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Effects pedals

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4ms Tremulus Lune Pedal (effects pedal)
Cat: 661537 Rel: 03 Oct 17
 
Compact tremolo effect pedal
Notes: - Speed: Rate of the effect, from a steady swell, to a rapid fire arm
- Symmetry: From ramp-up sawtooth, to triangle, to ramp-down (pulse width when Smoothness is at square)
- Depth: Amount of effect from barely a shudder to full tremulation. Can achieve silence to blaring loud squarewave chop
- Spacing: Loud/quiet "balance" waveshaper... Adjusts spacing between volume pulses
- Smoothness: Blend between full on/off squarewave "chop" to smooth buttery sine-tri-round wave
- Gain: Overall boost/cut
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 1 in stock $158.21
Cat: 717553 Rel: 28 Mar 18
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The AFA Baron Samedi Fuzz pays homage to the legendary Jordan Bosstone, but sounds nothing like one. Additional gain and a very strange tone control add aggression, fullness and bite to the sound. The interactivity of the top three knobs make this a raucous device that yields an entire variety of sounds, from a great vintage fuzz tone to synthier sounds with faux-portamento decay.

Guaranteed to summon harmonics from other worlds, the AFA Baron Samedi encapsulates the vulgarity, the madness and sheer joy of the electric guitar. Whether you're playing mellower brass sounds on a jazz solo from hell, gated faux-bass single-note riffs or all-out scooped mid riffs, this pedal will take every note to the afterlife and back.

Did we just say guitar? For those unafraid to experiment and stand out, the Baron is a devastating effect, live or in the studio, to use on drum machines, synthesisers and bass guitar too.

Hand-built with pride in Bombay, India.
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 1 in stock $179.02
EBS
Cat: 623416 Rel: 23 Aug 16
 
Professional analog signal processing tool with DI box, 2 channel preamp, speaker simulation and effects loop
Notes: The EBS Microbass 2 preamp is the bass players 'Swiss Army Knife'.
A DI box, two-channel preamp, with speaker simulation, effects loop, phones output and loads of other great features. This is the ultimate bass tool. Period!

Two Channels and A Useful Loop. The MicroBass II can be used as an active direct box, a one or two channel preamp, instrument switcher or blender.

The two channels provide sound shaping from high end solid-state types to distorted timbres, using the awarded tube emulation circuitry found in the EBS range of professional bass heads.

An incorporated effects loop gives the user added flexibility for connecting to other effect pedals, or for mixing in an external audio source such as a CD player for rehearsal purposes.

Unmatched Flexibility - The balanced output with speaker simulator option provides unmatched flexibility in live and studio situations. Footswitches control mute and channel operation/switching. Other features include headphone output, low battery indicator, link and master outputs, bass, 'sweepable' midrange, treble, bright and edge filters, drive and effects mix controls.

The EBS MicroBassII delivers that big, burning EBS sound wherever you go.
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 3 in stock $177.32
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quote 623416
EBS
Cat: 677389 Rel: 04 Jul 18
 
Compact, high-quality delay effects pedal
Notes: The new EBS ReTracer Delay is a complete workstation packed with useful features, all suited in a compact pedal. The design creates space for more effects on your pedalboard without compromising on your delay effects options.

Benefit from features like preserved effect Tail when you change program or turn off the effect (selectable); various Bypass modes; different Loop modes to use other effects to modulate or change the character of your delay effects; Mono, Stereo, Dual (true stereo) or Loop operation; extensive Tap tempo functions and more.

The pedal comes with preloaded firmware and several presets to get started with. Create, store and organize your own presets, based on the dozen Engines and many setting options available in the ReTracer.

The ReTracer supports Midi and can be used with external Expression devices.

Future updates and add-ons will be downloadable for free from the EBS website for owners of the ReTracer and can be installed via USB.
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 1 in stock $179.45
Cat: 560196 Rel: 03 Feb 15
 
Organ machine pedal with 9 presets ready to use
Notes: With 9 presets that were finely tuned to emulate the most legendary organs from the '60s and beyond, the B9 Organ Machine will transform your guitar or keyboard. Control the instrument's signature percussive click and sweet modulation.

Blend your dry signal to create lush layers. Enough tonewheel and combo organ inspiration to light your fire and cook up some green onions!

*UK 230V power adapter included*
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 1 in stock $190.07
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quote 560196
Cat: 714388 Rel: 03 Feb 15
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


With 9 presets that were finely tuned to emulate the most legendary organs from the '60s and beyond, the B9 Organ Machine will transform your guitar or keyboard. Control the instrument's signature percussive click and sweet modulation.

Blend your dry signal to create lush layers. Enough tonewheel and combo organ inspiration to light your fire and cook up some green onions!

*UK 230V power adapter included*
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 1 in stock $180.50
Cat: 605739 Rel: 23 May 16
 
Tape replay effects pedal, pays homage to nine of the coolest Mellotron sounds - works great on guitars and basses
Notes: The polyphonic MEL9 uses the same extraordinary technology as the B9, C9 and KEY9 to transform your axe and resurrect the sound of vintage tape-based keyboards.

*UK power supply included!
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 2 in stock $190.07
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quote 605739
Cat: 560437 Rel: 03 Feb 15
 
Polyphonic octave generator effects pedal with udjustable original pitch volume
Notes: The Legenday and classic original POG won top awards from every major magazine on every continent for its flawless polyphonic tracking and musical flexibility.

The Micro POG delivers the same perfect tracking and smooth polyphony in a simplified design. Now in a small pedalboard-friendly diecast chassis, the Micro POG delivers and will blow you away the first time you use it.

*UK 230V power adapter included*
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 2 in stock $198.56
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quote 560437
Cat: 560349 Rel: 04 Feb 15
 
Polyphonic pitch shifter effects pedal, transposes over a +/- three octave range
Notes: The Pitch Fork transposes an instrument's pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage.

The controls are straightforward and intuitive. An 11-position Shift switch selects the maximum transposition interval ranging from D (Detune), a shift of 17 cents, through Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, 1 Octave, 2 Octaves and 3 Octaves. A three position toggle switch controls whether the pitch is transposed up, down or both. In Dual mode, two pitch-shifted signals are output. One follows the shift knob as if in the Up position while the other creates a harmony. Dual Mode settings include M3 up + P5 up, P5 up + 1 Oct down, 1 Oct up + 1 Oct down and many others. A Blend knob controls the mix of the dry signal and the effected signal, and an EXP jack enables the player to control pitch and glissando with an expression pedal.

The Latch button selects Latch or Momentary mode which affects how the footswitch and EXP input behave. In Latch mode, the footswitch toggles between effect on and buffered bypass each time it's pressed and the EXP input continuously varies pitch. In Momentary mode the effect is only on while the footswitch is depressed and when it is released the Pitch Fork goes into bypass.

In Latch mode the EXP input controls pitch shift amount, ranging from unity to the interval set by the Shift knob, and pitch varies continuously throughout the expression pedal's range. In Momentary mode the EXP input controls glissando rate for the Pitch Fork's footswitch. When the bypass footswitch is pressed, the Pitch Fork jumps from bypass to the interval set by the Shift knob. The amount of time it takes to reach that new note is the glissando rate. When the footswitch is released the pitch will return to unity at the same rate. That glissando time can vary between 4 milliseconds to two seconds depending on the heel/toe position of the expression pedal. The default glissando rate is 60 milliseconds when nothing is plugged into the EXP input.

The Pitch Fork comes equipped with an EHX 9.6DC-200mA power supply and also runs on a 9Volt battery.

*UK 230V power adapter included*
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 2 in stock $153.97
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quote 560349
Cat: 560459 Rel: 04 Feb 15
 
Synth engine effects pedal with latch mode with a layer feature to stacksounds
Notes: The polyphonic SUPEREGO Synth Engine reinvents sample and hold, performs fluid glissandos and creates oscillator like, synthesizer effects. It can stack sounds or create infinite sustain, it even lets you tweak attack and decay, or use its effects loop to invent novel synth patches. Indulge your guilty pleasures!

*UK 230V power adapter included*
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 1 in stock $180.50
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quote 560459
Cat: 709265 Rel: 04 Feb 15
 
B-STOCK: Box opened, missing PSU, product in perfect working order
Notes: ***B-STOCK: Box opened, missing PSU, product in perfect working order***


The polyphonic SUPEREGO Synth Engine reinvents sample and hold, performs fluid glissandos and creates oscillator like, synthesizer effects. It can stack sounds or create infinite sustain, it even lets you tweak attack and decay, or use its effects loop to invent novel synth patches. Indulge your guilty pleasures!

*UK 230V power adapter included*
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 1 in stock $185.82
Ernie Ball Expression Tremolo Pedal (expression/effects pedal)
Cat: 699272 Rel: 09 Oct 18
 
Tremolo pedal featuring onboard expression control & 5 different waveforms
Notes: The Ernie Ball Expression Tremolo delivers foot-sweepable tremolo control, all without taking your hands off the guitar. Choose from 5 distinct waveforms (slow rise, slow fall, sine, square, and harmonic) plus onboard vintage inspired spring reverb to create subtle or dramatic pulsating soundscapes. Control depth, rate, or both parameters simultaneously with the foot treadle. The Expression Tremolo's sleek, compact design maximizes playability, while minimizing the footprint on your pedal board. Unlock a virtually limitless tonal palette that simply can't be matched by traditional "on/off" stompboxes.
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 2 in stock $184.75
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quote 699272
Cat: 615030 Rel: 10 Jun 16
 
Autowah effects pedal Based on a 1991 BJF rack mount remote wah circuit
Notes: BJF design guitar and bass Auto Wah/Voltage Control Filter pedal

Hand-made in Finland premium quality auto wah pedal.

The Snow White Autowah (SWAW) circuit is based on a 1991 BJF rack mount remote wah circuit and is tuned like a real wah.

The circuit was redesigned with envelope controls and built into small size pedal.

It has very fast tracking and accuracy rarely found on auto wahs/ envelope filters. With the four knobs you can have total control of the effect.

SWAW works both with guitar and bass and you can fine-tune the pedal to suit your instru-ment, your playing style and your taste of tone.

The pedal has a unique decay control for the filter frequency fall speed. You can set it to be fast for wah effects on every note, or slower for a more traditional auto wah sound.

Like all Mad Professor pedals SWAW is hand made in Finland using only premium compo-nents, to give years of trouble free operation with superb musical tone.

Controls:
Sensitivity: Sets the filter trigger level, tune this carefully to fit your guitar/bass output and your playing touch. You can further change the sensitivity from your guitar volume knob while playing.
Bias: Controls the filter resonance frequency. When Sensitivity is turned fully off the Bias can be used as a sweepable filter.
Resonance: Controls the sharpness or Q-factor of the filter.
Decay: Controls how fast the filter frequency falls back to resting point (that is set with the Bias control). This can be set fast (CW) so you get the wah effect on every note or slow for a more traditional auto wah sound.
Playing: Please take time to get used to the controls and as this is a voltage control filter it will react to your playing touch. The envelope control circuit is carefully designed to follow the dynamics of guitar/bass and it might take some time to master the Auto Wah playing technics. Try also adjusting guitar volume between 8 and 10 to further expand use.

Electrical specifications:
Supply voltage: 9VDC
Current consumption at 9VDC: 15mA
Input inpedance: 500K
Output impedance: 1K
Max input -20dBV
Complete bypass (true bypass)
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 1 in stock $173.07
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quote 615030
Cat: 666629 Rel: 18 Oct 17
 
High-fidelity delay, reverb & looper unit
Notes: Designed and developed over two years, in collaboration with Devin Townsend, the Ocean Machine is a high fidelity professional Delay, Reverb and Looper unit which brings together the best available hardware on the market and very complex algorithms to create lush, heavenly effects. MOOER has worked very closely with Devin Townsend to meet all of his own personal requirements while also ensuring that the "Ocean Machine" is versatile and enjoyable for musicians from all walks of life.

A multitude of programmability and control options makes the ocean machine ideal for all different kinds of guitarists from bedroom beginners to industry professionals and is easy to integrate into all different kind of setups. MOOER has brought all of this together into a small, stylish and highly competitive, cost efficient package.
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 3 in stock $196.43
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Mooer Red Truck Combined Effects Pedal (effects pedal & carry case)
Cat: 666627 Rel: 19 Oct 17
 
6 effects pedals built into 1 simple unit - featuring Boost, Overdrive, Distortion, Modulation, Delay & Reverb
Notes: The MOOER 'Red Truck' is an all in one solution for the professional guitarist on the go. Following diligent research Mooer have integrated a combination of the most commonly used and desirable effects pedals into one, simple to use, floor unit.

The all analogue Boost, Overdrive and distortion circuits provide lush warm tones. A fully comprehensive collection of high quality digital effects including Modulations, Delays and Reverbs with Tap tempo control provide spacious and ambient atmosphere via the stereo outputs. A highly visible and precise tuner will make sure you are always in tune on stage.

A built in parallel effects loop makes it easy to use with your favourite stompboxes or connect to your favourite amplifiers using the 4 cable method. The Red Truck has stereo outputs and a dedicated Mixer output with speaker simulation for direct connection to your favourite mixing board or audio interface. All the parameters and functions are laid out in front of you just like a traditional pedalboard. Easy to view and adjust on the fly.

The Red Truck is compact and easy to transport with the tidy soft-case included in the box. No matter where in the world you are going to play and what you need to connect to you can always take a fully professional pedal effects rig with you with ease.

PLEASE NOTE: PSU NOT INCLUDED
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 2 in stock $189.00
NUX
Cat: 712782 Rel: 29 Nov 18
 
Guitar effects unit featuring drum machine, loop station & tuner
Notes: A Wide Array of Effects NUX MG-20 comes loaded with 60 beautifully-crafted and newly assembled DSP effects, plus 16 of the most preferred and realistic amp/cabinet emulators. And equipped with high quality essential guitar sounds like overdrive, distortion, compression, EQ, delay, reverb and all modulation effects such as Chorus, Phaser, Flanger, Tremolo and more.
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 1 in stock $181.56
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quote 712782
Cat: 685752 Rel: 01 Jun 18
 
Compressor pedal for bass guitar in micro-sized stompbox format
Notes: Pigtronix Philosopher Bass Compressor Micro brings the heralded Philosopher's Tone compressor circuit to bassists in a micro-sized stompbox format. The SUSTAIN control on this pedal varies the compression threshold to provide everything from subtle peak limiting to infinite clean sustain, all with incredible low-end response. The Philosopher Bass Compressor also sports a BLEND knob, allowing the clean sound of your instrument to be heard in parallel with the optical compression. Blending some clean signal into the mix restores the instrument's natural string attack, while simultaneously providing the musical benefits of additional punch and sustain.

In addition to the wide-range analog compression circuit with unrivalled sustain and parallel blend, the Philosopher Bass Compressor's GRIT knob blends in a harmonic distortion tuned especially for low-frequency domination. Used with a tube or solid state amp - or even straight into a mixing board, DI or DAW - the Philosopher Bass Compressor Micro delivers a new level of control and power to bass players at an affordable price. The Philosopher Bass Compressor features true-bypass switching and runs on standard 9VDC power with an internal, voltage-doubling circuit providing 18VDC power rails for superior performance with active basses. Never before has so much bass-friendly compression been squeezed into such a small package.
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 1 in stock $152.66
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Cat: 685756 Rel: 01 Jun 18
 
Compressor effects pedal in micro-sized stompbox format
Notes: The Pigtronix Philosopher's Tone Germanium Gold Micro brings back the original Pigtronix custom shop compressor/sustainer/distortion effect - in micro form.

This superlative version of the award-winning and top-selling Pigtronix Philosopher's Tone compressor takes the original pedal's optical sustain engine and lets you mix in a layer of germanium-enhanced distortion.

The unique diode arrangement found in the Germanium Gold version delivers a smooth top end and rich midrange response, tailored to match the characteristics of the optical sustainer driving it. If you felt that the original circuits in the Philosopher's Tone were brilliant, wait 'til you hear how the Germanium distortion adds to the overall character of this compressor/sustainer pedal! The clean side of the Philosopher's Tone remains the same; dial in your Blend and Volume to get the signal you desire. Use the Sustain knob to dial in the amount of compression you need. Higher settings on this control will provide a noiseless clean sustain previously unheard of in compression pedals, while retaining the original integrity of your tone.

What makes the Germanium Gold version unique is the GRIT control. More than a simple gain knob, the Grit knob found on the Philosopher's Tone Germanium Gold Micro acts as a blend for the germanium-enhanced distortion found in this unit. You can dial in more or less grit, depending on your tastes. Your clean and overdriven tones from the Philosopher's Tone can be blended perfectly with just the right amount of grit for your playing. This stompbox features true-bypass switching and runs on standard 9VDC power with an internal, voltage-doubling circuit providing the superior clarity and overall output of 18VDC power rails. The Pigtronix Philosopher's Tone Germanium Gold Micro packs an unprecedented amount of boutique compression and germanium distortion into a micro-sized pedal.
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 2 in stock $165.64
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Cat: 637298 Rel: 14 Mar 17
 
Sidechainer effects pedal with Igor & kick drum mic
Notes: This is a sidechainer pedal, an effect that ducks your guitar signal each time it gets a trigger - capable of putting deep spaces into your sound! It's an effect that's heard on many recordings, often subtly - like when a rock rhythm guitar is sidechained with the kick drum, so every time the kick drum hits, the guitar volume dips slightly for that instant - giving a really powerful overall effect... The guitar sounds pumping, or spring-loaded! Or it's sometimes used strongly, to make the signal completely disappear with each kick drum, as in big 4-on-the-floor club tunes.

Whatever way you use it, this effect has NEVER been so easily available - and controllable - as with the Deep Space Pulsar! (Up to now, it's always been an effect that's added in post-production - hardly ever live).

It comes with a microphone; put it inside your drummer's kick drum, plug it into the top end panel of the pedal and you're ready to go! The pedal sits there waiting for the drummer to play....

The 'Dip' knob adjusts the amount of dip to the signal, 'Rel' controls the speed of the release; how quickly the sound rises back up, and 'Vol' is the volume - the pedal can go quite loud, more than compensating for any loss in overall level due to all the ducking. The LED display gives a visual indication of the amount and length of ducking.

TAP TEMPO:

However, when instead you plug in the Igor pressure pad controller, the Deep Space Pulsar has tap tempo - a fully correctable facility - enabling it to work if you're playing along to a DJ or drum machine. Two presses of the Igor programs a tempo (the 'record' LED coming on to show that the tempo is being recorded and it's waiting for the second press), and at any point that tempo can be adjusted to bring it back into sync with the music, enabling the pulsing to stay in time for long periods. Pressing on the Igor erases the tempo, for you to start again at a different tempo.

PUSH-BUTTON SWITCHES:

There's a 'Pad' button to alter the sensitivity of the microphone, and also an 'Inv' button to invert the whole effect; no sound is heard until the kick drum (or tap tempo) hits, when a pulse of signal is let through - introducing whole new kinds of sounds!

This is a revolutionary effect, designed specifically for those that play with other people - whether in bands, clubs or studios.
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 4 in stock $196.43
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quote 637298
Cat: 675777 Rel: 14 Feb 18
 
Digital reverb custom mini-pedal with up to 6 seconds of reverberation time
Notes: This is a digital reverb mini-pedal, simple to use, but giving a whole selection of unique - and very useful - new sounds. It's based around an FV-1 chip, and comes with an Igor expression pad for real-time control. 'Size' adjusts the length of the effect, and 'Level' the amount of it you hear (the original guitar signal is always present).

Distortion:

The Reverb-X really comes into its own in how it can deal with the reverb. It's based on the excitement of plugging an overdrive pedal after a reverb pedal; it's 'wrong', but everything you play sounds huge and epic, exaggerated and full of texture and detail... Here, an overdrive circuit - after the reverb - can be blended in via the 'Distn' knob. Have it totally clean, a bit gritty, quite rough, or dial in a fully burnt-out glow.

At all times, however, the input signal is unaffected; if you already use an overdrive pedal, the Reverb-X can add a whole new dimension of distortion to your sound! If your tone is clean however, it stays clean - no matter how much distorted reverb you dial in.

Usually though, in this situation when you stop playing, the hum from your cable alone would be as loud as the notes you were playing! So you have to have a noise gate involved...

Noise Gate:

This is always on, either before the reverb and distortion circuits, unobtrusively silencing hums and buzzes when you're not playing. Switch in the 'Gate' button though, and this changes to post reverb and distortion. It opens when you play, and closes hard when you stop, totally cutting off any reverb that's happening - giving an incredibly dramatic and original effect. Sure, it's a gated reverb, but play a long riff and gate stays open, giving the full reverberation as set by the 'Size' knob. Stop playing and the whole thing is shut down, giving a tight control over it - like a hard-edited 'sample'.

The 'input' control and 'Overload' LED insure that the output is always as loud - and clean (if desired) - as possible. The 'Out' knob has plenty of spare output volume on tap.

Igor:

Plug in the Igor expression pad and you get no reverb at all. However as you start to lean on it the signal gets diverted to the waiting reverb pathway, and a bloom of reverberation grows behind whatever notes you're playing. Take your foot off Igor and you go back to fully dry - but the reverb decays on its own.

Or have the 'Gate' switch in, and the added reverb is cut short, like some twisted dub-meister at the controls, messing with everyone's depth perception...

The two types of reverb available are set to cover the widest range of musical situations as possible. The Reverb-X is an incredibly flexible, easy-to-use, and inspiring effect - all in a deeply cute package!
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 3 in stock $185.81
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quote 675777
Cat: 712120 Rel: 27 Nov 18
 
Classic 80's BBD analogue delay with up to 700ms delay time
Notes: The Sinvertek Fluid Time MKII Analog Delay builds upon the first generation of this delay after years of continuous development. Utilising the versatile tonality of a BBD analogue delay loved by guitarists the world over, the Fluid Time MKII features upgraded tone quality and perfected functions. A pure analogue delay with a digital micro controller hosting an enormous amount of versatility and options, Sinvertek have crafted the Fluid Time MKII using five re-issued MN3208 BBD chips, with a possible delay time of 700ms for unleashing a barrage of creative possibilities.
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 1 in stock $189.00
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Cat: 712096 Rel: 27 Nov 18
 
Compact 6-in-1 multi-effect for electric bass
Notes: Dapper Bass is an all-in-one workhorse for bass players. This strip has everything you need, plus some inspiration.

TUNER:

First in line is a big, bright, fast and accurate tuner so you can play confidently in tune.

BOOST COMP:

BOOST COMP is a booster and compressor combo. Set-to-forget knobs make it simply diabolical.

DIRTY Q:

The DIRTY Q module is an envelope filter with some interesting tricks. Tweak the knobs onboard until you find the vocal tone that suits your playing style.

BASS AMP:

This BASS AMP module will give your bass the life it needs for every musical genre. The EQ is golden with cleans and highly responsive even with the gain up.

OCTAVE:

Use the all-analogue monophonic OCTAVE module to beef up your low end, create synthy leads, or make everything crash off the walls. Individual octave and dry control ensure maximum inspiration.

CHORUS:

Plunge into the lush CHORUS module to take your sound to a brave new world. No patience for annoying parameters - the single depth knob will let you decide how deep into analogue chorus dimensions you want to go.

And Dapper Bass is expandable for everything else you might need too:

FX LOOP:

Hook up your other effects - as many as you want! - and make Dapper Bass the core of your rig.

THRU and XLR out:

Use the THRU output jack to run through some parallel effects (rack processors, interfaces, etc.) or do some re-amping.

The XLR OUT feeds a balanced signal to audio interfaces or mixers.
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 2 in stock $157.14
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quote 712096
Cat: 731606
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Geiger Counter - Civilian Issue is 32 killer sounds from the original Geiger Counter. WMD stripped off the majority of the controls and took $100 off the price. This is for those players who want to dial in a tone quickly and save pedalboard space.

The Controls:

Stomp Switch - Like all WMD pedals, the GCCI (Geiger Counter Civilian Issue) is handwired and true bypass, so it won't affect your tone when disabled. When the GCCI is on, the red LED will be lit.

Gain - The gain control provides anywhere from a nice clean tone to a ton of overdrive. Use this to hit the Function tables harder or softer to produce different amounts of harmonics.

Tone - The tone control can be used to fine tune the harmonic content from the Function tables. Use lower settings for fewer upper level harmonics.

Function - Twisting this knob will cause the number on the display to change. It goes 0 to 9 and A to F. This selects the 16 presets inside the GCCI. Push the knob in to activate the Low Fidelity mode for each preset. Low Fidelity mode is indicated by the decimal point on the display.

Each Function recalls parameters from the original Geiger Counter including the Bit Depth, Sample Rate and the Wave Table. The wave tables are displayed in the manual file. As your guitar string swings up and down, the wave table is played left to right from the centre. The output is what's vertically on the graph. The more movement in the Function, the more harmonic content you'll get out.

Volume - Sets the output volume of the GCCI which can be up to 5Vpp, enough to really crush your amp's input stage.
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 1 in stock $169.89
Cat: 698455 Rel: 21 Aug 18
 
Compact parametric equalizer in stomp box format
Notes: The Utility Parametric EQ is a staple pedal that belongs in any professional's rig. There are 3 bands of EQ with frequency ranges from about 40Hz to 15kHz. Each band is an independent bandpass filter with adjustable centre frequency, quality factor, and gain. Use them to sculpt and shape your tone however you like.

The Controls:

There are 3 bands of EQ with frequency ranges from about 40Hz to 15kHz. Each band is an independent bandpass filter with adjustable centre frequency, quality factor, and gain. Use them to sculpt and shape your tone however you like.

Stomp Switch - This footswitch activates the EQ. The centre LED will be lit when the pedal is engaged.

Freq - This selects the centre frequency of the filter. The three frequency ranges are: 31Hz to 1.6kHz, 100Hz to 4.8kHz, 300Hz to 16kHz.

Q - The Quality Factor (Q) gives you control over the sharpness of the filter. Turn it up and the filter section becomes resonant and more abrasive. Low Q settings sound like a traditional EQ, higher Q adds resonant nodes. The Q ranges from about .1 to around 30.

Level - This controls how much cut or boost you have from the band. Centre it (0) and the band is out of the circuit. Turn clockwise and you'll get more of that frequency, turn counter-clockwise and you'll hear less. If all 3 controls are at 0, you should be able to click the pedal on and off and not hear any difference.

Overall Level - This gives an overall cut or boost at the output of the Parametric EQ. Like a volume control, but with some gain available.
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 1 in stock $190.06
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