Robert Glasper - "Enoch's House" (DJ Kemit remix) (7:03)
Guy - "Groove Me" (KZRekchampma club mix - part 1 & 2) (8:55)
Review: There's been little information released about this three-track EP, though we do known that it's the work of "a classic US label going incognito". Whatever the source, what counts is the quality of the music; happily, the EP is impeccable. Leading the charge is Karizma, whose remix of Flacko's "Lonely Town" is a breezy, soft-focus chunk of modern soul/broken house fusion smothered in hazy synthesizer chords and slowly strummed Latin guitar breakdowns. DJ Kemit dances towards peak-time floors with a wonderfully emotion-rich house version of jazz pianist Robert Glasper's "Enoch's House" built around similarly tropical drums, while KZRekchampma's glorious flipside club revision of Guy's "Groove Me" sits somewhere between bass-heavy UK house, soul-powered New Jersey garage and revivalist synth-boogie.
Review: Pulp Corn Recordings is a brand new label out of, we think, France. We don't know any more other than the mysterious imprint promises to serve up "heavy dancefloor-oriented edits on limited 10" format," and the first one is a hand-stamped golden nugget that kick off with a nice analogue deep hue track featuring some classic samples from Pulp Fiction, amongst other things. It's an intriguing roller with a flamenco style breakdown, while the flip is a wild and free break beat banger with big stabs, hammering drum programming and all the energy any club will need to blow up.
Review: It's time for a serious slice of dance music history. Roberto Ferrante scored an international hit with 'Come On Closer', a bombastic slice of high energy Italo disco which became a staple on the nascent Chicago house scene before house music itself was defined and produced to a set of standards. Played by hand in lieu of access to a sequencer, there's a loose feel to the groove but the space age synths speak to the waves of electronic dance music that were to come. Now this holy grail of party fuel is given the reissue treatment it deserves, with both the extended mix and dub version given a plush remaster and a loud pressing to alight any dancefloor it has the chance to grace.