Review: Rising 140 sculptor Samba proudly presents his own label 26.RAIN. Following a whole string of heavily supported releases on the likes of System Music, Deep, Dark & Dangerous and Encrypted, the label is a new outlet for a fresh synth-led fusion style he's been developing gradually. Deep, musical, not shy of an 808 or a two-step or two, there's a touch of UKG, wave and trap deep across both sides. "Acecloud" is the big neon dreamer of the duo while "Cookies" crumbles a little more delicately and introspectively. An excellent launch release, we're saving our rainy day money for 002.
Review: Callum "Paleman" Lee is one of Swamp 81's most decorated artists, having released a string of well-regarded 12" singles for the hyped, bass-obsessed imprint. Yrs Ago is his third EP for the label's 81 offshoot, and sees him joining the dots between techno, post-dubstep bass music, and angular electronica. The title track sets the tone, with robotic voices, creepy electronics and smooth sub-bass riding a metallic, broken techno groove. Flipside "Animus" is a marginally more melodic affair, with spacey chords and bubbling arpeggio lines riding a punchy electro rhythm. Both tracks are naturally rather heavy, and undoubtedly amongst the producer's strongest work to date.
Review: Not to be confused with Young Echo associates Jabu, the unrelated Lord Jabu is a 20-something producer with one previous release to his name. According to Albion Collective, his latest EP "synthesizes solid state trap with 64-bit dream-ware". We're not quite sure what that means, but opener "Treehead" is a distorted and mind-altering blend of lo-fi chip-tune melodies, mangled ice cream van chimes, bowel-bothering bass and rumbling post-grime dubstep beats. His passion for Sinclair Spectrum synth sounds is further explored on the flip, first on the trap style shuffle of "Folklore" and then via the pleasingly tuneful - if cracked and twisted - closing cut "Yagoda".
Review: Reso returns to his 140 roots with this obscene four track stack of uncut sludgy gully on Albion. Three originals, one killer remix, it all kicks off with the treacle-like dollops of bass on "Focus Inwards" before we slide woozily into the thick prang soup of "Smashed Up" and get fast tracked to Hades HQ on an industrial lift called "The Essence". Throw in a divine rolling refix from TMSV and you've got one of Albion's strongest plates right here (and considering the earthquakes levels of Taiko's release last year, that's saying something!) Time for some deep focus.
Review: The cavendish crusaders are at it again. And this time they're rolling out the barrels with full V/A power. Chad Dubz opens with the provocatively titled "Pricks", all sludgy, swampy and twisted while Karnage & Dayzero up the energy with a dramatic symphonic loopy nod to the far east on "No One" while Guesswerk close the show with the long awaited "Persian Dub". On dub for a good couple of years, this gravel throated swinger has been doing the business for a select amount of DJs for some time. Now it's finally yours. From Bristol with fruit. Tuck in and be quick about it.
Review: Previously spotted on Boomarm Nation, Turkish bass experimentalists make their debut on Innamind's Blacklist imprint with four of the nuttiest, most far-out tracks you'll hear this season. Sitting somewhere between Modeselektor and Squarepusher but with dubbier roots, highlights include the tripped out harmonic headiness of "Heavy Machyn Gun" and "Phix", the slo-mo white knuckle ride with fellow Turk Gantz. Off the planetary hook.
Review: Last spotted on Boka shotting "22 Ounces", Chad Dubz now returns to find us all fully fledged "Addicts" awaiting our next Bristol fix. The lead track is at once bouncy and subdued with a heavy pressure and filter on the riff fluctuations. "Out Of Here" gets us on the first train to rehab city, its tricky percussive rolls and deep space slowly cleansing our souls before "Teachings In Wub" diverts us with scholarly wobble-whipped subterfuge. The final stage of our program takes us deep into the wilderness to find ourselves; "Iggy's Castle" leaves us on a mystic finale, all cobweb sonics and strange shadows. Moreish.
Review: Having appeared on the likes of Nous Disques, Dream Eater and Collection Artaud, it was only a matter of time before London beat splicer J-Shadow's glacial, unnerving textures and sounds would find a home on Bun The Grid. With strong senses of techno and electro deep in the low-end mix, highlights include the nutty, almost breakcore style flippery of "No Gravity" the powerful technoid dirge of the title track "Embers". Loaded with remixes from none other than Etch and Danny Scrilla, once again BTG have spoilt us rotten.
Review: It's 2019 and Chestplate bossman Distance is well and truly woke. Dropping his first officials since his outing on J:Kenzo's Artikal last spring, the whole four tracker is a pungent trip back to the stinker golden age. Rough funk, distorted and tailored strictly to kick the living peanuts out of the crowd, each cut is Distance doing what he does best. From the psychedelic dirge of "Awaken" right through to the orchestral darkness of "Settling Scores", Distance isn't mucking around here. Neither should you.
Review: Following last summer's scorching anonymous first CV white label "War / Fan Dem Off", RDG's label returns with another mysterious never-to-be-repressed doublet. Fittingly cold and wintry for this time of year, both "Sly" and the much-coveted "Teardrop" are taken to glacial places. Deep, smoky, spacious and foggy, both cuts burn long smouldering fires both at home and in the dance. Grab them while they're ice cold.
Review: Sleeper man Alex Fox debuted the GRAMZ alias earlier in the year via a two-track 12" on Sentry Records built around paranoid sonic textures, serious bass-weight and rolling 140 BPM beats. For this 10" outing on Crucial, Fox has taken a deeper approach, ratcheting up the smoky atmosphere while retaining sizeable low-end pressure. "Joken" and flipside "Get Them Bags" are hazy, ultra-deep dubstep workouts, with both doffing a cap towards hip-hop and grime (check out the manipulated MC vocal samples on the latter, in particular), as well as the crackling sonic textures of Burial. "Joken" rolls along nicely while remaining pleasingly subdued, while "Get Them Bags" has a little more sonic strut. Both, though, are excellent.
Review: Having soared us through the dense black marsh earlier this year, Portuguese deepsmith 3WA takes us through even swampier, intense territories with this Crucial debut. "Viagem" is like stepping into a deep boggy cave where the drips from the stalactites get heavier and the ground swallows you like quicksand. "Encanto" then hauls your keister out of there with insistent hang drum percussion and rolling kicks before blowing you dry with powerful flutes and pipes. Charmed.
Review: Toronto's Distinct Motive returns to Truth's triple D stable with four more outright stinkers. Opener "Radar" has been huge for those lucky enough to have it on dub; all infectious and bleepy but not overly so while "Itchy Fingers" grizzles and grunts with a loose but savage groove. Deeper (and darker) into the EP we hit the 2007 feels of "Loose Pimp" while "Crazy" closes with a little nod towards to the instrumental grime motifs; all string plucks, glacial feels and smoking 808s. One for the radar.
Review: Up there with Swindle and Joker, dubstep's funkiest OG Silkie returns to Deep Medi with three more sublime grooves. Broken, cheery, just a little cheeky and swooning with switches, each of these cuts rattles and bashes with Silkie's signature west- coast-meets-UKG-in-a-long-dark-Croydon-tunnel melting pot: "Impervious" flips from orchestral epic to dreamy flutters before dropping into 80s horn funk with mischief while "Reevea" is Silkie in classic "Poltergeist" mode. Finally "Egyptian March" is straight out of Indiana Jones. A jittering snake charmer that has you going from nought to rolling under stone doors and grabbing your hat in 10 seconds. Silkie you absolute don.
Review: Last year, Dream Eater Records offered up a "versus" release boasting weighty and intoxicating cuts from both Kromestar and Ironsoul. It was something of a success, so they've decided to repeat the exercise. Kromestar handles side A, wrapping fuzzy, grime style beats and pulverizing bass in fluttering flutes, heady synth strings and dreamy chords. Ironsoul takes a totally different approach on flipside cut "Temper", an off-kilter chunk of wonky dubstep/grime fusion full of buzzing, echoing riffs, mind-altering electronics and sub-bass pressure. It's rhythmically curious, but that's undoubtedly part of the track's seductive late-night allure.
Review: Like a many Britons, Chad Dubz doesn't have much time for Prime Minister Theresa May, who was, at the time of writing, still just about clinging on to her job. He's not only included a demonic painting of the "Maybot" as a "Reptilian Bitch" (his words, not ours) on the record's centre labels, but also made a thrillingly angular and heavy dubstep smasher as a kind of artistic two-fingered salute. LSN's flipside remix of the title track ratchets up the distorted analogue bass and mind-altering electronics, while also adding some suitably exasperated and sweary vocal samples. Elsewhere, "Wob" is a deep stepper powered by a gargantuan wobble bassline, while "Rollin'" not only does exactly what it says on the tin, but also includes the EP's deepest, heaviest bassline.
Review: There seems to be a bit of a narrative here on Phrex's second Dubtopia release. Previously, Version bossman Orson had given us "Life Gamble". Now he's on his "Last Chance", and it's every bit as foreboding as you'd expect the final roll of the dice to be - menacing, pensive and lined with venomous acid. Bern's Phrex is experiencing a similar situation; while he previously told us about "Vectors In The Sky", he's now warning us of "Colliding Clouds" to the tune of quivering, tightly weaved top lines, trippy dub echoes and loose soft drums underpinned by a voluptuous rolling sub groove.
Review: There's no stopping this American trio right now; after a massive year of ugly thumpers on the likes of Dank & Dirty Dubz, Chestplate and Artikal, they return to DUPLOC for another EP, this time fully vinylised and loaded with two VIPs of their label debut last year. "Forest Temple" is a real foundation shaker where the subs do all the talking and the eerie textures ripple through the spaces while "Up Up" is just a straight up stinker with full wobbles and teeth gnashing filth. Flip for two crucial VIPs as "Verify Me" and "Yellow & Grey" are given the most dapper go-gullier-stripes you ever did hear. Sound as a pound.