Taylorpo (Warehouse Preservation Society remix) (5:23)
Massive Birth (Mind Fair remix) (5:43)
Review: Coolly stepping out like a white-suited player on a Miami club strip, the high expectations set by any mention of Italian disco pioneer Daniele Baldelli are easily matched by the opener and title number. And things really only get better from there.
'Massive Birth' is an intelligent, freeform outing on a half-time, DJ Rocca's ever-tight drum programming clearly having some influence on the complex percussive patterns. On the flip, Mind Fair have their way with that original, turning it into a more grounded four-four workout if you listen beyond the top layer of rolls and snare crashes. For many, though, this one will be all about the Warehouse Preservation Society remix of 'Taylorpo', which puts Italo right back at the top of the disco agenda, sounding at once space age yet nostalgic, and unquestionably, unstoppably danceable.
Review: In recent years, Daniel Baldelli's original productions have tended towards the funkier end of the cosmic disco spectrum. That's certainly what you get here, as the Afro-cosmic pioneer once again joins forces with regular studio partner Marco Dionigi. Of course, there are nod to the chugging, arpeggio-heavy world of Italo-disco - see the Balearic disco dreaminess of "Irradia" and cosmic funk-rock shuffle of "Slightly Mad" - but even these mind-altering journeys come blessed with crackling funk guitars and tasty Clavinet sounds. Our picks are opener "Rusty", a bassline-driven, funk-fuelled Idjut Boys style dub disco number, and the pleasingly percussive, flash-fried funk of "Start The Engine".
David Last - "All That's Left" (feat Lavender - dance mix) (5:51)
Review: Besides its inimitable name, Hobo Camp has had a pretty unbeatable first few years in the game, switching up the electro sound with shades of loopy house and techno. These guys have released over two dozen EPs since 2016, and are showing no signs of stopping if this new collaborative release is anything to by! Pumping the vibes through with utter ease, Run The Length Of Your Wilderness is a daring, rip-roaring amalgamation of tech-driven sounds that span just about every quality corner of the game. "The Industrial City", from Cherushii, moans and weeps with a fragile acid bassline over broken percussion beats, while Nackt's "Next" floats at a house tempo, driven forwards by a winding bass from the darkest corners of the 4/4 game. On the flip, Roche's "One For Cherushii" bigs up his counterpart with a deep, aqueous house chugger, and David Last's "All That's Left" drops a clean, sparkly prog house groover for the lovers.
Review: First released last summer, Cotonete and Roberto Di Melo's "AEIOU" is a deliciously warm and woozy chunk of jazz-funk/revivalist Latin disco fusion that sounds like it was recorded in 1978 rather than 2018. This time round, Dimitri From Paris is at the controls, offering up two arguably superior "Special Disco Mixes" that not only boasts more audio clarity around key instrumental parts (particularly the horns, walking bassline and previously buried Clavinet lines) but also add some fizzing new electrofunk synths. As a result, the A-side vocal version sounds like a disco scene anthem in waiting, while the high-octane flipside dub is percussive, sweaty and full throttle in the best possible way.
Bobby D’Ambrosio - "Moment Of My Life" (feat Michelle Weeks) (9:08)
Carlos Romanos - "121" (Doug Willis Raw edit) (5:15)
Joey Negro - "K-Jee" (Philly World mix) (8:48)
The APX - "Lose Yourself To The Groove" (JN Future Boogie edit) (6:55)
Review: Z Records' compilation style "Attack The Dancefloor" EPs rarely fail to deliver, with big cheese Dave Lee (AKA Joey Negro) collecting together floor-friendly treats with the label's vast catalogue. There's plenty to set the pulse racing on this 12th volume, starting with Negro's organ-heavy revision of Bobby D'Ambrosio and Michelle Weeks' classic '90s house cover of Inner Life disco classic "Moment of My Life". Purist disco thrills are provided by Lee's tidy Doug Willis re-edit of Carlos Romanos' boogie-era disco-funk bumper "121", as well as his vintage cover of MFSB classic "K-Jee". Arguably best of all, though, is Lee's sparkling, synth-heavy "Future Boogie" mix of The APX's revivalist electrofunk jam, "Lose Yourself To The Groove".
Review: Stockholm twosome Dagfest have already notched up digital releases on ISM Records, Editorial and Bearded Man, though this outing on Lovedancing marks their first appearance on wax. It's a double header of sorts, with a different original track and remix on each side. "Falling In Love" sits on side A, with the original's breezy boogie/reggae/soul fusion flex being given a harder boogie/proto-house makeover by the reliable Tom Noble. Over on the flip, "Prism" is a deliciously positive chunk of boogie/nu-disco fusion blessed with near Balearic synth solos and some wonderful jazz-funk flourishes. Sleazy McQueen takes a different approach on his remix, turning the track into a peak-time friendly disco-house bumper.
Review: Southern Italian sort Giovanni Damico has been in a good run of form of late, as anyone who picked up his recent EP on Lumberjacks in Hell with confirm. This retro-futurist three-track excursion is rather fine, too, with the White Rabbit Recordings founder brilliantly joining the dots between jaunty Afrobeat, rubbery boogie and spacey electrofunk. All three tracks boast classic Afro-funk guitars, with killer A-side "To Fela's People (featuring Villy)" also boasting punchy horns, tactile synth bass and some life-affirming hip-hop rhymes. Over on the flip, "Baba" is a more traditional Afrobeat workout - albeit with the addition of some mind-altering analogue bass and vintage synth flourishes - while "Afro Stomp" is a bouncy, Baldelli-inspired chunk of Afro-cosmic disco.
Review: This is a big reissue of some disco-not-disco weirdness as cut up and chopped, skewed and made to dazzle by the Bastedos camp. "Keep Me On Fire" is a chugging pumper with fat drums and noodling riffs that sets the groove train in motion and keeps it running. "I Tried To Help It" is even more wild and impassioned thanks to the unabashed vocal that cries in soulful falsettos while Chic-style riffs power it along. "Termination" ends in a freaky but funky fashion with twisted vocals and gauzy guitar chords layering up into a marching wall of sound that's laden with effects.
Review: Dane//Close is sounding fierce as hell on this 7" edit grip for the ever-excellent Duca Bianco. Having previously moonlighted on Power Station and Prasens Editionen, you know this is a head with an instinct for alternative selections to make you move. On the A side, he tackles the incendiary "I Don't Wanna Go Out" by iconic Australian punks X (not to be confused with the LA band), stretching out the rowdy groove of the original's two-minute burst. On the B side, things take a slinkier turn into oddball boogie sleaze - the source material isn't so easy to detect, but it's definitely a jam to get low tempo lovers moving.
Review: Canada's foremost re-edit imprint continues to churn out the hits, largely by delivering dub disco and Balearic-tinged interpretations of long forgotten or little-known cuts. Common Edit regulars Dane and Khotin join forces on the A-side, delivering a sweet chunk of boogie-era synthesizer reggae ("Imho"), before heading futher towards peaktime territory with the low-slung, late night AOR disco of "System". Eddie C digs delves into his seemingly bottomless crates of obscurities for inspiration on "I Want More", a gorgeous chunk of piano-laden Balearic disco sweetness. Finally, Dane lights up something medicinal, closes his eyes and delivers the smacked-out, guitar-laden ambient chug of "One For Dane". It's an absolute beauty, if truth be told.
Review: Having got the juices flowing via a split re-edit release with Jacques Renault earlier in the year, Cosmic Kids member Daniel T returns with his first full solo EP of floor-ready reworks. Arguably the most ear catching of the lot is "Trinidad Trouble", a fiendishly percussive, cowbell-laden tropical disco affair blessed with carnival-ready flute flourishes and heavily accented Trinidadian vocals. It sounds like a genuinely sweat-soaked peak-time treat. The hits keep coming elsewhere across the EP, from the "do the Bus-Stop" hustle of Blaxpolitation disco rework "Hit The Streets", which provides a seriously strong opening gambit, to the leisurely, laidback and sumptuous sounds of trumpet-sporting afternoon delight "Penguin Vacation".
Review: Los Angeles disco Stus Pleasure Of Love return with their fifth edition of piping hot edits, respectfully respliced for your convenience. This one features co-founder of the local Heat-Wave party series (and one half of Cosmic Kids) Daniel Terndrup, who goes one-for-one with Trap.Avoid member Patrick Billard aka DJ Duckcomb on these four cuts. Kicking off the A side is Billard, who takes the razor to a wonderfully sunkissed/tropical style tune on "Carribean Son", while Terndrup gets properly lo-slung on the cheeky and rather familiar groove of "Kinikos TV". On the flip, it's all about "Caja Negra" (DT & DC version Acido) where they join forces on this tripped-out tribal Italo number.
Review: Italian in New York Danyb dusts off his Busted edit series once again for two neatly contrasting disco gems. "Touching" splashes down with integrity; big electro boogie licks and the full vocal intact, he's given the cult 82 classic a touching facelift that loses none of the chic of the original. "Don't Stop" is more of a magpie moment with a selection of references all laced together with little Tom Tom flares and the voice of true 60s icon. As with all Busted editions, these go down exquisitely well in the dance.
Review: The Italian groove stallion behind The Sound Of New York City radio station gets busy on a brand new imprint Jupiter Dance. Taking off where he left us on Busted last year, it's all about the slinky Italo feels and late night NYC chuggery as we're immersed in deep, heavily textured grooves. "Enough! Go!" is a jacking, wriggling acid funker, "Synth Race" paces and chases with a Yello-style dynamic while "Fown" brings us back to down to earth with a Balearic softness as a cosmic chug is wrapped up tightly in soaring guitar licks. Sweet dreams.
Review: Fresh from his impeccable Fabric mix, in which he lays down nothing but his own creations, Dan Snaith finally unleashes some of the mix's many highs for our own mixing pleasure. "Face To Face" has been anticipated for a while thanks to its sultry stripped-back loose-stringed groove and late-entering vocal, "Tin" sees Dan incorporating the same rising, crisp euphoria you find in his Caribou work as synths flutter over a chugging late 90s style house beat while "Xing Tian" shuffles and twists with a little more fuzz and unpredictability. Classic Daphni.
Review: Another one of the many aliases and side-projects from pioneering group Fockewulf 190, Dario Dell'Aere's "Eagles In The Night" is a truly iconic Italo disco record. Coated with gutsy vocals from Fred Ventura, it's kitsch without being too theatrical and rolls with such a hook and detailed melody that you'll be hooked beyond the big, stadium-filling yearns. Naturally the instrumental is also included for those who find the croons a touch too much. Limited to 200 copies, this requires some pretty fast action.
Review: The My Rules crew is back with its first release of 2019 and doesn't disappoint: this time they've come up with a much fawned over cosmic disco classic from Belgian outfit Candy Darling & The Viscounts. The original "Movin'" is a previously Japan only 12" promo mix of a disco cover of a Lee Hazelwood surf song that has edgy stabs and a squelchy bassline to die for. The flip side houses a special rework by Mt Rules label boss Justin Van Der Volgen. He tweaks the inner workings of the tune to draw out the key bits for utter dance floor destruction. Form the bar to the cub to the afters, this one is primed and ready to detonate.
Review: La dame Noir is a Marseille-based label who first crept onto vinyl with a crucial various artists release back in 2016. Now they're back with more of that noirish modern disco deviance that made them an exciting proposition first time around. "Take The Shock Away" is a bittersweet groover by Dawad and label co-founder Relatif Yann, with pitch-perfect vocals by Mounissa which sounds strong on its own. The label however has drafted in a list of big hitters to deliver remixes, from Vox Low's synthwave laced trip to Pete Herbert's punchy electro-disco burner. Whichever version you plump for, the quality is undeniable on this surefooted 12".
Review: Another great gem from Casablanca. D.C. Larue is a songwriter and instrumentalist who emerged in the mid-'70s with a series of heavily orchestrated, disco-
orientated instrumentals with vocal refrains. 'Let them dance' is one of the records you should have in your collection. b/w Dennis Parker's 'Like An Angel'.
Review: Following fine scalpel-focused outings from LTJ and Les Inferno, many of many aliases Stefano De Gama returns to Samosa with a trio of subtly tooled-up disco edits. A-side "Son of Slave" sees him join together bits of soulful disco-era classics "Slide" and "Son of Slide" to form a tasty new whole. While heavily compressed and noticeably chunkier than either of the original tracks, De Gama's version is loose enough to please those who think edits should merely be DJ-friendly re-arrangements. Turn to the flipside for the lolloping, low-slung Afro-funk goodness of "1972" and the throbbing peak-time disco celebration of filter-sporting closer "Star Buk". This too boasts booming drums and bass, but also enough musical looseness to avoid the usual disco-house pitfalls.
Review: Speeding through the neon sky and hunting replicants everywhere...Deckard makes his debut on To Rack & Ruin. First up is Sean Lives which, stomps along with enough guitar twangs and honky tonk piano chords that would make this cut sound right at home at a James Brown after party. A catchy vocal throughout before an almighty breakdown that sneaks in one of the finest saxophone solos heard since that guy in The Lostboys.On Rustic Rage Deckard joins Paper Recordings' debauched debonair of disco Flash Atkins taking in a lesser known cut from "The Man In Black" himself. We start things off with a solid 4/4 kick alongside a guitar loop that build n builds n builds like a dance floor locomotive albeit one that's draped with squelchy synths & popping percussion before dropping with vocals that's guaranteed to cause hand blisters from a serious clap along...
Review: Yes! A brilliant induction into the Neroli annals of fame for Mr Dego and his 200 Black crew; joining the likes of Domu and Nubian Mindz in adding some classic bruk boogie perspective to Volcov's long running label. There's numerous reasons to check this triple hitting Find A Way plate, not least the title cut where Dego teams up with Akwasi and Kaidi Taiham, with the latter offering up a rare turn on vocals as opposed to manning the keys; the results are sublime and soul enriched boogie which offers a nice contrast with the deeper, rolling bump of "The Hurt". The amazing Bembe Segue turns up on "Sunshine" with Dego and crew wisely taking a step back to let her take centre stage.
Review: On their latest 12", the Razor 'N' Tape crew has looked to Berlin, rather than Brooklyn, for inspiration. As the title suggests, the man at the controls this time round is Oye Records founder Markus "Delfonic" Lindner. He hits the ground running with "The Flow", a deliciously loved-up interpretation of one of the sweetest, baggiest and dewy-eyed disco-soul tunes around. While undeniably floor-friendly, there's no attempt made to beef up the track unnecessarily, with Lindner's addition percussion tending towards the subtle and reverential. Those hankering after something a little sweatier should check the disco-funk hustle of "SPF" (which comes complete with some seriously spacey synth solos) and Lindner's excellent rearrangement of a lesser-known cover of O'Jays classic "I Love Music".
Review: Brand new anonymous edit collective Delicate Wash start the spin cycle with four absolutely stunning slices of deeply dug funk soul. Laden with cosmic and Balearic nuances, from the Fleetwood Mac-esque twangs and glides of "Oh Michela" through to the playful slapbass, bluesy drama and raw uplift of the K&D recalling "Christian Does It Better" via the psychedelic subtleties and mild trippiness of "Web Objects" and the wilier jazz informed spirals of "La Salvazione Meravigliosa", these are four superbly polished and sculpted finds that will clean any floor you're faced with (delicately of course).