-Trig and a multichannel V-Trig to S-Trig converters on the 961 can be utilized to switch or control a particular function on other modules.

Controls on the 961 include a Sensitivity knob that adjusts the gain of the audio signal coming into the module via the Audio In jack. Column B in each V-Trig In bank has a Switch-On Time knob you can use to manually control how short or long the "ON" duration is for S-Trig signals. This feature is normally used to drive the 911 envelope generator. Add a 960 sequential controller to release the full creative potential of this interface module.

Installing the 961 INTERFACE is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 961 INTERFACE to be mixed with other synth modules for a truly unique set up.
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 More than 10 in stock $86.53
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Behringer 994 Multiples Module
Cat: 772832 Rel: 19 Oct 20
 
multiples module
Notes: Enter the Behringer 994 MULTIPLES Module. An authentic reproduction of the circuitry from the Modular 55 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The dual 4-socket multiples of the 994 MUTLIPLES allows you to split CV or audio signals to multiple destinations. Now, one signal can control several modules.

Installing the 994 MULTIPLES is simple as it was designed to fit into a standard Eurorack case. This allows for the 994 MULTIPLES to be mixed with other synth modules for a truly unique set up.
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 9 in stock $31.90
Behringer 995 Attenuators Module
Cat: 772930 Rel: 19 Oct 20
 
attenuators module
Notes: Enter the Behringer 995 ATTENUATORS. An authentic reproduction of the circuitry from the Modular 55 and 15 series attenuators used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 995 features three separate attenuators each with their own independent inputs and outputs. The attenuators can be used to adjust the level of the input signal passively from - 8 to unity gain and accept both audio and CV signals. Connecting a single signal to the first input will allow it to pass to all 3 outputs for up to 3 variable outputs of a single signal source. Introducing a signal into the subsequent outputs will break the chain from the previous input. For example, if you have a signal in input 2, then this will feed into input 3 leaving input 1 to feed out of output 1.

Installing the 995 is simple as it was designed to fit into a standard Eurorack case. This allows for the 995 to be mixed with other synth modules for a truly unique set up.
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Blue Lantern Modules Phobos Lunar VCF MK2 Module
Cat: 775775 Rel: 16 Nov 20
 
VCF module
Notes: This module contains about 5 modules in one. You get a lot of features. This is using a Phase Lock Loop based internal patch to create the oscillation (LFO). I then give you access to the clock divider used in the Phase Lock process. Think of this module as a 'phase lock loop for dummies'. Just play and forget kind of module. No menu diving or complicated stuff to remember.

This LFO can go audio rate or really slow using the toggle switch to decide LFO/HFO mode. There is an internal CV switch for you to select from 6 wave forms. The special wave form is the step generated wave. It sounds like a quantized ramp wave, and moves at half the overall internal lfo rate. There is a nice Level out knob to control the LFO wave output. This LFO has very HARD sync, that will reset the lfo.

The other half of this module contains a clock divider that also uses a CV selectable output. The clock divider can also go audio rate and sound like a sub harmonic generator when in audio rate. At very high frequencies (FREQ knob fully clockwise), the clock divider will lock up, this is due to the cmos chip, this is normal.

The clock divider can be used with internal clock or external clock.

This is a fun performance type of lfo with just about all the features an LFO should have. There is 1v/ octave tracking of about 4 octaves when used as an oscillator. This product is for most part more of an LFO. The best patch one can do with this product is a 'cross' patch from the Phobos Lunar LFO, and have it patched to your Oscillator module. Then patch your oscillator to the CV waveform select on the Phobos. Hear what your oscillator sounds like, it will blow your sound pallete.

Width: 12hp

Current: +80mA,-50mA
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DivKid Mutes Performance Focussed Multi-Channel Mute Module
Cat: 799084 Rel: 20 Nov 20
 
Controller/expander/expression/multiple/quad/utility synth module
Notes: Mutes goes above and beyond basic muting by allowing you to split groups of signals to multiple destinations, making it great for FX dub performing and varied signal routing.

You also get a three position switch giving you: MOMENTARY signal pass through (it springs back to the centre when released); OFF (or muted) in the centre; and ON to the right. We've also added vactrols to the circuit giving the switching a pleasing decay for both audio and modulation as well a totally click free muting. This module can add mutes to anything, your mixer, module inputs or outputs, modulation signals, sequencers, gate sources and more.

Mutes was developed by Befaco on behalf of DivKid.

50 mA +12V
32 mm deep
O 4.29 (14 Votes) Average Rating
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 2 in stock $119.81
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Doepfer A-106-6V XP Multimode Filter Vintage Edition Module
Cat: 790473 Rel: 30 Oct 20
 
Multimode filter module
Notes: Module A-106-6 is a multimode filter that is based on the filter circuit of the Oberheim Xpander. The module features 15 different filter types with 8 filters available simultaneously.

The toggle switch Filter Group is used to switch between 2 filter groups. These filter types are available:
1L (6 dB low pass)
2L (12 dB low pass)
3L (18 dB low pass)
4L (24 dB low pass)
1H (6 dB high pass)
2H (12 dB high pass)
3H (18 dB high pass)
2B (6 dB band pass)
4B (12 dB bandpass)
2N (notch)
3A (allpass)
2H1L (asymmetrical band pass made of a 12 dB high pass and a 6 dB low pass)
3H1L (asymmetrical band pass made of a 18 dB high pass and a 6 dB low pass)
2N1L (combination of notch and 6 dB low pass)
3A1L (combination of allpass and 6 dB low pass)

The module features voltage controlled resonance. For filter group 2 (2L, 4L, 2B ...) even self oscillation is possible. All standard VCF controls are available: manual filter frequency control Frq, one control voltage input with attenuator (FCV2)and one without attenuator (FCV1, ~ 1 V/octave). In addition voltage controlled resonance with manual control (Q) and a CV input with attenuator (QCV) are available. The circuit is based on a 24dB lowpass filter. The outputs of the four internal filter stages (i.e. the 6, 12, 18 and 24dB outputs) are mixed together with different levels and polarities to obtain 15 different filters. Because of this special circuit the outputs have slightly different levels and noise floor. This is caused by the different internal amplifications and numbers of stages that are required to generate the filter in question. If e.g. a filter is derived by one stage only (e.g. the 6 dB, 12dB, 18dB and 24dB low pass) the noise floor is smaller compared to a filter that is derived by a combination of all four filter stages. The module generates a distorted audio signal if the level control is set to about 50% (i.e. center position) or more with A-100 standard signals like VCOs.

Power consumption: 50mA at +12V and 50mA at -12V
Depth: 50mm
HP : 12
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MRP:$211.69 SAVE 18%
 2 in stock $174.19
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Doepfer A-118-2V Noise & Random Slim Line Vintage Edition Module
Cat: 790467 Rel: 10 Nov 20
 
Signal generator module
Notes: Module A-118-2 generates the signals white noise, colored noise, continuous random voltage and stepped random voltage.

The noise signal is generated 100% analog by amplification of the noise of a transistor. White and colored noise are usually used as audio sources. The random voltages are normally used as control voltages (e.g. for filter frequency or any other voltage controlled parameter).

The A-118-2 gives you the ability to mix the relative amounts of Red and Blue noise (low/high frequency component) in the colored noise output.

For the continuous random voltage the rate of change (Rate) and amplitude (Level) of the random voltage can be adjusted. The continuous random voltage is used as source for the S&H/T&H unit. The type of operation can be set to S&H (sample and hold) or T&H (track and hold). When T&H is chosen the output signal follows the input signal as long as the Clock input is "high". As soon as the clock signal changes to "low" the last voltage is stored. When S&H is chosen the input signal is sampled at the rising edge of the Clock signal. For the Clock signal a "digital" signal (e.g. Clock, Gate, rectangle output of an LFO) is required. Dual color LEDs are used to indicates the continuous and stepped random voltages.

Controls:
Blue: share of the high frequencies in the the colored noise output
Red: share of the low frequencies in the the colored noise output
Rate: rate of change of the continuous random voltage
Level: amplitude of the continuous random voltage
TH/SH: switches between T&H und S&H

Inputs and outputs:
RND: continuous random voltage output (with LED display)
TH/SH: stepped random voltage output (with LED display)
Clk: Clock input of the S&H/T&H unit
C Noise: colored noise output
W Noise: white noise output

Important notes:
After power on it takes a few minutes until the two noise signals and the random signals are generated. The module is not faulty when after power on the signals do not appear immediately!

The S&H/T&H function is realized by pure analog circuitry (electronic switch followed by a holding capacitor and buffer). Consequently the output voltage drifts a bit in the holding state because the capacitor is discharged by parasitic resistors. The drift depends also upon environmental conditions like humidity or temperature.

The level of the random voltage changes with the settings of the Blue and Red controls. Especially the Red control affects the random voltage level (which is derived by low pass filtering from the colored noise signal) because the Red control changes the share of the low frequencies in the colored noise signal. The effect of the Blue control is much smaller because it changes the share of the high frequencies in the colored noise signal which are filtered out by the low pass of the random circuitry.

Power consumption: 20mA at +12V and 20mA at -12V
Depth: 40mm
HP : 4
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Doepfer A-119V External Input & Envelope Follower Vintage Edition Module
Cat: 790461 Rel: 30 Oct 20
 
External input & envlope follower module
Notes: Module A-119 (External Input / Envelope Follower) is designed to allow external audio signals to be integrated into the System A-100. It comprises a pre-amp, envelope follower, and comparator.

The pre-amp has two inputs: an unbalanced input for line level signals, with a gain factor of from 0 to 20, and a balanced input with a gain factor of from 0 to 500, for insertion of low level signals, for instance from a microphone or electric guitar. The Envelope Follower reads the signal level of the input, and puts out a proportional voltage as an envelope at its own output. The comparator generates a gate signal whenever the input goes above an adjustable trigger threshold. Three LEDs help you keep track of overload, the envelope, and the gate signal.

Power consumption: 30mA at +12V and 20mA at -12V
Depth: 45mm
HP : 8

The module was designed primarily to derive an envelope and gate signal from the incoming audio signal. The built-in preamp is not "high-end" and shows - depending upon the position of the gain control - a reduction of higher frequencies in the frequency response. It is possible to improve the frequency response by replacing IC1 (the upper of the two integrated circuits) by a more sophisticated circuit. For example the LME49740 can be used. It's no longer in production but available e.g. via Ebay.

Apart from this an incoming audio signal with sufficient level can be patched directly to the audio input of A-100 modules (e.g. filters), i.e. without the detour via the A-119. In this case the A-119 functions only as envelope and gate generator and the audio output of the A-119 remains unused.
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Doepfer A-135-2V Voltage Controlled Mixer Vintage Edition Module
Cat: 790453 Rel: 30 Oct 20
 
Voltage controlled mixer module
Notes: A-135-2 is a miniature version of the A-135-1. Behind a front panel with 8 HP only four linear VCAs (voltage controlled amplifiers) and a voltage controlled mixer based on the VCAs are available.

Controls, In/Outputs and Functions of each VCA:

Level (manual control of the VCA amplification), small rubberized knob (L1...L4)

Control voltage input with associated attenuator (CV1...CV4), for the full VCA control range about 0...+5V control voltage are required (attenuator fully clockwise), for higher control voltages the attenuator is used, the attenuators are without knobs, just plastic shafts with white marker

Signal Input

Signal Output

All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages (e.g. to control the level of LFOs or envelopes)

The signal input is not equipped with an attenuator. But the VCAs can process all signals up to 15Vpp / -7.5...+7.5V without clipping. In case of higher levels an external attenuator is required (e.g. A-183-1).

The available amplification range is 0...1, the maximal amplification is 1 (i.e. it "clips" and remains at 1 even if the control voltage goes beyond the value that corresponds to amplification 1)

Functions of the voltage controlled mixers:

two outputs ("Selected" and "All")

Selected output: the ouput if a VCA is removed from this sum signal when a plug is inserted into the corresponding VCA output.

All output: sum of all VCA outputs, regardless of inserted plugs into the VCA outputs

The maximal amplification is about 0.6 to avoid clipping at the mixer outputs (otherwise the outputs may distort with 15Vpp signals at each signal input and full amplifications)

Special functions of the voltage controlled mixer (selectable by internal jumpers)

Dual Stereo VCA: In this case the control unit of VCA1 (L1 + CV1) affects also VCA3 and the control unit of VCA2 (L2 + CV2) affects also VCA4. The control units of VCA3 (L3 + CV3) and VCA4 (L4 +CV4) are out of operation.

Quad VCA: In this case the control unit of VCA1 (L1 + CV1) affects all four VCAs. The control units of VCA2, VCA3 and VCA4 are out of operation. In this mode the module has the same function as module A-132-2. That's why module A-132-2 will be discontinued.

Normalling of the signal inputs: by means of internal jumpers signal input 1 can be normalled to signal input 2, signal input 2 to signal input 3 and signal input 3 to signal input In 4. That way the same input signal can be distributed to four different channels by means of control voltages (e.g. quadrophonic distribution of audio signals). Suitable control voltage sources are e.g. A-144 (Morphing Controller) or A-143-9 (Quadrature LFO).

Additional technical specification for each VCA (based on the specifications of the VCA circuits CEM3360/AS3360 used in the module):

Crosstalk between VCAs: typ. - 80dB

Signal attenuation at 0V CV: typ. -70dB

Total harmonic distortion: typ. 1%

Control voltage feedthrough: max. 15mV

Width: 8 HP / 40.3 mm
Depth: 45 mm (measured from the rear side of the front panel)
Current: +40mA (+12V) / -40mA (-12V)
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Doepfer A-174-4 3D Joystick Module
Cat: 765892 Rel: 30 Oct 20
 
control voltage module
Notes: Module A-174-4 modules outputs three control voltages generated by a spring-loaded X/Y cross potentiometer (so-called joy stick) and a Gate signal. The control voltages for X and Y are controlled by the X and Y position of the joystick in the usual way. The third control voltage Z is controlled by the rotation of the spring-loaded joystick knob. The Gate signal is generated by a button at the center/top of the joystick knob.

For each control voltage the non-inverted signal (X, Y, Z) as well as the inverted signal with adjustable offset (-X+XO, -Y+YO, -Z+ZO) are available. The generic joystick control voltages are bipolar, i.e. they range from typ. -5V (lowest position) via 0V (center position) to typ. +5V (highest position). The "Overlap" switches can be used to add a fixed offset voltage of typ. +5V to the non-inverting output in question so that the output voltage range changes to typ. 0...+10V (rather than -5...+5V). That's necessary if e.g. a VCA has to be controlled, which requires a pure positive control voltage range. The switches are named "overlap" because they allow the overlapping of the non-inverting CV output (X, Y, Z) with the inverting output (-X+XO, -Y+YO, -Z+ZO) for crossfading applications. With the overlap switch "on" and appropriate setting of the offset control it's possible to obtain a control voltage range of 0...+10V for the non-inverting output and +10V...0V (i.e. same range but opposite direction) for the inverting output.

The offset voltages which are added to the inverting outputs can be adjusted by means of three small potentiometers. That way different kinds of control voltage ranges are possible, e.g.
-5V ... +5V for the non-inverting output and +5V ... -5V for the inverting output ( Overlap = off, Offset = 0)
0 ... +10V for the non-inverting output and +10V ... 0V for the inverting output ( Overlap = on, Offset = max)
-5V ... +5V for the non-inverting output and +10V ... 0V for the inverting output ( Overlap = off, Offset = max)
0 ... +10V for the non-inverting output and +5V ... -5V for the inverting output ( Overlap = on, Offset = 0)
On top of this the four quadrant voltages Q1, Q2, Q3 and Q4 are available. A quadrant voltage becomes positive when the joystick is positioned in the quadrant in question.
Each CV output is equipped with an LED that displays the present voltage.

Because of the construction height of the joystick (about 7 cm) the module cannot be installed into the cases A-100P6, A-100P9, A-100PMS6, A-100PMS9 and A-100PMS12 during transportation as the depth of the case cover is not sufficient. Into the base cases A-100PB and A-100PMB as well as in all other cases without cover the module can be installed without problems.

HP : 12
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Endorphin.es Cockpit 2 Four Stereo Channels Performance Mixer Module (black faceplate)
Cat: 799787 Rel: 13 Nov 20
 
4-channel performance mixer module
Notes: Endorphin.es Cockpit² is a 4-channel stereo mixer with side-chain ducking.

Key facts:

Increased headroom
Improved sound quality
the LEDs are blue/red instead of red/green (Daltonic friendly)
No TRRS jacks anymore
New knobs on the black module version
Power consumption: 75mA at +12 V and 40mA at -12 V

Depth: 33mm

HP : 6
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Endorphin.es Cockpit 2 Four Stereo Channels Performance Mixer Module (yellow faceplate)
Cat: 799781 Rel: 13 Nov 20
 
Performance mixer module with 4 stereo channels
Notes: Endorphin.es Cockpit² is a 4-channel stereo mixer with side-chain ducking.

Key facts:
Increased headroom
Improved sound quality
the LEDs are blue/red instead of red/green (Daltonic friendly)
No TRRS jacks anymore
New knobs on the black module version

Power consumption: 75mA at +12 V and 40mA at -12 V
Depth: 33mm
HP : 6
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Frequency Central Boom!! Analogue Drum Voice Module
Cat: 800468 Rel: 13 Nov 20
 
Analogue drum voice module
Notes: Boom!! is an analogue drum voice with a broad range of applications.

The heart of the module is a VCO which is built around one half of a LM13700. The VCO has a HIGH/LOW switch as well as a SWEEP control, which defines it's response to the onboard envelope.

The other half of the LM13700 has been carefully crafted into a release envelope generator, which has a FAST/SLOW switch in addition to a RELEASE control. As a bonus, the input of the envelope is velocity sensitive, allowing for a dynamic response.

Additionally, there is an envelope output, which can be used to drive external modules.

Boom!! can be used to create bass drums, tom toms, chirps, blips and clicks. Check it out now.

Depth: 35mm

Width: 4HP

12V draw: 10mA

-12V draw: 9mA

5V draw: 0mA
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Frequency Central Reset Simulation Boolean Logic Module
Cat: 796770 Rel: 05 Nov 20
 
Boolean logic module
Notes: Reset Simulation is a Boolean logic module with two inputs, A and B, and 8 simultaneous outputs, NOT A, NOT B, AND, NAND, OR, NOR, XOR and XNOR. Each of the 8 outputs go high when their respective truth tables are satisfied by the A and B inputs. Legend has it that if the user can make all LEDs light up at the same time, the current simulation that we are living in will be replaced with another, slightly different simulation. Another legend has it that this has already happened multiple times. A further legend refutes both previous legends as the ramblings of a madman.

Product Specifications
Depth: 35mm
Width: 6HP
12V draw: 11mA
-12V draw: 7mA
5V draw: 0mA
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Frequency Central Turn! Turn! Fixed Voltage Sources Module
Cat: 800470 Rel: 13 Nov 20
 
Fixed voltage sources module
Notes: Fixed voltage source with BIG KNOBS and multiple voltage ranges.

Fixed voltage sources are not a new idea in modular, but we hope that Turn! Turn! brings a new twist to the concept. Turn! Turn! features two independent fixed voltage sources with a useful range of features.

Turn! Turn! grew out of a conversation with Steve Levine - when a producer of such note makes a suggestion you have to listen - and act on it. Steve suggested that it would be useful to have a fixed voltage source under the control of a big knob, and the ability to go from as little as 1V over the entire range of the knob. Hence subtle, incremental changes are possible.

The final feature set includes a voltage selection switch as well as a unipolar/bipolar switch. Both normal and inverted outputs are included. The following ranges are available from Turn! Turn! depending on switch positions:
0V to 1V
0V to 2.5V
0V to 5V
-1V to 1V
-2.5V to 2.5V
-5V to 5V

Depth: 29mm

Width: 8HP

12V draw: 9mA

-12V draw: 9mA

5V draw: 0mA
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Happy Nerding FM AID Through-Zero Linear Frequency Modulator Module (silver)
Cat: 795454 Rel: 11 Nov 20
 
Frequency modulator module
Notes: Clever FM module that does digital-style through-zero FM using analogue circuits. Use any signals from other modules as your carrier and modulator, then phase modulate or wavefold in the FM Aid.

Supplier's Notes:
FM AID is a module designed to perform through-zero linear Frequency Modulation (FM) in the analog modular world. Any arbitrary signals can be used as a Carrier and Modulator. The module copies FM in how it is done in digital implementation, but in a completely analog circuit free of digital aliasing artifacts. Digital or software FM oscillators are mainly based on a ramp waveform which is then shaped to other waveforms. This is also represented in the FM AID module: sawtooth signal is expected on the Carrier input to give the indicated sine, triangle, sawtooth and square waveforms on the respective outputs. However the user is not limited to only use sawtooth for the Carrier and any other signal can be plugged giving many complex waveforms at the outputs.

All known FM tricks from digital implementation are also applied - you can endlessly experiment with the Carrier/Modulator frequency ratios, Modulation index (FM knob), Modulator's amplitude shaping (CV knob), feedback FM (output is fed back to the Modulator's input) and many other.
Carrier input has normalled connection to the Modulator's input. This internal routing is disconnected each time a plug is inserted in the Modulator's input. That is a handy option which allows the module to be used with only one signal source - this single signal will act as Carrier and Modulator at the same time. There won't be any frequency differences between Carrier and Modulator in this case, but many interesting wave folding sounds will be available anyway.

Technically speaking FM AID uses Phase Modulation, not Frequency Modulation. The sonic difference is that the produces sound is brighter.

SPECIFICATIONS

Carrier input level: -5V ... + 5V (can also accept inputs ranging from -1V ... +1V] to [-12V ...+12V] / [-15V ...+15V] using onboard trimmer)

Modulator input level: preferably -5V ... + 5V

CV input level: preferably -5V ... + 5V

outputs level: -5V ... + 5V

outputs impedance: 1 kOhm

module depth: 3 cm or 1,5 inches

power consumption: +45 /-45 mA at +/-12 Vdc, +50 /-50 mA at +/-15 Vdc
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Happy Nerding MMM VCF Moog Multi Mode Voltage Controlled Filter Module (black faceplate)
Cat: 799335 Rel: 11 Nov 20
 
Voltage controlled filter module
Notes: MMM VCMMM VCFF (M**g Multi Mode Voltage Controlled Filter) is a dual VCF having common controls for both parts. Thus it can be used as a stereo filter, or patched with different combinations of the available inputs/outputs. And all this functionality is packed in the compact 8 hp wide module.

MMM VCF has the famous transistor ladder core introduced by Bob Moog, but also features the added Band Pass and Low Pass modes, not available in the original design. Those extra modes are greatly widen the possible spectral modification of the input sound.

The module was carefully designed to have vanishingly small noise and bleed.

SPECIFICATIONS

FREQ: 20 Hz - 22 kHz - manual frequency range

RES: 35 Hz - 22 kHz - self oscillation range

FM: 0 - 7,5 V will modulate the whole hearing range at max settings

LP: 24 db/oct Low Pass output

BP: 12 db/oct Band Pass output

HP: 12 db/oct High Pass output

outputs impedance: 1 kOhm

module depth: 4 cm

width: 8 HP

power consumption: +42 mA / -40 mA at +/-12 Vdc
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Intellijel MIDI 1U Compact MIDI To CV Conversion Module
Intellijel MIDI 1U Compact MIDI To CV Conversion Module (MIDI / clock modulator / CV modulation ynth module)
Cat: 785361 Rel: 21 Oct 20
 
MIDI voice and clock interface
Notes: Small and efficient MIDI to CV courtesy of Intellijel's 1U series. Works in conjunction with an Intellijel case or the MIDI IN Jacks 1U module to give you Pitch, Velocity, Mod, CC, Gate, Trig, Clock and Reset.

Supplier's Notes:
The MIDI 1U system provides all the essentials to control and sync your Eurorack modular from your computer, mobile, or hardware MIDI device with a minimum of fuss. Several of the module's most important features can be changed using the two front panel buttons, with full configuration capabilities offered via the Intellijel Config app, which is available for both Mac and Windows. The connectivity, feature set, expandability, and compact size make the MIDI 1U system ideal for integrating your modular gear with the rest of your rig.

Intellijel's MIDI 1U system comprises several elements, which work together to provide flexible, programmable MIDI-to-CV conversion to your Eurorack modules: The system comprises two mandatory components, and one optional component:

MIDI 1U module - This 14HP 1U module receives MIDI from an attached, external MIDI input connector (7U case, Palette case, or MIDI IN Jacks 1U module), and extracts (by default) Pitch, Velocity, Mod, CC, Gate, Trig, Clock and Reset messages i sending the proportional voltages to individual 3.5mm jacks for patching.If desired, the CC and MOD jacks may be configured to respond to either Channel Aftertouch or High Resolution CC, and the Reset jacks can be configured as a Run jack, instead. Additionally, MIDI 1U features an alternate Dual Mode, which maintains the Clock & Reset functionality, but uses the other six jacks to transmit Pitch, Velocity and Gate messages derived from two separate MIDI channels.
MIDI input connector - the MIDI 1U module does not have its own MIDI input jack. This enables you to use the MIDI/USB inputs built-in to your Intellijel 7U Performance Case or Palette Case. If you don't own one of these cases, you can purchase the MIDI IN Jacks 1U module to connect an external MIDI device.
MIDI Expander 1U module - This optional 14HP 1U module connects to the MIDI 1U module and adds an additional eight 3.5mm CV outputs. These outputs are fully programmable using the Intellijel Config app, and greatly expand MIDI 1U's ability to control your entire Eurorack system.

Width: 14HP
Depth: 14mm
Power: 34mA @ +12V
2mA @ -12V
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Intellijel MIDI 1U Compact MIDI To CV Conversion Module (B-STOCK)
Intellijel MIDI 1U Compact MIDI To CV Conversion Module (B-STOCK) (MIDI / clock modulator / CV modulation ynth module)
Cat: 802074 Rel: 21 Oct 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Small and efficient MIDI to CV courtesy of Intellijel's 1U series. Works in conjunction with an Intellijel case or the MIDI IN Jacks 1U module to give you Pitch, Velocity, Mod, CC, Gate, Trig, Clock and Reset.

Supplier's Notes:
The MIDI 1U system provides all the essentials to control and sync your Eurorack modular from your computer, mobile, or hardware MIDI device with a minimum of fuss. Several of the module's most important features can be changed using the two front panel buttons, with full configuration capabilities offered via the Intellijel Config app, which is available for both Mac and Windows. The connectivity, feature set, expandability, and compact size make the MIDI 1U system ideal for integrating your modular gear with the rest of your rig.

Intellijel's MIDI 1U system comprises several elements, which work together to provide flexible, programmable MIDI-to-CV conversion to your Eurorack modules: The system comprises two mandatory components, and one optional component:

MIDI 1U module - This 14HP 1U module receives MIDI from an attached, external MIDI input connector (7U case, Palette case, or MIDI IN Jacks 1U module), and extracts (by default) Pitch, Velocity, Mod, CC, Gate, Trig, Clock and Reset messages i sending the proportional voltages to individual 3.5mm jacks for patching.If desired, the CC and MOD jacks may be configured to respond to either Channel Aftertouch or High Resolution CC, and the Reset jacks can be configured as a Run jack, instead. Additionally, MIDI 1U features an alternate Dual Mode, which maintains the Clock & Reset functionality, but uses the other six jacks to transmit Pitch, Velocity and Gate messages derived from two separate MIDI channels.
MIDI input connector - the MIDI 1U module does not have its own MIDI input jack. This enables you to use the MIDI/USB inputs built-in to your Intellijel 7U Performance Case or Palette Case. If you don't own one of these cases, you can purchase the MIDI IN Jacks 1U module to connect an external MIDI device.
MIDI Expander 1U module - This optional 14HP 1U module connects to the MIDI 1U module and adds an additional eight 3.5mm CV outputs. These outputs are fully programmable using the Intellijel Config app, and greatly expand MIDI 1U's ability to control your entire Eurorack system.

Width: 14HP
Depth: 14mm
Power: 34mA @ +12V
2mA @ -12V
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IO Instruments EUPORIE Four Pole Low Pass VCF Module With Moog & Sallen & Key Resonance
Cat: 795933 Rel: 10 Nov 20
 
VCF/filter synth module
Notes: Four Pole LOWPASS VCF with Moog and Sallen&Key Resonance

Powerful Sound from sweet to overdriven with lot of character

Simultan 24dB, 12dB & 6 dB Filter Outs

12dB State Variable Highpass Input Switch (150Hz)

Linear Resonance Distortion and Input Gain Stage

Make up Gain (Bass Boost) for Moog Style Resonance

Linear FM Input for audio Rate modulation and resonance CV IN

Keytracking In with 1V/Oct and Attenuator

Two exponential INs with Attenuators and CV THRU Outs

Width: 12 HP
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IO Instruments HIMALIA Quad Noise Generator Module
Cat: 795932 Rel: 10 Nov 20
 
Flexible noise generator module
Notes: PENTA SOUND SOURCE

ANALOG NOISE from RED, WHITE to BLUE NOISE

DIGITAL NOISE with RATE and S/H OUT

SQUARE WAVE from DIGITAL NOISE

32 TRANSIENT SAMPLES with 8bit mode for craziness

SAMPLEs with 16 RATCHED variations and wide TUNE range

6 VOICE SQUARE WAVE mix with wide TUNE range

32 combinations for CHORDS, DRONES and UNISON sounds

Analog Mixing and Filtering for SQUARE mix OUT

7 CV INs and 1 GATE IN

Width: 16 HP
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IO Instruments PASIPHAE Experimental Ring Modulator Module
Cat: 795930 Rel: 10 Nov 20
 
Ring modulator synth module
Notes: Experimental RING MODULATOR

Low distortion, low noise, high headroom

Low X & Y feedthrough

Structure allows access to every input

Wide range of sounds (tremolo, metallic, waveshape)

AC coupled X input Attenuator

DC coupled X input Attenuator

DC OFFSET for DC, coupled X IN and Y IN

Mute CV & switch for DC INs with LED indicator

Positive OUT and negative OUT

Width: 12 HP
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IO Instruments SINOPE Dual High End VCA Module
Cat: 795918 Rel: 10 Nov 20
 
attenuator/VCA synth module
Notes: Two channel VCA with discrete core

Extra VCA for linear and exponential CV

Low noise, low feedthrough, low clicking

Very low distortion and gain of 2

Sweet and detailed sound, huge headroom

Wide dynamic range and high bandwidth

Normalized CV INs to the nominal value

3 ATTENUATORs for each channel

LEDs show the optimal range

VCA openness adjusting

Flexible structure to work with AUDIO & CV

Width: 16 HP
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IO Instruments SPONDE 6-Channel Audio & CV Mixer Module
Cat: 795929 Rel: 10 Nov 20
 
Attenuator/dual & stereo/mixer synth module
Notes: 2 x 6 CH high end AUDIO & CV MIXER

Superb sweet sounding audio quality

Low distortion, low noise, low feedthrough

DC coupled for use as ATTENTUATORs

Flexible routing for mono, stereo, 6- or 12 channels

Overload indicator for output

B-ch IN normalized to A-ch IN

Individual OUTs for channel 1-4

VOLUME sliders with gain of 2

Width: 20 HP
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IO Instruments THEMISTO High Precision VCO Module
Cat: 795682 Rel: 10 Nov 20
 
LFO/oscillator synth module
Notes: Amazing value oscillator from this new German brand. Precise, rich analogue tones with sub-oscillator output, sine wave options and linear FM. Hard to beat for the money.

Supplier's Notes:
High precision VCO with wide frequency range

Clean waves without edge aberrations

PW from 0%-100% with fast edges for rich sound

Low distortion SINE wave

SUB OSC with rich sound and phase inversion

RESET/SYNC function with external GATE

Buffered V/OCT & GATE thru

Simultaneous linear & exponential FM

LFO mode

Width: 12 HP
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NANO Modules ALT Quad Voltage Controlled Amplifier & Cascaded Mixer Module
Cat: 796163 Rel: 20 Nov 20
 
synth module
Notes: 4 VCAs in 8HP designed to keep your signals clean and colourless

VCAs 1, 2, 3. Each one is equipped with a GAIN control, and a CV IN Attenuverter.

VCA 4. GAIN CV IN and the signal normalled to +5V (fully open VCA).

Additionally, the outputs of these channels are cascaded from left to right, allowing ALT to behave as a four-channel mixer.
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NANO Modules FONT Massive Sounding Liquid Filter Module
Cat: 796875 Rel: 20 Nov 20
 
Voltage-controlled filter/sine oscillator module
Notes: FONT is a massive sounding liquid filter- designed to bring you powerful basslines, tons of FM modulation and a clean resonance over your audio path.

It features two simultaneous outputs:
2-pole Low Pass
2-pole Band Pass

It can also work as a sine oscillator, tracking 1V/OCT when the resonance is at its maximum level.

FONT can be used to make basslines, acid patterns thanks to its organic and musically sounding resonance.

Ping it to produce percussion sounds such as, bongos, congas or toms.

Applying a pitch envelope, it really shines as a kick-drum machine!

22 mA +12V
25 mA -12V
0 mA 5V
15 mm deep
O 4.60 (10 Votes) Average Rating
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NANO Modules MAR Multichannel Dual Mixer Module
Cat: 796881 Rel: 20 Nov 20
 
Multichannel dual mixer module
Notes: MAR is a multichannel dual mixer module for the modular synthesizer. Both mixers are capable of mixing audio, CV and gate signals because they are DC coupled. MAR has two independent 4-channels mixers:

Mixer X: Is a four channel mixer with gain control for each channel. The potentiometers use logarithmic tape to have a good control with audio signals. This mixer features two outputs, the mixer output and its inverted. The output level is shown in the LED.

Mixer Y: Is a four channel mixer with gain control for the sum of the Y channels. If no jack is connected to the input Y1, the output of the Mixer X is normalled to Mixer Y. The potentiometer use logarithmic tape to have a good control with audio signals. This mixer features one output, the sum of the 4 channels. The output level is shown in the LED.

This Mixer can work as two 4-1 Mixer, or 7-1 Mixer with global gain control.

INPUTS:
4 Mixer X inputs.
4 Mixer Y inputs.

OUTPUTS:
Mixer X output.
Inverted Mixer X output.
Mixer Y output.
Mixer X + Mixer Y output.

FAST SPECS:
Dual mixer module for the modular synthesizer - Eurorack.
8 HP - 15mm Depth - Skiff friendly.
Both mixers are capable of mixing audio, CV and gate signals.
Mixer X: 4-channel mixer with gain control for each channel.
Mixer Y: 4-channel mixer with gain control for the sum of the channels.
If no cable connected to Mixer Y input 1, the output of the Mixer X is normalled to Mixer Y.
Can work as two 4-channel mixers, or one 7-channel mixer.
The output level is shown in the LEDs.
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MRP:$219.68 SAVE 37%
 1 in stock $137.57
NANO Modules QUART Quad Attack-Decay Envelope & Low-Frequency Oscillator Module
NANO Modules QUART Quad Attack-Decay Envelope & Low-Frequency Oscillator Module (CV modulation / envelope generator / function generator / LFO / oscillator / quad synth module)
Cat: 796155 Rel: 20 Nov 20
 
Synth module
Notes: Give shape to your sounds.

An easy-to-handle module, perfect for those functions that you need without overthinking!

QUART has 4 independent functions that can work as Low Frequency Oscillators or Attack-Decay Envelopes depending on whether the Trigger Inputs is connected or not.

If the Trigger Input is not connected, the function will oscillate freely (LFO) but if a patch cable is connected, it will work as an Envelope (AD).
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MRP:$236.99 SAVE 21%
 1 in stock $186.38
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Noise Engineering Horologic Solum Voltage-Controlled Clock Generator Module (black faceplate)
Cat: 797906 Rel: 28 Oct 20
 
Synth module
Notes: Horologic Solum is a 4HP voltage-controlled clock generator. Three speed modes allow a wide range of rates. Horologic Solum also includes three divisor modes for offsetting up to four outputs. Use the internal clock or chain to an external clock to sync multiple HS.

Size and power: 4 HP

+12v: 50ma

-12v: 5ma

+5v: 0ma

Horologic - Discrete time; from Latin horo "time" and Latin "logic": "Logical time"

Solum - Live usage; from Latin "ground": "sequence"

Uter - Either; from Latin uter: "Choice of"

Horologic Solum: "Time divider"

Horologic Uter: "Time choices"
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MRP:$163.76
 1 in stock $157.54
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Noise Engineering Quantus Pax Four-Channel Transposable Precision Adder Module (silver faceplate)
Cat: 800309 Rel: 11 Nov 20
 
Four-channel transposable precision adder module
Notes: Quantus Pax is a four-channel precision adder, buffered multiple, and polyphonic transposition utility. Each channel has two CV inputs and can be further modified by the three Xpose inputs. QP is made with high quality low-tolerance resistors for unbeatable accuracy. Patch-wide key changes, polyphonic movement, mathematically derived melodies, and more are all to be had with this simple but useful utility.

Size and power:
6 HP

+12v: 85ma

-12v: 85ma

+5v: 0ma
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MRP:$266.28 SAVE 13%
 2 in stock $230.77
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Noise Engineering Roti Pola 4-Channel Attenuverting CV Mixer & Offset Module (black faceplate)
Notes: Roti Pola is a four channel attenuverting CV mixer and offset with visual feedback in a small package. With nothing patched to channel 1, a 5v offset is applied to the mix, useful for controlling other parameters or modifying CV signals.

Size and power: 4 HP

+12v: 58ma

-12v: 40ma

+5v: 0ma

Roti -- from Latin: "spinny/whirly"

Pola -- from Latin: "tiny"

"Tiny Whirlification"
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MRP:$138.47 SAVE 23%
 1 in stock $106.98
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Noise Engineering Sono Abitus Output Module (black faceplate)
Cat: 795629 Rel: 30 Oct 20
 
High-quality output module
Notes: Sono Abitus is a high-quality output module. It has a stereo pair of Eurorack-level 1/8" inputs that feed a pair of 14" TRS jacks for line output and a 14" headphone output. The headphone output and line outputs have separate level controls, making it easy to monitor while performing or recording.

Size and power:
4 HP

+12v: 50mA

-12v: 50mA

+5v: 0mA

Sono -- from Latin: "to make a noise"

Abitus -- from latin: "way out, exit"

"Make noises exit"

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MRP:$229.00 SAVE 25%
 3 in stock $170.86
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Noise Engineering Sono Abitus Output Module (silver faceplate)
Cat: 795625 Rel: 30 Oct 20
 
High-quality output module
Notes: Sono Abitus is a high-quality output module. It has a stereo pair of Eurorack-level 1/8" inputs that feed a pair of 14" TRS jacks for line output and a 14" headphone output. The headphone output and line outputs have separate level controls, making it easy to monitor while performing or recording.

Size and power:
4 HP

+12v: 50mA

-12v: 50mA

+5v: 0mA

Sono -- from Latin: "to make a noise"

Abitus -- from latin: "way out, exit"

"Make noises exit"
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MRP:$229.00 SAVE 25%
 2 in stock $170.86
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Qu Bit Data Bender Circuit Bent Audio Buffer Module (black faceplate)
Cat: 766026 Rel: 26 Oct 20
 
audio buffer module
Notes: Glitchy business with this digital module based on the sound of scratched CDs, buggy software and failing hardware. Stereo in and out with up to five minutes sampling time.

Supplier's Notes:
Data Bender is a circuit bent digital audio buffer. It is inspired by the ways in which audio equipment can fail. The sounds of skipping CDs, software bugs, and defective tape machine playback are all accessible. The audio buffer can hold up to five minutes of stereo audio, providing a sonic canvas capable of infinite surprises and discovery.
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MRP:$419.39 SAVE 14%
 2 in stock $360.58
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Radikal Technologies Delta CEP A Semi-Modular Paraphonic Synthesiser Module
Cat: 796113 Rel: 16 Nov 20
 
Synth module
Notes: A semimodular synthesizer consists of 9 essential synthesis modules whose combination provides a very powerful and straight forward starting point into the world of Eurorack synthesizers. Let's see, which modules are included in Radikal's latest brainchild: The system includes one swarm oscillator, a mixing stage with a noise source, a very powerful filtering section around the analog multimode filter plus stereo digital emulations of 12dB multimode and 24 dB ladder filters and one VCA. One LFO and one snappy envelope generator for modulation purposes plus the secret weapon of all Radikal Technologies digital modules, the SNAPSHOT INTERPOLATOR are adding extra excitement to your sonic adventures. The icing on the cake of the sound engine is a digital FX section with incredible modulated stereo delay effects including tape delay, phasing, chorus, flanging etc.!

In a modular synth system, the different sound generating and altering sections are not connected. The user has to establish all the connections that are necessary to generate sound effects and tones with patch cables. In a semimodular synth the most essential connections are hardwired. This means you can play the DELTA CEP A right out of the box. Of course you can go a step further and add your own module patching.

The DELTA CEP A has a MIDI interface, which is essential when you want to use the paraphonic mode of the Synth. The paraphonic mode let's you play chords and turns the DELTA into the perfect pad and ensemble section. The MIDI Interface has additional outputs for external modules and a special digital bus allows for controlling the SWARM OSCILLATOR RT-311 direct with notes and chords to layer additional voices in monophonic and chords mode using an external MIDI keyboard.

The SNAPSHOT INTERPOLATOR is a very unique feature in the synthesizer world. First you have the ability to store snapshots of your sound creations into the internal memory. Then you can play these snapshots sequentially for very cool sonic sequences. But that is not all. You can even create smooth transitions from one snapshot to the other for stunning sound morphing effects. Independent from the Interpolator, the snapshot memories can also be used as preset memories and are filled with sounds from our sound designers.

23 knobs, 14 buttons, 28 RGB LEDs, 14 outputs and 17 inputs - the DELTA CEP A has a great synthesis potential that can even grow by adding additional modules. The connectivity provides the freedom to use it as part of your existing Eurorack system or as an independent solo synthesizer with our special DELTA CEP A desktop case.
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MRP:$1,074.44 SAVE 20%
 2 in stock $860.96
Radikal Technologies RT-311 Swarm Oscillator Module
Cat: 796106 Rel: 16 Nov 20
 
Swarm oscillator module
Notes: The RT-311 can store up to 8 memory setups with 8 snapshots each, holding all oscillator settings and memorizes them even after powering down your modular synth. One highlight of this module is the opportunity to interpolate between these parameter snaphots. Interpolation can be controlled with an external control voltage or with a built in LFO. The speed of the internal LFO can be controlled with an external control voltage as well. The interpolator has even an external output to interpolate one parameter of an attached module. Both oscillators can built swarms of oscillator clones. Up to 16 Oscillators are running simultaneously at the highest setting. The detune knob changes the pitch of all oscillator clones between ultra slow oscillator frequency beating effects and multiple frequency drones and chords. The swarm can be pitched in musical intervals, chords, clusters or fat detunes. The swarm tuning can be stored into the snapshots too. That allows for to built up to 8 different chords with different sound settings one can change while playing in a setup.

Both oscillator swarms have independent outputs. If one sets the exponential FM inputs depth to maximum, the inputs run with Volt per Octave scaling. The oscillator swarms can then be used like two independent Synth voices. The scale inputs can also get quantized to musical scales. That makes it easy to control the swarm from a step sequencer. Just select the root key with the tune knob and a pentatonic scale and turn the knobs of your sequencer for always matching tonal sequences.

Electrical and mechanical Specifications:

250 mA +12V
40 mA -12V
0 mA 5V
30 mm Depth
32 HP
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MRP:$852.10 SAVE 32%
 2 in stock $576.94
Studio Electronics Boomstar Modular VCA2 Module
Cat: 655873 Rel: 12 Nov 20
 
Dual VCA module in Eurorack format - 6HP
Notes: Two quality VCAs for audio or CV with level control - advantageous for creating a CV modulation chain: Patch the 1st (controlling) modulator into the CV input, and the 2nd and 3rd (the controlled) modulators into inputs A and B; the output can then be patched to a modulation destination such as an oscillator or filter frequency. The same approach is effective for enveloping an LFO, or dynamically modulating an LFO or envelope with key velocity, modwheel, key tracking, etc. One can even escape the highly coloured Mini-flavoured character of our AMP with this quad op-amp alternative for cleaner, sharper tonality in the near final stages of synthesis.

Originally set at unity gain (along with the MIX4), now units with a January 16 (2016) and greater marking will exceed unity and clip the op-amp, past 3:00 on the dial. Upshot: Fully clockwise the gain is doubled. Distortion of audio and modulation signals never hurt anyone, and add another tool to the box.

Note: In the audio realm clipping may occur sooner dependent up signal input level.

Two Pots:
LEVEL 1, LEVEL 2

Eight Patch Points:
CV 1, IN 1A, IN 1B, OUT 1; CV 2, IN 2A, IN 2B, OUT 2

Common Controls and Patch Points:
LEVEL - Level/Mix adjustment
CV - Controlling CV modulation input
IN A - Controlled Input 1A
IN B - Controlled Input 1B
OUT - Output

- Size: 6hp
- Depth: 25mm with ribbon cable attached
- Power Usage: 5mA, 4mA (+12 / -12)
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 1 in stock $109.84
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