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Effects units

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Effects units

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Behringer SX3040 V2 Ultimate Stereo Sound Enhancement Processor
Cat: 762543 Rel: 16 Mar 20
 
sound enhancement processor
Notes: The incredible SONIC EXCITER SX3040 will make your live performances and recordings more powerful, dynamic and superbly articulate. Equipped with a special phase-compensating Bass Processor and Sonic Exciter, the SX3040 adds amazing depth, punch and sparkling clarity to dramatically enhance sound quality. And thanks to SX3040's twin channels, you process a stereo signal, or a bass in one channel - and a keyboard, vocal or guitar in the other.

The ultimate sound improvement tool for home and professional recording studios, DJ systems, PA systems and webcasting, the SONIC EXCITER SX3040 is also an amazing addition to your 5.1 surround and hi-fi setups.

In the recording studio, the sound is the only thing that matters - and it has to be just right! The SX3040 provides the tools to fine-tune the perfect recording session, whether you're working on a single track or mastering your completed project for distribution or duplication. For that professional finishing touch, the SX3040 opens up the full sonic spectrum allowing you to add sizzle to drum overheads, tighten up the bass - and bring unparalleled focus to vocal tracks and instrument / amp-miking applications.

The 2-channel SX3040 features a Bass Processor and Sonic Exciter per channel, providing the perfect way to add stunning clarity and incredible low-end punch to your live sound system. By adding sparkling high end and super-tight bass, without the need for additional speakers or amps, the SX3040 breathes new life into any PA, nightclub or DJ system. You'll easily master the simple controls to bring out the very best in your sound - whether you're mixing a duo in a coffee house, or dialing a massive outdoor concert!

In house of worship applications, voice intelYou'd be hard-pressed to find another single piece of gear that can improve the sound of your recordings or live shows more than the SONIC EXCITER SX3040! And this mastering marvel is so very affordable, you'll want 2 or 3 for your studio, and a couple more for your live rack. And SX3040's internal switch-mode power supply (100 - 240 V~) works anywhere in the world, providing noise-free audio and low power consumption.
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coming soon $86.19
Cat: 640527 Rel: 01 Mar 17
 
Speaker emulation for electric guitar, with 16 speaker cabinet models
Notes: Guitarists are a strange breed. They love modifications just as long as nothing actually changes. Never change a winning team is their approach: the favourite guitar, the good old amp and that particular speaker cabinet. The final link in the chain is the defining resonating body to capture the magical sound.

Electric guitarists looking for the perfect way to mike up for live or for recording now have one of the simplest and most workable solutions available - which also sets new standards in sound quality. Brought together in a compact, lightweight metal box are 16 legendary speaker cabinets. Recorded with the best microphones and digitally converted using today's cutting-edge Convolution Technologie, every detail is locked down. But why conserve the sounds digitally? Simply because analogue equipment cannot capture all the acoustic complexities and nuances the speakers produce. Convolution Technologie on the other hand is able to reproduce the complete array of tones and the uniqueness of each cabinet down to the last detail.

Virtual Speaker-Cabinet Collection:
Just pick your favourite cab, fine-tune the sound with the Mic-Position controller and away you go! 16 classic, world-renowned cabs are available in the BluBox: 5 legendary Marshall cabs with vintages from 1965 and 1980 but also the glorious, cult cabinets from Vox, Mesa-Boogie and Fender. Of course, Also included are the BluGuitar NANOCAB and FATCAB which have been rapturously received in music world for their huge sound.

BluBOX is the ideal partner for all eventualities. Whether on stage or in the studio - wherever you need striking sounds of the highest quality miked up or recorded. All this works with the BluBOX directly and even without a speaker cabinet!

BluBOX - The new Speaker Emulation with the most legendary cabinet / microphone combinations of the past 50 years music history, captured for the discerning professional. Great sounds, simple use, small package! The Sound of Tone Innovation.

Cabinets:

NANOCAB - BluGuitar 1x12"
FATCAB - BluGuitar 1x12"
STACK 1965 - Original Marshall 4x12" Celestion (Alnico 15Watts)
STACK 1967 - Original Park 4x12" Celestion (Greenback 25 watts)
STACK 1970 - Original Marshall 4x12" Celestion (Greenback 25 Watts 55 Hz)
STACK 1971 - Original Marshall 4x12" Celestion (G12h30)
STACK 1980 - Original Marshall 4x12" Celestion" (G12h75)
METAL V30 - Mesa/Boogie Rectifer Standard 4x12" Celestion V30
METAL CL80 - Celestion Classic Lead 80 in custom built 4x12" cabinet
JAZZ 120 - Roland Jazz Chorus 120
TWEED 1x12 - Vintage '57 Fender Tweed Deluxe
SILVER 1x12 - Fender Princeton Silverface 1x12"
BLACK 2x10 - Fender '64 Vibroverb 2x10"
BLACK 2x12 - Vintage Fender Twin Reverb 2x12" orange JBL mixed with Jensen C12K
BLACK 4x10 - Vintage 60s Fender Super Reverb 4x10"
BLUE 2x12 - Original Vox AC30 JMI 2x12" Celestion Blue Bulldog
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 1 in stock $213.33
Cat: 607885 Rel: 14 Apr 16
 
Dual/stereo multi-band processor for enhancing dull sounding audio - rackmountable
Notes: The CE22 is a professional multi-band enhancer/exciter designed for various applications.

This unit combines 2 processors to align the phase and focus of bass frequencies, improve the response of mid-high frequencies and add harmonic content to any "dull" sounding audio.

The surround processor utilises the phase alignment engine to give a greater perceived width to the stereo field.
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MRP:$102.15 SAVE 28%
 2 in stock $73.26
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quote 607885
Cat: 742655 Rel: 04 Dec 14
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


*** NO POWER SUPPLY INCLUDED - USES GENERIC 12VAC ADAPTER ***

Basically, the Ekdahl Moisturizer is a spring reverb where the springs are exposed so they can be played/hit/fiddled with. As well as being capable of creating sound in itself, you can of course also play sound through the springs like a regular spring reverb - this makes for happy-fun-time finger-modulation of the reverb on whatever audio that's going through it. On top of this there's an analog multimode filter that can be used to attenuate or exaggerate certain frequencies in the sound, this is real handy while playing the springs as you can - for instance - cut all the highs and just make thunderous doomy sounds or do the opposite; cut all the lows and make that ear piercing high frequency special love. Also, it incorporates an LFO that's internally routable to the filter and that also has some external routing-stuff. The Ekdahl Moisturizer has tons of CV / Expression pedal options on the back for even more hillarious moments. The Moisturizer is a mono unit.

The Moisturizer was developed with the help of Jason Willett (Half Japanese, Leperchaun Catering), Martin Schmidt (Matmos, Instant Coffee), Joshua Atkins (Polygons, Major Powers), mom & dad and many more.

The Ekdahl Moisturizer contains exactly:
Preamp (up to 10 times gain)
Reverb
Reverb / Preamp wet/dry crossfader (Knob & CV/EP controllable)
State variable filter with
Lowpass/Bandpass/Highpass seamless crossover (Knob, CV/EP & LFO controllable)
Cutoff (Knob, CV/EP & LFO controllable)
Resonance (WITHOUT resonance limiter)
LFO with
Speed control (Knob & CV/EP controllable)
Square / Triangle crossover
External output with output amplitude knob
Filter / No filter wet/dry crossfader (Knob & CV/EP controllable)

The preamp section is designed for a max of 10 times gain, this to accomodate for low level output instruments such as guitars etc. The reverb tank has normal reverb signal gain on it, meaning that if you hit the springs hard they'll distort like crap which is real nice, if you hit them softly the sound won't be distorted.

The filter in the Ekdahl Moisturizer is abrasive, the fact that it doesn't have any resonance limiting makes it possible to get the filter to sound *really* bubbly & metallic (way more then any filter i've ever heard), but it's also of course capable of sounding completely "normal" - it all depends on the amount of resonance and/or gain. The fact that you can seamlessly fade inbetween lowpass, bandpass or highpass filter (or lowpass+bandpass and highpass+bandpass) makes the unit pretty damn versatile and by using the wet/dry filter/no filter crossfader there's some neat shit that can be done too. Now it should be said that due to the fact that there's no resonance limiter, if using very high gain, with high resonance and turning the cutoff frequency very high the filter might cut out - not to worry, just turn the cutoff back a bit and the filter pops in again. This happens because the filter gets overloaded and can be avoided with a resonance limiter, however if i had one of those all the super-awesome bounce would be gone and it'd sound like all the other filter out there.

The Ekdahl moisturizer has six CV/Expression pedal related jacks on the back, one of them is a LFO output so you can control other shit with The Moisturizer's LFO. All the other jacks are inputs and takes either CV or Expression pedal, they are: Reverb Mixture, VCF Cutoff, VCF Filter Mode (LP/BP/HP), Filter Mixture and LFO Speed.
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 1 in stock $432.70
Cat: 547481 Rel: 03 Oct 14
 
Dynamic and compact effects processor with sampler functions
Notes: A powered-up mini kaoss pad 2, the mini kaoss pad 2S ("S" for sampler) is a powerful DJ effect unit that fits in the palm of your hand. It includes the familiar KORG touchpad, which allows you to intuitively control 100 different effects, and a sampler function that makes it easy to load and trigger a variety of sounds. Whether you are playing or performing, you'll have more fun than ever with the powerful mini kaoss pad 2S.

The newly added sampler function let you prepare sound effects or voice samples, and use them in your DJ work or live performance. According to your needs, you can choose from three methods of playback: One Shot, Gate, and Loop. You can also change the playback speed (pitch change) and specify the playback start position (cue point). In addition, the sample recorder lets you capture sounds that are input via either the line in or the built-in mic.

You can also use the unit as a conventional audio player; save your favorite songs on a card and use the mini kaoss pad 2S to apply effects for fun. No other equipment is required.

You can intuitively control effects in real-time by stroking the touch pad with your fingertip. There are one hundred built-in effect programs, ideal for DJ mixing and controlling the sound.

Numerous other functions indispensable for DJ work are also provided:
-When you take your finger off the touchpad, the FX RELEASE automatically adds a delay effect so that the effect blends smoothly into your song or performance, and avoids abrupt effect dropouts.
-Excellent for DJ use and live performance, the mini kaoss pad 2S provides three Program Memories for instant recall of your favorite effects.
The Hold function freezes the effect parameters based on your finger's current location on the touchpad for hands-free operation.
Auto BPM detection syncs the applicable effects to the tempo of the song, so that everything continues to move in sync for a professional performance.
The built-in mic lets you apply effects to your voice.

Many convenient functions are now available for enhanced usability and enjoyment:
Record your mini kaoss pad 2s performances in WAV format using .the master recorder function.
Battery operation and a built-in speaker let you perform anytime, anywhere.
6 Preset audio demo loops are stored in the internal memory. These demo loops provide a handy audio source that can be used to immediately audition the various effect programs, without having to hook up an external audio player.
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 1 in stock $125.40
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quote 547481
Roland VT4 Voice Transformer (voice effects unit)
Cat: 709592 Rel: 14 Nov 18
 
Premium-grade vocal effects unit
Notes: The VT-4 is an effect processor for the instrument inside us all, the human voice. And like the human voice, the VT-4 is easy to use, yet devastatingly effective. Whether you're a solo electronic artist, DJ, or singer in a band, the VT-4 lets you craft and shape your own unique vocal sounds, from subtle augmentation to radical transformation. Everything is hands on, with no menu diving or programming to get in the way. Jaw-dropping effects like harmonizing, vocoding, pitch shifting, hard tuning, and more are just a push, slide, or turn away. And with its compact size and five-hour battery life, you can use the VT-4 anywhere.

Insanely Creative:

Today's musical styles increasingly use unusual vocal sounds with heavy processing, making them stand out and grab the listener's attention. With the VT-4, you have a wealth of modern and retro vocal effects at your fingertips, with no need to resort to a complicated setup with a computer and plug-ins. All the effects are top-notch, with everything from delay and reverb to mind-bending formant and vocoding effects. Better still, the VT-4's performance-oriented interface lets you ride the controls while you sing to constantly alter the sound to suit the track and enhance the vibe of your performance.

Be Who You Want to Be:

Great-sounding pitch and formant effects are hard to come by, especially without a computer. And real-time tweaking of these effects often results in nasty artifacts and other unpleasantness. With the VT-4 you have totally smooth, instant control over both pitch and formant, with dedicated faders for each. Dramatically change your entire persona from male to female, big to small, or good to evil - the choice is yours.

Transformative Effects:

Achieving complex vocal effects is easy with the VT-4, and you can even use multiple effects at the same time. Use the central Auto-Pitch knob to dial in just the right amount of hard-tuned effect, then press the Megaphone button for some lo-fi raunchiness. Or run the vocoder through a tape delay or vintage chorus. Each effect has a selection of one-touch variations, so you can get different vocoder characteristics, various lo-fi effects, multi-part harmonies, and distinct kinds of reverb and delay. Chain your effects, set the controls just how you like them, and then simply hold down a preset button to save that setup for later. Changing presets and tweaking controls is smooth and immediate, with no jarring artifacts, glitches, or dropouts.

MIDI Control:

The VT-4 works great on its own and can harmonize and vocode without any input other than your voice. But plugging a MIDI keyboard into the VT-4 opens even more expressive possibilities, letting you control the Auto-Pitch, harmony, and vocoder engines in real time with the notes you play. You can hard-tune your voice to specific notes as you sing, or create instant multi-part harmonies with voicings that follow your chords. The VT-4's small footprint sits nicely on most keyboards and is easy to integrate into your setup, dishing out huge backing vocals and funky vocoded leads by the bucketload.

Fun and Games

Whether it's a weekly podcast or nightly multiplayer battle, if you're broadcasting your voice on the internet, you only have so many ways to stand out. The VT-4's combination of small size, simple controls, and USB-audio capabilities make it uniquely suited to altering your voice for YouTube broadcasts, game streaming, podcasting, and more. Take on the persona of different characters in diverse locations, or sound larger than life when taunting your foes. Add humour, danger, wit, and variety to your streaming broadcasts - your imagination is your only limitation.
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MRP:$283.17 SAVE 34%
 1 in stock $186.41
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quote 709592
Cat: 749821 Rel: 05 Nov 19
 
Analogue dual overdrive filter unit
Notes: The Ar Merc'het Brao pedal is comprised of two filters and two overdrive sections.

The filters are resonant with a slope of -12dB. A switch allows to switch each filter from LowPass to HighPass. The filter cut-offs are voltage controlled thanks to dedicated CV inputs. Additionally, the Ar Merc'het Brao features global controls for cut-off and resonance.

It can be used with a stereo signal or with two mono signals. The module is modular as well as guitar friendly.

Both overdrive sections offer the classic and well known TouellSkouarn distortion sound.
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 1 in stock $364.20
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quote 749821
Cat: 433131 Rel: 19 Aug 11
 
Desktop spring reverb
Notes: Today's digital effects and plug-ins can create almost perfect room simulations. However, when it comes to characteristic and charismatic reverb, analogue effect-processors are yet to beat. The reverberating sound of a spring is so lively and unique that its sound is almost impossible to recreate in the digital domain. In addition to this, Retroverb Lancet is not just a spring reverberation system - it is an analogue multi-effects-processor. It offers overdrive, filtering, VCA, envelope and LFO to manipulate the spring sound and create different sounds like auto-wah, tremolo, distortion, delay, gater and of course reverb.

The typical spring reverb sound is generated by a Belton/Accutronics type 4 spring tank with 3 individual springs. It can be placed pre or post the VCF/VCA section and equalized by the Tone parameter.

The Crash function generates the popular thunder effect that occurs when kicking an amplifier with spring tank. You don't have to kick Retroverb Lancet you simply can achieve this effect by pressing the Crash button. It also can be triggered by a Gate voltage.

The multimode filter works as lowpass or highpass with a slope of 24 dB per octave or as bandpass with 12 dB per octave. It is followed by a voltage controlled amplifier. The filter and amplifier can be modulated individually by different sources.

The Retroverb Lancet offers 3 internal modulation sources:

Envelope follower: the envelope follower converts the amplitude characteristic of the audio input signal into a control voltage.
Envelope generator: the envelope generator can be triggered by the input signal itself, a second audio signal or a gate voltage. Depending on the trigger source it works as Attack-Decay or as Attack-Sustain-Release envelope.
LFO: the LFO offers saw up and saw down, square, sine as well as sample&hold. Additionally it can use the envelope generators settings as waveform. It can oscillate freely or reset by different trigger sources.

The Retroverb Lancet also offers a CV/Pedal input which can be feed by external control voltages or can be used with expression pedals.
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 2 in stock $425.60
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quote 433131
Cat: 572805 Rel: 14 May 15
 
1U spring reverb unit using a spring tank from Accutronics, ideal for use with any kind of audio signal - UK power adapter included
Notes: Finally the VSR 3.2 is here! It is the enhanced successor of the Vermona VSR-3 - Vintage Spring Reverb.

Most of the features, like the AccuBell spring tank (type 9), the TONE control as well as in and output stages are equal.

What has been improved is the way EFFECT STOP is working. Compared to its predecessor VSR 3.2 offers the possibility to determine where EFFECT STOP cuts the signal path: PRE or POST the spring tank. In the new PRE mode the input of the spring tank is cut from the signal path, so the reverb's decay isn't abruptly stopped when pressing EFFECT STOP and still can fade out.

The VSR 3.2 is suitable for all kinds of input signals like synthesizer, organs, guitars, vocals etc. It's available as of now from stock. It is already listed in our latest price list from 2015-05-01.

*UK 3-pin power adapter included.
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 3 in stock $262.91
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