Review: Alphonse has already dropped a pair of 12"s on Especial in the past, but he's on especially excellent form this time around. A veteran of the halcyon rave days of the 90s, he's got a lot to draw on to conjure his particular kind of machine jams. "Moan Up" is a truly dazzling track, all twinkling synth lines interweaving around a crisp old school groove. As well as the loved up peaks of the original, there's also a beatless mix of the track that lets the melodies shine on their own. "White Pepper" takes things moodier and lets some sultry sax wail over the top, while retaining some of that boxy drum machine energy. There's even space for some tasteful guitar wailing - excellent.
Review: Representing Californian house music culture with its heart on its sleeve, 12 Inches Deep return for a second volume of "West Coast Dance Traxx" that features four up and comers from the underground. Ricky Tinez captures a perfect hazy summer mood on the dub mix of "That Day" - a true product of his environment. Akumen brings a sweatier vibe to "Inner Life (All Of Music)" which captures a little Chi-town pressure and then blows it wide open with some choice organ licks. Le Smoove is on a serious garage tip with "G Groovez" and Urbanite reaches skywards with the utterly infectious "Triple Filtered", spilling good vibes out from every angle.
Ortella - "She's On Fire" (feat François A) (7:25)
Chocky - "Lower Synth" (5:21)
Rotty - "Secrets" (6:49)
Heat Alliance - "Got The Groove" (6:15)
Reece Johnson - "I Like The Way You" (5:50)
Lu York - "C'mon & Dance" (7:35)
Chris Fry - "Can't Stop" (6:08)
Andy Buchan - "Eighty Four" (6:06)
Review: 124 Recordings are always a safe bet for true school deep house business, and they're also dab hands at putting together killer compilations as evidenced with the "Levels EP" last year. They're back at it again with this crucial double pack, which kicks off in fine style with bright and bold vocal bumper "She's On Fire" (feat Francois A)" by Ortella. There's a deeper, trippier vibe to Chocky's "Lower Synth", while Rotty's "Secrets" chops the samples up and ramps the swing up to 11. Heat Alliance has a tough, freaky NYC touch on "Got The Groove," while Reece Johnson piles the organs on heavy on "I Like The Way You", and that's just half the set. A whole lot of house goodness to chew on, with every track purpose built for maximum dancefloor damage.
M&M Vs Andrei Swipe - "Analog Express" (Don Carlos remix) (7:29)
Review: There's an undeniable air of quality that lingers over the 12"s emerging on 14th Level Of Paradise, the mysterious label presenting originals, edits and repressed tracks for true house devotees. First up is a little known track from Sasha Makin and Suntetic, given a shimmering polish by Don Carlos and Steven Perri to become a heavy funking masterpiece, before Joe Claussell drops in a percussive dub delight on Monday Michiru's "Higher". On the flip, Vincent Inc and LA get things pumping with the slow but chunky, jazz-licked "Red Room", before Carlos returns for another deep house reverie as he remixes M&M and Andrei Swipe's "Analog Express".
Review: Ted Krisko and Eric Rickers hail from Detroit, and their distinctive brand of snappy, playful electro and techno has already landed them releases on KMS, Visionquest and others. Now they land on 20/20 Vision with the devilishly fun "One LFO," an unremitting acid jam shot through with crafty drum programming and enough robotic lubricant to get the rustiest joints greased up and moving. Fellow Detroit champs Luke Hess and Delano Smith shore up on the flip with classy remixes, Hess waving his dubby strains over the original in inimitable form and Smith taking things deep, smooth and just a little spooky.
Review: Brazilian label Allnite Music is back with another sure shot from label boss Apoena that locks into an immersive, head-nodding groove from the get go. "Retoside" is a perfect deep house burner, understated and yet utterly grooving where it counts. "Attachment" has a more sprightly, uplifting quality tailored to sunny situations, while "Hemp Restriction" takes things in an airy direction while rocking a solid 90s backbone. "The Sutilties" completes the set with a dreamy roller splash, with sweet leads and some chopped up vocal hooks that accent the innate funk of the track in fine style.
Lenny Fontana, Tension - "A Place Called Heaven" (Joey Negro dub Groove) (6:58)
Jay Denes, Ada Dyer - "You Make Me Whole" (Joey Negro Rhodes dub) (5:17)
Julian Sanza - "To Love" (5:16)
Frankie Knuckles, Satoshi Tomiie, Andrea Mendez - "Bring Me Love" (Eventual dub) (6:56)
Review: Some serious no-nonsense house grooves for all true-school DJs to cop, dug out from the annals of club music history. Things kick off good and proper with Joey Negro's insanely powerful "Dub Groove" mix of Lenny Fontana's "A Place Called Heaven". Negro's on the buttons once again with the classic, pumping "Rhodes Dub" of "You Make Me Whole" by Jay Denes and Ada Dyer. On the flip, Julian Sanza drops the squelchy boogie inflected "To Love" before the record ends on a serious bang with the dream team of Frankie Knuckles, Satoshi Tomiie and Andrea Mendez's "Bring Me Love (Eventual Dub)". This is as actual house as actual house can get - the real deal, crystalised in four evergreen gems pressed on one handy record.
Review: UK nu-jazz/broken beat Maestro Martin Iveson aka Atjazz returns with more properly soulful and emotive deep house music on his new epic "Tear". Featuring all the hallmarks of his idiosyncratic sound, the original features soothing melodic tones, intricate rhythm arrangements and an all-round evocative feel. On the B side are two terrific remixes: UK producer Soulfuledge serves up a dreamy and hypnotic rework that will mix in well with your All Day I Dream/Tale + Tone records. Iveson looks further North to Peacey as he delivers an ethereal and sensual remix equally suited to all the daydreamers out there.
Review: Originally released back in 2018, this collaboration between UK broken beat/nu-jazz pioner Martin Iveson aka Atjazz and rising South African deep house star Jullian Gomes was featured on their full length album Big Bad Crazy. The track in focus, "Love Me" in its original form is a glassy-eyed and heartfelt affair, accentuated by immersive dub chords and powerful symphonic arrangement. It gets the Kaytronik treatment on this 12", and if the name sounds familiar that's because it's the alias of legendary Baltimore producer Karizma. A side houses the stripped down and hypnotic "Kaytronik Difibrillator Dub" that works those orchestral sounds really well against dusty barebones rhythms, while "Kaytronik Difibrillator Beats" on the flip sees him serve up a handy and functional bass-driven dub for DJ use.
Review: Atjazz & Jullian Gomes released their "Big Bad Crazy" album nearly a year ago to wide acclaim, and here is one of the LP's standout tracks which receives a rework from Freerange/Delusions Of Grandeur chief Jimpster. He replaces the sensual late night deepness of the original version of "It's My Time" with a slinky, hypnotic and absolutely mesmerising vibe, awash in shimmering melodies, delay drenched snippets of the original vocals and an absolutely addictive bassline. There's a handy instrumental on the flip too. Braintree's finest delivers the goods once again on this hit that's sure to have wide crossover appeal.
Review: From Copenhagen with love. After two years of planning, tweaking and fine-tuning, Danish groove monkeys Kasper Marott and Alfredo92 are proud to present their new label Axces. Repping their local crew, the label represents a community of artists including this single's co-producers Carl Emil and Lauge. "Os To" (which translates to 'the two of us') is as cute as it sounds. Dreamy, cosy, unhurried. "Fest Pa Taget" (party on the roof) raises the psychedelic factor a little as unearthly bubbles and chimes spin 360 around a jaunty rolling percussive beat. The start of something exciting and fresh; everyone has access to Axces.
Review: Last spotted on Vakant, Detroit's man of mystery returns to D'Julz' Bass Culture after four years with three more rough, warm Motor City jams. "Castaway" takes off without so much as a compass. Heading towards the light with every added rhythmic element and cascading arpeggio, it drives into the horizon with equal measure of focus and looseness. "Doin It To Ya Baby" takes a subaquatic disco approach - the wide beats are wrapped in subtle slapbass twangs and dubby overlays while "Wara Coco" is a trippier twist into the shadows as raindrop textures trickle over a low and slow groove and incessant humanised loops. Remix-wise Orlando Voorn peppers the lead track with a little analogue funk and mild acid tweaking. After this castaway you'll never want to come home...
Review: We can confirm that Adam "Admin" Wickens is not only a hugely talented DJ and producer, but also a thoroughly nice chap. Here he makes his bow on Better Listen with a three-tracker packed to the rafters with warmth, soul and groove. Check first A-side "Adjust Your Love", a sample-fired workout that effortlessly joins the dots between disco, deep house and star-kissed jazz-funk, before turning your attention to the chopped-and-screwed samples, toasty sub-bass, languid beats and echoing piano snippets of "Easy Love Dub". The Bristol-based producer rounds things off in fine style via "Horizons", a slightly bouncier house cut that makes great use of some bluesy piano samples and another stoned, glassy-eyed bassline.
Cody Currie - "As Of Yet" (feat Joel Holmes) (5:09)
Grant Nelson - "In The Dark" (5:59)
Pontchartrain - "Don't Change It Up" (5:43)
Goddard - "Almasti" (6:11)
Review: With such a star-studded line-up of old and new talent involved, it's little surprise to find that De La Groove's fourth vinyl release is seriously good. It's that good, in fact, that there's no space to go into each and every highlight. Instead, we'll point you in the direction of some of our personal favourites. Check first the breezy and soulful US garage revivalism of Art of Tones' impeccable "So Sweet", before turning your attention to the dreamy, vibraphone-laden deep house sexiness of Cody Currie's "As of Yet (featuring Joel Holmes)". Grant Nelson's "In The Dark" is a fine slab of late '90s style UK garage, while Goddard's "Almasti" sounds like a nu-disco era riff on Pepe Bradock deep house classic "Deep Burnt".
Review: Given his passion for updating traditional global sounds and indigenous drum rhythms, Auntie Flo is a perfect fit with Moscoman's Disco Halal label - as this first EP for the imprint neatly proves. There's something particularly alluring about "Baba", a woozy and intoxicating deep house cut that sees him wrap heady hand percussion, exotic flute lines and sun-kissed chords around a Middle East inspired rhythm track. He explores similar sonic territory on the slightly bolder title track "Kabsa", while "Ras" sounds like an unlikely Arabic fusion of Pet Shop Boys' "West End Girls" and the intoxicating ethno-house of Nicola Cruz. Speaking of which, Cruz pops up to deliver a brilliant sparse but percussive take on "Kabsa" that helps lift the EP to even greater heights.
Review: US skateboarding magazine Jenkem Mag has long hosted DJ mixes in a range of styles on its website, and in 2017 the spin-off Jenkem Records launched with a multi-genre compilation called 'Beginnings'. Now, over two years later (we're clearly operating on 'skater time' here), the label's second release is this four-track EP from Brooklyn duo and recently announced Rinse FM residents AceMoMa, and it's almost as eclectic as its album-length predecessor, taking in off-kilter melodic house ('Ethereal Stepping'), deep tribal techno ('Nothing Crazy') and drum & bass (the retro junglism of 'Lucky Number 12' and the Bukem-esque 'Soul Deep Management').
Les Mondes Engloutis (Psychemagik main mix) (7:17)
Les Mondes Engloutis (Psychemagik 5am mix) (9:07)
Review: Martin Brodin's MB Disco imprint continues to deliver the good stuff, this time featuring two utterly essential Psychemagik mixes of Alico vs Cagri's "Les Mondes Engloutis". These mixes actually first surfaced on a digital-only release back in 2013, but now they've been buffed up for a full vinyl pressing, and rightly so. A side "Main Mix" is a full bodied, emotional banger with a lead drop to get crowds waving arms and singing along wholeheartedly. Our pick is the "5am Mix" on the flip though, where the synths take on a more shimmering nocturnal tone without losing that bright and bold character that will land this 12" in all manner of record bags this summer.