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The Knot: Complete Words For Music Collected Stories & Journals by Michael Gira (hardback edition)
Cat: 986320 Rel: 01 Mar 24
 
Journals, stories, and songs span the years 1981 to present; includes visual archives and artwork dating back to 1974
Notes: Michael Gira - The Knot: Complete Words for Music, Collected Stories and Journals

Hardcover 7 1/4 x 10 1/4 inches, 408 pages, includes 101 colour images printed on high quality photographic paper.

Journals, stories, and songs span the years 1981 to present. Includes visual archives and artwork dating back to 1974.

Hardcover Collector's edition of 3000 numbered copies, signed by M. Gira

"From the Preface to The Knot: This book contains the words to every song I've written worth collecting to date from all my musical projects throughout the years. I've left out various imbecilities and feckless half-starts. Also included in this book are several previously published short stories. They're taken from the collections The Consumer and The Egg, as well as a few other hand- made limited editions of stories. In a few cases I've included excerpts rather than the entire story. This was done for aesthetic purposes, with the overall feel of this current volume in mind. There are a great many journal entries in this book. For the most part they are also, emphatically fiction. They're from an ongoing journal, not a diary. My journals are where I often allow a disembodied, fictional 1st person narrator to take over and unspool imagined events, diatribes, impossible scenarios, psychic auto-cannibalisms, and corrosive or ecstatic dreams etc. Again, these are fiction. Certain things I've written about (in fiction and in song form) seem to exist beneath the surface (in myself and others) and I find them compelling to look at and to describe. I view this as a positive act. In acknowledgment of the constricting and microscopically judgmental and censorious times we live in, the usual authorial caveats apply here. Certainly there are many purely anecdotal journal entries included in this book as well, and my presumption is that an intelligent reader would be able to differentiate one from the other. Personally, I'm very suspicious of memory (especially my own), so I can't definitively vouch for the veracity of the recounting of the literal events herein either. I have also excised material that I felt too personal to include, out of respect for the people involved as well as for myself. There are several large gaps in the journal entries over the years. This is due to lost journals of the time, and in one case a lost laptop (which, painfully, contained a great deal of writing). There are also periods where I didn't keep a journal and didn't write fiction. In any event, I've tried to include fiction and journal entries that correspond roughly to the period before and after a musical album's release and the words that were written for that music. The end section of this book consists of recently unearthed visual documents and imagery and functions here as an incidental archive. The images span the years from 1974 to the present."

Michael Gira
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 1 in stock $78.17
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In Effect: Hardcore Fanzine Anthology by Chris Wynne
Cat: 924663 Rel: 17 Apr 23
 
Massive document collecting all 12 issues of In Effect Fanzine from 1988-1999.
Notes: Massive document collecting all 12 issues of In Effect Fanzine from 1988-1999. Extras include essays and context from Chris Wynne for every issue and a foreword by Brett Beach, along with new photos, flyers, etc. 722 pages total dedicated to this legendary NYHC fanzine.
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 1 in stock $73.95
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Crosstown Rebels: 20 Years Of Madness, Magic & Music by Joe Muggs
Cat: 952560 Rel: 06 Oct 23
 
The Crosstown Rebels story is told in a new 240 page book; 20 years of madness, magic and music
Notes: ""20 years ago, I dreamed a dream of creating a family of like-minded, crazy individuals from all corners of the planet. That dream was Crosstown Rebels. Over these years, I have forged beautiful friendships, discovered very talented artists and tried my best to help, advise and support some of the most colourful characters in dance music. It's been 20 years of madness, magic and music. Now it's been distilled into our own book to mark this milestone. I'm honestly surprised at how much I remembered!" - Damian Lazarus

For 20 years Crosstown Rebels has forged a path as one of the world's leading electronic music labels.

Established in 2003, Damian Lazarus' label manifesto has not changed. Discovering and nurturing new talent has always been the beating heart of the label, with a mission to soundtrack the future of the dancefloor and beyond. Introducing the world to the likes of Jamie Jones, Seth Troxler, Maceo Plex and Art Department was just the beginning. Today the roster is gloriously international, showcasing the truly global scene that Crosstown has shaped over the years.

Of course, there's the parties too. The early Slash & Burn and Rebel Rave parties paved the way for Damian to create two of the world's most cherished experiences, Get Lost and Day Zero, and in turn setting a benchmark for electronic music events worldwide.

Now the Crosstown Rebels story is told in a new 240 page book. 20 years of madness, magic and music. Starting right back before the beginning and taking us through to the present day, acclaimed electronic music writer Joe Muggs dives into the label's history, interviewing Damian at length and revealing Crosstown's story as never told before. The book brings together countless unseen photographs and artwork taken from the last two decades. It tells the story of how the dance underground battled and triumphed. This is a unique publication, not only for fans of Crosstown Rebels and Damian Lazarus, but also for anyone with an interest in independent label culture and the evolution of dance music over the last 20 years.

- Deluxe 240 page book
- Limited edition with only 400 copies on public sale
- De-bossed hardback cover, printed on FSC certified papers, with alternating paper stocks, book ribbon and G.F. Smith endpapers
- Foreword by Pete Tong MBE
- Comprehensive label discography
- Printed in the UK by PurePrint, the first CarbonNeutral printer in the world
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 1 in stock $54.74
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How Much Art Can You Take by SSD
Cat: 948465 Rel: 10 Jul 23
 
Over 170 images, many of which have never been seen before, plus first-hand commentary from SSD themeselves and their crew
Notes: "How Much Art Can You Take?" compiles over 170 images, many of which have never been seen before, plus first-hand commentary from the band and their crew, spread across 190 pages in a beautiful, 10" x 10" hardcover book.
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 3 in stock $49.47
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Dancehall: The Rise Of Jamaican Dancehall Culture by Beth Lesser & Soul Jazz Books (reissue)
Cat: 977690 Rel: 09 Nov 23
 
Deluxe flexibound 15th anniversary edition
Notes: New edition of Dancehall, Beth Lesser's seminal photography and style book capturing the rise of Jamaican Dancehall Culture in the 1980s. The book also features a new introduction by the British fashion designer and art curator Duro Olowu.

Featuring 100s and 100s of amazing photographs - all with accompanying text, interviews and biographies,'Dancehall' is an essential reference book for anyone interested in Reggae and captures a previously unseen era of musical culture, fashion and lifestyle in stunning, vibrant colour.

Aside from the music, this book is as much about Jamaican fashion and style. Beth Lesser's Dancehall photographs in this book have directly influenced fashion brands including Aime Leon Dore ('Kingston 1983' collection), recent Levi's Vintage and Farah collections.

Dancehall is a culture that encompasses music, fashion, drugs, guns, art, community, technology, and more. Born in the 1950s out of the neighbourhood soundsystems of Kingston, Dancehall grew to its height in the 1980s before a massive influx of drugs and guns made the scene too dangerous for many. Today Dancehall remains at the centre of Jamaican musical and cultural life. From its roots in Kingston in the 1950s to its heyday in the 1980s, Dancehall conquered the globe spreading to the USA, UK, Canada, Japan, Europe and beyond.

In the early 1980s Jamaica was in the throws of political and gang violence - photographer Beth Lesser ventured where few other dared and this book is a never-before-seen record of the exciting, dangerous and vibrant world of Dancehall.

Living in Jamaica in the late 70s and early 80s she photographed and documented a cultural explosion as producers, singers, DJs and soundsystems who all made a living out of the slums of Kingston. With unprecedented access to the incredibly vibrant music scene during this period, Beth Lesser's photographs are a unique way into a previously hidden part of Jamaican culture.
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 1 in stock $42.11
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Passion For Vinyl Part 3: Tales from The Groove by Robert Haagsma
Cat: 986421 Rel: 04 Jan 24
 
This book offers close to 30 interviews with a very diverse cast of characters; Passion for Vinyl shares the unique experience of making, buying, collecting, and enjoying vinyl
Notes: Passion For Vinyl - Tales From The Groove

It's quite amazing that in a world that has become increasingly digital and where 'stuff' has become invisible, vinyl has made such a spectacular comeback.

Yet it is very likely also one of the main reasons for its resurgence. People like to collect. The physical aspect of playing a record adds to the listening experience and creates memories
.
An album can take you back to an important time or place. And buying a new record is a great way of supporting a favorite artist and their label. That's also the reason why new generations of music lovers have embraced vinyl.

This new edition of Passion for Vinyl tells these stories. It's about the records that inspire people. The way they shaped their lives. How they sparked them to pick up an instrument, become a DJ, or start a label, pressing plant or YouTube channel.

Passion for Vinyl features exclusive interviews with Blue Note recording artist Gregory Porter, CEO of Linn Gilad Tiefenbrun, Bettina Richards of Thrill Jockey Records, YouTube personality Melinda Murphy, Beggars Group US president Nabil Ayers, Ben Blackwell of Third Man Records, Classic Album Sundays' Colleen 'Cosmo' Murphy, Liz Dunster of Erika Records, Robert Trujillo of Metallica, DJ, collector and label owner Gilles Peterson, Jenn D'Eugenio of Gold Rush Vinyl and Women in Vinyl, Bad Seed member Warren Ellis, Paulo Jr. of Sepultura, Chad Kassem of Acoustic Sounds, and many others.

This book offers close to 30 interviews with a very diverse cast of characters. They have in common a deep love of music.

Passion for Vinyl shares the unique experience of making, buying, collecting, and enjoying vinyl. Its purpose is to inspire.

Passion for Vinyl is written by the Dutch author, music journalist, audiophile, and vinyl collector Robert Haagsma.

Individually numbered, including a free 7inch single.

The single contains two exclusive tracks from Lovemonk's Gecko Turner and Munster Records' Los Saicos.

Written by: Robert Haagsma
Photography by: Tim Knol
Published by: Record Industry
Pages: 232 (case-bound, full colour print)
Weight: 1.1kg
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 1 in stock $39.74
The Knot: Complete Words For Music Collected Stories & Journals by Michael Gira (paperback edition)
Cat: 1005690 Rel: 01 Mar 24
 
Journals, stories, and songs span the years 1981 to present; includes visual archives and artwork dating back to 1974.
Notes: Michael Gira - The Knot: Complete Words for Music, Collected Stories and Journals

Paperback; 7 1/4 x 10 1/4 inches, 408 pages, includes 101 colour images printed on high quality photographic paper.

Paperback has bookplate signed by M Gira.

Journals, stories, and songs span the years 1981 to present. Includes visual archives and artwork dating back to 1974.

"From the Preface to The Knot: This book contains the words to every song I've written worth collecting to date from all my musical projects throughout the years. I've left out various imbecilities and feckless half-starts. Also included in this book are several previously published short stories. They're taken from the collections The Consumer and The Egg, as well as a few other hand- made limited editions of stories. In a few cases I've included excerpts rather than the entire story. This was done for aesthetic purposes, with the overall feel of this current volume in mind. There are a great many journal entries in this book. For the most part they are also, emphatically fiction. They're from an ongoing journal, not a diary. My journals are where I often allow a disembodied, fictional 1st person narrator to take over and unspool imagined events, diatribes, impossible scenarios, psychic auto-cannibalisms, and corrosive or ecstatic dreams etc. Again, these are fiction. Certain things I've written about (in fiction and in song form) seem to exist beneath the surface (in myself and others) and I find them compelling to look at and to describe. I view this as a positive act. In acknowledgment of the constricting and microscopically judgmental and censorious times we live in, the usual authorial caveats apply here. Certainly there are many purely anecdotal journal entries included in this book as well, and my presumption is that an intelligent reader would be able to differentiate one from the other. Personally, I'm very suspicious of memory (especially my own), so I can't definitively vouch for the veracity of the recounting of the literal events herein either. I have also excised material that I felt too personal to include, out of respect for the people involved as well as for myself. There are several large gaps in the journal entries over the years. This is due to lost journals of the time, and in one case a lost laptop (which, painfully, contained a great deal of writing). There are also periods where I didn't keep a journal and didn't write fiction. In any event, I've tried to include fiction and journal entries that correspond roughly to the period before and after a musical album's release and the words that were written for that music. The end section of this book consists of recently unearthed visual documents and imagery and functions here as an incidental archive. The images span the years from 1974 to the present."

Michael Gira
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 4 in stock $35.27
Needles & Plastic: Flying Nun Records 1981-1988 by Matthew Goody
Cat: 929631 Rel: 10 May 23
 
Needles and Plastic tells the inside story of one of New Zealand - and the world's - great independent music labels.
Notes: "With his gratifying archive, Matt Goody details one of the most successful eras in the history of rock music - Flying Nun Records, formed in 1981 by Roger Shepherd in a Christchurch record shop. Shepherd and his brilliant cohorts served up the legendary output of not only kingpins like The Clean, The Chills and Tall Dwarfs, but also captured the best from favourites of mine like Able Tasmans, Bird Nest Roys, Look Blue Go Purple and The Verlaines. Goody provides the most comprehensive presentation yet of Flying Nun's rise from Shepherd's notepad to international underground rock sovereignty - and a vital part of one nation's collective art history." - Bob Nastanovich, Pavement

In this remarkable tale of creativity and chaos, do-it-yourself innovation and extraordinary attempts at world domination, Needles and Plastic tells the inside story of one of New Zealand - and the world's - great independent music labels. Hundreds of full color & black and white photos illustrate the story! Founded in 1981 by Roger Shepherd in Christchurch, New Zealand, Flying Nun Records unleashed an extraordinary wave of music that had an impact around the world. Needles and Plastic is the first comprehensive history of the early years of the label and its bands covering the critical period from 1981-1988 when many of the most influential and critically acclaimed artists emerged on Flying Nun, bands like - from The Clean, The Chills, The Verlaines, Straitjacket Fits and Bailter Space. The influence of the obscure label became apparent in the 1990s, when big-time indie acts like Pavement, Cat Power or Yo La Tengo started covering Flying Nun bands.

In entries on over 140 records from The Clean's 'Tally Ho!' 7" in 1981 to The Verlaines Bird-Dog LP in 1988, Matthew Goody tells the story through the records themselves. His book draws on years of in-depth research to reveal the stories of the bands, the recordings, the songs, and the audience, with a host of significant characters contributing along the way - Shepherd, Chris Knox, Doug Hood, Hamish Kilgour and many more. In this remarkable tale of creativity and chaos, do-it-yourself innovation and extraordinary attempts at world domination, Needles and Plastic tells the inside story of one the world's great independent music labels.
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 1 in stock $33.39
The New York Hardcore Chronicles Vol 2 (1990-1999) by Drew Stone
Cat: 980434 Rel: 08 Dec 23
 
The uncensored oral history of the "Silver age" of the NYHC scene as told thru the flyers of the era, with over 200 exclusive interviews, never-before-seen photos, and ephemera.
Notes: The uncensored oral history of the "Silver age" of the NYHC scene as told thru the flyers of the era, with over 200 exclusive interviews, never-before-seen photos, and ephemera. Told by the bands, fans, 'zinesters, promoters, photographers, graffiti artists, thugs, slugs, and troublemakers that made it happen.

Includes interviews with Evan Seinfeld (Biohazard), Roger Miret (Agnostic Front), Lou Koller (Sick Of It All), J.J. Janick (Discharge), Joey Z (Life Of Agony), and many, many more.

Hand-numbered out of 1,000 copies and signed by the author.
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 1 in stock $33.16
Public Disturbance by Teppei Miki
Cat: 981461 Rel: 22 Feb 24
 
A bunch of helter-skelter shots of underground punk/hardcore
Notes: Teppei Miki Photobook "Public Disturbance"

A bunch of helter-skelter shots of underground punk/hardcore!

Teppei Miki, a photographer who has been photographing punk/hardcore bands in Tokyo, has published his first photo book "Public Disturbance"!

A5 size, 248 pages.

Bands appeared in the photobook include:

Gauze / Black And White / Doraid / Firestarter / Framtid / G.a.t.e.s / Nightmare / Skizophrenia / Slight Slappers / The Last Survivors / Accidente / Annihilation Time / Hank Wood And The Hammerheads / Haram / Krimewatch / L.o.t.i.o.n. / Mdc / Screaming Mad George / Sheer Mag / The Vertigos / And More.
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 1 in stock $32.11
American Hardcore: A Tribal History by Steven Blush (second edition)
Cat: 924650 Rel: 12 Apr 23
 
This "definitive work on one of rock's most important eras" (Juxtapoz) has over 100 new pieces of artwork, hundreds of new band bios and a radically expanded discography.
Notes: The second edition of the "definitive work on one of rock's most important eras" (Juxtapoz) has over 100 new pieces of artwork, hundreds of new band bios and a radically expanded discography. The first edition, which became the Sony Classics-released documentary of the same name, was 328 pages; the new edition clocks in at 408 pages.
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 1 in stock $31.57
Rhizomes by Aho Ssan
Cat: 970445 Rel: 26 Jan 24
 
160-page book containing 13 QR codes to download Rhizomes
Notes: 160 Pages Book (Boodk/Auduio Combination sold as "Merch Item"), containing 13 QR codes to download 13 songs.

Aho Ssan debuts on Other People with second solo album and book 'Rhizomes' featuring Nicolas Jaar, Moor Mother, Angel Bat Dawid, clipping., Blackhaine and more.

Paris based composer Aho Ssan, the artist moniker of Niamke Desire, presents his new full-length 'Rhizomes' on the Other People label following his debut LP 'Simulacrum' (2020) and collaborative record 'Limen' (2022) with fellow musician KMRU.

'Rhizomes' draws inspiration from a concept coined and developed between Gilles Deleuze and Felix Guatarri. The idea of an ever evolving structural model, constantly in motion and spreading out in all directions at once. It has no beginning and no end, but always remains in a middle, through which it grows and overflows.

"The root thought is the one that kills everything around itself while the rhizome is the root that stretches out to meet other roots," Desire explains considering the works of French writer Edouard Glissant who addresses questions of identity, crossbreeding of cultures and its evolution.

Much like the name it borrows, Aho Ssan's 'Rhizomes' is a multimedia project that embarks on a myriad of disparate, unique musical and artistic partnerships. This piece adapts this concept to explore the influence of sound materials on creation, the appropriation of a sound object, and the collaborative nature of a composition that responds to modernity.

"Rhizome represents an underground stem system that fosters connections between various organisms and allows them to flourish collectively. It's an album that celebrates collaboration and brings together a diverse group of talented artists," Desire continues.

Aho Ssan collaborated with a comprehensive cast of artists to create a musical rhizome including Nyokabi Kariuki, Josefa Ntjam, Blackhaine, Nicolas Jaar, Resina, R?n C?p ?uoi, Richie Culver, clipping., Lafawndah, 9T Antiope, James Ginzburg, Exzald S, Valentina Magaletti, Moor Mother, Angel Bat Dawid and Mondkopf. Cooperation and community are at the root of this project and the lens through which all the compositions can be understood through.

Aho Ssan will present 'Rhizomes' AV show together with visual artist Sevi Iko Domochevsky at Berlin Atonal 2023. 'Rhizomes' received a Honorary Mention at Prix Ars Electronica 2023 Digital Music

In conjunction with the album, 'Rhizomes' comes complete with a set of illustrations by Kim Grano in a book release. The drawings become a hybrid language, each an emotional response to the musical half. The book contains an extended version of the album with 3 additional songs and 2 longer versions of the album songs. It also includes a sample pack by Aho Ssan and a collection of solo tracks by Elliot Blaise, KMRU, Lamin Fofana, Brodinski & Se?bastien Forrester, Valence Drake, 9T Antiope, Exzald S and Valentina Magaletti. The extended version package is only accessible through the QR codes in the book.
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 1 in stock $31.57
Silence Is No Reaction: Forty Years Of Subhumans by Ian Glasper
Cat: 941089 Rel: 18 May 23
 
For the first time ever, the whole story of the Subhumans straight from the recollections of every single band member, past and present, and a dizzying array of their closest friends and peers, with not a single stone left unturned.
Notes: Formed in Wiltshire, England, in 1980, the Subhumans are rightly held in high regard as one of the best punk rock bands to ever hail from the UK.

Over the course of five timeless studio albums and just as many classic EPs, not to mention well over 1,000 gigs around the world, they have blended serious anarcho punk with a demented sense of humour and genuinely memorable tunes to create something quite unique and utterly compelling. For the first time ever, their whole story is told, straight from the recollections of every band member past and present, as well as a dizzying array of their closest friends and peers, with not a single stone left unturned. Bolstered with hundreds of flyers and exclusive photos, it's the definitive account of the much-loved band.

Praise

"It's all here: the genesis of the band, the practising, the song-writing, the recordings, the gigs, the original split and the reformation ... in fact everything you could possibly want to know about this very special band."
Tony Whatley of Suspect Device

"Ian Glasper captures the emotion and excitement surrounding one of the most enduring punk bands on the planet. With an extensiveisome might say forensicinarrative, this book really gets under the skin of a perennial favourite who have rarely put a foot wrong."
Nathan Haywire, Louder Than War

"Subhumans have integrity in spades, and you can't buy that. They were important then and are important now."
Sean Forbes of Wat Tyler and Hard Skin

"Subhumans are special both on and off stage. It's the passion that's evident onstage, with those beautifully constructed lyrics spat out with every breathiand that charged energy they generate, that sweeps through the crowd and leaves us feeling changed."
Ruth Elias of Hagar The Womb

"They're one of my favourite bands in the world, but a band is only as good as the people in it ... and the Subhumans are the real deal."
Stu Pid of Police Bastard

"Their songs seem to exist out of time, somehow always relevant. And they've stuck to their gunsithere's this stubborn defiance in the face of fashion, and a glorious, unaffected honesty."
iWinston Smith

"They are the ultimate punk band, with the most genuine, inclusive, informative, approachable attitude, and such amazing music ... tight and edgy as fuck, and so professionalia joy to watch."
Peter Jones of Paranoid Visions

About the Author

Ian Glasper has been writing about punk since 1986, when he first started his own fanzine, Little Things Please Little Minds. Then in the early Nineties he started writing reviews for Record Collector, and a hardcore punk column for Terrorizer, the extreme music magazine that he contributed to for the next twenty years. He is the author of six other books including Burning Britain and The Day the Country Died. A father of two, and a lifelong vegetarian/vegan, he writes for Down for Life and Fistful of Metal, as well as regularly penning liner notes for retrospective punk and metal releases. He is tentatively working on the next book in his ongoing overview of the UK punk scene.
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 2 in stock $28.16
After Math (Art Mystery: Part II) by Mayo Thompson
Cat: 959733 Rel: 07 Sep 23
 
After Math is part 2 of Mayo Thompson's first published work of fiction since the nineteen-sixties, of which Art, Mystery is part 1. He is best known for his work with the psychedelic band, The Red Krayola.
Notes: If we are somewhat over-inundated with rock biographies right now, then you can trust The Red Krayola's Mayo Thompson to come up with something different. The second part of his 'After Math' series sees us catch up with a plot to smuggle a small erotic bronze out of Tirana and the subsequent plot twists and red herrings are as unexpected and bewildering as any The Red Krayloa recording.
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 1 in stock $27.36
Eat 19 by Robert Pollard
Cat: 982337 Rel: 28 Nov 23
 
240 page full color journal of Robert Pollard's gorgeous collage art
Notes: Eat Volume 19

240 page full color journal of Robert Pollard's gorgeous collage art.
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 1 in stock $26.31
Lost In Room: Mark Perry Alternative TV & Related 1977 - 1981 by Richard Johnson
Cat: 980445 Rel: 19 Dec 23
 
Lost in Room is the first book to explore the early years of Mark Perry's having become one of the most interesting and honest voices to have arrived from the cultural shift of the late 1970s
Notes: "That's my argument against the way punks become so cabaret. It's almost patronising [when bands play all their hits]. Oh, we'd better play 'How Much Longer' because people want that. To me, that's just patronising to the audience. I'd like to feel, and I always have done, that an Alternative TV audience wants us to experiment or to try new things out through that sense of exploration, or that childlike sense of wonder about making music.

That's why I've always wanted to retain that. I haven't always got it right, but that continuing journey to explore new areas of expression has got value, and that's why I think it's worth proceeding in that way. I'm doing that with the new band. I'm trying to instil that with them. This is what ATV is about."

"People have suggested to me that touring with The Pop Group must have been so arty and that we must have all been talking about Kafka at night. Bollocks were we! We were out of our minds most nights on fucking booze!" "I was really full of myself. I thought back then that I've got something to say and must be listened to. You only need to hear some of my stuff to know I was like that at the time, like on 'Alternatives', when I was having a go at people and telling them what to do and all that. Looking back, it's a bit embarrassing, but at the time it was sort of vital. Some people liked that and liked joining in.

So, 'Fellow Sufferer' was part of that. I did feel that because I was saying stuff and was playing music [away from] that punk template I was putting my reputation on the line. You know, [my being the] Sniffin' Glue editor and all that. I was going into what I thought was new ground and, let's face it, a lot of people didn't like it, and because of the way I was that spurred me on to make it even more extreme.

So, when we got on to the Vibing Up the Senile Man material, I decided quite early on that we didn't want to have a drummer and wanted to get back to making a space by getting rid of all the rhythm. I just thought if we get rid of all the rhythm it'll be more experimental [because] we wouldn't be tied to a strict beat. That's why there are no drums, really, on the Vibing Up the Senile Man songs. I played drums on the second Peel session, because we'd got rid of Chris Bennett, though. We'd chucked him out the band."

Mark Perry is a familiar name from the early punk scene in London due to his having published Sniffin' Glue fanzine between July 1976 and August 1977. As he became increasingly disillusioned with punk, however, he at least still remained driven by its impetus and started his group, Alternative TV. With their first release, 'Love Lies Limp', issued as a 7" flexi single with Sniffin' Glue 12, itself the final edition of the fanzine, it was clear that Alternative TV were not going to readily sit comfortably alongside the countless hordes of identikit punk groups forming around the same time.

Sharper yet wrought with frustration, Mark Perry took the group through a more personal space that pre-empted what a short while later became known as post-punk. Whilst sometimes charged with the same energy and anger, the music was more opened out and embraced all manner of different and often disparate areas, from reggae to industrial, improvisation and even brazen pop. Offset by subject matter that likewise often smashed down those borders of expectation, Mark always took his music wherever he felt it should go.

Not given to compromise or always taking the easiest route, even when sometimes handed to him, his approach to songwriting or making records has rarely strayed from an artistic vision which sets him apart from his contemporaries. Lost in Room focusses on the first four years of his musical path, beginning with 'Love Lies Limp' and ending as the first version of the group collapsed soon after 1981's Strange Kicks album and Mark's joining The Reflections.

Along the way are tours with Chelsea, Here & Now and The Pop Group, a huge love of Frank Zappa, a meeting of minds with the late Genesis P-Orridge, the running of Step-Forward Records and working for Miles Copeland's Faulty Products network of labels, plenty of anecdotes about the world he was embroiled in, and the story behind the records themselves.

Broken into two main parts, one concerning the historical development of Alternative TV and Mark's occasional releases outside the group, and the other dedicated to the ideas that informed many of the songs themselves, this book is centred around a conversational approach to a series of weekly interviews conducted via Zoom with Mark between late 2021 and summer 2022.

Deliberately retaining the organic nature of the conversations, replete with tangents that sometimes refer to later work or creep elsewhere completely, Lost in Room is the first book to explore the early years of Mark Perry's having become one of the most interesting and honest voices to have arrived from the cultural shift of the late 1970s.
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 1 in stock $26.06
Nomeansno: From Obscurity To Oblivion: An Oral History
Cat: 1003434 Rel: 18 Mar 24
 
The fully authorized oral and visual history of this highly influential and enigmatic band which has never been told before now.
Notes: They were unlike any other band in the punk scene they called home. NoMeansNo started in the basement of the family home of brothers Rob and John Wright in 1979. For the next three decades, they would add and then replace a guitar player, sign a record deal with Alternative Tentacles and tour the world. All along the way, they kept their integrity, saying "NO" to many mainstream opportunities. It was for this reason the band (intentionally) never became a household name, but earned the respect and love of thousands of fans around the world, including some who became big rock stars themselves. They were expertly skilled musicians playing a new kind of punk: intelligent, soulful, hilarious, and complex. They were also really nice Canadian dudes.

NoMeansNo: From Obscurity to Oblivion is the fully authorized oral and visual history of this highly influential and enigmatic band which has never been told before now. Author Jason Lamb obtained exclusive access to all four former members and interviewed hundreds of people in their orbit, from managers and roadies to fellow musicians, friends, and family members. The result is their complete story, from the band's inception in 1979 to their retirement in 2016, along with hundreds of photos, posters, and memorabilia, much of which has never been seen publicly before.

For established fans, this book serves as a "love letter" to their favourite group and provides many details previously unknown. For those curious about the story and influence of NoMeansNo, it reveals an eye-opening tale of how a punk band could be world class musicians while truly "doing it themselves." Their impact and importance cannot be overstated, and NoMeansNo: From Obscurity to Oblivion is the essential archive.

Book details:

Author: Jason Lamb with Paul Prescott o Foreword by Fred Armisen o Afterword by W. Buzz Ryan
Publisher: PM Press
Published: January 2024
Format: Paperback
Size: 8 x 10
Pages: 336
Subjects: Music / Punk

Praise

"With From Obscurity to Oblivion, Jason has documented every part big and small associated with the story of NomeansNo, isolating them into a book filled with an explosion of posters, clippings, and interviews. Yes, what he has created is worthy of a run on sentence! This is it! The definitive tome! From Obscurity to Oblivion has so many sub plots and stories I don't know how Jason edited it! A fascinating read and look (did I mention all the tidbits and pictures?) into the legendary Victoria, BC band."

-Nardwuar The Human Serviette

"Out of the blue, NoMeansNo showed up in San Francisco. Playing to a tiny crowd at a tiny dive bar. Blew the roof off several buildings in a matter of minutes. The drums and the bass were so tight and so intense, it was almost like they were one person. Could they be brothers? Ruth Schwartz of Mordam and I smiled warily at each other, thinking, 'Ok, which one of us gets this one...?' And that wonderful era we will always treasure began..."

-Jello Biafra

"I don't understand how the hell all these punks remember everything that made them the legends they are, but after reading NoMeansNo: From Obscurity to Oblivion, I'm grateful they do! The often forgotten third point of the Canadian trifecta (Rush, Voivod, and NoMeansNo), this incredibly thorough oral history is a necessary read for any punk."

-Shawna Potter, singer for War On Women, author of Making Spaces Safer A Guide to Giving Harassment the Boot Wherever You Work, Play, and Gather

"NoMeansNo mashed all the best in hard rock, metal, punk, and the art of politics in throughout their eleven albums, and Jason Lamb's book is just as important to the understanding of Canadian music and the band's astonishing place in it. We might not have the band around anymore, but this book will make you wish they were."

-Eric Alper, ThatEricAlper.com

"Jason Lamb has birthed into the world a stunning work of punk rock scholarship. Mirroring the complexity of the NoMeansNo story and the array of bands Rob and John inspired and influenced, there could be no other way to present the tale other than oral history. It reads like a panoramic-but at each stop, reverent-a celebration of this Canadian progressive punk treasure, and one feels the love with every speaker. But Lamb also interjects with necessary action points just to make sure we understand the near indescribable. Along the way as well, elucidating pictures help tell the story. The end effect is saga told in granular detail, yet made swiftly readable due to the format."

-Martin Popoff, author of The Clash: All the Albums, All the Songs and Ramones at 40

"If you've never heard NoMeansNo, shame on you. If you have, then you're in the know. Either way, they're one of the most important underground bands of all-time, and this book is for you."

-Sam Dunn, Banger Films

"Consider this book THEE definitive history of one of Canada's all-time greatest bands. A must-read for music fans, musicians, and punks the world over. NoMeansNo and author Jason Lamb shows you how to GET IT DONE."

-Grant Lawrence, CBC Music and bestselling author of Dirty Windshields

"NoMeansNo were, in fact, the greatest punk rock group that ever existed; of that I am absolutely sure. In this snappy, fabulously readable oral history, writer Jason Lamb has done an admirable job in tracking down all of the main players plus a gratifying array of musicians from bands such as Fugazi, Soundgarden, Faith No More, Foo Fighters, and Black Flag, who turn out to be staunch fans. Their incredible back catalogue is just waiting to be discovered by a younger audience and hopefully this book will be picked up by young souls who will be inspired to do something unique and audacious themselves. Probably the greatest gift NoMeansNo have left us fans is the idea that we have to work it out for ourselves; to do it for ourselves."

-John Doran, the Quietus UK

About the Contributors

Jason Lamb was born and raised in Victoria, BC Canada. After pursuing a career in stand-up comedy in Vancouver for fourteen years, he went back to school for broadcast journalism and moved back to his hometown of Victoria in 2008. Since then, Jason has been one half of the morning show at The Zone @ 91-3. He also produces and hosts "The Punk Show on The Zone," a weekly uncensored and commercial-free showcase of punk rock new and old, local and otherwise. It was on this show where he first interviewed members of his favourite band, NoMeansNo. That connection helped convince the band to allow Jason access to their incredible story. When not on the radio or doing stand-up, Jason enjoys full contact snooker and writing flattering biographies of himself.

Paul Prescott is a retired engineer from Maine who currently lives in Belize. He has been a NoMeansNo fan since the mid 80s.

Fred Armisen is one of the great comedians of this generation. A cast member on Saturday Night Live, Fred went on to create the hilarious Portlandia series with Carrie Brownstein (Sleater-Kinney). He has appeared in dozens of movies and television shows over the past two decades. Before his career in comedy and acting, Fred was the drummer of Chicago band Trenchmouth. His band opened for NoMeansNo in Texas in the mid 1990s. Fred is a very big fan of NMN.

W. Buzz Ryan is a fictional character who is actually the writing of NoMeansNo guitarist Tom Holliston. W. Buzz provided satirical and strange essays that served as liner notes on many NMN albums, as well as press releases and radio spots. He is a beloved and misunderstood member of the NoMeansNo universe.
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 1 in stock $24.76
Kirk Brandon: Confessions Lyrics & Nostalgia by Iman Kakai-Lazell
Cat: 878695 Rel: 07 Mar 24
 
The 5th book in a series of custom made, books by Persian artist, Iman Kakai-Lazell - featuring icons of Arts & Entertainment in a way never-before seen
Notes: This is the 5th in a series of custom made, books by Persian artist, Iman Kakai-Lazell - featuring icons of Arts & Entertainment in a way never-before seen.

Working closely with each artists, the books feature, collages, never seen before photos, manipulated with original lyrics & confessions.

Each release is extremely limited and will never be repressed.

From the author:

"In these series of confessions, lines and lyrics desires come through in a form of dreams, events and more. The individual is able to express themselves in a way they haven't been able to. And more importantly for me to add my interpretation to each piece. I hope you love reading these as much as I have creating them... No 4. I present... Kirk Brandon"

Kirk Brandon started his music career in 1978, in Clapham, London with the formation of punk group The Pack.

The Pack consisted of Brandon, Scottish-born drummer Rab Fae Beith, Simon and Jon Werner on guitars.

Brandon then formed post punk/new wave band Theatre of Hate in 1980 recruiting Stan Stammers on Bass, Nigel Preston on Drums & Billy Duffy on Guitar and John 'Boy' Lennard on sax. Theatre of Hate disbanded in 1983. Brandon and Stammers were then joined by Lascelles James on saxophone and Chris Bell on drums to form Spear of Destiny. The new band adopted a more melodic and less aggressive sound, distancing themselves from post-punk and moving a little more towards mainstream pop. While continuing to explore the political ideas that he wrote about in Theatre of Hate, Brandon's lyrics for Spear of Destiny dealt more frequently with the classic pop themes of love and romance.

In 2003, Brandon did a solo tour as support to The Alarm on their 'Poppyfields' tour.

In later years he performed in the punk supergroup Dead Men Walking, with an ever-changing line up which has featured - Dave Ruffy (The Ruts), Billy Duffy (The Cult), Mike Peters (The Alarm) Captin Sensible ( The Damned), Pete Whylie (Wah), Glen Matlock (Sex Pistols), Mick Jones & Topper Headon (The Clash) Duff McKagan (Guns & Runs) Lemmy (Motorhead), Mike Scott (The Waterboys), Ian McNabb (The Icicle Works) & Roddy Frame ( Aztec Camera), amongst many others.

Brandon has also reformed Spear Of Destiny in 2007 and 2008. Brandon continues to tour with both Spear of Destiny and Theatre of Hate, as well as a revamped Dead Men Walking, and solo acoustic shows.

Iman Kakai-Lazell was born in Iran and moved to London, England at an early age. She studied at Chelsea College of Arts, specialising in Public Art.

Iman has had many exhibitions in New York & London, with a yearly solo residence at The Baltic in Borough - 2010-2016. She now resides in Arnside, Cumbria.
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 1 in stock $23.69
Beyond Heaven III: Chicago House Party Flyers Volume III: From 1983-1992 by Brandon Johnson
Cat: 981870 Rel: 28 Nov 23
 
A number of rare and important flyers ranging from parties at the Muzic Box, Medusa’s, Sauer’s, and the Rainbo
Notes: Introducing the third and final volume of the trilogy, Beyond Heaven: Volume III. This book reflects a more recent expansion of Mario "Liv It Up" Luna's collection of Chicago house music flyers (a.k.a. pluggers), ranging from the years 1983 to 1992. The selection includes a number of rare and important flyers ranging from parties at the Muzic Box, Medusa's, Sauer's, and the Rainbo with heavy hitters like Ron Hardy, Frankie Knuckles, Mr Fingers, Marshall Jefferson, Steve "Silk" Hurley, Jesse Saunders, Lil Louis, Chip E and various combinations of the WBMX Hot Mix 5, to Luna's own scene of Latino party crews, dance groups, and DJs across the Southside. Sharing the same format as the two previous, this volume once again brings you straight to the source for the who/what/when/where and visual aesthetics of the time when house music was born and took over Chicago!

Published by Almighty & Insane, 96 pgs, 14 × 21 cm, softcover, 2022
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 3 in stock $22.10
A Darker Electricity: The Origins Of The Spiral Tribe Soundsystem by Mark Angelo Harrison
Cat: 970476 Rel: 17 Oct 23
 
Written by Spiral Tribe’s co-founder and visual artist, Mark Angelo Harrison, A Darker Electricity charts the infamous sound system’s nomadic journey and the rapid escalation of their popularity - and notoriety.
Notes: Written by Spiral Tribe's co-founder and visual artist, Mark Angelo Harrison, A Darker Electricity charts the infamous sound system's nomadic journey and the rapid escalation of their popularity - and notoriety.

From small squat-scene parties in early 90s London to enormous warehouse raves and free festivals. The undercover police operation against them. The record deal with Youth. The creation of their community recording studio. The government stitch-up and their prosecution. The escape to Europe and the start of the teknival scene.
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 1 in stock $20.79
Subcontinental Synthesis: Electronic Music At The National Institute Of Design India 1969-1972 by Paul Purgas
Cat: 988143 Rel: 21 Dec 23
 
The history of India’s first electronic music studio founded in 1969 at the National Institute of Design in Ahmedabad by David Tudor.
Notes: The history of India's first electronic music studio founded in 1969 at the National Institute of Design in Ahmedabad by David Tudor.

A book companion to the compilation album The NID Tapes: Electronic Music in India 1969-1972 released by State51.

Subcontinental Synthesis explores the history of India's first electronic music studio, founded in 1969 at the National Institute of Design in Ahmedabad with the support of the composer David Tudor. The essays and writings unravel the narrative and context surrounding the studio as well as the work of the Indian composers who created groundbreaking recordings during its four years of activity.

The texts reflect on the role of electronic music within a post-independence India, considering its interconnections with experimental design, radical pedagogies, and the international avant-garde, as well as the encircling conditions of Western ideological soft power within the global expansion of Modernism.

Contributors:

Geeta Dayal, Alannah Chance, Matt Williams, Shilpa Das, Jinraj Joshipura, You Nakai, Rahila Haque, and Paul Purgas. Foreword by Budhaditya Chattopadhyay
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 1 in stock $20.71
The Story Of Crass by George Berger
Cat: 944965 Rel: 19 May 23
 
The whole Crass story, giving access to many never-before seen photos and interviews.
Notes: Crass was the anarcho-punk face of a revolutionary movement founded by radical thinkers and artists Penny Rimbaud, Gee Vaucher, and Steve Ignorant. When punk ruled the waves, Crass waived the rules and took it further, putting out their own records, films, and magazines and setting up a series of situationist pranks that were dutifully covered by the world's press. Not just another iconoclastic band, Crass was a musical, social, and political phenomenon.

Commune dwellers who were rarely photographed and remained contemptuous of conventional pop stardom; their members explored and finally exhausted the possibilities of punk-led anarchy. They have at last collaborated on telling the whole Crass story, giving access to many never-before-seen photos and interviews.

Praise:

"Lucid in recounting their dealings with freaks, coppers, and punks the band's voices predominate, and that's for the best."
The Guardian UK

"Thoroughly researched...chockful of fascinating revelations...it is, surprisingly, the first real history of the pioneers of anarcho-punk."
Classic Rock

"They (Crass) sowed the ground for the return of serious anarchism in the early eighties."
Jon Savage, England's Dreaming

About the Author:

George Berger has written for Sounds, Melody Maker and Amnesty International amongst others. His previous book was a biography of the Levellers: State Education/No University.

Author: George Berger
Publisher: PM Press
Published: 9/2009
Format: Paperback
Page count: 304
Size: 6 x 9
Subjects: Punk Rock, Anarchism
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 1 in stock $16.93
Let The Music Play: How R&B Fell In Love With 80s Synths by Steven Vass
Cat: 991983 Rel: 23 Jan 24
 
Let the Music Play: How R&B Fell in Love with 80s Synths is the overlooked story of how R&B, disco and funk were transformed by the explosion of music tech in the era of ghetto blasters and Ronald Reagan
Notes: Let the Music Play: How R&B Fell in Love with 80s Synths is the overlooked story of how R&B, disco and funk were transformed by the explosion of music tech in the era of ghetto blasters and Ronald Reagan. It traces how pioneers like Stevie Wonder and Herbie Hancock inspired a new generation of black musicians and producers to reinvent music with a whole new set of rules.

From superstars like Prince and Sade to production geniuses like Kashif and Jam & Lewis, it tells the fascinating stories of the artists involved and how they made some of the best-loved records of the era - creating a blueprint for music today.
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 1 in stock $15.78
Dub Me Crazy 2024 Calendar by Ariwa & Mad Professor
Cat: 987321 Rel: 18 Dec 23
 
The iconic 12 part Dub Me Crazy series, available in calendar format
Notes: Dub Me Crazy (Mad Professor)

2024 Calendar

The iconic 12 part Dub Me Crazy series is available in calendar format.

Get your monthly dose of dub!
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 3 in stock $15.53
Northern Soul 1993-1996 by Elaine Constantine
Cat: 987224 Rel: 13 Feb 24
 
36-page staple bound book
Notes: "It was Saturday night, the year was 1993, and I had recently moved to London to try to push my photography career along when I went down to the 100 club where they play rare American 60's and 70's soul music.

I had been on that scene up until a few years before and was curious to see where it had gone in the meantime, so I took my camera along with me. Going down those stairs into that dark basement, seeing those shadowy figures moving energetically in sync with each other made me hesitant.

The scene had gone further underground, the crowd older, little new blood, the records more obscure and the attitude on the dancefloor was as fierce as ever. Could I really take pictures in this place? As I suspected, the blast from my first flash altered the atmosphere. I braved it to shoot a few more from different angles but things felt worse with each blinding shot.

The relief I felt when I heard the familiar opening bars of 'This Won't Change' by Lester Tipton. A fast, raw, jerky, but tender sound. I pushed the camera bag under a chair and got lost in the shadows until morning.

I very soon became a regular again, travelling to different venues around the country but I'd often wait till morning when the lights came on before taking any pictures. Mostly though I went to dance and enjoy the music with friends, leaving my camera at home."

Elaine Constantine 2023

Pictures were taken in varied venues including the Manchester's Ritz, London's 100 club and in a lad called Steve's kitchen, plus other places too numerous to remember.

36 pages
Printed in England
Staple bound
14cm x 20cm
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 1 in stock $11.57
Hip Hop Years The B Sides: 1982-2020 by Janette Beckman
Cat: 987226 Rel: 09 Jan 24
 
36-page staple bound book
Notes: The follow-up to Janette Beckman's, Hip Hop Years New York 1982-1992.

British-born photographer Janette Beckman began her career at the dawn of punk rock working for music magazines The Face and Melody Maker. She shot bands including the Clash, the Specials, Boy George and the Jam as well as three Police album covers.

Drawn to the underground hip-hop scene, she moved to NYC in 1983 and photographed pioneers such as Run DMC, Slick Rick, Salt-N-Pepa, Grand Master Flash, LL Cool J and more.

Beckman has published four books : 'Made in the UK, Music of Attitude 1977-1982', 'The Breaks Stylin' and Profilin'1982-1990' 'El Hoyo Maravilla' and in 2018 'The MashUp' a collection of her Hip Hop photographs reinterpreted by legendary graffiti artists.

Her work has been exhibited in galleries worldwide and is in the permanent collections of the Smithsonian National Museum of African American History and Culture, the Museum of the City of New York, Marseille Musee des Civilisations de l'Europe, and the Tokyo Nakamura Keith Haring Collection

She lives and works in New York, clients include Levi's and Dior.

36 pages
Printed in England
Staple bound
14cm x 20cm
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 1 in stock $11.05
The Icon Catalogue: Jungle Vol 1 by Southside Circulars
Cat: 944894 Rel: 26 May 23
 
The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep.
Notes: The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene's foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.
Jungle Volume 1 features the likes of Dread, Legend, Moving Shadow, Rugged Vinyl, White House and many more.


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 2 in stock $7.37
The Icon Catalogue: UK Garage Vol 1 by Southside Circulars
Cat: 944895 Rel: 26 May 23
 
The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep.
Notes: UK Garage Volume 1 features the likes of Casa Trax, Groove Yard, Locked On, Social Circles, Swing City and many more.
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 2 in stock $7.37
The Icon Catalogue: Drum & Bass Vol 1 by Southside Circulars
Cat: 969627 Rel: 29 Sep 23
 
The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep.
Notes: The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Drum & Bass, Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene's foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Chris Dexta & Alex Immerse
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 1 in stock $7.37
Kurayami
Kurayami (book)
Cat: 953306
Notes: About the photographer:

Yamamoto Masao started to photograph when he was 16 years old. He also studied painting but later chose gelatin silver print as his media. His first gallery show in the U.S. was in 1994 in San Francisco. In 1996 he had a solo exhibition at Yancey Richardson Gallery in New York. His works have been shown in Europe since 2006. Besides Japan, U.S.A., and Europe, his museum and gallery exhibitions were held in Moscow and Sao Paulo. Media coverage includes NY Times and other major art magazines.

Yamamoto lives in Yatsugatake Nanroku,Yamanashi Prefecture where he enjoys creating his work while being close to nature.

Fine Art Book, Ltd. to 2000 copies:

Hardcover book printed on Symbol Tatami White Smooth 135g/m2 // 96 pages (including 6 metallic/silver pages), 26cm x 25cm, 56 photos // Logo, slot and circle embossed // Hand-numbered, hand-stamped
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 1 in stock $0.00
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