Camera Microphones | External Microphones For Cameras

Notes: The Stereo VideoMic Pro is a high-quality stereo on-camera microphone, designed to allow filmmakers to capture realistic ambient audio from a wide variety of sound sources. Featuring a matched pair of high-sensitivity 1/2-inch cardioid condenser capsules in a coincident XY pair, the Stereo VideoMic Pro delivers a wide stereo image with natural depth. Other professional features include an integrated Rycoter Lyrer shock mounting system that provides excellent isolation from external vibrations, a three-step gain control, 75Hz high-pass filter, and a high-density foam windshield for recording in adverse weather conditions.

Key Features:
High-quality stereo on-camera microphone
Matched pair 1/2" condenser capsules in XY configuration
Three-stage gain control, high-pass filter (75Hz)
Integrated Rycote Lyre shock mounting
10-year warranty

What's in the Box
Stereo On-camera Microphone
1 x Stereo VideoMic Pro

Specifications

Acoustic & Electrical
Acoustic Principle
Pressure Gradient
Active Electronics
JFET impedance converter
Capsule
0.50"
Address Type
End
Frequency Range
40Hz - 20kHz
Output Impedance
200O
Maximum SPL
134dB SPL
Sensitivity
-38.0dB re 1 Volt/Pascal (12.60mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Equivalent Noise Level (A-Weighted)
18dBA

Mechanical
Weight (g)
116
Dimensions (mm)
134 (H) x 80 (W) x 115 (D)

Notes: The Rode Stereo VideoMic is a broadcast quality stereo microphone designed for use with camcorders, DSLR cameras and portable audio recorders. Two high resolution 1/2" condenser capsules are mounted in a fixed X/Y stereo array, providing a very natural stereo recording, while still offering a high level of rear rejection. The Stereo VideoMic is an ideal microphone for capturing environmental and ambient sounds, as well as live music. For dialogue and directional applications the Rode VideoMic and VideoMic Pro are recommended.

An in-built shock mounting system isolates the Stereo VideoMic capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Its standard sized shoe mount also includes a 3/8" thread in the base for easy mounting on a boom pole or stand. (Note that cameras with proprietary sized mounts may require an additional adaptor).

In addition to the microphone's native 40Hz-20kHz response, a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded. A -10dB level attenuation (or Pad), selectable from the rear face of the microphone, allows recording of loud sound sources, such as live music or motorsport.

The Stereo VideoMic is ideal for use with DSLR cameras such as the Canon 5DMkII, Canon 7D, Canon 1D, Canon 550D/T2i, Canon 60D, Nikon D7000, Nikon D5100, Panasonic GH1 and Panasonic GH2.

The Rode Stereo VideoMic is covered by Rode's industry leading 10 year warranty.

Notes: The VideoMic with Rycote Lyre Suspension System from Rode is a shotgun microphone that can easily be mounted on a DSLR camera. It features a Rycote suspension system that attaches to the camera's shoe. The VideoMic is lightweight, and when mounting on a camera it does not appear in the frame. The VideoMic can also mount to Rode's boompoles for elevated audio capture. Its super cardioid polar pattern attenuates sounds from the sides. The result is a signal that sounds closer to the camera, even when shooting in noisy environments or at moderate distances.

The included Rycote Lyre is a non elasticated suspension structure composed of a hard wearing thermoplastic. It is more effective at acoustically decoupling microphones from unwanted vibrations, handling and cable noise than elasticated suspensions. The lyre remains effective at a wide range of temperatures and is virtually indestructible. It will never wear out, sag, snap or require any rethreading to maintain its effectiveness.

Manufactured from rugged and durable ABS, the microphone is designed to withstand being tossed in a camera bag while remaining lightweight and extremely portable.

In addition to the microphone's native 40Hz-20KHz response a selectable high pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

A -10dB and -20dB level attenuation (or PAD), selectable from inside the battery compartment, allows recording of loud sound sources, such as live music or motorsport.

The Rode VideoMic directional on camera microphone is covered by Rode Microphones' industry leading 10 year warranty.

Notes: The VideoMic GO II is designed to make capturing incredible audio incredibly easy. Ultra-lightweight and compact, with powerful features that are simple to use, it is perfect for all forms of content creation with a camera, smartphone or tablet, or computer. It's time to take your content to the next level.

Key Features:
Broadcast-quality compact shotgun microphone
Ultra-lightweight (just 89 grams)
No battery required and no complicated switching - incredibly easy to use
3.5mm TRS output for use with cameras
USB output for use with mobile devices (iOS and Android) and computers (macOS and Windows)
Compatible with RODE apps for accessing advanced features, powerful digital signal processing and studio-quality recording on any device

What's in the Box
Lightweight Directional Microphone
1 x VideoMic GO II
Shock mount for VideoMic Go II
1 x SM8-R
Windshield for VideoMic Go II
1 x Windshield
Cable for Videomic Go II
1 x SC14

Specifications

Acoustic & Electrical
Acoustic Principle
Pressure gradient electret condenser
Polar Pattern
Supercardioid
Frequency Response
20Hz - 20kHz
Output Impedance
2K2O
Signal to Noise Ratio
79 dBA
Equivalent Noise Level (A-Weighted)
15 dBA
Dynamic Range
95 dBA Typical
Sensitivity
-31dBV(28.78mV @ 94dB SPL) i 1dB @ 1kHz
Max Input SPL
110 dB SPL
Output Connection
3.5mm TRS

USB-C
Computer Connectivity
USB-C (USB 2.0)
Simultaneous I/O
Stereo input and output when in USB mode
Power Requirements
3.5mm plug-in power 2 - 5V

USB 5V
Bit Depth
24-bit
Sample Rates
48 kHz
Minimum OS Requirements
macOS 10.15

Windows 10 (20H2)

iOS 14

Android 9.0

Mechanical
Weight (g)
VideoMic GO II: 33

VideoMic GO II with SM8-R: 89

VideoMic GO II and all included accessories: 96
Dimensions (mm)
VideoMic GO II:
Height: 120
Diameter: 21.6

VideoMic GO II and included accessories:
Length: 150
Width: 70
Height: 86

Notes: The VideoMic Pro is a professional-grade on-camera microphone designed to deliver exceptional audio in a wide range of recording applications. Compact, lightweight, and super versatile, there's a reason it's become the industry standard microphone for vloggers, filmmakers, and content creators.

Key Features:
Professional-quality on-camera condenser microphone
Supercardioid polar pattern for capturing focused, directional audio
Super lightweight (only 85g)
High-pass filter and three-stage gain control
Powered by 9v battery with over 70 hours use
Integrated Rycoter Lyrer shock mounting for superior isolation from handling noise
High-quality windshield for recording outdoors

What's in the Box
Directional On-camera Microphone
1 x VideoMic Pro

Specifications

Acoustic & Electrical
Acoustic Principle
Line Gradient
Active Electronics
JFET impedance converter
Capsule
0.50"
Address Type
End
Frequency Range
40Hz - 20kHz (selected HPF @80)
Output Impedance
200O
Maximum SPL
134dB SPL
Maximum Output Level
6.9mV (@ 1kHz, 1% THD into 1KO load)
Sensitivity
-32.0dB re 1 Volt/Pascal (20.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Equivalent Noise Level (A-Weighted)
14dBA
Acoustic Principle
100 (H) x 75 (W) x 170 (D)

Mechanical
Weight (g)
85

Notes: The VideoMic Pro+ is a premium on-camera microphone for capturing broadcast-grade audio in a wide range of filmmaking scenarios. With an expansive feature set and superior sound quality, it is the go-to microphone for countless content creators, offering the ultimate in performance and versatility.

Key Features:
Premium on-camera condenser microphone
Supercardioid polar pattern and extended frequency response for capturing warm, directional audio
High-pass filter, high-frequency boost and three-stage gain control
Automatic power-on function, safety channel
Flexible power options via included rechargeable battery, AA batteries or USB
Integrated Rycoter Lyrer shock mounting for superior isolation from handling noise
Optimised windshield for exceptional wind noise reduction

What's in the Box
Premium On-camera Microphone
1 x VideoMic Pro+
Lithium-ion Rechargeable Battery
1 x LB-1
VMP+ TRS Cable
1 x TRS Cable

Specifications

Acoustic & Electrical
Acoustic Principle
Line Gradient
Active Electronics
JFET impedance converter
Polar Pattern
Supercardioid
Address Type
End
Power Requirements
20Hz - 20kHz (selected HPF @75Hz/150Hz)
Output Impedance
200O
Maximum SPL
133dB SPL
Maximum Output Level
7.7dBu (@ 1kHz, 1% THD into 1KO load)
Sensitivity
-33.6dB re 1 Volt/Pascal (21.20mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Equivalent Noise Level (A-Weighted)
14dBA
Power Requirements
RODE LB-1 Rechargeable lithium-ion battery or micro USB
Output Connection
Minijack / 3.5mm TRS

Mechanical
Weight (g)
122
Dimensions (mm)
111 (H) x 66 (W) x 170 (D)

Warranty
1 year with free extension to 10 years following registration

Notes: The RODE VideoMic Pro is a true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio.

At the heart of the VideoMic Pro is an all-new 1/2" condenser capsule that provides broadcast-quality audio via a 3.5mm minijack connector (outputting the mono signal to both left and right channels) with an incredibly low self-noise of just 14db. A super-cardioid polar pattern ensures that surrounding audio is minimised, and your recording is focused on the subject in front of the camera.

The integrated Rycoter Lyrer based shock mounting system separates the VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Constructed from a single piece of hard-wearing thermoplastic, the Lyrer provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.

Easily accessible on the rear face of the microphone are the power, filter and level controls. In addition to the microphone's native 40Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

Below these controls are the level settings, which attenuate or boost the recorded level as required. The -10dB level attenuation (or PAD) is ideal for recording loud sound sources, such as live music, motorsport, or interviews where the subject is very close to the camera. The +20dB level boost is designed for use with DSLR cameras, allowing the user to reduce the camera's preamp level (or mic-input level), effectively reducing the amount of noise generated by the camera's comparatively low quality audio circuitry.

The microphone uses a standard sized shoe mount for on camera use, and features a 3/8" thread in the base of the mount for easy boom pole mounting.

The VideoMic pro is battery powered, and provides over 70 hours recording from a single 9V battery.

The RODE VideoMic is designed and made in Australia, and covered by RODE Microphones' industry leading 10 year warranty.

*Photographed camera is not included

Notes: Capture audio that sounds as good as your image looks:
The TASCAM DR-10SG packs problem-solving punch into a small package. Combining both a purpose built shotgun microphone and a professional quality digital recorder in a single unit, the DR-10SG addresses many issues faced by today's DSLR videographer. First and foremost, the DR-10SG features an extremely directional supercardioid microphone and an integrated shock-resistant mounting foot. The dual benefits of this design include the rejection of unwanted ambient sound during filming and the avoidance of physically transmitted noise from shutter or lens mechanisms.

Coupled with this is a professional quality digital recorder featuring four selectable EQ modes, audio pass-through to the camera and an on-board audio slate for synchronization during post production. As an added safeguard against unexpected volume spikes, the DR-10SG also features TASCAM's unique Dual Recording mode which automatically records a second "safety take" at a lower level.

Designed to deliver excellent quality, while addressing the inherent issues of on-camera audio, the DR-10SG will prove to be a valuable tool in your audio arsenal.

Custom designed, high-performance shotgun microphone:
An all-new shotgun capsule was designed by TASCAM for the DR-10SG. The super-cardioid pickup pattern picks up sound in the direction it is pointing, rejecting ambient noise and reverberation. The design of this microphone is purpose-built to capture your subject's voice from your camera, without noise from traffic, surf, echo, and other distractions.

Camera shoe attachment with shockmount for maximum mobility:
The DR-10SG's built-in shoe mount adapter attaches it directly to the camera while staying out of your way. Even when guerilla shooting or grabbing hand-held shots, the DR-10SG focuses on your subject for great-sounding results.

Four EQ presets to match the subject and setting:
The DR-10SG's built-in equalizer tailors the recording to sound best in your environment. It includes the following four presets:
NATURAL: Flat response for a natural-sounding recording.
STANDARD: Standard EQ for a video camera shotgun mic, adding clarity.
INTERVIEW: EQ optimized for voice recordings in interviews, conversations and similar scenes.
FIELD: Ideal EQ for recording sound effects and other background sounds.

High-quality audio that's simple to use:
The DR-10SG provides digital recording with the convenience of a camera accessory. Detailed electrical design includes rejection of power supply and camera noise in a compact design. Controlled listening tests during the design stage led to consisent improvements in the design, from the best shotgun capsule design to the need for high-performance capacitors in the power supply.

Shock mount mechanism and noise isolation arm reduce handling and lens operation noise:
A floating shock mount mechanism sits between the recorder and the shoe mount, reducing vibration and other noise transmitted from the camera body. Also included, a noise isolation arm moves the recorder away from the camera, lens, and other sources of noise. This is especially useful to reduce noise generated by autofocus motors.

Audio from the DR-10SG Camera Out jack can be recorded on the camera:
The DR-10SG has an output jack for DSLR and video cameras. Connecting this to the camera allows it to record a copy of the sound that the DR-10SG picked up. This allows the audio recorded on camera to be higher quality, and makes it simple to syncronize audio with the video in your editing software.
For compatibility with many cameras that come with different input sensitivities and levels, the DR-10SG has an output volume control to avoid distortion. A custom attenuation cable maximizes signal quality when a camera has just a mic-level input. The camera out jack doubles up as a headphone output.

Slate tone simplifies synchronization with video files:
A built-in generator produces slate tones providing convenient reference points for lining up video and audio files after recording. Slate tones are automatically produced when recording starts and stops. The volume of slate tones can be set to OFF, LOW or HIGH. By connecting the DR-10SG back to the camera with the included cable, the camera's video file also gets the slate tones. If you need perfect syncronization, zoom into your editing software and line up the sine waves.

Notes: The directional condenser microphones equipped on the TM-2X are the same mics used in our highly-regarded DR-series recorders. The X-Y pattern and two mic capsules are ideal for capturing a true representation of the sonic atmosphere, whether it's sound from a wide area or directly in front of the camera. As a result, the TM-2X records pristine sound that fits naturally with the recorded video.

We have consistently utilized our expertise in developing recording devices that focus on the design of the analog circuits behind the mic capsules. As a result, the TM-2X achieves a high performance rating and a frequency response of 50 Hz to 20 kHz. Furthermore, we designed the TM-2X with the capacity to handle high sound pressures up to 120 dB SPL to prevent distortion even in loud scenarios.

Setup is as simple as connecting the cord from the TM-2X to the camera's mic input jack allowing you to add high-quality audio to video. The output can be set to one of two levels to enable compatibility with a variety of cameras.

The floating support structure underneath the mics absorbs unwanted handling noise and sounds from cameras' mechanics.

When capturing video using changeable auto-focus lenses, the sounds produced from the lens itself can disrupt and interfere with recordings. In situations where this noise is a problem, you can reduce the interruptions by using the included noise isolation arm. The noise isolation arm physically increases the distance from the noise source to reduce its capture. The structure of the arm, including its length and height, was developed through extensive testing.

The unit includes an on-board low-cut filter to cut out low-frequency background noise. Depending on the video recording scenario, you can choose to turn this feature on or off (LOW CUT/FLAT).

When filming outdoors, even a slight breeze can enter the mic and cause wind noise. This unit comes with a furry windscreen that can physically prevent this noise from occurring. Wind noise can be reduced by simply covering the mic unit with this windscreen.