Review: Proper deepness yet again from Italian imprint Rebirth, with volume two of their limited series which features a new one by Greek house hero Argy. His track kicks off the A side titled "Let's Play" and features the evocative vocals of Blue Jay over his hypnotic and soulful epic - it's the same kind of dancefloor drama that's earned him releases on Ibadan, Versatile and Bedrock over the years. This is followed by the emotive and sensual remix of Modular Projects "Leaving" by German Acid Pauli, which gets a stellar groove injection of the deeper kind. Finally there's some properly soulful and sunkissed 'hands in the air' vibes on the electric remix of Lele Sacchi's "Dreaming Won't Do" by Tiger & Woods.
Review: Alex Attias seems to have found a soul mate in Luman Child AKA Pascal Strauss, a talented musician whose rubbery basslines and jammed-out electric piano lines feature prominently on both "Cookie Monster" and "What Do We Do". While many will be drawn towards the eyes-closed soul chorus vocals and elastic deep house swing of the latter, it's the jaunty, party-ready A-side that's arguably the strongest dancefloor workout. Similar in ethos to the Herbie Hancock/jazz-funk-influenced work of Dego and Kaidi Tatham's 2000 Black project, the track is arguably one of the strongest of Attias's long career.
Review: From the label: When trends in music can come and go in the blink of an eye, ten years is a long time to stay relevant, passionate and real on the frontline. From its roots in the Parisian club scene by way of its spiritual home at Fuse in Brussels and so on to the globe-trotting, multi-faceted entity that it is today, Lessizmore is living proof of how to do a decade right. The fundamental heartbeat of this European house and techno institution is the maverick music that its affiliated artists make. Of course what the label sounds like now is not necessarily what the label sounded like back in 2006, but it's telling that some of the original characters are still with the label to this day, while many are long time members of the LIZM family that have joined the ranks over the years. In piecing together this compilation, the idea from label founders Jessica Bossuyt and Pierre Noisiez was simply to represent where their brainchild is at right now, from guests at their events in the early days to more recent collaborators of all kinds. Kicking off the first EP, the finest slithers of percussion and whispers of icy soul weave their way into the sublime, sprawling concoction that Birdsmakingmachine delivers, shifting drum sounds across eleven minutes of delicate yet irresistible groove. Meanwhile on the B-side long time champion of future-minded dub techno Deadbeat creates something of an anthem for the label, turning out an energised workout laden with psychedelic swirls of delay and embellished with a catchy vocoder hook. Recent Lessizmore signing Louis McGuire delves into his lowslung MPC-powered bag of tricks and drops another crucial slab of swinging funk that finds the up and coming artist turning to a moodier sound palette customized for the deepest corners of the night.
Review: The second volume of Bushwick Is Melting features original unreleased material by Brooklyn-based producers Black Meteoric Star, Lorna Dune, and J. Slusher. Gavin Russom apparently has a new Black Meteoric Start LP on the way and we can't wait based on the epic, sweeping grandness that is the 18 minute A-side hogger "Unearthed Arcana" which is quite hypnotic when in full flight. The B-side finds Lorna Dune putting her experiments with the piano to one side to focus on some celestial house moves with "Reflux" which will appeal to fans of Legowelt's more star gazing moments whilst the wonderfully named J. Slusher closes out the record with the face melting techno cut "Night Train".
Review: Ron Wilson's 777 serves up more raw and rusty house jams on a new various artists sampler entitled Internal Affairs: this is serious! On the A side is newcomer Brighton with "Tesla" (Leaves Remix), while Frankfurt's Orson Wells gives us "Ratio" where Saarbruckens finest: Roger 23 gets on the remix and delivers a lush deep acid rendition this side of Tin Man. On the flip, Leaves returns with the impressive "Third Floor" getting an awesome remix by Pablo Mateo; working those drum computers to impressive effect as always. Finally, Orson Wells stays on too; working the nightshift on his remix for Glyn's "Kevin Lomax" and giving it a lo-fi, neon lit makeover that will appeal to retroverts dancing well into the morning at Robert Johnson next Sunday morning.
Review: SlothBoogie, the London-based record label are back with their fifth instalment in their edit series. These lo-slung disco jams are exactly the sort of business you can expect their DJ crew to be throwing down at their much loved party series. First up we have Carlo with the super sexy and looped-up guitar licks of "Jumba Jooki" followed by Melbourne's Cassettes For Kids with the late night deepness of "No More Faith". On the flip, Luvless from Leipzig gets that Robsoul sound happening on "The First Aid Manual" and Bondi Bondi (from Buenos Aires, actually!) gets that neon-lit boogie down vibe in full effect on the soulful "Dinner 4-2".
Review: Like many of Saverio Celestri's releases, this return to regular home Slow Life is a collaborative affair, with production duties shared by debutant Late Consequence (in reality an experienced Italian producer operating under a new alias). The duo kicks things off with the spacey bounce of "Consequence", where computer beeps and bleeps rise above heavy analogue bass, locked-in techno drums and flotation tank chords, before offering a subtle nod towards early UK bleep techno on sub-bass heavy workout "The Wheel". Turn to the flip for some deeper, purist tech-house vibes (the deep house influenced warmth of "This Is The Universe") and the sparkling, head-in-the-clouds tech-funk of "Celestial".
Kerri Chandler - "Peace Of Mind" (D'Julz remix) (6:46)
Lafayette - "Better Late Than Never" (Kettama Garage remix) (5:00)
Jiletta Riley - "The Way It Was" (Marquis Hawkes Classic club vocal) (6:57)
Review: There's little better, house-wise at least, than vintage Kerri Chandler productions, though these fresh remixes of tracks by the New York maestro would certainly run them close. German producer Henrik Schwarz steps up first to re-imagine Chandler and Jerome Sydenham's "Powder" as a fluid but hypnotic chunk of building, synthesizer-heavy house in his usual melodic, tech-tinged style, before D'Julz turns in a wonderfully warm, locked-in revision of "Peace of Mind" full of drum machine handclaps, woozy chords and fizzing electronics. Over on side B you'll find a superb Kettama Garage mix of Lafayette's Chandler-produced classic "Better Late Than Never" - think late '90s UK speed garage and you're close - as well as a partoculalry reverential take on Jiletta Riley jam "The Way It Was" by Marquis Hawkes.
Giovanni Damico - "No Al Maltrattamento Dei Samples" (5:29)
Pascal Viscardi - "La Ragazza Del Lago" (6:19)
Marcello Napoletano - "Insignami" (6:55)
Lucretio - "I Piu Piccoli" (6:33)
Christian Lisco - "55" (5:02)
Paolo - "Pericolo" (5:20)
Bassa Clan - "Notte Brava" (6:57)
Fede Lng - "La Volpe" (4:58)
Review: According to La Chinerie themselves. after repping their dear home of France on the first volume, they are 'this time enlightening Italy's house scene through an eclectic V/A gathering eight tracks from eight talented macaronis.' Southern Italy represents in the form of Salerno's Giovanni Damico with the funky and dusty soul heaven of "No Al Maltrattamento Dei Samples" while Lecce's finest Marcello Napoletano delivers the goods as always on the gritty house shenanigans of "Insignami". Elsewhere, there's Restoration's Lucretio (via Berlin of course) delivering some muscular, hardware oriented grooves on "I Piu Piccoli" while the north of The Beautiful Country represents too, rest assured, in the from of Bologna's Bassa Clan with the bouncy and swinging NYC circa '94 vibe of "Notte Brava".
DJ Man X & Albert Sterling Menendez - "Consequences" (feat Blaze - Blaze vocal mix) (8:16)
Lee Pearson Jr Collective - "Tell Me What It Is" (feat Terry Yancy - Abicah Soul remix) (7:04)
Lee Van Kleef - "In The Wrong" (feat Lifford - Manoo dublove mix) (6:01)
Review: Esteemed selector Volcov's latest compilation series, Inside, focuses on tracks that have never appeared on vinyl before. The first EP in the series is wonderfully soulful and sultry, and contains a trio of grown-up dancefloor cuts. On the A-side you'll find Blaze's revision of DJ Man X and Albert Sterling Menendez's effortlessly soulful "Consequences", an impeccable fusion of Osunlade style broken house rhythms and rich, organic instrumentation. There's a similar feel to the Abicah Soul remix of Lee Pearson Jr Collective's brilliant "Tell Me What It is", while Manoo's fine rub of Lee Van Kleef's "In The Wrong" encases a steppy, Latin-tinged house groove in jazzy piano solos, spacey electronics and lilting synth-strings.
Review: First volume of house tracks picked from the Velocet catalogue, Nail's previous label, which he ran very badly between 1995 and 1997. Most of the unsold, OG copies now lay in his ex-wife's cellar, covered in mushrooms.
300 on clear vinyl, no repress.
Review: After delivering two well-received EPs to 20:20 Vision last year, Dokta is starting up his own series of releases on the long-standing tech house institution. He's starting this new mission in style with a single-sided, 15-minute long epic with Leonidas to send the dancefloor into a deep house rapture. There's a cosmic space flight narrative to get drawn into, a wealth of expressive sax playing, an extended meltdown, some well chosen shout outs to the pioneers, and a sweetly subdued roll out that feels very far from where the journey began, like all epic tracks should do. Talk about a statement release.
Sleazy McQueen & Vinyl Addicted - "Hot To Trot" (5:41)
Patchworks - "Batracien" (5:08)
Le Blanc - "We Can Fly" (4:40)
Review: Detroit/Houston joint venture Kolour are back with another instalment in the Tale Of Two Cities series - and this is one serious all star cast if we've ever seen it! The creme de la creme of nu-disco appears here, starting with crazy Canadian Eddie C kicking off the A side with the sunny slo-mo antics of "All Time Freak", followed by the one and only Napoleon! Simon Mills throws down some more of his usual sexy and lo-slung grooves on "Over & Done". On the flip, current scene favourite - the Whiskey Disco boss Sleazy McQueen teams up with Vinyl Addicted on a seriously hot edit of an underground classic (to those that know) on "Hot To Trot" while Lyon's Patchworks hands in another similarly 'respectful edit' on the sultry late night blues of "Batracien". Finally they head down under (to Adelaide, Australia that is!) for Le Blanc's funked up disco house jam "We Can Fly".
Kim English - "It Makes A Difference" (Danny Krivit & Kyle Smith remix - Danny Krivit 7" edit) (5:39)
Loni Clark - "Rushing" (Mood II Swing dub - Danny Krivit 7" edit) (5:31)
Review: Danny Krivit is currently known as one of the music community's greatest purveyors of top quality disco & house as he continues to perform regularly before sold-out audiences around the world. With his unique ear for what works on the dancefloor he has also become known as "King of the Re-edit." Danny has a deep connection to Kim English's "It Makes A Difference" release on Nervous Records from 2006. Krivit worked with writer Kyle Smith on the remixes that originally made this tune an anthem at his 718 Sessions parties as well as one of the highlights of club nights from Tokyo to New York to London that appreciate quality soulful house. The B-side is Danny's re-edit of one of the most famed dubs from the Nervous catalogue as well as for the producers Mood II Swing. Upon its release in 1993 this dub emerged as one of the defining sounds of summer 1993 at Ministry Of Sound which had just recently opened the year before. The "rushing rushing rushing" hook is well knownby golden era of house afficianados around the world and he does an amazing job bringing this essential hook.
Review: Red D and San Soda's FCL project has previously scored a number of significant club hits, most of which dug deep in the crates for inspiration. There's a similarly retro feel about Lady Linn hook-up "Cherry Pie", which successfully fixes bold organ lines and short-but-sweet vocal snippets to a rolling, old school New Jersey house groove. Speaking of New Jersey, original NJ deep house producer Jovonn handles remix duties, delivering a warm, breezy, analogue-rich interpretation that drags the track closer to classic Nu Groove territory (think Bobby Konders, rather than the Burrell Brothers). It's a fittingly rich and melodious rework of a soon-to-be-popular club jam.
DJ Longsleeve - "Ode Aan De Filosofie" (feat ITW) (7:19)
Reggie Dokes - "Earth, Wind & Fire" (6:03)
Luv Jam - "Grarf" (7:12)
Review: On this second 12" celebrating the label's tenth birthday, We Play House boss Red D has assembled a stellar line-up of sought-after and unreleased cuts. The EP begins with a second airing for FCL's Adonis-influenced, retro-futurist gem "More Than Seven" (first released back in 2010), before the previously unheard DJ Longsleeve bathes us in the soapy, relaxing waters of blissful deep house shuffler "Ode Aan De Filosofie". The quality threshold remains refreshingly high on side B, where Reggie Dokes' loose and positive piano house jam "Earth, Wind and Fire" is followed by the intergalactic, acid-fired pulse of Luv Jam's superb "Grarf".
Review: Here, Descendents of The Deep launches the From Chicago To Detroit series, bringing together a quartet of deep house tracks from Michigan and Illinois-based producers. Jordan Fields kicks things off with the electric piano-laden strut of the surprisingly trippy "Excitement", before Vincent Floyd offers up a masterclass in deep, New Jersey-influenced analogue deepness in the shape of "2gether". Flip for the wonderful blissfulness of Leandre's "Images of Spring" - think starry melodies from Detroit, coupled with the rolling swing of Chicago - and "Detroit Dubz", a killer exercise in spooky beatdown from Norm Talley and Mike Huckaby. With its' heavy, compressed bassline, creepy chords and reverb-laden textures, it sounds like it was tailor-made for Halloween.
Ways Of The Sun (Peter Kruder Into The Black Hole remix) (7:22)
Ways Of The Sun (Manuel Fischer remix) (8:38)
Ways Of The Sun (Armitage remix) (6:43)
Review: Second time round for the much-loved "Ways Of The Sun", Frankey and Sandrino's 2015 collaboration with vocalist La Oberg. This time, there's no original mix to admire, but rather a quartet of fresh remixes. Jimi Jules steps up first, wrapping dubbed-out synth splashes and La Oberg's evocative vocal around a loose and languid dub disco-meets-deep house groove, before Peter Kruder re-imagines the track as an acid bass-propelled chunk of analogue deep house goodness. Over on side B, Manuel Fischer dishes up a sunrise-ready organic tech-house take while Armitage slams down a loopy and hypnotic peak-time revision that subtly builds throughout.
Review: Harlem NYC based 13th Hour return with more music for the witching hour on their third release, after having previously shown off great grooves by Belgian Ricky Razu, Tbilisi's Hamatsuki and local lad M. Vaughan. This time round they have decided to focus on two select talents, with the A side being taken care of by Colombia's Felipe Gordon. He takes a break from the three-piece Mercury to deliver the Jazzmatazz inspired cut "I'll Become Blue" and the dusty, emotive deepness of "The Last Time I Saw You". On the flip, things start to heat up with Australian Loure (Apparel/Slothboogie Jamz) who serves up some sexy late mood lighting on "So Dive" and vocal-led cut "Club Shade".
Review: Cong Burn is a new label that features a range of producers plying a more interesting twist on the standard deep house formula. Take opening case in point Haddon, who uses oodles of processing to create a slippery, shifting tripper out of "Not Coming To The Club" and instantly stepping aside from the run of the mill milieu. Howes then pops up with the snaking, ultra-deep electro abstractions of "Untitled". L Pearson is in a particularly cheeky mood with the scratchy micro-sampling fun of "PSR1170", calling to mind the crafty chops of Paradroid et al, and then Perfume Advert book end the release with some beautifully horizontal deep house for the subliminally minded to revel in.
Review: The NicetraxUK label welcomes another three artists to get involved for the Soulfuricacid EP, bringing a range of straight up house gear to the table for the funkiest spinners to get busy with. Leeds based producer J Cub follows up appearances on Eclectic Avenue and Saints & Sonnets with the woozy, trumpet soaked grooves of "Mestizo". UK cheeky house mainstay Lil Mark steps up with another quintessential shuffler in the form of "Small Syndrome", and then Moodymanc adopts his Dubble D alias for a smooth cruising trip through plush synths and warm bass.
Review: Long celebrated as a hub for new producers to showcase their talents, CDR return to the releasing game in partnership with Dimensions Festival. Up and coming house heads K15 and FYI Chris reportedly invited Lismore and Ben Houghton to take part in this collaborative release, resulting in four tracks that wouldn't sound out of place soundtracking a balmy afternoon dance on the Adriatic Sea. Oozing quality and soul throughout, there's a distinctly laid back flavour to the house on offer across this release, although FYI Chris add a touch more bite with their grubby lo-fi synth lines on "Sugar".
Oceans Of My Mind (Simina Grigoriu & Moe Danger) (7:19)
Review: House Music With Love makes a welcome return to the fray with a fresh new 12" from Kaldera and Lazarusman, who team up to present the swirling, thought-provoking "Oceans Of My Mind." Between Kaldera's brooding production and Lazarusman's off-centre poetry, it's the kind of track that will suit a lot of different environments and always stand out. As well as the original, there's a strong run of remixes on offer here, from Urmet K's softer, smoother deep house approach to SURAJ's infectiously funky version, wrapping up with the more epic peak time thrust of Simina Grigoriu & Moe Danger's take on the distinctive source material.
Review: Rough House Rosie is back with another selection of sublime tones in the adventurous corner of the deep house playground. The Silent Movie Sounds series never fails to present a fascinating array of producers, and so it is on the fourth volume as Nemanja Krstic seduces with the melodic delights of "Bass Odyssey" and Lady Blaktronika heads into blissed-out territory with the spiritual wonder of "Ringo Oiwaka Heaven". Miruga's "White Moon" is a mysterious, dubbed out affair and Seal Bient heads even further out with the scuffed and muffled flutter of "Slavery". As ever, the vitality of the tracks on this 12" can't be ignored for open-minded diggers looking for original, contemporary deep house.