Back in stock: Disco/Nu-Disco

Review: We've got some of that naughty and irresistible white label madness here from new and mysterious label and production outfit Outtaface. It comes with a label that references the energetic cartoon stylings of the late Keith Haring and a bassline that will melt your face. The 'Vocal' track mixes up disco, skank, rave, The Prodigy references and outer space designs into a truly unusual blend that will bring colour and craziness to the floor. The flip side dub slows it down, fleshes out the low and and allows the cosmic synth work more room to shine. A handy 12" for sure.

Review: You can't beat a good edits label and that's what we seem to have here off the evidence of the first release from NIN Edits out of Italy. Ninja Edits 1 opens with the fused charms of what sounds like sleek, proto-techno synths from Kraftwerk and disco percussion on 'Dance & Music'. 'Get Up & Down' is a deeper cut with some smoky and soulful pads and nice loose percussion that throws it back to the New York disco scene, and the most buttery and seductive of the lot comes last. 'Moon & Night' has a woozy groove and lush strings scoring high next to plenty of rich instrumental funk.

Review: Disco mixer Mike Muarro has been delivering tasteful, multi-track remixes of disco and soul classics for the last couple of years, and earlier in 2021 delivered a digital-only set of revisions of classic cuts from the Philadelphia International catalogue. This must-check 12" contains two of the most potent reworks from that set. On the A-side you'll find his epic, beautifully executed revision of MFSB's brilliant 'Love is the Message', which features rearranged elements and Tom Moulton style builds, drop outs and instrument solos. He takes a similar approach on the flip, wringing maximum energy and release from the O'Jays 'Message In Our Music' without adding any unnecessary instrumentation. If you're a fan of the Rephlex and Moplen's multi-track revisions, you'll love both remixes.

Review: Established by the late DJ Ajax, Australian label Sweat It Out is back with a new release this week by label staple Tino Piontek aka Purple Disco Machine. Originally releasing under the aliases Stereofreak and Stereofunk, Piontek debuted on the Sydney-based label with his acclaimed Soulmatic LP back in 2017. The Dresden-based producer serves up some typically neon-lit night moves on the scorching disco inferno of 'Dopamine' that's sure to set the dancefloor alight on the A side. Over on the flip, Piontek streamlines the groove into a more functional and bass-driven affair for DJ use on the handy club dub.

Review: Fabrizio Fattori has been a deep cover hero in Italian dance music since the mid 80s, and while he may have shifted his attention to tribal house music in the 90s, this collection zeroes in on his earlier afro disco funk work, which drips with Balearic groove appeal. Collecting sought after records and other archival gems, this lengthy EP is a joyous, synthy excursion through sunny climes, from the MIDI brass and plastic slap bass of "Leg Pulling" to the intricate percussion and live sax of "Bara-Hum-Ba." This is a quintessential Best reissue - beautifully packaged, and putting super rare music back in the hands of the fans.

Review: Ritual Release, the California-based imprint established by Woolfy vs Projections, have long kept tight-lipped about the identities of synth boogie revivalists Guruku. We have no idea (we suspect it's them, but could be wrong), but we do know that the act's latest EP is superb. There are two original tracks on offer, both featuring vocalist Rojai: the Dam Funk-meets-Dayton brilliance of 'Mesmerized' and the dreamier, sunnier, 80s synth-soul-inspired excellence of 'What It Takes'. Both come accompanied by tasty remixes. Giovanni Damico re-imagines 'Mesmerized' as a thickset electrofunk-goes-jazz-funk workout, while Daniel T stretches out and lightly dubs out the same song in a nu-disco style. Rayko and Woolfy vs Projections join forces on a dubby and club-friendly nu-disco revision of 'What It Takes', before we treated to a dancefloor dubs style 'Bonus Beats' mix.

Review: Gospel, FM funk and house collide on the latest offering by The Whole Truth aka. Tom Giles. Following up last year's 'E Da Boss' on Star Creature, 'Believe' is an impassioned plea to the would-be testifier, enjoining them to give over and into their inherent faith, which, if only it weren't for their psychic occlusion of a certain inner harmony, is bound to be fleshed out soon; aside from this sampled command on the vox, the track is effortlessly glitzy and modally shifts between bass harmonies. The inverse club mix is far sparser and dubbier at first, though slowly reveals its inner truth by way of a more stripped-back, mod-wheeled and trigger-padded experimentation.

Review: Despite her 'Working Men's Club" roots, British variety entertainer Marti Caine actually made some surprisingly good records during her lifetime. 1981 album "Point of View" is arguably the best of the lot. Caine's soft-touch (and emotional vocals) take centre stage, though it's the rather left-of-centre musical mixture below - think rock-infused cosmic disco ("Love The Way You Love Me"), trippy dub disco ("Snowbird City"), shirts-off disco ("Can I Speak To The World Please") and a string of cuts that could arguably be described as Balearic - that makes the album an essential listen.

Review: Leading Italian disco outlet IRMA is back with more irresistible and dazzling goodness, this time courtesy of Funky Destination with some pretty standout remixes. 'Take It Down' opens up as a new version by LTJ Xperience that has percolating funk lines and slow, sensuous grooves. 'Mr Bong' (Louie Beat Re-work) is a more percussive number with brilliant drumming and sunny melodies and 'Take It Down' offers a sensuous soul sound and some psyched-out guitar riffs. Last of all is the most streamy and busy of the lot with unresolved drum loops, disco percussion and rousing pads that will fill the floor.