Review: Scottish artist Aether emerges from the ether with some of his most spell-binding material to date. Twinkling, evocative and hazy, there's a dreamlike theme as the narrative runs throughout and we're taken down lullaby lane with woozy and wondrous results. From the startling sunrise soul of the first encounter to the poignant, lingering final goodbye, Aether's sonic imagery and consistency makes this more of a mini album than an EP. Utterly beautiful.
Review: New Zealand dubsmith Akcept hops over the Pacific with a plate of two halves; "Teachings" takes us back to the foundations for root cause analysis. Unfathomably deep, warm and tailored for fine tuned systems, it's a quintessential lesson in dub science. Meanwhile on the B "Going Round In Circles" flips the coin for something just as dubby but a lot more dancefloor. As teased by many of his mixes, Akcept's penchant for dub techno is just as strong as his love for roots... Something that's more than clear when you hear this record.
Review: Where to place Weevil Neighbourhood? Is this dub techno? Perhaps. Dubstep? Maybe. Drum and bass? Sometimes. Experimental? Yes: in the truest sense of the word. It draws from all these aforementioned styles and more, resulting in the formation of a reclusive German label breaking the framework of many electronic music genres wide open. The title-track from Anthone's second EP for the label is where the dub techno suggestion comes from thanks to its caustic chord sequences, only there's flashes of dubstep beat designs and loose drum and bass textures similar to what can be heard on Felix K's Flowers Of Destruction. On the flip, "Lungs" is instrumental and live feeling. In parts it sounds like a band playing, while in others you can here the work of samplers looping, and when combined, it offers an industrial soundscape that's like merging some of the darker rock and metal stylings from Sex Tags No Amfibia with Regis' Sandra Electronics project, only reduced to the point of almost being ambient.
Review: Rising 140 sculptor Samba proudly presents his own label 26.RAIN. Following a whole string of heavily supported releases on the likes of System Music, Deep, Dark & Dangerous and Encrypted, the label is a new outlet for a fresh synth-led fusion style he's been developing gradually. Deep, musical, not shy of an 808 or a two-step or two, there's a touch of UKG, wave and trap deep across both sides. "Acecloud" is the big neon dreamer of the duo while "Cookies" crumbles a little more delicately and introspectively. An excellent launch release, we're saving our rainy day money for 002.
Review: Volume Six of Tempa Allstars collects contributions from some of the underground music scene's pioneers and leading lights Skream. "Rollin' Kicks" begins the EP with a tapping drumbeat and a Breakage hued sonic palette (circa "Open Up") which is a million miles away from Magnetic Man. D&B-turned-dubstep minimalist Icicle steps up with "Anything". Crisp, acerbic breaks feature heavily, perfectly calculated beats and a futuristic touch. Falty DL adds a funky touch with "Sunday" as chirpy bleeps and bellows of bass underpin the fidgeting rhythms here, with notable sunny, upbeat vibes in the synth work. Benga injects a dose of humour with the ticking percussive lisp and robotic chant of "I Come From London" driving things along into a hypnotic state of sentiency. SBTRKTs "Sleep In Tokyo" is all broken, funked up beats, warm keys and delicately textured rhythms. Alix Perez brings the EP to a close with "Metric". Deep, atmospheric crackling, crisp SFX and rumbling subs roll along with dark menace. A superb finale to one of the finest releases in the Tempa Allstars series so far.