Review: "Der Say Ah" has long been a banger on dance floors tuned into international sounds. It's the sort of bouncy afrobeat and sax-laced classic that has been fetching huge amounts online. DJs like Gilles Peterson and Nightmare on Wax have been playing it for yonks and now, after many years of it being out of print, it is back courtesy of Push The Fader. The Akoya Re-Rub mix here was mixed by Ben Kane who worked on D'Angelo's Black Messiah, so this sounds beyond good. The 7" version comes from DJ Spinna with extra keys from Ticklah, psyched out bass and extra dub feelings.
Ortella - "She's On Fire" (feat François A) (7:25)
Chocky - "Lower Synth" (5:21)
Rotty - "Secrets" (6:49)
Heat Alliance - "Got The Groove" (6:15)
Reece Johnson - "I Like The Way You" (5:50)
Lu York - "C'mon & Dance" (7:35)
Chris Fry - "Can't Stop" (6:08)
Andy Buchan - "Eighty Four" (6:06)
Review: 124 Recordings are always a safe bet for true school deep house business, and they're also dab hands at putting together killer compilations as evidenced with the "Levels EP" last year. They're back at it again with this crucial double pack, which kicks off in fine style with bright and bold vocal bumper "She's On Fire" (feat Francois A)" by Ortella. There's a deeper, trippier vibe to Chocky's "Lower Synth", while Rotty's "Secrets" chops the samples up and ramps the swing up to 11. Heat Alliance has a tough, freaky NYC touch on "Got The Groove," while Reece Johnson piles the organs on heavy on "I Like The Way You", and that's just half the set. A whole lot of house goodness to chew on, with every track purpose built for maximum dancefloor damage.
Review: Get your motors running! Hamburg DJ and occasional editor Automart drives off the forecourt with one of his first originals. With its stately tempo and soft harmonics creating a smooth discoid ride, "Discover Me" sets to cruise control in a subtly addictive unhurried speed. Loaded with both vocal and instrumental versions from Tom Noble, there's plenty of mileage in the tank on this one.
Review: US skateboarding magazine Jenkem Mag has long hosted DJ mixes in a range of styles on its website, and in 2017 the spin-off Jenkem Records launched with a multi-genre compilation called 'Beginnings'. Now, over two years later (we're clearly operating on 'skater time' here), the label's second release is this four-track EP from Brooklyn duo and recently announced Rinse FM residents AceMoMa, and it's almost as eclectic as its album-length predecessor, taking in off-kilter melodic house ('Ethereal Stepping'), deep tribal techno ('Nothing Crazy') and drum & bass (the retro junglism of 'Lucky Number 12' and the Bukem-esque 'Soul Deep Management').
Cody Currie - "As Of Yet" (feat Joel Holmes) (5:09)
Grant Nelson - "In The Dark" (5:59)
Pontchartrain - "Don't Change It Up" (5:43)
Goddard - "Almasti" (6:11)
Review: With such a star-studded line-up of old and new talent involved, it's little surprise to find that De La Groove's fourth vinyl release is seriously good. It's that good, in fact, that there's no space to go into each and every highlight. Instead, we'll point you in the direction of some of our personal favourites. Check first the breezy and soulful US garage revivalism of Art of Tones' impeccable "So Sweet", before turning your attention to the dreamy, vibraphone-laden deep house sexiness of Cody Currie's "As of Yet (featuring Joel Holmes)". Grant Nelson's "In The Dark" is a fine slab of late '90s style UK garage, while Goddard's "Almasti" sounds like a nu-disco era riff on Pepe Bradock deep house classic "Deep Burnt".
Review: Mancunian Kevin Gorman used to make some great minimal techno on his Mikrowave imprint but has since moved on to create some of his best music under the Adesse Versions moniker. With a slew of fine edits and remixes under his belt, he presents us with a killer cover and tribute that's set to be one of the summer's biggest anthems. A tribute to the seminal New Order classic "Blue Monday", Gorman retains the very same Moog bass and ARP strings from the original, over a groovy breakbeat and a vocal reminiscent of Bernard Sumner himself. It was an ambitious feat, but Gorman manages to pull of an impressive rendition here, which also comes accompanied with a handy instrumental version on the flip.
Review: In 1996, Dreamscape's Ed Marshall donned a new alias, Aplomb, and delivered the first fruits of his new project to New Age House Records. Only one track was ever released on a limited label promo, "Wondering". World Building's Ari Goldman, who previously put out a compilation of Marshall's work as Dreamscape, is a fan and has decided to rescue it from obscurity via this single-sided 12". The track itself is hard to accurately pigeonhole, combining as it does dense, carnival style drums, female scat vocals, warm bass, dreamy deep house chords and synthesizer flourishes reminiscent of early '80s jazz-funk. Either way, it's a sunny and groovy chunk of obscure house positivity that's well worth a place in your collection.
Review: Australian producer Andrew Wilson (House of Dad / Wilson Tanner) dons the Andras Fox alias once again for his latest outing for Munich's Public Possession crew, who describe the Boom Boom EP as a 'reprogramming of world music influenced dance music .. subtle and unwired'. From the Afro house influenced bounce of "Jingo" or "Rubber", moving from said aesthetics in to classic house on the upbeat "Conch" or the quite euphoric trance reduction of "Ipx 7" - this record is bound to be a major festival hit this season and guaranteed to sound good on any listening device you choose!
Review: After years of promoting events, Percolate has decided to embark on a new project - Percolate Records. They welcome longtime friend, British producer Austin Ato, to take them on the first steps of their new journey. Ato has appeared on a wide variety of imprints lately, from Me Me Me and Delusions Of Grandeur to Futureboogie and even Defected. "When Love Gets Cold" opens with the sweltering and finely filtered disco loops of the title track, paving the way for bouncy and euphoric house anthem "To Fall In Love" (which is equally as disco-fied!) and emotive Detroit house banger "All I Want". Speaking of the Motor City: he shows he is equally competent at hi-tech soul (with a UK rave influence too) on the breakbeat-driven and evocative "Blessed".
Review: Soundscape Versions delivers its third edition of the various artists series and offers four effective cuts between subtle house breaks, acid house, electro and atmospheric techno. Featuring Kintaro 89, Faune, Arian Alexander and Douala.
Review: Welcome to the small-but-perfectly-formed vaults of Italian early house imprint Antima's cult "Riviera Traxx" series. Almost all released between '91 - '93 (although there was one last outing in '97) the tracks by the collective capture the crystalline essence of original deep house. Post-Italo, pre-piano, these uncut Italian house gems have been curated by Mona Musique bossman Nick V for a forthcoming mix compilation. For now, we're treated to the sampler where the concrete chugs of the '97-released of "I Have Got It" set the jacking pace before "Tribal Love" whisks us away on a magic carpet made of pads, before the dreamy organs of Subway Ground Master's only ever single "Queensway" bring us back to terra firma... and leave us wanting more. Bring on the full collection.
Review: Alphonse has already dropped a pair of 12"s on Especial in the past, but he's on especially excellent form this time around. A veteran of the halcyon rave days of the 90s, he's got a lot to draw on to conjure his particular kind of machine jams. "Moan Up" is a truly dazzling track, all twinkling synth lines interweaving around a crisp old school groove. As well as the loved up peaks of the original, there's also a beatless mix of the track that lets the melodies shine on their own. "White Pepper" takes things moodier and lets some sultry sax wail over the top, while retaining some of that boxy drum machine energy. There's even space for some tasteful guitar wailing - excellent.
Review: Originally released back in 2018, this collaboration between UK broken beat/nu-jazz pioner Martin Iveson aka Atjazz and rising South African deep house star Jullian Gomes was featured on their full length album Big Bad Crazy. The track in focus, "Love Me" in its original form is a glassy-eyed and heartfelt affair, accentuated by immersive dub chords and powerful symphonic arrangement. It gets the Kaytronik treatment on this 12", and if the name sounds familiar that's because it's the alias of legendary Baltimore producer Karizma. A side houses the stripped down and hypnotic "Kaytronik Difibrillator Dub" that works those orchestral sounds really well against dusty barebones rhythms, while "Kaytronik Difibrillator Beats" on the flip sees him serve up a handy and functional bass-driven dub for DJ use.
Review: The enigmatic Adelphi Music Factory returns after last year's underground goodie "Javelin" with a brand new scorcher that's a sure shot to burn up dancefloor this year. "Feel Right Now (Power!)" is a joyous, driving anthem of resistance following in the tradition of proper late '90s funky house. On the flip, the soulful and uplifting loops of "Juicy" is a euphoric call to arms. Sisterhood. Brotherhood. Harmony. Dance.