Review: Having recently released the superb sequel to their gospel-fired "Take It To Church" compilation as an epic digital download compilation, the Midnight Riot crew has decided to make some of the best cuts available on wax. The Showfa leads the way with "Joy", a bouncy, peak-time ready re-edit of a lesser-known gospel disco gem, while label boss Yam Who? once again showcases his impeccable musicianship and production skills on the breezy gospel disco stomp of "Tomorrow". Stephen King's "It's So Easy" is a subtly tooled-up take on a Blaxploitation era disco-funk workout, while Sweet Julibees' superb "So Strong" is an impeccable chunk of slap-bass sporting gospel boogie.
Review: If you're in the mood for some cosmic grooves, wayward disco and pagan psychedelia, Multi-Culti's Cult Edits series is always worth checking. The imprint's latest offering is packed to the rafters with mind-altering goodness. Inigo Voltier sets the tone with "Ti Amo", a Fairlight-powered bounce through post-Italo oddball electro territory with added mix-80s power-pop guitars, before Angelina Amor reworks a sludgy slab of European industrial/new wave fusion. Youkounkoun's throbbing "Cosmic Yoyo" sounds like post-apocalyptic Italo-disco after a fist full of downers, while Asa Moto's "When The Funk Is On" is a funky but undeniably weird electro-industrial cut rich in delay-laden vocal snippets and metallic percussion hits.
Hwe Hwe Mu Na Yi Wompena (Ben Gomori Message Of Love edit) (7:15)
Hwe Hwe Mu Na Yi Wompena (Ben Gomori Message Of Love live dub) (5:56)
Review: Afrobeat revivalists Yaaba Funk are getting a welcome new lease of life here, as the Sterns Edits crew turns in a trio of fresh reworks from their largely overlooked 2010 album "Afrobeast". Contemporary broken beat hero Danvers handles side A, turning in a swinging, hot-stepping revision of sun-kissed juju number "Oman Foa" that adds just the right amount of modern dancefloor clout to an otherwise perfect Afro-soul workout. Over on side B, Ben Gomori offers up two versions of "Hwe Hwe Mu Na Yi Wompena": a spacey Afrobeat/Afro-disco style peak-time "Message of Love Edit" and the arguably superior - and certainly impressively bass-heavy - "Message of Love Live Dub".
Review: Matlock maestro Ant Plate (he of Rhythm Plate fame) has been turning out edits, reworks and original productions under the alternate YSE Saint Laur'Ant alias for the best part of a decade. His release rate has slowed of late, though, with this Whiskey Disco outing marking his first release for almost a year. The material on offer is very strong, particularly lolloping opener "Just As Bad As You", a head-nodding revision of a Hammond-sporting soul jam that combines samples from an obscure 1970s cut with subtle new instrumentation. Other EP highlights include the gospel/dub disco fusion of bongo-riffic flipside opener "I Know I've Been Changed" and the percussive, jazzy, slow motion bumper "New York Paris", a killer groove marked out by layered congas, ear-catching double bass and fuzzy, post-punk style horns.