Review: While Seth Horvitz has kept up a steady stream of singles over the last few years, "Hymn To Moisture" is the producer's first solo album as Rrose for nearly four years. It tends towards the alien and unsettling, with the EAUX founder flitting between weirdly metallic-sounding workouts (creepy opener "Mine"), buzzing modular drug-chug ("Bandage"), pulsating percussive techno oddness ("Columns"), ricocheting beat-free electronic soundscapes ("Saliva"), hypnotic throb-jobs ("Dissolve"), surprisingly melodious kosmiche style ambience ("Horizon", drowsy closing cut "Hymn To Moisture") and spaced-out, bass-heavy dub techno (the razor sharp headiness of "Open Cell").
Review: Under the Special Request alias, Paul Woolford has released some stellar music this year. Astonishingly, "Offworld" is his third album of 2019; it could well be the best, too. It explores different sonic territory too, drawing heavily on electro, futurist Detroit techno, Boards of Canada style IDM and the slick 1980s productions of Jam and Lewis. The result is a stunningly beautiful, spacey and far-sighted set that contains some of Woolford's most emotion-rich work to date - and that's saying something. It also finishes in stunning style with an impeccable remix/re-make of the Grid's "Floatation" that sounds like the best early 90s Orb remix you've never heard.