Back in stock: Deep House

Review: When it comes to 90s Dutch dance music we tend to think of formative techno and the monolithic rise of gabber, but there was also some golden house music being produced around that time. Now German label Anacalypto is taking a trip into these less explored realms to offer a finely curated compilation with eight deep cuts for the discerning dancefloor. Max 404's sublime 'Infinite Legs' is an ambient house fantasy of the highest calibre, while Galaxy's 'Axis' is similarly trippy and soft around the edges, setting the tone for the deeper, techno informed shades of house we're in for across the collection. This is elegant, heads down gear which has been coveted by diggers for decades, now available freshly remastered and pressed up in one place.

Review: Archeo Recordings bring us some more Balearic Italian treasure here with some gold initially recorded in Bologna almost two decades ago. It's a collaboration between friends Bottin and Lucio Dalla that has never before been on vinyl. 'Lunedi Cinema' was an ident that played before Monday night movies on of one of the main Italian TV channels for many years. This electronic version includes the Martedi Mix from 2008, a Minibar Bonus Track and also a mix by pioneering Italian dream house dons Leo Mas & Fabrice with a Bottin dub sealing the deal. It's a superb package of real Italo music history.

Review: Dark Entries welcome back the inimitable Doc Sleep aka Melissa Maristuen for a superb new album of ghostly and ethereal house and techno. This is a welcome follow-up to last year's ambient and IDM exploration, Birds, and shows another side that draws on Maristuen's years of queer clubbing. It fuses aspects of New York house, Berlin techno and West-coast breakbeats and is "a love letter to the West Coast's magnificent natural landscape, the light of the Pacific sunrise." That is reflected in the sublime synths and silky rhythms which manage to both move your body but also captivate your mind. It's another cracking album from the Doc.

Review: Thatmanmonkz is Scott Moncrieff to be precise, a Sheffield based producer who been making house music since around 1997 but more recently on Kolour LTD and of course Delusions Of Grandeur: where he's recognised as a label mainstay. His new album Colombusing is a mighty 14 track effort, and there's a wide variety of moods and grooves, not to mention collaborations! Some of those very hookups are the highlights on here, we must say. There's a couple of tracks with San Francisco minimalist/human beatbox Dave Aju; "Turn It Out" is a deep and sleazy funk jam with Cameo-ish vocals, while "Boogie Down" features the sweet lungs of Erik Rico whose Curtis Mayfield impressions suit this feelgood soul jam just perfectly. "Baked" features the deep poetry of NYC's Malik Ameer on this on this dope jam full of urban flavour. There's music to dance to too, rest assured: "Take U 2 My House" featuring Khalil Anthony is surefire deep house aimed squarely at the dance floor.

Review: Piero Umiliani aka Moggi, is the man behind Omicron Records and plenty of seminal library records from the 1970s. The Italian jazz musician, most famous also for scoring many film soundtracks, here has one of his most dance-y tracks served up by Four Flies. It features an original version as well as a special edit retouched by Jolly Mare. The original was recorded in 1978 under one of his many other monikers, Rovi, as a way of not over saturating the market with his name at the time. It is a cosmic beats that chimes with the emergence of that sound and still does today.

Review: ***B-STOCK: Slight sleeve creasing and surface marks***


Last year, Piers Harrison's Mysticisms label shone a light on the late 90s work of overlooked German house producer DJ Leinad via a reissue of 1996 gem 'Souvenirs'. Here his sole album, 1997's sought-after Electric City is finally re-released on wax. Indicative of the time period Leinad was operative, the album contains a fine mix of jaunty, Chic and P-funk influenced disco-house ('Freak Tonight', 'Return To The '80s', the brilliant 'Pretty Young Thing'), chunky after-hours house hedonism ('In Trouble'), disco-rock sampling throb-jobs ('Let's Ship'), classy, solo-laden deep house ('Loving People'), early Playhouse style cut-up house ('Out of Phase') and squelchy, US-style house bounce (the inspired title track).

Review: Croatian producer and DJ Ilija Rudman, is among the leaders in Balearic style of deep house and downtempo and has released on a who's who of some of the strongest labels in the genre like Is It Balearic? Recordings, International Feel Recordings and NuNorthernSoul. For the Retrospective EP, Ilija steps up to produce a bit more dancefloor focused works for the Maze label. 'Foolish Way's has an 80s electro pop funky feel that we really appreciate while the Grem edit of 'Where Do We Go' is great late-night driving music. For the B-side, 'How Many Ways' is almost like a mix of German and Chicago house music. 'The Last Action Hero' is perhaps out favourite on here for being the deeper and more melodic cut of the bunch. A strong dance EP.

Review: The first compilation on Koze's Pampa label is a lovingly curated affair. It starts with the left field house of Herbert's take on Lianne La Havas and Ada's r&b-infused "You & Me", as well as DJ Koze's own hymnal take on Roman Flugel's "9 Years". Other Pampa regulars like Axel Boman are well represented and he provides the ultra-mellow "In The Dust of This Planet". Equally though, Koze also provides a platform for newcomers to the fold. There's the utterly bizarre, glitch-hop of Nasrawi and Funskstorung's contributions, and at the other end of the spectrum, wide-eyed deep house from Mount Kimbie and Jamie xx & Kosi Kos' pumping indie-dance "Come We Go".

Review: Though his career has taken many turns over the last decade, DJ Koze has remained that most illusive of creatures: a minimal-minded producer with an ear for a melody. This fourth full-length, packed to the rafters with big-name collaborations (Apparat, Caribou, Ada and Matthew Dear all feature), continues his move towards the home-listening sphere. So, while many of the heady rhythms and shuffling grooves hark back to his stripped-back past, Amygdala impresses with its woozy songs, genre-straddling fusions (see the modern soul meets deep house of "Homesick" or the steppy, tropical vibes of "Marilyn Whirlwind") and homely atmosphere.

Review: Miguel Migs has been producing expertly well crafted, superbly polished house tracks for years. He has a sound rooted in deep house, but always draws on things like r&b and soul, as well as the scorching hot sun of his native Californian. This new album was written in lockdown so focuses a little more on proper song craft. The results are fantastic - these are tracks that ooze pool-side cool. Their rolling beats and bass perfectly designed to hook you in and make you smile. It might be his best yet.

Review: Victor Simonelli's house music legacy is assured - he more than made his mark on the genre back in the 90s with plenty of iconic cuts and legendary DJ sets and now that is all being highlighted by this ongoing multi-part series from Unknwn. The comprehensive collection looks at the early years here with some of his top mixes including those that have not previously been released. There is an in-depth almost hour-long audio and written interview between BTG founder Alex Rose and Victor to go with this release that is well worth finding.