Back catalogue: Disco/Nu-Disco

Review: George and Glen Miller are undoubtedly best known for their West End Records released 1982 boogie-soul classic "Touch Your Life". They released plenty of other records that flitted between soca, reggae, disco, and - in the latter stages of their career - electrofunk. "Easing", which appeared at some point at the turn of the '80s on London label Third World, remains one of their most potent releases - and, in its original form at least, formidably hard to find. This Soundway reissue wisely replicates the track list of the original release, beginning with the title track - a deliciously percussive, musically intricate chunk of peak-time disco smothered in sharp, Afro-funk style horns and George and Glen Miller's lilting reggae-soul style vocals. The flipside "Version" strips out the vocals, allowing listeners to hear in greater detail the pair's impeccable arrangements and instrumentations (particularly the fine orchestration and rich groove).

Review: Burning Sole sure will have those soles bring with this new 7" from The Getups. Here the band serve up one of their super powerful house funk takes on the hit pop single by Fitz and the Tantrums. The way was guitar twists and turns, the urgent drums hammer away and the warm, funky bass ties it all together. Flip it over for a high speed cop-chase theme from the 60's. 'The Big Noise' is just that. This one is super limited with just 100 copies each on either purple or black vinyl.

Review: After four years away from the label, Tomasz Guiddo returns to Compost Disco with a cut that defies easy categorization. It features lead vocals from Louie Austin, a classic, 'Rat Pack' style crooner who first collaborated with Guiddo back in 2016. 'Pain My Heart' combines squelchy, slow-motion grooves (complete with lo-fi, Latin-tinged drum machine beats), undeniably Balearic musical flourishes (including Spanish guitar solos and dreamy chords), and Austin's classy, emotive lead vocals. Quite where it sits is open to debate, but it's an immaculately executed and memorable song. Soundway sorts Meridian Brothers provide a suitably humid remix, adding Austin's weary vocals to loose-limbed Latin beats, deep bass and suitably tropical guitar licks. It's a revelatory revision and one of the strongest remixes we've heard so far this year.