Recording Studio Microphone Accessories

Notes: Professionally record your vocals anytime, anywhere, simply by placing the Eyeball on your microphone.

The Eyeball is acoustical treatment that isolates your microphone from the external environment. Rather than treating your surroundings, the Eyeball is designed to target the two most important variables in the recording process: your voice, and the microphone. By focusing your voice to an isolated microphone, the Eyeball is able to capture the complete spectrum of your voice and reduce much of the external environment, all the while giving you clear and concise vocals free of any coloration. Creating your ideal recording space is as easy as placing the Eyeball over your favorite microphone.

Control Your Sound:
Captures your pure vocal tone without any coloration

Cut back on mixing:
Lessens the need for excess equalization and post production processing

Integrated Pop-Filter:
Includes a built-in, detachable pop filter

Reduce Ambiance and Reflection:
Isolates and treats your space while reducing the external environment

*Please note - microphones shown in product images are NOT included*

Notes: The RODE Blimp is a complete windshield and shock mounting accessory for the NTG1, NTG2 and NTG3 microphones, as well as any third party shotgun microphone up to 325mm (12 3/4") in length. Now featuring the Rycote Lyre suspension system, the Blimp provides the ultimate in microphone suspension and isolation. Constructed from a single piece of hard-wearing thermoplastic, the Lyre provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.

The Blimp's handle has also been completely redesigned, reducing the product weight significantly, while increasing the ergonomics for handheld use. Housed inside the grip is a heavy-duty Mogami cable which splits via a junction box to a highly-flexible thin cable inside the Blimp, to minimise the transference of vibration to the microphone. With the lightweight design of the handle and suspension system the new Blimp design is over 25% lighter (550gm without microphone or DeadWombat fitted). The Blimp attaches to any standard boompole via 3/8" thread attachment at the base.

The Universal Blimp Mount is available as an option to remove the handle when the Blimp is being used primarily on a boompole to reduce weight. The Dead Wombat windshield, caring brush and tail/patch cable are included. The added confidence of a full ten year warranty* ensures that the Blimp is by far the best microphone windshield system available, further evidenced by a 2009 Red Dot Award and Australian International Design Award for outstanding product design. *Excludes normal wear and tear of Dead Wombat furry cover or any misuse, modification or improper storage and transportation of the product.

Notes: Made from carbon fibre, the RODE Boompole Pro weighs only 535gm (18oz) and, from a compact 810mm (2' 8"), extends to a full 3m (10'). Designed for use with professional shotgun microphones such as the RODE NTG3 as well as the Blimp windshield system, the Boompole Pro joins RODE's popular boom pole range which now consists of five models ranging in size, weight, and construction material.

Each of the five pole sections is comprised completely from carbon fibre making it incredible lightweight while maintaining high levels of strength. The sections are easily extendable with one hand thanks to an intuitive twist-lock mechanic.

RODE offers boom pole cable clips as an optional accessory, however the company's new RODELink wireless XLR adaptor allows users to record audio from a shotgun microphone on the end of the Boompole Pro without the hassle and possible handling noise of cables.

Notes: The MC-125 professional studio boom stand's larger-diameter base and locking, rollerblade-style wheels provide a low center of gravity and extra stability. Smoothly raise or lower height from 52" to 83" with a reliable clutch. The long boom telescopes from 35" to 61" and features a friction-free clutch arm extension. Also includes a unique, easy-adjust 5.75-lb. counterweight for a stable microphone placement. And the threaded shaft and boom sections provide quick set up and tear down for easy transport and storage. The MC-125 is in a class all its own.

In the studio, you need a microphone stand that can go wherever you need it to easily and quickly, but then be as sturdy and strong as a concrete pillar when ready to record. The MC-125 features rollerblade-style caster wheels for super smooth movement in all directions but lock in both rotating direction for zero movement when desired. And, the superior, 35 lb. cast base gives the MC-125 the girth you need to anchor your microphone during any kind of recording session.

Depending on the size of your studio mics, the angle of the boom arm, and the placement of the mic itself, an adjustable counter weight on the boom can maximize the relative position of your studio microphone for added stability while minimizing the amount of vibration and force placed on the mic stand. The MC-125 features a 5.75 lb. die-cast counterweight that is easy to adjust for just the right placement.

The MC-125 has been called the "most adjustable studio boom on the market." It ranges in height from 52" to 83" and the boom can extend from 35" to 61" to meet any studio's needs with perfect placement every time.

The MC-125 studio microphone stand can be field serviced with replacement parts as needed over its VERY long lifespan (from the foot caps all the way up to the mic adapter). So, rather than throwing away a mic stand when a part breaks, as is the case with competing studio microphone stands, with an MC-125 studio microphone stand you can simply replace the part and move on to the next session!