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Effects pedals

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Cat: 599334 Rel: 04 Mar 16
 
Band creator & looper pedal with 12 selectable music genres & 12 styles per genre
Notes: The TRIO+ is a simple-to-use guitar pedal that listens to the way you play and automatically generates bass and drum parts that match your song. Just plug your guitar into the TRIO+, press the Band footswitch to teach the TRIO+ your chords and rhythm, then press the Band footswitch again to start playing with your own personal band! Bass and drum levels can be adjusted for the perfect mix using the TRIO+'s Bass and Drums knobs. The TRIO+ also features a Simple Bass button lets you select between 3 bass line modes for busy or simple bass lines.

Pushing the Band Creator paradigm further, the TRIO+ also allows you to loop and custom sequence your looped guitar parts to create full songs on the fly. Press the TRIO+'s Looper footswitch to record a loop along with an unlimited number of overdubs. The Loop level can be individually controlled using the TRIO+'s Loop knob. Loops can be recorded by themselves, operating just like a traditional looper, or along with the band. You can also apply built-in effects to your guitar signal by enabling the TRIO+'s Guitar FX button, or connect your favorite effects to the TRIO+'s FX Send and FX Return jacks.

The TRIO+ provides 12 music genres to choose from including: Blues, R&B, Rock, Alternative Rock, Metal, Pop, Electronic Pop, Hip-Hop, Country, Folk, Latin, and Jazz. 12 song styles are available for each genre and can be selected using the TRIO+'s Style encoder, including selection between 3/4 and 4/4 time signatures. Multi-coloured LEDs around the TRIO+'s Style encoder indicate which styles best match your song.

The TRIO+ can learn up to 5 different song parts, perfect for creating an intro, verse, chorus, bridge and outro. Song parts can be recalled on-the-fly as the song plays back or pre-programmed as a sequence for automated playback. An optional DigiTech FS3X Footswitch can be connected to the TRIO+'s Control In jack for additional handsfree control with 3 modes of operation to select from.

Up to 12 songs along with loops can be stored to the TRIO+'s Micro SD Card (included). Need to create more songs? No problem. Just insert a new SD Card and you're ready to start teaching the band your new songs. To manage all your songs and loops on a computer, download the free Librarian Manager software from digitech.com, available for Windows and Mac.

The TRIO+ offers independent Tempo, Genre, Style, Loop Level, Bass Level, Drums Level, Headphone Output Level controls; Guitar, FX Return and Control Inputs;Amplifier, Mixer, FX Send and Headphone Outputs; Built-in Guitar Effects (relative to music genre); a Soft Click Footswitch and includes a 9V DC adapter.
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 1 in stock $235.40
EBS
Cat: 718776 Rel: 24 Jun 19
 
Flexible overdrive/compression pedal designed in collaboration with Billy Sheehan
Notes: When Billy Sheehan first turned to EBS to create his signature pedal, he needed to capture the essence of his sound in a pedal to serve him when he could not bring his entire rig. It turned out so great it has been a significant part of his main setup ever since and served thousands of other bass players as well. Now it's time for the ultimate version!

"This pedal is a distillate of several important principles in the signal chain for bass. Compression, distortion, tone-shaping and blending all together", Billy said when EBS released his first signature pedal in 2013. The original concept is still the same, but with more features added along the way.

Since the pedal splits the signal into two parallel paths - one clean and one with distortion - it becomes as if running the sound through two different bass rigs at the same time. The two Clean and Drive Level controls decides how you set the mix and melt the paths together. For a tighter, more defined sound you can engage the built-in compressor. Threshold settings for the compressor can be adjusted inside.

A Phase Inverter switch brings back more low-end to the drive channel at times. The Boost footswitch kicks up the drive gain a notch when needed.

The new and major feature of the Ultimate version is the Hi or Lo Frequency Filter. This switch moves the whole frequency spectrum of the Tone filter up or down, to extend the capabilities of the pedal.

The Hi setting adds a whole new palette of distortion sounds that was not possible to create with previous versions of the pedal.

The individual Effect Loops for each channel can be used to colour the channels individually with external effects. The Clean Loop jack can also be used as a clean input if you have a bass that features dual outputs. It sounds great if you run the lows through the Clean Loop jack while the mids/highs go through the main input, which leaves the lows untouched and only the higher frequencies treated by the drive.

This version has inherited all the features from the Deluxe version (including the possibility to swap the drive chip without the need of soldering). But the palette of sounds you can create is expanded by the new Hi or Lo frequency filter to make it complete.
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 1 in stock $220.86
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quote 718776
Cat: 560481 Rel: 02 Feb 15
 
Phaser/flanger/modulator effects pedal with 5 delay modes and true bypass
Notes: A very unique modulation pedal. Performance controls and parameter interaction allow you to create a plethora of new over-the-top sounds. Create frequency collisions that range from beautiful choral shimmers to rich phasing, to war of the worlds assaults.

Flanging is just one of its many possibilities. The Hoax is the pedal that you've dreamed about but never knew existed. A sound designer's dream.
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 1 in stock $217.74
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quote 560481
Cat: 707212 Rel: 06 Dec 18
 
Advanced multifunction delay & looper with up to three seconds of delay time
Notes: The Grand Canyon is EHX's most advanced multifunction delay and looper pedal. It's equipped with 12 effect types plus a fully featured looper capable of recording and overdubbing the Grand Canyon's effects.

The pedal provides superior sound quality, up to three seconds of delay time, tap tempo and nine tap divide settings, stereo output, 13 presets, programmable EXP pedal settings, high quality analogue bypass with soft switching and more. The Grand Canyon's 13 modes are:

1. ECHO - pristine 24-bit digital delay with available bit crush/sample rate reduction and low/high pass filtering

2. MOD - Modulated delay, yields rich flanger, chorus, vibrato, warble and more

3. MULTI - Multi-tap delay, set the exact number of echo repeats up to 31. Includes adjustable swell or decay volume envelopes on repeats.

4. REVERSE - Reverse delay, an easy-to-use reverse delay with an intelligent pick detection algorithm for great sounding reverse echoes

5. DMM - Deluxe Memory Man, re-creates the luscious tone of EHX 's legendary bucket-brigade delay pedal

6. TAPE - Tape Delay, simulates the organic sound of an analogue tape, echo machine including tape distortion, wow and flutter

7. REVERB - Plate reverb plus echo. A reverberant echo where each repeat is followed by a wash of gorgeous plate reverb. Can also be used as a pure reverb without the delay

8. PITCH - EHX's critically acclaimed polyphonic pitch shifting plus digital delay provides pitch-shifted echoes and cascading echo repeats

9.SHIM - Shimmer generates a rich octave-shifted wash of shimmering soundscapes

10. SAMPLE/HOLD - Sample and hold, senses a note being played and produces echoes indefinitely until another note is detected

11. DRUM - Magnetic drum echo that faithfully emulates a classic Binson Echorec style delay. Features an assortment of playback head configurations that let you create musical, rhythmic, echo patterns

12. DOUBLE - Thickens up a mono signal or creates a stereo spread. Includes detune and delay time offset of the left and right outputs

13. LOOPER - Looper with up to 16 minutes of recording time. Includes unlimited overdubs, undo/redo, dedicated stop button, loop fade-out, reverse and speed adjust.
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 4 in stock $220.87
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quote 707212
Cat: 704374 Rel: 03 Oct 18
 
Effects pedal for guitar, bass & synthesisers featuring up to four simultaneous modulation sections synced together in time
Notes: The MOD REX is a kinetic tour-de-force that lets you weave compelling, shifting, musical tapestries. Whether you are a guitarist, synthesist or electronic musician you will find it inspires your creativity and stretches your musical boundaries.

Four independent modulation sections:

The heart of the pedal is its four, independent modulation sections synced in time, they are:

MOD features great sounding EHX Vibrato, Flanger, Chorus or Phaser. The Depth knob lets you set the amount of the effect while Feedback controls the resonance of the Flanger and Phaser.

TREM delivers tremolo, an effect that modulates the volume of your signal. The Depth control sets tremolo intensity.

PAN modulates between left and right in stereo operation. In mono operation the PAN section acts as another tremolo section, but with the wave shapes all inverted!

FILTER offers a choice of a modulated LPF, HPF or BPF. In LPF (low pass filter) frequencies above a modulated cut-off point are cut. In HPF (high pass filter) frequencies below a modulated cut-off point are cut, and in BPF (band pass filter) frequencies above and below a modulated centre point are cut.

Each section also features a choice of four LFO shape options: rising sawtooth, triangle, falling sawtooth or square wave. They affect the way the modulation transitions and provide advanced creative control over the specific section as well as the way they interact with each other.

Tempo control that's flexible and powerful:

The MOD REX delivers virtually limitless polyrhythmic possibilities.

Its TEMPO component gives you nine note-length choices for each of the four modulation sections. They are independently selectable in increments starting at a whole note and ranging thru subdivisions that go up to a 16th note. In addition, any of the sections can be bypassed.

The MOD REX's tempo (displayed as beats per minute or BPM) is adjustable with the Tempo knob, Tap Tempo footswitch or by using an expression pedal into its EXP input. It can also be synced to an external device with MIDI Clock or an external pulse clock.

MIDI and the MOD REX:

The pedal's robust MIDI implementation enables you to sync devices quickly and easily as well as automate functions and changes so they occur precisely when and where you want them whether you are working at home, in a studio or live.

The MOD REX accepts MIDI to enable it to tempo sync the modulation rate with an external device, to recall presets via MIDI Program Change messages and to control any parameter on the MOD REX via Control Change messages.

Extras:

The MOD REX lets you save and recall up to 100 presets. It comes from the factory with 20 great programs.

The pedal features full stereo input and output.

An external foot controller input makes banking up and down thru presets quick and easy.
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 2 in stock $238.58
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quote 704374
Cat: 664142 Rel: 26 Sep 17
 
Synth engine guitar effects pedal with 3 operation modes
Notes: Building on the synthesis platform of the award-winning Superego, our new Superego+ raises the bar when it comes to creating synth effects, sound layers, glissandos, infinite sustain and more. Plus, we've added a complete effects section featuring 11 effects types, an EXP input for effect parameter control and an EXT jack for a 3-button controller.

The Superego+ is equipped with the following effects:

- DETUNE: pitch detune, EXP pedal controls pitch
- DELAY: warm, analog sounding delay, feedback is preset, EXP controls delay time up to 2 seconds
- ECHO: pristine digital delay, feedback is preset, EXP pedal controls delay time up to 2 seconds
- FLANGE: Electric Mistress style w/filter matrix, rate and feedback. EXP pedal controls rate
- PHASE: Small Stone style phase shifting with rate and depth control. EXP controls rate
- MOD: pitch-based vibrato or chorus. EXP controls rate
- ROTARY: rotary speaker style sound. Depth controls tweeter/horn balance. EXP pedal controls rate
- TREM 1: sine wave tremolo. EXP controls rate
- TREM 2: square wave tremolo. EXP controls rate
- PITCH: pitch shifting effect over a +/- one octave range. EXP controls whammy
- FILTER: resonant low-pass filter. EXP pedal controls frequency

The pedal provides enough sound shaping control to please the most sonically adventurous player and is equipped with Dry, Effect, Attack, Decay, Threshold, Layer and Gliss knobs, plus Rate and Depth knobs for the Effects Section. Four foot-switchable Freeze modes: Moment, Sustain, Auto and Latch, plus a Live Effects mode where the dry signal is routed thru the built-in effects and the internal synth engine is disabled, are included.

The polyphonic Superego+ works with guitar as well as other instruments including bass, keyboards, vocals, drums, etc. and comes equipped with an EHX 9.6DC-200 AC Adaptor.
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 3 in stock $218.52
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quote 664142
Cat: 682572 Rel: 11 Oct 18
 
Analogue harmonic synthesiser pedal
Notes: The PLL, from Elta Music, is an analogue harmonic synthesiser. It turns your input signal into a square wave, and then multiplies or divides the frequency of that square wave, providing overtones and undertones from the original pitch, with extreme timbral intensity. The signal can be multiplied and divided simultaneously, providing an effect like chords. The tracking of the pedal can be adjusted according to the loop track control.
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 1 in stock $245.86
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quote 682572
Notes: iRig Stomp I/O is a brand new type of USB pedalboard controller that integrates a professional, high-resolution, MFi certified audio interface with MIDI input/output for iPhone, iPad, Mac, and PC. It comes bundled with state-of-the-art guitar, vocal processing, and recording software for flexibility and usability, both live and in the studio.

Sturdy and robust, yet easily transportable, iRig Stomp I/O features four onboard metal stomp switches plus an expression pedal with a switch, all with LED indicators. To further extend its control possibilities, you can connect up to 2 additional switches or pedals. The MIDI IN/OUT ports make it possible to seamlessly control external processors when iRig Stomp I/O is used as a stand-alone MIDI foot controller, without any device or computer connected to it.

The Neutrik 1/4" XLR combo jack accepts instruments and microphones including condenser mics with switchable 48V phantom power. The balanced stereo output connects to an external amp, mixer or PA, and a 1/4" stereo headphone output is available for silent monitoring. The input gain and volume output knobs are easily accessible on the front panel, each with its dedicated LED VU-Meter indicator, for the quick-and-easy setting of levels.

Ready to rock, ready to record:

iRig Stomp I/O boasts an elegant all-in-one design that perfectly highlights its flexibility and versatility. In a single piece of equipment, you now have everything you need to record in the studio, rehearse, or go out on stage and gig, without having to assemble a bulky and costly hardware setup.

With its high-quality 96kHz/24-bit audio interface, iRig Stomp I/O lets you easily record your guitar, bass or microphone - including studio condensers requiring 48VDC phantom power with true studio quality on iPhone/iPad, Mac and PC. The seamless integration with AmpliTube and VocaLive makes it as easy as plug-and-play to record on multiple devices using IK's powerful, state of the art, 64-bit software. iRig Stomp I/O features a Class A preamp that can rival, if not surpass, the sound quality of floor processors costing up to three times as much.

The integrated headphone output allows you to monitor the signal during tracking or when practicing, while the balanced stereo outputs can be used to send the signal to an amplifier, a mixer, a PA or powered speakers.

As a floor controller, iRig Stomp I/O features an onboard expression pedal and four foot switches, allowing you to seamlessly flip through your favourite presets for natural, hands-free performance. The two optional control inputs let you connect up to two additional external pedals/switches. To further extend your control possibilities, you can exploit its MIDI functionality to send MIDI control messages via its MIDI OUT to your external gear and processors, using iRig Stomp I/O as a MIDI interface or as a stand-alone controller (even without a device).

Ideal for guitar, bass, vocals and synths:

iRig Stomp I/O is designed to give guitarists, both electric and acoustic, bass players, vocalists, and songwriters a new way to have full control over their tone, in any situation.

Seamless software integration:

iRig Stomp I/O is designed to seamlessly integrate with AmpliTube for Mac/PC and iOS as well as with VocaLive for iOS, for full-blown performance in the studio and live.

While using AmpliTube or VocaLive with iPhone, iPad, Mac, PC and PC tablets like Microsoftr Surface, you can easily browse your tone presets, preset banks, control wah processors in real time using the integrated expression pedal, as well as quickly access useful functions like the Looper, the Tuner, and more.

With your device or stand-alone:

A unique advantage of iRig Stomp I/O is its plug-and-play ease of use. As an MFi certified audio interface, it is designed to work right out of the box with your iPhone and iPad using the included lightning cable as well as with Mac and PC via USB.

It is the only floor controller to feature a convenient device bay, where you can safely position your iOS device - charging it during use - for an immediate and clear view of the interface. Used with PC tablets like Microsoftr Surface, you can take advantage of the touchscreen interface for enhanced speed and flexibility in creating and tweaking your tones.

How to qualify for the free bag promotion:

1. Purchase any of the qualifying products from the IK online store or any participating IK Reseller.
2. Register your product online via the IK Multimedia website.
3. Go to your User Area and click on 'Promotions' to view the details and fill out the online redemption form.
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 2 in stock $257.32
Cat: 717051 Rel: 03 Jun 19
 
Versatile modulation effects pedal
Notes: The Mad Professor Double Moon is a small, easy to use and super versatile pedal for a wide variety of modulation sounds. True analogue bucket brigade signal paths with a Tone control makes the Double Moon a long-awaited modulation pedal for today's guitar player.

Double Moon pedal has 11 carefully designed modes that will let you dial in, not only all of the classic modulation effects, but far beyond that. All of the sounds are easily reached from a rotary switch: 3 chorus effects, 3 dual chorus effects, 3 flanger effects, flanger+chorus and a vibrato.

You can further on fine tune the LFO wave or Regen depending on the mode by the Control knob. The Depth knob will let you dial in the desired amount of the effect and the Speed knob will control the speed of the effect.

Modulation effects from mild to deep, motionless to faux-Leslie type, it's all there with the added Tone control!
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 2 in stock $244.53
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quote 717051
Cat: 711097 Rel: 05 Dec 18
 
Vintage 4-input Marshall overdrive effects pedal
Notes: The vintage 4-input Marshall, just has that classic and rebellious rock tone we have all grown to love. It helped to define the classic hard rock tones of band and artists including AC/DC, Cream, Jimi Hendrix, Led Zeppelin, Free, Yngwie Malmsteen, and many more.

Mad Professor Loud'n Proud is a vintage 4-input Marshall in a box. It's a compact pedal with a complete amp signal path replicated inside. Not only the preamp but also the power amp containing phase inverter, push-pull stage, and output transformer simulation. This internal structure makes the pedal not only sound but also behave like a real amp.

And like a vintage Marshall amp, the pedal has a moderate amount of gain. This is what led us to adding a boost/fuzz to this medium gain overdrive circuit. The pre boost has the capability of pushing 13dB, which adds a nice amount of gain to the pedal. It also thickens the midrange a bit so feel free to experiment with the boost also for a different voicing for the overall tone of the pedal. The fuzz is designed to work like a vintage germanium fuzz. By engaging the fuzz you can find a great variety of tones from a clean tone to a thick and warm fuzzy tones just by rolling the guitar volume. The vintage germanium fuzz + Marshall plexi is a classic tone combination that we absolutely wanted to include to the Loud 'n Proud pedal!

You will also find a switch for two different character voicings in the Loud'n Proud pedal: tighter bass and slightly compressed tone on the left with a looser bass including maximum dynamics on the right. If you love the vintage Marshall amp tone, you will also love this pedal. It's the real deal for those who dare!

Best overdrive pedal for: Emulating vintage Plexi and JTM45 Marshall amplifier, AC/DC tone, Jimi Hendrix Tone, Yngwie Malmsteen tone, Paul Kossoff/Free tone, Led Zeppelin tone, Allman Brothers tone, Eric Clapton/Cream tone, Bluesbreakers tone, classic 60's and early 70's guitar tone, fat dynamic fuzz tone, classic rock tone, your tone.
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 3 in stock $233.36
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quote 711097
Cat: 638225 Rel: 03 May 17
 
Simble Overdrive & Simble Predriver in one stompbox
Notes: The Twimble is a combination of the Simble Overdrive and the Simble Predrive. Both of the drives have been tailored slightly in order to achieve an even more organic tonal result. As you turn the contour fully clockwise, you will notice the overdrive section now features enhanced clarity with a sparkling top end. The Predrive section has additional sweet compression. This results in a pedal with a more 3-dimentional tonal feel and it is even more easy to slide between clean and overdriven guitar tones, which can easily be controlled by your guitar volume. In addition, you will notice more warm sustain to ease playing.

Naturally, both drives sound excellent on their own, on both single-coils and humbuckers. And when activated together they really make you flow.

The Mad Professor Twimble pedal allows you to be the foundation of the tone. With the Twimble pedal, your picking attack, your guitar and the pickups you have chosen will retain their character, keeping your valuable original sonic footprint intact.

Controls:

SENSITIVITY: Amount of distortion and compression.
LEVEL: Output level.
ACCENT: Pick attack and brightness.
CONTOUR: Brightness of the output. (Darker when you adjust CCW)
HOT/COOL: +10db or +6 db boost.
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 1 in stock $206.27
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quote 638225
Cat: 735675 Rel: 01 Jul 19
 
2-stage LFO with Sequential, Composite & Modulation modes
Notes: The Malekko Goatkeeper (MGK) is a completely redesigned version of the Lightfoot Labs Goatkeeper, first released in 2007. The core of the pedal is an all analogue tremolo circuit using a THAT Corp VCA, which when combined with the built in waveforms, can produce tremolo sounds from percussive to smooth. The MGK's LFO generation consists of two stages, each with a range of multiplier values and waveform selection.

The two stages can be run in 3 ways:

- Sequential: The two stages are run one after the other
- Composite: The two stages are run simultaneously and the effective waveform is a polyrhythmic composite of the two.
- Modulation: The two stages are run simultaneously and the effective waveform is the equivalent of one modulating the other.

Tempo can be set with the RATE knob or with the Tap/Sync input. The Tap/Sync input accepts a Malekko Lil' Buddy for tap tempo control, or an analogue clock/metronome signal. The DEPTH knob allows the effect to vary from subtle to high intensity.
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 1 in stock $226.07
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quote 735675
Cat: 699270 Rel: 10 Aug 18
 
6 effects pedals built into 1 simple unit
Notes: Black Truck combines 6 individual effects pedals, a high precision tuner, an effects loop and a loop switcher, bringing them all together into a single portable unit that's built for the road.

Although incredibly versatile and useful as a tool for all styles of music, Black Truck has been designed primarily for hard rock and heavy metal musicians. With this in mind, a carefully selected array of popular analogue pedals from the Mooer Micro Series make up the Compressor, Overdrive and EQ modules.

A brand new 'amp like' analogue hi-gain distortion has been developed specifically for this product which, in itself, covers a huge spectrum of tonal possibilities and a wide range of gain.

These analogue modules are complemented well by a multi-modulation pedal and a digital ambience engine, simply named Space, which consists of a high-quality digital delay and a stereo reverb. Both of these digital modules are fully controllable by the dedicated tap tempo control footswitch.

When used in conjunction with the integrated loop switcher, Black Truck can very easily be programmed to provide one step presets.

Following a lot of feedback previously from the Red Truck, an independent volume control has been added to the cab simulated output so it can be used simultaneously with the main outputs.
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 2 in stock $222.94
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quote 699270
Cat: 672345 Rel: 15 Jan 18
 
Multi effects processor featuring 55 high quality amplifier models
Notes: MOOER has unleashed a brand new multi effects processor which delivers unparalleled amp modelling in its price range and an amazing array of effects and features which will surely impress even the most disconcerting of tone chasers. The GE200 has been designed from the ground up to be the musicians perfect partner. Be it live on-stage, in the recording studio or back home in the practice den.

GE200 houses 55 amplifier models which utilize the same cutting-edge technology as MOOER's hugely successful range of MICRO PREAMPS. These digital amp models will completely recreate the tone, touch and feel of their real-life counterparts.

This mini floorboard contains an entire array of high quality digital effects. Including Compressors, drives, noise gates, EQ's, modulation, pitch, filters, delays and reverbs. The effects signal chain is fully customizable within each preset allowing each of the individual effects blocks to be internally routed in any order. The 3.5" full colour display makes viewing the UI an absolute pleasure and programming presets is as easy as 1, 2, 3 using the effect blocks dedicated edit buttons.

The built-in expression pedal and 3 brightly lit footswitches provide full control over the GE200 for rocking out live on stage. Providing real-time adjustment to some very special control options like the MERGE feature, which opens up limitless creative possibilities.

The integrated 52 second looper with half-speed and reverse effects, team up well with its optional drum machine and auxiliary input for practicing songs at home with the same sounds you will use live at the gig.

Connect GE200 to a PC via USB to record directly to your DAW. With fully configurable outputs and monitoring, GE200 can be the main hub at your home guitar studio.

All of this is housed in a sleek, brushed aluminium shell which looks fantastic in the home or studio and provides a heavy-duty roadworthy chassis for taking on tour.
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 1 in stock $247.95
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quote 672345
Cat: 657763 Rel: 04 Jan 18
 
3-voice analog synthesiser pedal for electric guitar & bass
Notes: The Pigtronix Mothership 2 is a velocity-sensitive, pitch-tracking, three-voice analog synthesizer with oscillator hard sync and pitch modulation via portamento and CV / Expression control. Housed in a compact aluminium chassis, this state-of-the-art pedal goes lightyears beyond the original Mothership, delivering a user-friendly guitar synth with real-time pitch and amplitude tracking, switchable preset tunings and a devastating Sync effect that delivers new modulation effects for guitar, bass and anyone brave enough to plug in to the analog future of Pigtronix.

The dashboard of the Mothership 2 contains five, custom-made dual-concentric potentiometers and a pair of toggle switches. The top row of controls provides individual level knobs for VCO (triangle wave) and Square wave voices as well as the original Clean guitar sound and a gut-busting Sub-octave Sine wave voice that can be removed from the main mix bus and sent to its own dedicated bass amplifier when the SUB output jack is used.

The middle row of controls provides Master Volume, Glide, Fine Tune and an adjustable Dynamics function that allows the player to adjust the "feel" of the synth's amplitude tracking.

The bottom row of controls contains the three-way tuning switch with Unison, Octave Up, and Interval (Maj 3rd, 4th, 5th) presets as well as a new Sync function that slaves the VCO's triangle and square wave oscillators to the input signal, creating a pitch-locked, unison sound with complex harmonics and overtones that can be modulated.

The Sync effect found in the Mothership 2 can be dialled in to create a staggering array of unique sounds using the Sweep and Timbre controls as well the on-board Glide function to achieve modulation and pitch effects that sweep from one note to another with adjustable timing. An optional expression pedal / CV input can also be used to modulate the VCO in parallel with the on-board knobs and Glide function, creating "Sync Sweep" effects from another planet.
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 1 in stock $264.62
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quote 657763
Cat: 730023 Rel: 04 Jan 18
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Pigtronix Mothership 2 is a velocity-sensitive, pitch-tracking, three-voice analog synthesizer with oscillator hard sync and pitch modulation via portamento and CV / Expression control. Housed in a compact aluminium chassis, this state-of-the-art pedal goes lightyears beyond the original Mothership, delivering a user-friendly guitar synth with real-time pitch and amplitude tracking, switchable preset tunings and a devastating Sync effect that delivers new modulation effects for guitar, bass and anyone brave enough to plug in to the analog future of Pigtronix.

The dashboard of the Mothership 2 contains five, custom-made dual-concentric potentiometers and a pair of toggle switches. The top row of controls provides individual level knobs for VCO (triangle wave) and Square wave voices as well as the original Clean guitar sound and a gut-busting Sub-octave Sine wave voice that can be removed from the main mix bus and sent to its own dedicated bass amplifier when the SUB output jack is used.

The middle row of controls provides Master Volume, Glide, Fine Tune and an adjustable Dynamics function that allows the player to adjust the "feel" of the synth's amplitude tracking.

The bottom row of controls contains the three-way tuning switch with Unison, Octave Up, and Interval (Maj 3rd, 4th, 5th) presets as well as a new Sync function that slaves the VCO's triangle and square wave oscillators to the input signal, creating a pitch-locked, unison sound with complex harmonics and overtones that can be modulated.

The Sync effect found in the Mothership 2 can be dialled in to create a staggering array of unique sounds using the Sweep and Timbre controls as well the on-board Glide function to achieve modulation and pitch effects that sweep from one note to another with adjustable timing. An optional expression pedal / CV input can also be used to modulate the VCO in parallel with the on-board knobs and Glide function, creating "Sync Sweep" effects from another planet.
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 1 in stock $247.27
Cat: 723363 Rel: 26 Apr 19
 
Tracking 24dB/octave multimode filter pedal with 100% analogue circuitry
Notes: Pigtronix Resotron is an analogue filter that brings the sound of 70's keyboard synthesizers to the world of envelope pedals for guitar, bass and beyond. The filter at the heart of the Resotron is based on the SSM2040 chip found in the legendary Prophet 5 and Octave CAT synthesizers. This 24db/octave, state-variable filter provides the full gamut of familiar envelope filter sounds with UP and DOWN sweeping modes, and a sensitivity control to dial in the response of the effect based on how hard you play.

In addition to these vintage-correct filter tones, the Resotron pushes the envelope pedal concept to a whole new level by using an analogue pitch-tracking system to move the cutoff frequency of the filter up and down. The pitch-following filter effect found in the Resotron moves around based on the notes you play instead of how hard you play. The attack time and rate of filter motion can be adjusted - using the GLIDE knob - to dial in how long it takes for the cutoff to travel between pitches.

"The pitch-following effect found in the Resotron is analogous to the "key-follow" function found on the original Minimoog and many other classic analogue keyboards," says Pigtronix president David Koltai. "Using our all-analogue pitch-tracking circuit to control cutoff frequency, the Resotron delivers mind-blowing filter motion for guitar players. I've dreamt of making this pedal for years, and it's finally here."

The Resotron has the ability to operate in Low Pass, Band Pass or High Pass modes. Each of these filter voices has a distinctive character that can be manipulated by adjusting the PEAK knob, progressively feeding the filter back upon itself to increase the resonance (or "Q") of the filter, right up to the point of self-oscillation. A push-button OSCILLATE function allows you to go even further - turning the Resotron into an analogue synthesizer pedal that follows both the pitch and dynamics of your playing. The synthesizer sounds created by the Resotron can be radically altered by switching between the LPF, BPF and HPF modes. This allows users to access waveforms that range from subtle voice emulations to bombastic, aggressive lead sounds, as well as ultra-smooth sub bass tones.

Before the pedal's input signal hits the Resotron's filter, it passes through an optical compression stage derived from the Pigtronix Philosopher's Tone pedal. The increased volume and punch from this compressor can then be mixed into the audio signal using the BLEND control - without affecting the SENSITIVITY of the envelope. Resotron accepts active CV and passive TRS expression pedal inputs for foot-controlled filter sweeps and outboard modulation, which is mixed in parallel with the on-board pitch-following and amplitude tracking systems.
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 1 in stock $250.03
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Cat: 704144 Rel: 28 Sep 18
 
Unique monophonic tracking device
Notes: Don't let the name fool you. There is nothing tiny about the sound of this device. THE MINI-ARK is in a class of its own in the world of guitar synths and tracking boxes.

THE MINI-ARK is the little brother to the one-of-a-kind AUDIO ARK, SNAZZY FX's super processor. It has the capability to take your guitar input, track it precisely, add an octave of your choice below or above, an interval of your choosing above (or below) and the capability to mix the two in any combination with the original signal or a dirty version of the original signal. This is huge. You can now create chords or thickened notes in thousands of combinations, all by changing the mix knobs and the position of the Interval and Octave selectors.

But that's just the beginning. In addition to the Octave and Interval sections, there is also an Infinite Hold section which allows you to stomp on a second switch and let the note go on and on and on and on.

While the sound is droning, there is an additional octave down effect that you can play on top of the continuous sound. Think of it this way - you could be playing a lead, the lead could be mimicked a 3rd above, and 3 octaves below, and then get mixed with a distorted version of the same guitar. Then, you could step on the infinite switch, and start playing the distorted guitar and an octave below on top of the already holding 3rd above and 2 octaves below. Its really something you have to hear in action.

There is also a Gate/Sustain switch. This allows you to have notes blend continuously into each other as you play or create very artificial staccato effects.

But Wait....That is only half of the action. There is also the Magic Selector. This rotary switch allows you to switch from 8 different presets which come with THE MINIARK. Preset one is the normal mode, where your guitar creates an interval and an octave. But, choose any of the other seven modes and the operation of this device is sent into alien territory with Swells, Crazy Vibrato, Super Fuzz, or even clarinet like sounds, all flying out of the machine.

There is a rich array of CV Outputs. You get an Env Out which is useful for controlling an external device. You can, for example, plug this into the SNAZZY FX TRACER CITY. There is a gate out, for controlling an external synth, sequencer, or Modular Sythesizer, and the special Square Out. Please see the manual for the amazing things this output can do.

THE MINI-ARK features +/- 15 volt rails, similar to the rails found in analog synthesizers, powered by a standard barrel connector 9 volt DC adapter.This means greater headroom which translates into better tone. And like all SNAZZY FX products, it features True Bypass and a Seriously Heavy Duty Box with SNAZZY Graphics that will not only stand the test of time, it will turn heads wherever you take them.
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 1 in stock $249.21
Cat: 712754 Rel: 03 Dec 18
 
Analogue dual-filter/wah stomp box
Notes: Versatile Wah Multi-Effects Pedal
The Sonuus Wahoo is an innovative multi-effects pedal designed for use with guitars, synths and more. What sets the Wahoo apart from the rest of the FX pedals out there is its coupling of Wah and Filter effects in a single unit. The dual analog filters deliver exceptional clarity with a wide sonic palette you can control. The wide frequency and resonance range allows you to achieve virtually any Wah or Filter sound you can think of. The versatile design makes it ideal for a range of music genres and applications, from the classic British Wah sound to the resonant bass envelope filters.

Pure Analog Signal Path
The fully analog signal path is incorporated to capture the warmth and grit of analog circuitry, resulting in a unique sound and tonal palette. You can adapt the analog circuit's response to create virtually any sound or tone you desire. The pedal features 100 factory presets and 100 user presets, allowing you to save and recall settings instantly. This gives you the ability to create your own custom filters for added versatility. You can achieve everything from vocal vowel Wah to Overdrive and everything in between.

InfiniQ Pedal Sensor
The pedal itself utilises the unique patented InfiniQ pedal sensor. This custom position sensor provides high-end precision and control with no mechanical couplings. On conventional guitar pedals, the unit operates using a potentiometer. The downside of this is that they can wear out quite quickly, making your effects scratchy and not concise. The innovative InfiniQ pedal sensor eliminates this, ensuring the pedal will never wear out.

Ergonomic Controls
The flexible control panel features an ergonomic layout with clearly annotated controls. The top of the pedal features up and down navigation buttons, allowing you to toggle between presets. The pedal is comprised of three sections: Level, Filter and Mode. Each section is designed to control various parameters, the Level section features an encoder that allows you to switch between Drive, Output, Dry/Wet and Filt Mix settings. The Filter section allows you to switch between Hi/Lo Q, Hi/Lo Frequency and the Shape of your filter, while the Mode section lets you switch between various modes for added flexibility.

Robust, Compact Design
The compact and highly robust design ensures a long life span and optimal durability. The metal body and high-grade materials make the Wahoo perfect for life on the road, easily withstanding the rigours of transportation and extensive live use. Transparent-True-Bypass allows you to reap all the benefits of true-bypass without the problem of switching noise. Additionally, the pedal features a USB connection which can be used with the Wahoo Desktop Editor Software, allowing you to edit and manipulate presets. The USB-MIDI can also be used to sync internal LFOS and automate the filter parameters.
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 2 in stock $208.36
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Cat: 719167 Rel: 22 Mar 19
 
Fully analogue echo/delay effects pedal
Notes: The Supro Delay is a premium, all-analogue echo pedal that uses a pair of new-production MN3005 "bucket brigade" IC chips to deliver sounds ranging from 20ms slapback up to 600ms of buttery vintage delay. Far superior in fidelity to the low-voltage MN32XX series chips more commonly used in modern stompboxes, the high-voltage MN3005 IC chips found in the Supro Delay provide sweeter echoes with dramatically increased headroom and dynamic range, due to their robust 15V power rails.

In addition to TIME, REPEATS and LEVEL knobs, the Supro Delay features a newly-designed FILTER control that provides both low-pass and band-pass functions on a single knob. This unique filter design provides both the dark and murky echoes associated with BBD analogue delays as well as bright tape echo sounds that evolve over time with extended repeats. Drawing inspiration from the golden era of analogue pedals and recording to tape, the Supro Delay was designed by Howard Davis, master engineer behind the legendary late-1970's EHX Deluxe Memory Man and the Pigtronix Echolution.

Supro Delay offers an Expression input which can be assigned to control of the TIME, REPEATS or LEVEL knobs using a standard TRS expression pedal. The Supro Delay comes housed in a custom-made anodized aluminium chassis and features soft-touch, click-free, true bypass switching, as well as internally switchable Dry Kill and Trails functions. The Supro Delay runs on standard 9VDC power, using internal voltage-doubling to provide world-class headroom in a compact analogue delay pedal.
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 2 in stock $258.36
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quote 719167
Cat: 698452 Rel: 21 Aug 18
 
Digital distortion pedal with high gain modern preamp
Notes: The WMD Geiger Counter is hundreds of entirely new face melting sounds. A high gain modern preamp drives an 8 bit computer, creating sounds which range from nice (tubey overdrive, lofi aliasing, hot gated leads) to total madness (impossible amounts of gain, multiple octave foldover, harsh digital data errors, and piercing sculpted noise).

- High Gain Modern Preamp
- Dramatic Tone Control with Disable
- Sample Rate from 260Hz to 58kHz
- 1 to 8 Bit Depth with Mask mode
- 252 Wave Table Modulator
- CV In for Expressive Control
- Always saves settings
- Hand Wired True Bypass
- Top Quality Components
- Super Hard Epoxy Powder Finish
- Standard 9V Power Jack
- 4.5" x 3.5" Small Footprint
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 2 in stock $279.20
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quote 698452
Cat: 708317 Rel: 23 Jan 19
 
Five-knob fuzz pedal featuring two new old-stock sixties germanium transistors
Notes: This limited-edition pedal utilizes a NOS 1960s 2N404 germanium transistor and a modern PNP silicon transistor which, when combined, provide a more aggressive tone than our standard Fuzz Factory model.

Packed with knobs that let you control everything from tight, radically fuzzy sounds that gate off instantly when you stop playing, to inter-modulating oscillations that fight for control of your guitar as your notes decay, to shortwave radio sounds, ripping velcro and octave-like fuzz.

This pedal can run off a 9V battery or a standard centre-negative 9VDC power supply.

Assembled in Minneapolis, MN USA using high grade, through-hole components.
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 1 in stock $235.44
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quote 708317
Cat: 730429 Rel: 29 Apr 19
 
Vertical, pedalboard-friendly version of the Instant Lo-Fi Junky pedal
Notes: This pedal was designed to emulate the sounds and textures of the Lo-Fi Loop Junky in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a luscious emulsification that can be blended to the most perfect depth. Achieve new haunting chorus sounds and pulsating vibrato. Unusual and fun, you've never heard anything quite like it.
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 4 in stock $202.11
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quote 730429
Cat: 690893 Rel: 08 Jun 18
 
Five-knob four-stage phaser effects pedal
Notes: A few years ago ZVEX Effects released the Candela Vibrophase, a candle-powered vibrato/phaser machined from solid brass and glass that used a mix of 1800s technology (a Sterling heat engine) and 60s/70s audio circuitry to create a lovely swirling effect. After numerous requests to put that sound into a guitar pedal, they came up with a way of dramatically broadening the spectrum of textures available using the original circuitry from the Candela.

It's presented to you here as the Vibrophase, a five-knob four-stage phaser that creates phase and vibrato nuances never heard before. Five knobs! Count 'em! Speed sweeps from maddeningly slow to puppy dog flippy, vibrato/phase sweeps from, erm, you'll figure that out, feedback sends the output back through the phaser again to raise intensity, and there are controls for the top end and bottom end of the sweep so you can completely tailor the sound to your song.
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 2 in stock $208.36
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