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Cat: 590926 Rel: 23 Dec 15
 
Monitor with dual 4.5" custom-woven Kevlar LF/midrange drivers for dynamic, size-defying bass output
Notes: The Eris E44 and E66 deliver an expanded and highly accurate frequency response and the widest stereo field available in their class. Their nested Midwoofer-Tweeter-Midwoofer (MTM, also known as "D'Appolito") configuration offers improved off-axis response and spatial resolution. The result is a more consistent listening experience, smoother frequency response, and an ultra-wide, detailed stereo soundstage.

Conventional 2-way designs can cause significant early reflections from their surrounding environment. The E44 and E66 overcome this by positioning a 1.25", silk dome high-frequency driver between two 4.5" (E44) or 6.5" (E66) midrange drivers. The two smaller woofers work in parallel to partially contain the dispersion of the tweeter, minimizing phase displacement. The result is incredibly detailed stereo imaging.

Both the E44 and the E66 feature two midrange drivers that cover the same frequency range. The drivers are placed so that their acoustic centers are less than one wavelength apart for any of the frequencies they reproduce; as a result, the combined signal of both drivers propagates forward like a single waveform. This makes the comparatively small midrange drivers in the E44 and E66 behave like a single, larger driver. This mutual coupling provides a highly dynamic output in a compact footprint.

Sound waves radiating from the two components in a conventional speaker design can interfere with one another, creating peaks at some frequencies and dips at others, and these will vary depending on where the listener is relative to the speaker. In an MTM configuration, component interference, and the sonic inconsistencies that go with it, are minimized. This affords listeners an ultra-wide sweet spot and a more consistent listening experience on- and off-axis.

The E44 and E66 utilize custom-woven Kevlar low-frequency drivers. This provides a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound. The weave and nature of the dual Kevlar woofers also helps break up reflected energy, so fewer delayed reflections reach the listener's ear. In conjunction with the MTM configuration, this works to create a transparent, cohesive sound.

Many MTM configurations must be arrayed vertically, rather than horizontally, because vertical placement provides a clear, interference-free midrange and treble reproduction to either side, expanding the sweet spot. By bringing the midrange drivers closer together and raising the high-frequency driver, the E44 and E66 are able to perform optimally in both orientations. So, like all Eris speakers, the E44 and E66 let you position your speaker the way that works best for you.

Today's music producers deal with a wide variety of musical genres and often work in more than one location. That's why Eris-series studio monitors offer extensive acoustic tuning controls. The three-position Acoustic Space switch helps to compensate for the boundary bass boost that can occur when a monitor is placed in a corner or near a wall. High and Mid controls help to further mitigate room anomalies. A Low Cutoff filter makes it easy to integrate a Temblor subwoofer into your monitor setup.

With three different types of audio inputs, it's easy to feed audio to your Eris monitors from a mixer, an interface, a media player, or almost any other line-level source. The Eris E44 and E66 provide balanced XLR, balanced 1/4" TRS, and unbalanced RCA line-level inputs. With this selection, you'll have no problem hooking your Eris speakers up with virtually any line-level source.

Like all PreSonus studio monitors, the Eris E44 and E66 offer consistent, accurate listening. The ultra-wide stereo image afforded by their MTM design, makes them an ideal solution for any one who requires best-in-class spatial resolution. Like the rest of the Eris studio monitors, the E44 and E66 set a new standard for affordable studio monitors.
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MRP:$239.69 SAVE 33%
 2 in stock $161.24
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quote 590926
Cat: 590927 Rel: 07 Dec 15
 
Dual 6.5" custom-woven Kevlar LF/midrange drivers for dynamic, size-defying bass output
Notes: The Eris E66's deliver an expanded and highly accurate frequency response and the widest stereo field available in their class. Their nested Midwoofer-Tweeter-Midwoofer (MTM, also known as "D'Appolito") configuration offers improved off-axis response and spatial resolution. The result is a more consistent listening experience, smoother frequency response, and an ultra-wide, detailed stereo soundstage.

Conventional 2-way designs can cause significant early reflections from their surrounding environment. The E44 and E66 overcome this by positioning a 1.25", silk dome high-frequency driver between two 4.5" (E44) or 6.5" (E66) midrange drivers. The two smaller woofers work in parallel to partially contain the dispersion of the tweeter, minimizing phase displacement. The result is incredibly detailed stereo imaging.

The E66 features two midrange drivers that cover the same frequency range. The drivers are placed so that their acoustic centers are less than one wavelength apart for any of the frequencies they reproduce; as a result, the combined signal of both drivers propagates forward like a single waveform. This makes the comparatively small midrange drivers in the E66 behave like a single, larger driver. This mutual coupling provides a highly dynamic output in a compact footprint.

Sound waves radiating from the two components in a conventional speaker design can interfere with one another, creating peaks at some frequencies and dips at others, and these will vary depending on where the listener is relative to the speaker. In an MTM configuration, component interference, and the sonic inconsistencies that go with it, are minimized. This affords listeners an ultra-wide sweet spot and a more consistent listening experience on- and off-axis.

The E66 utilises custom-woven Kevlar low-frequency drivers. This provides a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound. The weave and nature of the dual Kevlar woofers also helps break up reflected energy, so fewer delayed reflections reach the listener's ear. In conjunction with the MTM configuration, this works to create a transparent, cohesive sound.

Many MTM configurations must be arrayed vertically, rather than horizontally, because vertical placement provides a clear, interference-free midrange and treble reproduction to either side, expanding the sweet spot. By bringing the midrange drivers closer together and raising the high-frequency driver, the E66 is able to perform optimally in both orientations. So, like all Eris speakers, the E66 let you position your speaker the way that works best for you.

Today's music producers deal with a wide variety of musical genres and often work in more than one location. That's why Eris-series studio monitors offer extensive acoustic tuning controls. The three-position Acoustic Space switch helps to compensate for the boundary bass boost that can occur when a monitor is placed in a corner or near a wall. High and Mid controls help to further mitigate room anomalies. A Low Cutoff filter makes it easy to integrate a Temblor subwoofer into your monitor setup.

With three different types of audio inputs, it's easy to feed audio to your Eris monitors from a mixer, an interface, a media player, or almost any other line-level source. The Eris E66 provides balanced XLR, balanced 1/4" TRS, and unbalanced RCA line-level inputs. With this selection, you'll have no problem hooking your Eris speakers up with virtually any line-level source.

Like all PreSonus studio monitors, the Eris E66 offers consistent, accurate listening. The ultra-wide stereo image afforded by their MTM design, makes them an ideal solution for any one who requires best-in-class spatial resolution. Like the rest of the Eris studio monitors, the E66 sets a new standard for affordable studio monitors.
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MRP:$360.79 SAVE 22%
 2 in stock $279.85
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quote 590927
Cat: 736453 Rel: 21 Aug 19
 
Single 2-Way active studio monitor with wave guide
Notes: Updated version of the hugely popular E8. Reshaped waveguide gives a broader sweet spot, while new bass drivers extend the bottom end. The originals were already great value - these are even better.

Supplier notes:
With their smooth, accurate frequency response; powerful amplification with tons of headroom; and acoustic tuning functions that ensure you always get the best sound... it's no wonder that the original Eris-series studio monitors have been a runaway hit since their introduction. The Eris E8 XT is a substantial update to a lauded classic. Deeper lows and a wider, more controlled sweet spot (thanks to its new EBM wave guide design) mean that our best-selling studio monitors just got even better.

Studio speaker with a wide sweet spot:

We outfitted the Eris XT studio monitors with a new EBM (Elliptical Boundary Modelled) wave guide designed by none other than Hugh Sarvis of WorxAudio, the mind behind our award-winning CDL loudspeakers and lauded R-Series monitors. The result? A superior high-frequency response and wider 100-degree horizontal dispersion to create a broader sweet spot. It's ideal for group listening and collaboration - while narrow vertical dispersion reduces reflections from your desk. Silk-dome tweeters ensure snappy, accurate transient reproduction.

Lows that go lower:

The familiar woven composite low-frequency driver still offers Eris' signature tight, clear bass; plenty of punch and no flub. Eris E8 XT studio monitors sport a ported enclosure that is larger than that of their predecessors, allowing them to reach down to an astonishing 35 Hz. That's 10 Hz below previous models - with no subwoofer required!

Set up your studio monitors for your room:

We know modern recording studios can be anywhere from a spare bedroom to a multi-million dollar facility; that's why every studio monitor we make is equipped with controls that ensure the flattest response in your mix environment. Acoustic tuning controls allow you to configure the Eris E8 XT perfectly for your room - you get Low-cut, Mid, and High controls, as well as 3-way acoustic space tuning that allows you to easily compensate for the sonic consequences of speaker placement against a wall or in a corner.

Studio monitor connections:

It's easy to feed audio to your Eris E8 XT studio monitors from an audio interface, mixer, monitor controller, or almost any other line-level source. Eris E8 XT monitors provide balanced XLR, balanced 1/4" TRS, and unbalanced RCA line-level inputs. You'll have no problem hooking your Eris speakers up to virtually anything.

Accuracy defined:

Suitable for both home recording studios and professional mix engineering, the Eris XT studio monitors combine sterling audio quality with the flexible tuning and connectivity you've come to expect from PreSonus. It's Eris, remastered.
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 1 in stock $193.49
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quote 736453
Cat: 480963 Rel: 19 Nov 13
 
2 way, coaxial studio monitor with 6" low frequency driver and 1" tweeter
Notes: The Sceptre S6 CoActual Studio Monitor's coaxial speaker integrates a 6.5" low/mid-frequency driver and a 1" (25 mm), horn-loaded, high-frequency transducer.

The Sceptre S6 features a panoramic soundstage and a wide dynamic range. The advanced coaxial design works integrally with a 32bit/96 kHz, dual-core processor running Fulcrum Acoustic's TQ Temporal Equalization Technology.

The Sceptre S6 features a 6.5" low/mid-frequency driver, a 1" horn-loaded tweeter and front-firing acoustic ports. The systems are biamplified, with each transducer powered by an independent 100W RMS, Class D power amplifier with an internal heat sink. Sceptre has an internal power supply and a blue power-indicator LED. The S6 studio monitor has a balanced XLR and a 1/4" TRS line-level input with an A-taper level control.

Coaxial systems, such as the S6, have both drivers on the same axis, providing a single point source for a consistent acoustic center. This results in symmetry of response on both the horizontal and vertical axes, at any given angle. The crossover transition is, therefore, seamless at all angles..

Each Sceptre monitor contains a 32 bit/96kHz, dual core, active floating-point DSP chip that powers Fulcrum Acoustic's TQ algorithms. The TQ algorithms use fully addressable Finite Impulse Response (FIR) filters to eliminate horn reflections and to correct linear time and amplitude anomalies. Loudspeakers tuned with TQ provide a crisper stereo image, greater soundstage depth, more separation between the elements of a complex mix, increased resistance to feedback, more seamless transitions between distributed loudspeakers, and a less fatiguing listening experience.

The acoustic space control is a second-order shelving filter centered at 100Hz. It can remain flat or attenuate by 1.5dB, 3dB, or 6dB, reducing the boundary bass boost that occurs when the monitor is placed near a wall or corner.

The high-frequency driver adjust switch can boost the tweeter by 1dB, or cut by 1.5dB or 4dB. The High-Pass switch rolls off the lows below a specified frequency, 60, 80, or 100Hz, at a slope of 12dB/octave. This control is important if you are using a subwoofer in conjunction with the Sceptre.

A sensitivity control ranging from +4dBu to -10dBV helps you match the Sceptre to your mixer's outputs.

RF shielding protects against radio frequencies that could be introduced to the signal and become audible. Sceptre monitors also provide overheat protection, current-output limiting and subsonic protection. Soft startup amplifiers prevent damaging pops from sounding through the speakers when you power them up.
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MRP:$601.73 SAVE 22%
 2 in stock $469.19
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quote 480963
Cat: 480962 Rel: 18 Aug 14
 
Front ported studio monitor with 8" low frequency driver and 1" tweeter
Notes: The Sceptre S8 2 way 8" CoActual studio monitor with DSP temporal equalization by PreSonus articulates nuances of your music that can't be reproduced by conventional designs. The Sceptre S8 features a panoramic soundstage and a wide dynamic range. The advanced coaxial design works integrally with a 32bit/96KHz, dual-core processor running Fulcrum Acoustic's TQ Temporal Equalization Technology.

The Sceptre S8 features a 8" low/mid-frequency driver, a 1" horn loaded tweeter and front-firing acoustic ports. The systems are biamplified, with each transducer powered by an independent 100W RMS, Class D power amplifier with an internal heat sink. The Sceptre has an internal power supply and a blue power indicator LED. The S8 studio monitor has a balanced XLR and a 1/4" TRS line-level input with an A-taper level control.

The Coaxial systems, such as the S8, have both drivers on the same axis, providing a single point source for a consistent acoustic center. This results in symmetry of response on both the horizontal and vertical axes, at any given angle. The crossover transition is, therefore, seamless at all angles.

Each Sceptre monitor contains a 32bit/96KHz, dual core, active floating-point DSP chip that powers Fulcrum Acoustic's TQ algorithms. The TQ algorithms use fully addressable Finite Impulse Response (FIR) filters to eliminate horn reflections and to correct linear time and amplitude anomalies. Loudspeakers tuned with TQ provide a crisper stereo image, greater soundstage depth, more separation between the elements of a complex mix, increased resistance to feedback, more seamless transitions between distributed loudspeakers, and a less fatiguing listening experience.

The Acoustic Space Control is a second-order shelving filter centered at 100Hz. It can remain flat or attenuate by 1.5dB, 3dB, or 6dB, reducing the boundary bass boost that occurs when the monitor is placed near a wall or corner.

The High-Frequency Driver Adjust switch can boost the tweeter by 1dB, or cut by 1.5dB or 4dB. The High-Pass switch rolls off the lows below a specified frequency, 60, 80, or 100Hz, at a slope of 12dB/octave. This control is important if you are using a subwoofer in conjunction with the Sceptre.

A sensitivity control ranging from +4dBu to -10dBV helps you match the Sceptre to your mixer's outputs.

RF shielding protects against radio frequencies that could be introduced to the signal and become audible. Sceptre monitors also provide overheat protection, current-output limiting and subsonic protection. The soft startup amplifiers prevent damaging pops from sounding through the speakers when you power them up.

http://www.youtube.com/watch?feature=player_embedded&v=wFHzYn1Sr3U
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MRP:$710.34 SAVE 36%
 1 in stock $452.33
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