Back catalogue: Deep House

Review: Barcelona mainstay Baldo originally released 'Ride The Night' as part of digital single Saturdays Come And Gone on Permanent Vacation in 2022. As a fierce and fabulous homage to Hi-NRG, it showed the most muscular, nocturnal side of Baldo's sound and the track took on a life of its own. Now the label have decided to give the track more prominence with this heavyweight vinyl remix package, which kicks off in style with a suitably throbbing workout from Red Axes before switching to the strutting big room style of Alex Neri. Jennifer Loveless zeroes in to the sensual heart of the track with a thrumming low end and a powerful command of the tension in the track, leaving it to Baldo's original to close the EP out in style.

Review: Get yourself geared up for festival season with some fierce party starters certified with the Glitterbox stamp. Melvo Baptiste leads the charge with 'Sweat', a sizzling disco house stomper with Dames Brown giving the biggest diva energy on her show-stopping vocal. Lovebirds bring unbridled joy on the Philly string swoon and slinky b-line funk of 'Burn It Down', while Art Of Tones & Inaya Day keep it peak time on the sassy strutter 'Give My Love'. Young Pulse & Fleur De Mur complete the set with 'Smooth Sweet Talker', another bright and bold vocal cut par excellence.

Review: Way back in 1993, when his career was still in its infancy, Chicago great Roy Davis Jr donned an alternative alias, The Believers, and delivered a 12" on Strictly Rhythm: 'Who Dares To Believe In Me?' It was something of a club smash, with Ministry of Sound issuing it in the UK a year later with a swathe of new mixes. This Groovin' Records reissue boasts a trio of mixes from the original U.S 12". On the A-side you'll find the original mix, a warm, spine-tingling slab of piano-rich New York style house topped off by snaking, delay-laden saxophone lines and an inspirational spoken word vocal courtesy of Davis. Over on the reverse, Davis' own 'Just Living High Mix' - a breezier, jazzier and more colourful affair - is followed by Mind Readers' tougher, chunkier and heavier revision, which is in effect a proper dancefloor dub.

Review: The original only dropped last year but it soon sold out so here comes a reissue of this gem from Simoncino, known for his nostalgic house vibes, in collaboration with Benedek, a Los Angeles-based producer whose music blends atmospheric synths with elements of Balearic, proto-house, and deep boogie. The EP is a strong offering with standout tracks like 'Puffed Tribe' which combines Paul Simpson and Charles Webster influences, 'After Midnyte,' with its glistening guitars and glossy synths, and 'Badlands Oasis,' offering a more spacey and psychedelic vibe. Benedek's style bridges the gap between retro and futuristic, delivering a collection of tracks that evoke both nostalgia and anticipation.

Review: We are not sure who Bobby Dreams and it looks like from the catalog number that this is the first release by All Nice records. So, we do not have much information or background on this release but we like what we hear! 'Creepin' has on a smooth deep house tip and reminds us of prime Larry Heard tracks. 'Let Them Know' has a sweet balance of Detroit and Chicago imbedded in its soul. 'After Hours' is fitting name for this late-night groove while 'Get Busy' adds an eerie mood to the sexy rhythm. Fans of 80s and 90s Chicago and Detroit deep house should definitely check this out.

Review: The first part of a two-part release for Sushitech's sub label Pariter, with Chicago second generation house hero Boo Williams joining the likes of Delano Smith and Norm Talley on the roster for 'Night Fall', the partner 12" to the simultaneously released 'Day Rise'. It features three tracks, all of which fit the mold of early evening classics. 'Acid Matrix' has an early Detroit feel to its raw machine handclap snares and panther-like, stalking bassline, while 'Deep Tech' might be geographically closer to late 80s, early 90s Yorkshire, a compulsive funkiness emerging from its bleepcentric soundscape. 'Service Chamber' is sleeker and more mellow, telephone dial tones spiralling off into the ether while tinkling, xylophone-sounded keys play hypnotically. Choice, quality material that will help any DJ to subtly pick the pace up as the sun falls.

Review: Boo Williams is in good company appearing here on Sushitech's sub label Pariter where he joins the illustrious likes of Delano Smith and Norm Talley in its ranks. You wait for a Boo Williams record and then, of course, two come along, 'Day Rise' being accompanied by the simultaneously released 'Night Fall', each with their own corresponding vibe. 'Day Rise' is definitely more upbeat of the two but it's a subtle distinction - it's certainly not full of 4AM bangers designed to keep you awake until the busses start running again. 'Talley Up' is a very straight forward affair, circling around a two note synth riff and gradually building percussion. 'The Take Over' is similarly spritely, another builder with crashing cymbals, jazzy chords and drum machine tumbles steadily building an insurmountable wall of funkiness. Breezy, bumping closer 'Teleport' completes the set, meaning three ultra-handy, raw but sophisticated tunes that house and techno DJs alike will find slipping into their sets with a natural ease.

Review: Archeo Recordings bring us some more Balearic Italian treasure here with some gold initially recorded in Bologna almost two decades ago. It's a collaboration between friends Bottin and Lucio Dalla that has never before been on vinyl. 'Lunedi Cinema' was an ident that played before Monday night movies on of one of the main Italian TV channels for many years. This electronic version includes the Martedi Mix from 2008, a Minibar Bonus Track and also a mix by pioneering Italian dream house dons Leo Mas & Fabrice with a Bottin dub sealing the deal. It's a superb package of real Italo music history.

Review: Bread & Souls is a new project dreamt up by Italian entrepreneur and music lover Franco Fusari. For this he invited Mark de Clive-Lowe to direct and produce his roving vision: a series of collaborations with the cream of boogie and jazzdance's best performers and instrumentalists, including the likes of Bembe Segue, Vanessa Freeman, Paul Randolph, Rich Medina, Tommaso Cappellato and more. Under the banner of Bread & Souls, these eight originals and six remixes hit hard yet smooth, sliding down the proverbial aural gullet like a well-made Manhattan.

Review: Steve Bug is going on 30+ years of writing electronic music and travelling the world as a top DJ with no signs of letting up. It Just Happened is his latest and finds its way to the legendary and iconic Nu Groove records. It must be daunting to release music on such an amazing label. 'It Just Happened' has all the makings of a classic worthy enough for the Nu Groove logo. Veteran Cle who has worked on many projects with Steve is featured here as well. For those that really know Steve Bug's background, they know he is equally involved in house music as he is with techno. Tracks like 'Crew Thing' show his ability to make a standout house track while 'House Music Transcends' closes things out with your hands in the air. We respect Steve Bug so much for his work over the years. When he is old skool mode like he is on this EP, you just have to say respect to the man. Respect!

Review: For many in underground music, the words Back To Basics mean only one thing - the chaotic and anarchic Leeds house party founded by Dave Beer. The GLBDOM label is slowly broadening out that definition though with this ongoing series under the same name. It's been good to date and this third volume doesn't disappoint with Manuold, Bress Underground, MacLO duo, Jon Billick and Scruscru all offering up their own takes on deep house. From the mid-tempo and cosmic to the more raw and punchy, via the loopy and the future-facing, it's a classy collection.