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Coming Soon: Studio Equipment

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Studio Equipment

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Soma Laboratory Pulsar-23 Organismic Drum Machine (black)
Cat: 781129 Rel: 31 Dec 20
analog synthesiser/drum machine
Notes: Pulsar-23 is a multi-functional analog synthesizer and generator of complex rhythmic patterns.

The Pulsar consists of 23 different modules, including four flexible sound generators with completely different structures, four envelope generators, four looper-recorders, a clock generator with dividers, a controlled chaos generator, an LFO, a two-channel CV-controlled effects processor, distortion, two controlled amplifiers, an inverter, a controlled inverter and two controlled analog switches. In addition to these 23 main units, the Pulsar also contains 13 auxiliary units, such as a four-channel MIDI to CV converter, a noise generator, four attenuators, two dynamic CV generators with sensory control, two impulse converters and single passive electronic components for live circuit bending.

Pulsar-23 can be used for the synthesis of percussion instruments and rhythms, bass and melodic lines, effects and sound landscapes, as well as a source of control voltage. The Pulsar functions in three different modes: stand-alone, MIDI control and CV control. Moreover, all the above features and control modes can work simultaneously in any proportion or combination. Additionally, Pulsar offers live circuit bending capabilities and the use of the artist's body conductivity to create patches and cross modulations.

Pulsar continues the line of organismic synthesizers begun by LYRA-8, but now in the area of percussion instruments.

Also, it has MIDI control and synchronization and a lot of smaller modules such as 4 assignable attenuators and 2 dynamic CV sensors for CV generation etc. In general, there are 55 knobs, 11 switches and over 100 inputs and outputs for patching, Eurorack integration, external mixing and processing, live circuit bending!

It comes in a special HQ bag with 30 alligator clips cables and PSU.
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MRP:$2,039.20 SAVE 17%
coming soon $1,699.33
LEP Leploop Sequencer & Drum Machine Analogue Synthesiser
LEP Leploop Sequencer & Drum Machine Analogue Synthesiser (sequencer & drum machine synthesiser)
Cat: 770286
analogue synthesiser
Notes: Laboratorio Elettronico Popolare (L. E. P. ) is proud to present to you a one-of-a kind analog synthesizer, sequencer and drum-machine: LEPLOOP.

Small in nature but aggressive in sound, the user will be able to create a variety of analog timbres and beats.

LEPLOOP was designed to be a minimalist electronic music live-performance groove-box, which can be used to create a variety of electronic musical styles.

The LEPLOOP can be synched via MIDI to another LEPLOOP for tempo-synched operation or to another MIDI device or sequencer to receive sequence stop & start instructions.

1 oscillator (VCO1) triangular/square wave
1 oscillator (VCO2) sawtooth wave with ring modulator and FM modulation
White noise generator
24 dB/OCT Low pass filter
Kick drum with distorsion and trigger mixer
2 VCA's
2 AR Envelope generators
16 Capacitors analo sequencer PWM programmable
4 Track digital rhythm sequencer 64 step each track
4 Channel audio mixer
Midi input(clock and notes)
5 CV out: S\H, SEQ, LFO, ENV1, ENV2
3 gate out: S\H, SEQ, CASSA
3 CV in: VCO1, VCO2, VCF cutoff
1 audio in (VCF)
4 audio out: MIXER, CASSA, VCO2, VCO mix
1 clock output: clock 24, MIDI start/stop
EEPROM memory 16 banks 10 pattern each
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coming soon TBA
Malekko Varigate 4+ Module (black faceplate)
Cat: 766093 Rel: 31 Dec 20
sequencer module
Notes: The Varigate 4+ is a 4-channel, 8-step sequencer that includes most features of the original Varigate 4, PLUS the new option to output both CV (quantized or unquantized) and gates simultaneously. Other new features include a Play/Stop function, Preset Banks (4×4), Glide Per Step, Scales and can also be configured as master for the Malekko Voltage Block as well as a slave to the Varigate 8+ if you're looking to expand your total channels and presets (up to 14 channels and 100 presets with V8+).

Each Channel (or Track) correlates with it's own sequencer (so 4 independent sequencers). The addition of the Gate/CV Switch allows for switching between 4 channels of CV, 2/2 for 2 channels of CV and 2 channels of gates, or all 4 channels to output only gates. Additionally, each step of a sequencer can be programmed with Probability for gates, Repeats, Glide and Notes (when in a CV mode). There is a also a Randomization feature for Repeats, Notes and Glide. Channel parameters for Scales, Sequence Direction (Forward, Reverse, Pendulum and Random), Sequence Length, Division, Multiplication and Pulsewidth are all easily accessible using Track Mode.

Easy Preset Recall makes the Varigate 4+ perfect for live performance. Pair it with the Malekko Voltage Block for maximum control.
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MRP:$325.00 SAVE 17%
coming soon $270.83
Black Corporation Deckard's Dream Mk2 Eight Voice Polyphonic Analogue Desktop Synthesiser
Notes: Deckard's Dream MkII is an eight-voice polyphonic analog synthesizer in desktop format. It is inspired by a certain cinematic sound from the late 1970s and early 1980s.

The synth features a fully analog signal path with two independent layers per voice. Discrete waveshapers help to reproduce the oddities of the original waveforms, especially the sawtooth glitch, which is a big part of the CS-80 sound. An autotune function assures that all 16 VCOs are tracking perfectly. It even offers detune and microtuning settings for a more vintage feel. With the addition of MIDI implementation, 256 presets (which can be managed on the integrated OLED display) and an upcoming software editor provided by Spektro Audio, this vintage inspired poly synth is at home in any modern studio.

For each layer, the synth offers a VCO with square, saw and sine waveforms, discrete 12 dB HP and LP filters with separate resonance controls, an ADSR for the filter with adjustable initial and attack levels, and an ADSR dedicated to the VCA. The synth also provides velocity and aftertouch controls for filter brilliance and volume levels.

Furthermore, polyphonic aftertouch gives Deckard's Dream expression that has only been possible on a very small number of synthesizers. MPE technology (using controllers by ROLI, LinnStrument, Haken) takes this even further with the addition of polyphonic pitch bend.
The Deckard's Dream MkII delivers everything the previous version did, in a new thin and light tabletop format with woodsides or rack-ears (both included). It also brings additional controls over Sustain modes and timing.

The synth is build in Japan, Tokyo, using only high quality electronic components.
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MRP:$5,797.70 SAVE 17%
coming soon $4,831.41
Behringer 960 Sequential Controller
Cat: 781518
Controller module
Notes: An authentic reproduction of the circuitry from the Modular 55 series used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard EURORACK case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 960 SEQUENCER CONTROLLER is an 8-step sequencer with 3 rows of CV controls for adjusting the pitch of a signal at that stage. An additional 9th step can be used to stop the sequence. Plug in a Behringer 962 SEQUENTIAL SWITCH and transform the 960 from an 8-step sequencer into a 24-step giant capable of creating more intricate sequences and beats.

More sequence variations can be achieved by switching any of the desired Stage Mode switches to Normal, which lets the current stage proceed to the next one; Skip, which lets you bypass the stage; or Stop, to freeze the sequence. You can even manually trigger each stage by pressing the respective Set button. Create an 8-step sequence then set the 960 to skip every other stage to have a staccato rhythm and spice up a song.

The 960 also comes with an oscillator where you can adjust the oscillator range or pitch with the Frequency Range knob and fine tune that with the Frequency Vernier knob. You can also manually start or stop the oscillator with the on and off buttons or connect an external gate signal to control the on/off status. A control input is available for you to connect another module to tweak the oscillator frequency of the 960 and expand its flexibility.

Installing the 960 SEQUENCER CONTROLLER is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the 960 SEQUENCER CONTROLLER to be mixed with other synth modules for a truly unique set up.

100 mA +12V
50 mA -12V
0 mA 5V
47 mm deep
O 5.00

Oscillator on/off
2 x 3.5 mm TS jacks, AC coupled

Impedance: >3 kO, unbalanced

Maximum input level : +5 V

Minimum switching threshold:
Control input
Type: 3.5 mm TS jack, 1 V/oct

Impedance: 100 kO, unbalanced

Maximum input level : i2 V, vernier set to 5

Shift input
Type: 3.5 mm TS jack, DC coupled

Impedance: 7 kO, unbalanced

Maximum input level : i5 V

Minimum switching threshold: +1.5 V

Stage triggers: Type
8 x 3.5 mm TS jacks, AC coupled

Impedance: >3 kO, unbalanced

Maximum input level : +5 V

Minimum switching threshold: +3.5 V trigger

Row outputs
Type: 6 x 3.5 mm TS jacks, DC coupled

Impedance: 500 O, unbalanced

Maximum output level: +8 V (range X4)

Stage trigger outputs: Type
8 x 3.5 mm TS jacks, DC coupled

Impedance: 250 O, unbalanced

Maximum output level: +5 V, active high

Oscillator output
Type: 3.5 mm TS jack, DC coupled

Impedance: 4 kO, unbalanced

Maximum output level: +4 dBu

Duty cycle: 90%

Frequency range:
1 (0.04 to 0.5 Hz), 2 (2.75 to 30 Hz)

3 (0.17 to 2 Hz), 4 (11 to 130 Hz)

5 (0.7 to 8 Hz), 6 (44 to 500 Hz)

Frequency vernier: Tune the oscillator range, 3 octave range

Oscillator on/off
Manually start or stop the oscillator

Voltage knobs
-8 to max voltage set by the range switch

Mode switch
Skip stage, play stage, stop sequencer

Manually select stage

Range switches
X1 (+2 V), X2 (+4 V), X4 (+8 V) max. output

Timing on/off
Allows 3rd row knobs to control stage duration

Shift button
Manually skip to next stage

Power supply: Eurorack

Current draw: 100 mA (+12 V), 50 mA (-12 V)

Physical Dimensions: 284 x 129 x 47 mm (11.2 x 5.1 x 1.9")

Rack units: 56 HP

Weight: 0.64 kg (1.41 lbs)
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coming soon $139.12
Arturia Keystep 37 Portable USB MIDI Keyboard Controller & Sequencer
Cat: 790383 Rel: 31 Dec 20
USB MIDI keyboard controller & sequencer
Notes: KeyStep 37 goes beyond an easy-to-use 64-step sequencer, arpeggiator and MIDI keyboard. It's responsive, dynamic, expanded in every direction to encourage musical exploration - the controller that's built to help write music and also includes Ableton Live Lite, making it a complete music production starter kit, as well as appealing to veteran musicians. Like KeyStep and KeyStep Pro before it, KeyStep 37 offers unique features not found in any other product.

The familiar KeyStep formula, expanded. KeyStep 37 features a velocity-sensitive 37-note keybed, complete with aftertouch and RGB LED feedback, while remaining lightweight and compact.

At the center of the control panel, you'll find 4 new knobs with an LED screen, giving you instant access to inspiring new expressive tools and MIDI tweaking - total creative control.

The new controls unlock KeyStep 37's unique & enhanced Chord mode. Choose from 12 chord types, an array of strum effects, and spread the voices out into complex velocity-sensitive parts that respond like a stringed instrument.

Map out KeyStep 37's 3-octave keyboard range with a scale of your choice using Scale mode. Any key you play will automatically quantize to the nearest note in the chosen scale.

Tap into the inner workings of your MIDI hardware and software with assignable 16 MIDI CC pa-rameters across 4 switchable banks. Use the 4 new controls to tweak settings on the fly for dy-namic performances.

The core of your setup:

KeyStep 37 is designed to be put in control. An accessible interface, a compact design and com-prehensive connectivity make it the perfect centerpiece for your rig - whatever your needs.

Hook up your synth hardware with MIDI in/out. Control your favorite VST instruments with MIDI over USB. Use CV pitch, gate and mod connections for modular integration. Analog sync in/out keeps everything in time without hassle. The best bit? Use it all at the same time.

Included is a free copy of Ableton Live Lite, an accessible music-making suite for your Mac or PC. Register KeyStep 37 for your free download and get creative right out the box - let the music flow freely.
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MRP:$189.90 SAVE 17%
coming soon $158.25
Behringer 112 Dual VCO Module
Cat: 780465
analog dual VCO module
Notes: Eurorack module; two identical analog VCOs in one module.

Selectable waveforms: triangle, sawtooth and squarewave/pulse; adjustable pulsewidth and PWM CV input with attenuator; octave-switch and fine-tune control knob; hard and soft sync; 3 pitch CV inputs with attenuators;

Power consumption: 130mA (+12V) / 70mA (-12V); width: 16 HP; depth: 46mm
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coming soon $106.20
Arturia MicroFreak Vocoder Microphone
Cat: 789250 Rel: 30 Sep 20
Microphone for Arturia MicroFreak Vocoder
Notes: The perfect companion to MicroFreak's Vocoder engine. This specially designed microphone attachment lets you add your vocals to MicroFreak's unique mix of digital and analog.

Transform your toplines, harmonies, and spoken word into inspiring modulated textures.

With its gooseneck design, this electret microphone is built with ergonomics and ease of use in mind. Adjust its height and angle to suit your setup, and connect it directly to MicroFreak's head-phone connector. Thanks to an additional socket on the microphone's base, you can still connect your headphones for monitoring.

In terms of sound, the microphone is designed to work perfectly with the MicroFreak Vocoder engine's 16-band frequency range, ensuring accurate detection of the complex harmonics of the human voice. MicroFreak will detect when the mic is connected and automatically set the gain, but this can be easily adjusted in the utility menu.

Jump from subtle synthesized harmonies to robot vocals in no time with the MicroFreak Vocoder Microphone!
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MRP:$31.86 SAVE 17%
coming soon $26.55
Mordax Data Multifunction Tool Signal Analyser & Generator Module (black)
Notes: The Ultimate Eurorack Utility Module (and a whole lot more!)

The DATA is a digital platform for testing, measurement, and signal generation in Eurorack modular synthesis systems. It is a modular tool kit, with functions applicable to any system and style.

Use the DATA's scope to view the interactions between your control voltages and audio signals, allowing you to master your modules by understanding their voltage ranges, control shapes, and parameter responses. Use the DATA's dual waveform generator to dial in a precisely scaled LFO for CV control, or use the waveform's frequency "note mode" to effortlessly make dyads (two note chords). Use the DATA's clock program as a master clock or to divide or multiply an incoming clock signal, sending four different clock outs to gate modules directly or as control to sequencers.

The possibilities of the DATA are basically unlimited; with the included microSD you can update the DATA's firmware and we can continue to refine and create new programs.
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MRP:$535.29 SAVE 21%
coming soon $423.77
Modal Electronics ARGON8X 8 Voice 61 Key Polyphonic Wavetable Keyboard Synthesiser
Cat: 763203
wavetable keyboard synthesier
Notes: The Argon8X features an identical sound engine and feature set, but rather than a 37-note keybed, you get 61 keys for an even more immersive playing experience. Mind-bending functionality and near-infinite tonal possibilities meets an attractive price tag; Modal have once again raised the bar in the desktop synth category.
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MRP:$827.15 SAVE 17%
coming soon $689.29
Arturia MicroFreak Vocoder Limited Edition
Arturia MicroFreak Vocoder Limited Edition (synthesiser sequencer vocoder)
Cat: 789247 Rel: 30 Sep 20
Notes: The uniquely unpredictable MicroFreak but not as you know it. 14 digital oscillator modes, velvety analog filters and heaps of modulation/randomization controls, supercharged with wild vocoding abilities.

Arturia have created an entirely new 16-band mode to transform your voice in the Freakiest way possible. The vocoder engine features 3 waveforms - sawtooth, pulse width and noise - while the Timbre and Shape knobs adjust the response of the 16 frequency bands.

MicroFreak Vocoder Edition goes beyond robot vocals. 16 new presets give you instant access to android translations, crystalline harmonies and vibrant formant sequences galore. Connect an ex-ternal sound source like a drum machine or synth via the headphone socket for glitchy sound pro-cessing. Step up to the mic A simple, removable mic attachment that lets you sprinkle your voice into the mix. A gooseneck design means quick position adjustment, with easy connection straight into the headphone socket alongside your cans. The utility menu lets you set your preferred mic gain and noise gate settings. A new dress code First impressions make a difference. MicroFreak has always been out to make a statement, and the Vocoder Edition is no exception. The control panel has been given a makeover. The center strip boasts a bold new Swan graphic, while a sleek white finish makes this limited edition Freak stand out from the crowd - as if it didn't already. The Freak within Behind the revamped appearance and microphone attachment is the same lovable maniac that set the synth world spinning. Sparkling digital and wavetable oscillators collide with warm analog filters. A unique poly-after-touch PCB keyboard combines with a distinctly freaky arpeggiator & sequencer. Bathe your mix in sonic hysterics with the erratic mod matrix or the unique Spice & Dice randomizers.

Box contents:
MicroFreak Vocoder unit
Electret mic with gooseneck and headphone adapter
Power supply

Size & weight
Instrument size : 12.2 x 9.2 x 2.2 inches (311 x 233 x 55mm)
Instrument weight : 2.3 lbs. (1.02 Kg)

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MRP:$381.08 SAVE 17%
coming soon $317.57
Qu Bit Data Bender Circuit Bent Audio Buffer Module
Cat: 766026 Rel: 31 Dec 20
audio buffer module
Notes: Data Bender is a circuit bent digital audio buffer. It is inspired by the ways in which audio equipment can fail. The sounds of skipping CDs, software bugs, and defective tape machine playback are all accessible. The audio buffer can hold up to five minutes of stereo audio, providing a sonic canvas capable of infinite surprises and discovery.
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MRP:$444.80 SAVE 17%
coming soon $370.66
Doepfer A-174-4 3D Joystick Module
Cat: 765892
control voltage module
Notes: Module A-174-4 modules outputs three control voltages generated by a spring-loaded X/Y cross potentiometer (so-called joy stick) and a Gate signal. The control voltages for X and Y are controlled by the X and Y position of the joystick in the usual way. The third control voltage Z is controlled by the rotation of the spring-loaded joystick knob. The Gate signal is generated by a button at the center/top of the joystick knob.

For each control voltage the non-inverted signal (X, Y, Z) as well as the inverted signal with adjustable offset (-X+XO, -Y+YO, -Z+ZO) are available. The generic joystick control voltages are bipolar, i.e. they range from typ. -5V (lowest position) via 0V (center position) to typ. +5V (highest position). The "Overlap" switches can be used to add a fixed offset voltage of typ. +5V to the non-inverting output in question so that the output voltage range changes to typ. 0...+10V (rather than -5...+5V). That's necessary if e.g. a VCA has to be controlled, which requires a pure positive control voltage range. The switches are named "overlap" because they allow the overlapping of the non-inverting CV output (X, Y, Z) with the inverting output (-X+XO, -Y+YO, -Z+ZO) for crossfading applications. With the overlap switch "on" and appropriate setting of the offset control it's possible to obtain a control voltage range of 0...+10V for the non-inverting output and +10V...0V (i.e. same range but opposite direction) for the inverting output.

The offset voltages which are added to the inverting outputs can be adjusted by means of three small potentiometers. That way different kinds of control voltage ranges are possible, e.g.
-5V ... +5V for the non-inverting output and +5V ... -5V for the inverting output ( Overlap = off, Offset = 0)
0 ... +10V for the non-inverting output and +10V ... 0V for the inverting output ( Overlap = on, Offset = max)
-5V ... +5V for the non-inverting output and +10V ... 0V for the inverting output ( Overlap = off, Offset = max)
0 ... +10V for the non-inverting output and +5V ... -5V for the inverting output ( Overlap = on, Offset = 0)
On top of this the four quadrant voltages Q1, Q2, Q3 and Q4 are available. A quadrant voltage becomes positive when the joystick is positioned in the quadrant in question.
Each CV output is equipped with an LED that displays the present voltage.

Because of the construction height of the joystick (about 7 cm) the module cannot be installed into the cases A-100P6, A-100P9, A-100PMS6, A-100PMS9 and A-100PMS12 during transportation as the depth of the case cover is not sufficient. Into the base cases A-100PB and A-100PMB as well as in all other cases without cover the module can be installed without problems.

HP : 12
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coming soon TBA
Qu Bit Cascade Ratcheting Envelope Generator Module
Cat: 766031 Rel: 31 Dec 20
envelope generator module
Notes: Cascade is a ratcheting envelope generator featuring burst generation, a flexible curve parameter, and two discrete level controls. Freeze allows you to lock the output voltage exactly where it is with the press of a button or a gate input. The Cascade can be transformed into several other modes, including ASR, ADSR, dual AD, and a gravity-based bouncy-ball mode.
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MRP:$253.63 SAVE 17%
coming soon $211.35
Mordax Data Multifunction Tool Signal Analyser & Generator Module (white)
Cat: 783343 Rel: 02 Oct 20
Signal analyser & generator module
Notes: The Ultimate Eurorack Utility Module (and a whole lot more!)

The DATA is a digital platform for testing, measurement, and signal generation in Eurorack modular synthesis systems. It is a modular tool kit, with functions applicable to any system and style.

Use the DATA's scope to view the interactions between your control voltages and audio signals, allowing you to master your modules by understanding their voltage ranges, control shapes, and parameter responses. Use the DATA's dual waveform generator to dial in a precisely scaled LFO for CV control, or use the waveform's frequency "note mode" to effortlessly make dyads (two note chords). Use the DATA's clock program as a master clock or to divide or multiply an incoming clock signal, sending four different clock outs to gate modules directly or as control to sequencers.

The possibilities of the DATA are basically unlimited; with the included microSD you can update the DATA's firmware and we can continue to refine and create new programs.
Read more
MRP:$535.29 SAVE 21%
coming soon $423.77
Behringer Eurorack Rack
Behringer Eurorack Rack (19" Eurorack rack mount)
Cat: 780464
rack-mount kit with power supply
Notes: The EURORACK RACK is ideal for any Behringer Eurorack-style synthesizer or equipment. This desktop/rack-mount kit converts a 19" rack into an 84 HP Eurorack chassis. A compact 4 HP power supply with two flying bus boards are included together with a 3A universal power adapter. 52 sliding nuts allow you to easily position your modules so you can freely position your synth wherever you need it.
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coming soon TBA
Behringer 921B VCO Module
Behringer 921B VCO Module (oscillator module)
Cat: 780467
VCO module
Notes: Enter the Behringer 921B OSCILLATOR. An authentic reproduction of the circuitry from the "Modular 55 and 35" series oscillators used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 921B OSCILLATOR module is controlled by the Behringer 921A OSCILLATOR DRIVER or can be used as a free-running LFO. Separate Frequency and Range knobs allow you to adjust the frequency range in semitones and in octaves. The 921B along with the 921A modules form the foundation of a proper modular synthesizer and the basis for some really great music.

The 921B OSCILLATOR features independent audio outs for each of the 4 waveforms which include sine, triangular, sawtooth and rectangular which can be patched out to different modules to unlock even more creative possibilities. A dedicated oscillator sync input and switch can be used to sync the 921B to a signal introduced into the Sync In jack. Parallel link jacks allow the 921B to link to other 921B in the chain.

Installing the 921B OSICLLATOR is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 921B OSICLLATOR to be mixed with other synth modules for a truly unique set up.
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coming soon $106.20
Behringer 3 Tier Eurorack Module Stand Case
Cat: 780468
module stand case
Notes: Behringer Eurorack Stand 3-Tier; desktop stand for mounting up to 3 Eurorack 104 cases (item 463669), or 3 Behringer synthesizers (e.g. Pro-1, Wasp Deluxe, K-2, Neutron, Model D, Cat).

Variable width (70 HP, 80 HHP or 104 HP); rugged aluminum/steel construction.
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coming soon $66.90
Native Instruments Maschine+ Standalone Production & Performance Instrument
MRP:$1,400.68 SAVE 17%
coming soon $1,167.23
Joranalogue Morph 4 Dimensional Modulation Array Module
Cat: 790025 Rel: 31 Dec 20
Modulation hub for Eurorack synthesisers
Notes: Modulation is the core concept of modular synthesis: parameters changing over time, adding movement and musical interest to what would otherwise be merely static sounds. Being able to control the amplitude of signals throughout a patch is therefore essential, and one can never have too many voltage controlled amplifiers (VCAs).

Designed as a fully-featured modulation hub for Eurorack synthesisers, Morph 4 takes the basic concept of the multi-VCA module to the next level.

Four linear amplitude modulators are controlled by a master 'morph' parameter. The response of each modulator to this parameter is completely variable, both manually and under voltage control, and can be overridden if desired. Each response is triangular, with the 'position' parameter setting the maximum point along the morph axis, while 'span' determines the width of the triangle's base.

In addition to separate signal inputs and outputs, a variety of combined outputs is available as well: A+B, C+D, add (unity gain) and averaging mixes, and instantaneous minimum and maximum. Input normalisation makes it easy to send the same signal to multiple modulators, while output and modulator response LEDs provide essential visual feedback.

The combination of master control, fully flexible modulators and multiple combined outputs creates a module truly embodying the spirit of 'patch programmable' modular synthesis. Use Morph 4 as a voltage controlled mixer, dual crossfader, dual panner, interpolating scanner, interpolating distributor, quad VCA, quadraphonic controller, slope modifier, rectifier, complex waveshaper or something in between any of those- the choice is yours.

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MRP:$405.29 SAVE 17%
coming soon $337.73
Joranalogue Fold 6 Multi-Topology Wavefolder Module
Cat: 790028 Rel: 31 Oct 20
Wavefolder module
Notes: Often considered to be the opposite of filters within a modular system, wavefolders are designed to fold a signal over itself multiple times. This generates additional harmonics, resulting in rich timbres.

While there is a bewildering array of filter types within the synthesiser world, most wavefolders fall within only a few categories. Diode wavefolders in particular come in just two variants: series and parallel circuit topologies. Choosing a specific folder also means being limited to specific sounds and capabilities.

For the first time, Fold 6 puts forward a 6-stage hybrid series/parallel topology, yielding a greater sonic palette than ever in just 4 HP. Having both main (series) and alternate (parallel) outputs means a single module now gives access to just about all wavefolding tones imaginable.

To take things even further, an integrated symmetrical soft clipper limits the output signals to approximately 10 Vpp, keeping the amplitude within typical Eurorack levels and making it easier to create overdriven sounds at high fold ratios. This clipping stage can be driven continuously using the shape parameter, smoothly transforming the folded waveforms into pulse waves for even more harmonic content.

Two signal inputs are included, to mix audio signals or add in a DC voltage for asymmetric folding. The symmetry can also be manually controlled using the dedicated knob. Of course, both fold and shape parameters feature voltage control, to enable continuous timbral modulation.

Moving beyond simple signal processing, Fold 6 also lends itself perfectly for feedback patching, CV folding or frequency multiplication; its modest size belies the sonic capabilities within.

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MRP:$184.80 SAVE 17%
coming soon $154.00
Behringer Pro-1 Analog Synthesiser
Cat: 781519
analog synthesiser
Notes: The Behringer Pro-1 is a clone of the popular retro classic Sequential Circuits Pro-One which was once conceived to be a monophonic Prophet-5. Those who know and love recordings of Depeche Mode and Yazoo, will enjoy recognizing a lot of those sounds with the Pro-1.

The two assertive oscillators, each based on a CEM3340 chip, have sawtooth and square waveforms, an octave switch, fine tuning and pulse width control. Oscillator A can be synchronized to oscillator B, the second tone generator is additionally equipped with the triangle waveform and can be switched to low mode as well as decoupled from the pitch control. Both VCOs are brought together in the mixer, where the noise generator is also located, which can be replaced by an external signal. The beautiful basic sound is processed with a characterful 24dB lowpass filter, also known as Curtis VCF. It behaves similar to a Moog filter, but due to the IC CEM3320 it sounds different than the transistor cascade. The two crisp ADSR envelopes are assigned to the filter and VCA. An LFO with three waveforms is connected to the targets via the modulation bus. The special features of this instrument include the waveforms that can be activated simultaneously in both oscillators and in the LFO.

The modulations are assigned on the left side of the control panel. The filter envelope, oscillator B and the LFO, each with their own attenuator, are available in parallel as sources. These are assigned to the targets frequency oscillator A+B, pulse width oscillator A+B and cutoff directly or via the modulation wheel (or midi controller). Wild oscillator drifts, sync sounds, sirens, FM for filter and/or oscillator A as well as pulse width modulation are possible if used with care. If you turn everything up at once, it gets really wild! The modulation bus is the hottest feature of the Pro-1 next to the sound.

The ingeniously simple sequencer provides access to two patterns, each of which can be up to 40 steps long; pauses can also be programmed. The notes are played via a connected MIDI keyboard. After the input, the patterns can be transposed with the keyboard. The Arpeggiator primarily offers the playback modes Up and Up&Down, but can also be integrated into the pattern. Synchronization to other equipment is done via the analog clock input or MIDI/USB.
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coming soon $334.54
Intellijel µMIDI 1U Module
Cat: 785361 Rel: 21 Oct 20
MIDI voice and clock interface
Notes: All the essentials to control and sync your rack to your computer, iPhone/iPad, or hardware MIDI device. No menu diving or configuration scripts, just two buttons. Get crazy with external modulation and sequencers, or just sync your rack's clock from your MIDI bus.

The uMIDI 1U provides all the essentials to control and sync your Eurorack modular from your computer, iPhone/iPad, or hardware MIDI device with a minimum of fuss. No menu diving or configuration scripts, just two buttons. The connectivity, features, and compact size allows the integration of your modular system with the rest of your studio while not taking up too much space in your case.

The clock section to the left features a dedicated 16th note clock output ideal for synchronizing a Eurorack sequencer like the Metropolis. A second clock output with selectable divisions can be used when difference sync events are needed. The run and reset outputs can reset your Eurorack sequencers in tandem with any external sequencer or DAW.

The right half of the uMIDI 1U gives you everything you need (like pitch, gate, trigger, velocity, mod wheel and assignable CC) to control a single voice synth via MIDI.

This module connects via ribbon cable to the uMidi JACKS 1U module or to the MIDI I/O jacks on the back of the 7U performance cases.
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MRP:$237.06 SAVE 17%
coming soon $197.53
Malekko Quad LFO Module (black faceplate)
Cat: 766096 Rel: 31 Dec 20
LFO module
Notes: An LFO, or low frequency oscillator, sends control voltage out in the shape of a waveform. The Quad LFO available shapes include sine, ramp, saw, triangle and pulse and moves through these shapes using the SHAPE slider. You can send these 4 distinct LFOs directly out or to other modules for frequency modulation, VCA control, filter control, etc.

What makes this Quad LFO module different is that it also includes a 16 step automation sequencer for each channel, as well as autosave or expanded preset functions when used in conjunction with Varigate 4+ and Varigate 8+.

Multiple Quad LFOs can be controlled by one Varigate 8+ or Varigate 4+ on the same bus to instantly save/recall presets.

To create a sequence of automation for an LFO, select a channel and then hold the RECORD button and move the sliders for Frequency, Phase, Shape, Distort and Level and those slider movements will play back automatically as the Quad LFO cycles through the sequence. This sequencing feature allows for a multitude of dynamic possibilities for live performance and recording.

Set each LFO to trigger via one of the 4 individual gate inputs, or set channels 2 through 4 to follow channel 1 for quadrature and phase modulation. Change the direction of each channel of sequenced automation to Forward, Reverse, Pendulum or Random. Switch the playback speed and style between Fast, Slow or Tempo Sync. There are also inputs for both Clock and Reset.

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MRP:$350.49 SAVE 17%
coming soon $292.08
Klarkteknik 3rd Dimension BBD-320 Analog Multi-Dimensional Signal Processor
Cat: 782075
Multi dimensional signal processor
Notes: Analog Multi-Dimensional Signal Processor with BBD Technology

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coming soon $146.57
Tangible Waves AE Modular ALGODRONE Bytebeat Algorithms Module
Cat: 786475 Rel: 31 Dec 20
Algorithms module
Notes: Explore the world of bytebeat algorithms with ALGODRONE!

The ALGODRONE module is a sound source based on the so-called bytebeat algorithms. These are simple formulas, usually expressed as one line of program code, that spit out a wide variety of interesting tonal to rhythmical patterns, regardless of their simplicity.

The ALGODRONE module contains a number of these algorithms plus three parameter knobs that change values within the current algorithm. These changes vary from subtle to dramatic, even with small changes, depending on the algorithm and the setting of the other parameters.

Some algorithms create sound loops, to use these more flexible the ALGODRONE can work in a kind of "granular" mode where a smaller part of the entire loop is repeated and with the POSITION knob you can move through the entire output loop.

To maximize the variability, the parameter and "granular" values can be CV controlled too!

All in all a real kaleidoscope that will surprise you every time!
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MRP:$98.14 SAVE 17%
coming soon $81.77
Tangible Waves AE Modular FMOS FM Synthesis Module
Cat: 786477 Rel: 31 Oct 20
Synthesis module
Notes: FM synthesis for the AE!

The FMOS is a new digital oscillator that brings FM synthesis to the AE modular! It offers the basic FM synthesis with one oscillator and one modulator, running both with sine waves or triangle waves. The modulation depth and frequency ratio of the modulator can be set with a knob and additionally by CV control. If you want pure sine waves, this is for you too - simply set the modulation level to 0.

The module is based on a simple 8-bit microcontroller and an adapted design of Jan Ostman.
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MRP:$52.25 SAVE 17%
coming soon $43.54
Tangible Waves AE Modular SOLINA String Machine Emulation Module
Cat: 786501 Rel: 31 Dec 20
String machine emulation module
Notes: SOLINA, an emulation of the 70ies string machines!

The SOLINA module is based on th excellen work of Jan Ostman, who has developed a very good digital based emuation of the sound of the string synths that were popular in the music of the 70ies and 80ies, like ARP Solina (who gave this module it's name), Logan String and others.

Their unique sound is based on several, minor detuned sawtooth oscillators and an ensemble effect.

This module produces chords, which can be shaped in different ways, like selecting the base scale (minor, major), adding the 7th or a bass note and different variations of the chord. The sound can be shaped with a variable oscilator spread/detune, adding a phaser/ensemble and a tone knob for choosing the overall character between bass focused to only higher parts of the sound.
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MRP:$91.76 SAVE 17%
coming soon $76.46
Tangible Waves AE Modular QUANTIZER Automatic Musical Scales Module
Cat: 786489 Rel: 31 Oct 20
Quantizer module
Notes: The QUANTIZER takes four different CV inputs and processes them in a way that the CV values "snap" to the exact values so that oscillators controlled by the outputs of the module play the notes of a selected musical scale. With an encoder one of 16 scales can be selected and is displayed in a text display,

There are 4 independent channels that are quantized to the same selected scale.

As an additional feature, the module provides a trigger signal for each channel on every change on the output CV.

Finally, with a switch the scale selection can be "frozen" so there is no accidental change possible.

There are 4 independent channels that are quantized to the same selected scale.

Module power consumption: 15 mA

CV 1 - accept CV for channel 1 of the quantizer
CV 2 - accept CV for channel 2 of the quantizer
CV 3 - accept CV for channel 3 of the quantizer
CV 4 - accept CV for channel 4 of the quantizer
CV 1 - Quantized CV from channel 1 of the quantizer
CV 2 - Quantized CV from channel 2 of the quantizer
CV 3 - Quantized CV from channel 3 of the quantizer
CV 4 - Quantized CV from channel 4 of the quantizer
TRIG 1 - Gate signal on change of CV from channel 1 of the quantizer
TRIG 2 - Gate signal on change of CV from channel 2 of the quantizer
TRIG 3 - Gate signal on change of CV from channel 3 of the quantizer
TRIG 4 - Gate signal on change of CV from channel 4 of the quantizer
MULT - unbuffered multiple, unconnected from the module's circuitry
B. CV - CV signal from MIDI
Please note:

The notation of the outputs is slightly different on the panel than indicated here. There are two rows of identical outputs, side by side. For each output-trigger there is an activity LED, indicating a change in quantized CV.

SCALE Knob - selects the current scale. 16 scales are available, the selected scale will be displayed in the small display to the right of this knob
LOCK Switch - prevents accidental changes of the selected scale when activated
OFFSET Knob - Select from up to 12 notes from the well-tempered scale as base-value, depending on the scale selected. All left would be equivalent to a key of C
Please note:

Scale selection directly takes place when the SCALE Knob is turned, clicking it has no specific effect.

Available SCALES, as indicated on the display, are as follows:

Minor (e.g. equivalent to A-B-C-D-E-F-G in ‘A minor’)
Major (e.g. equivalent to C-D-E-F-G-A-B in ‘C major’)
Dorian (e.g. equivalent to C-D-Eb-F-G-A-Bb in ‘C Dorian mode’)
Phrygian (e.g. equivalent to C-Db-Eb-F-G-Ab-Bb in ‘C Phrygian mode’)
Lydian (e.g. equivalent to C-D-E-F#-G-A-B in ‘C Lydian mode’ )
Mixolyd [Mixolydian] (e.g. equivalent to C-D-E-F-G-A-Bb in ‘C Mixolydian mode’ )
Locrian (e.g. equivalent to C-Db-Eb-F-Gb-Ab-Bb in ‘C Locrian mode’)
Gypsy (e.g. equivalent to C-D-Eb-F#-G-Ab-B in ‘C Hungarian minor scale’ )
Whole (equivalent to C-D-E-F#-G#-A# or B-Db-Eb-F-G-A as ‘Whole tone scales’)
Pent Min [Pentatonic Minor] (e.g. equivalent to C-Eb-F-G-Bb in ‘C Minor pentatonic’)
Pent Maj [Pentatonic Major] (e.g. equivalent to C-D-E-G-A in ‘C Major pentatonic’)
1-3-5 (e.g. equivalent to C-E-G in ‘C’)
1-3-4 (e.g. equivalent to C-E-F in ‘C’)
Fifth (e.g. equivalent to C-G in ‘C’)
Octave (e.g. equivalent to C in ‘C’)
Chromat (The 12 welltempered notes of the chromatic scale)
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MRP:$75.20 SAVE 17%
coming soon $62.65
2hp Loop Module (silver faceplate)
Cat: 766646 Rel: 31 Dec 20
sound looper module
Notes: Sound on sound looper with 5 minute audio buffer.

Audio specs: 48kHz, 24 bit.
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MRP:$175.88 SAVE 17%
coming soon $146.57
2hp Loop Module (black faceplate)
Cat: 766647 Rel: 31 Dec 20
loop module
Notes: Sound on sound looper with 5 minute audio buffer.

Audio specs: 48kHz, 24 bit.
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MRP:$175.88 SAVE 17%
coming soon $146.57
NUX MG-300 Guitar Multi-FX Pedal
Cat: 785758 Rel: 24 Oct 20
Multi-FX pedal
Notes: The NuX MG-300 is a compact yet powerful live multi-effects processor, recording tool and practice companion for guitar players. Integrated effects sections include Drive, Amp Simulation, I.R cabinet simulation, Modulation, Delays & Reverbs with a host of options within each category. Audio modelling is based on the NuX TSAC algorithm, which delivers high definition analogue circuit simulation for pro quality guitar tones. An expression pedal covers wah and swell effects amongst other possibilities. All settings can be edited onboard or via USB using the downloadable PC/Mac Quicktone software and then stored into one of 36 internal memory locations. For live or rehearsal backing, the built-in Jam function has a fully featured drum machine and phrase looper. To integrate with a DAW studio suite, the USB also functions as a high quality audio interface, completing the studio-ready guitar rig. The main output has options for guitar amplifiers, D.I to studio equipment or straight to a pair of headphones. On-the-fly controls and a full colour display complete the package, providing a comprehensive and affordable guitar workstation in a very portable format.

The box for this item contains :
NUX MG-300 multi-FX pedal
9Vdc UK power adaptor

Power supply: 9Vdc, 260mA pin-negative (adaptor included)
Inputs: 6.3mm jack (guitar), 3.5mm jack (aux input)
USB: portMicro-USB for audio interface and PC/Mac editing
Sampling format: 48kHz, 24-bit
Frequency response: 20Hz - 20kHz (i1dB)
Output: 6.3mm jack to mixer, amp or headphones
THD: +N<0.03%
Dynamic range: 110dB
Input level: -20dB
Output level: -10dB
Dimensions: 230 x 160 x 58mm
Weight: 754g
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MRP:$138.92 SAVE 24%
coming soon $105.13
Division 6 Business Card Sequencer V2
Cat: 777968
business card sequencer
Notes: The Division 6 packs a lot of sequencer into a tiny package! This 16-step circuit can work as a sequencer or as a handheld keyboard.

Power In: 7-15VDC, tip positive through a 3.5mm jack. Find a voltage source on your synth to power it if you can! A 9V battery or AC adapter will work too.

Power supply: 7-15VDC (reverse-polarity protected!)
Power connection: 3.5mm phone jack, center-positive
Current draw: 15ma
Dimensions: 3.5" x 2" (the same as a business card!)
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MRP:$105.78 SAVE 19%
coming soon $86.02
Intellijel XY I/O 1U Module
Cat: 785358 Rel: 21 Oct 20
Conncector for Intellijel products
Notes: Use this module to tap into the 3-pin LINK connector used in several Intellijel products, including Mixup, Pedal I/O and the Palette and 2nd Generation Audio Jacks Board in a 7U case.

The XY I/O uses two 3.5mm TRS jacks, which accept insert cables to provide send/return capability to a pair of Pedal I/O's, or additional stereo inputs (or outputs) to a pair of Mixups, or one of each.

A third 3-pin Link connector on the back panel allows the X and Y jacks to access the L/R (or Send/Return) jacks on a single connected module or case without needing a stereo cable.
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MRP:$26.76 SAVE 17%
coming soon $22.29
Korg Volca Sample 2nd Generation Digital Sample Sequencer
Cat: 789384 Rel: 31 Oct 20
Digital sample sequencer
Notes: A new generation volca sample with more memory, features, and connectivity to take your music production further than ever before.

The volca sample is the compact and powerful sample-based drum machine that has captured the attention of countless creative players around the world.

This 2nd generation version retains all of the features which made the original so popular, and adds a micro USB port for better connectivity, increased sample memory, a new up to date sound library and additional functions for an improved workflow.

The new volca sample has everything that you need to advance your music creation in a compact form that works in the studio or anywhere you take it.

On its own, it is an advanced sample machine with a powerful engine capable of 8 voice polyphony, digital reverb and a dual band analogue isolator. Totally hands on, this new volca sample provides an amazing array of knobs for sample manipulation and performance sound-shaping. Plus, for added convenience, it runs on 6 AA batteries, has an integrated speaker and at only 372g/13oz (without batteries) is perfect for stand-alone use!

Furthermore, with its USB, SYNC IN-OUT and MIDI connections, volca sample can integrate seamlessly with your live rig, production studio and of course any other volca!

The new micro USB port provides a convenient connection between the volca sample and a computer for streamlined integration and sample management, allowing you to easily control, sync, and play your volca sample from any DAW. With newly added individual MIDI channels assignment per part, it is now easier to perform when using an external device such as a sequencer or keyboard.

With the volca sample's dedicated Librarian software (available for Mac and PC) utilising the USB port managing and sending your samples and patterns back and forth is now an instantaneous and pain-free process.

You can also use the dedicated app AudioPocket manager for iOS to record new samples on the fly and transfer them to your volca sample instantly.

Two new features have been added to this new volca sample that will help in your music making process:
Pattern chain mode with 2 different STEP JUMP modes
Start delay function: Go "off the grid" with the new delay feature that lets you slightly delay the start of any part to achieve different kinds of grooves or a swing feel.
More Memory, Pattern Locations, Samples, and Bonus Packs!

Volca Sample 2 has an increased memory of 200 memory slots; double its predecessor. 50 are left empty so you can load either your own original or pre-made libraries. Pattern locations have also have been increased from 10 to 16.

The new generation of volca sample comes with a brand-new sound library that has been carefully crafted to fit the needs of all music producers and beat makers everywhere.

This great selection of 150 samples will take your production to the next level, making it possible to make tracks on the fly with sounds that will fit every genre, including recent ones such as Future bass, Trap, Lo-Fi hip hop, and many others!
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MRP:$202.65 SAVE 17%
coming soon $168.87
SynthRotek West Coast Noise System
SynthRotek West Coast Noise System (modular synthesiser system)
Cat: 778522
noise module
Notes: Clear a room faster than ever with the West Coast Noise System. The amount of insanity you can create from so few modules is incredible. It's analog drums, 8bit crunch and noise married to a sequencer. Be sonically devastating or intriguingly melodic.

The West Coast Noise System is powered by Synthrotek's Case Power Mini Yellow, which has the following amperage specs: +12v @1A; -12v @ 0.5A; +5v @ 1.5A


Sequence 8
MST Noise Sample and Hold / Track and Hold
Atari Punk Console
DIRT Filter
DLY Module
1U UniBuffer
1U Stereo Output Mixer
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MRP:$1,070.58 SAVE 21%
coming soon $849.66
Tangible Waves AE Modular Case Hinge Kit Type 2
Cat: 786533 Rel: 31 Oct 20
Case hinge kit for Tangible Waves AE Modular
Notes: The case hinge kit allows it to join two cases at a free angle. It contains:

two joint elements
four screws
a connection cable between the cases.

This type is designed for an application where the lower case is already fixed above the surface (e.g. when mounting a third case to a combination of two cases connected with the hinge kit type 1).

Via the connection cable the bus and power supply is shared between both cases, so no extra power supply / second MASTER module is needed for the additional case.
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MRP:$16.57 SAVE 17%
coming soon $13.80
Apogee Symphony Desktop Audio Interface
Cat: 762366
audio interface
Notes: Symphony Desktop for Mac and Windows packs the legendary sound quality of Apogee's rack-mount Symphony I/O Mk II into an elegant and inspiring 10x14 audio interface that sits on your desk and fits in your bag. With Symphony Desktop, musicians and producers are empowered to record, overdub and mix with the music industry's most respected AD/DA converters and mic preamps.

By combining superior performance, with new features like mic preamp emulation, the Apogee Channel FX plugin and ultra low latency recording with hardware DSP and Apogee native FX plugins, Symphony Desktop will amplify your creativity in your studio or on the go and give your recordings the Apogee sound quality Advantage.

Symphony Desktop not only delivers the music industry's most sought after and respected sound quality with its Symphony I/O Mk II pedigree, it offers the inspiring and elegant usability of the iconic Apogee Duet and Quartet.

Apogee FX Plugins included with Symphony Desktop:

Symphony EQ - Native and hardware versions
Symphony Compressor - Native and hardware versions
Symphony Reverb - Native version

Mic Preamp Emulations included with Symphony Desktop:

British Solid State - Class A console sound - Inspired by the Marinar "Round can" input transformer and discrete transistor design of the Class A Neve 1066 mic preamp.
American Tube - Lush, 50s Tone - This emulation offers the lush, larger-than-life sounds of the 50s era Ampex 601 preamp, carefully restored and modded for lower noise and greater dynamic range.

In the Box:

Symphony Desktop
12V DC power supply
USB Type C to A cable
USB Type C to C cable
Quick start guide
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MRP:$1,655.58 SAVE 17%
coming soon $1,379.65
2hp Pitch Module (silver faceplate)
Cat: 766651 Rel: 31 Dec 20
pitch module
Notes: Time domain pitch shifter with flutter control.
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MRP:$140.20 SAVE 17%
coming soon $116.83
Befaco DIN5 MIDI To TRS Type B Cable (1.5m, pack of 3)
Cat: 784170 Rel: 08 Oct 20
DIN5 to TRS cable
Notes: 3,5mm TRS to male DIN 5

150cm length
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MRP:$15.29 SAVE 31%
coming soon $10.62
Audio Technica ATH-M50X Limited Edition Professional Studio Monitor Headphones (purple & black)
Notes: As the most critically acclaimed model in the M-Series line, the ATH-M50 is praised by top audio engineers and pro audio reviewers year after year. Now, the ATH-M50x professional monitor headphones feature the same coveted sonic signature, with the added feature of detachable cables. From the large aperture drivers, sound isolating earcups and robust construction, the M50x provides an unmatched experience for the most critical audio professionals.

Critically acclaimed M-Series professional monitor headphones deliver accurate audio and outstanding comfort, perfect for long sessions in the studio and on the go. Contoured earcups seal tight for excellent sound isolation, with minimal bleed. And the pro-grade materials are durable, yet comfortable. Find out why online reviewers, top audio engineers, and cult followers agree, M-Series is an unmatched combination of audio and build-quality that gets the job done. Hour after hour, year after year.

Type: Closed-back dynamic
Driver Diameter: 45 mm
Magnet: Neodymium
Voice Coil: CCAW (Copper-clad aluminum wire)
Frequency Response: 15 - 28,000 Hz
Maximum Input Power: 1,600 mW at 1 kHz
Sensitivity: 99 dB
Impedance: 38 ohms
Weight: 285 g (10 oz), without cable and connector
Cable: Interchangeable cables: detachable 1.2 m - 3.0 m (3.9' - 9.8') coiled cable, detachable 3.0 m (9.8') straight cable and detachable 1.2 m (3.9') straight cable
Accessories Included: Protective carrying pouch, 6.3 mm (1/4") screw-on adapter
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MRP:$191.18 SAVE 17%
coming soon $159.30
Happy Nerding FX AID XL Multiple Audio Effects Module (black faceplate)
Cat: 792162 Rel: 31 Dec 20
Multiple audio effects module
Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Separate modulation inputs for all three effect parameters plus Sample Rate Reducer (SRR) input - changes internal clock. Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to SRR input.

Reflashing mode: hold both buttons for 10 sec.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

By default it runs on 32.77 kHz and, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz via SRR input.

80 mA +12V
30 mA -12V
45 mm deep
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MRP:$275.29 SAVE 23%
coming soon $211.35
Division 6 Business Card Synthesizer (fully assembled)
Cat: 777973
business card synthesiser
Notes: The Business Card Synthesizer is a tiny synth that can be connected to a Business Card Sequencer, other synth gear, or played by itself.

Headphones can be connected directly to the output of the synth, and there are plenty of knobs to play with, so you can easily make noises anywhere. Great for learning about synthesizers!

S&H Button: Enables Sample & Hold, which disables the external CV IN jack and uses LFO1 and LFO2 to determine oscillator pitch. LFO1 sets the sample rate (SHAPE is ignored for this), and LFO2 is the wave that gets sampled.

GATE Button: Manually turns on the gate so sound comes out of the synth. This control is momentary, but you can latch it on by tapping the S&H button while holding the GATE button down.

COARSE TUNE: Adjusts the pitch of the oscillator up or down in large increments

FINE TUNE: Adjusts the pitch of the oscillator up or down in fine increments

SHAPE: Changes the shape of the wave produced by the main oscillator (VCO). Turning this control fully CW gives you a triangle wave. Start turning it CCW takes you through sawtooth/ramp, then at about the 12:00 position you get a square wave. Continue turning it CCW and you get several higher duty cycle square waves
GLIDE: Adjusts the rate at which the pitch of the VCO takes to go between pitches (whether changed by the COARSE TUNE knob or CV IN). Fully CCW causes the pitch to react almost instantly, while fully CW makes it take its sweet time.

LFO 1 / LFO 2 SHAPE: Changes the shape of the waves produced by the low-frequency oscillators (LFOs). The shapes are similar to those of the VCO, except that the LFOs have sawtooth/ramp waves that go both up and down (since you can actually hear the difference at LFO rates).

LFO 1 / LFO 2 RATE: Controls how fast the LFOs go.

LFO -> VCO: Routes the two LFOs to control the pitch of the main oscillator. The 12:00 position is basically "off", and the LFOs have no effect on pitch. Start turning the control CCW and LFO1 starts changing the pitch of the VCO. Maximum effect is at about 10:00. Continuing to turn the control starts to bring in LFO2 as well. All the way CCW gives you full effect from both LFO1 and LFO2.

Turning the control CW from 12:00 does essentially the same thing, but brings in LFO2 first, then LFO1.

This might seem like kind of a weird control, but it gives you quite a bit of routing flexibility with one knob. You can have no pitch modulation, LFO1, LFO2, LFO1 with a little LFO2, or LFO2 with a little LFO1.

LFO -> VCA: Routes the two LFOs to control the amplitude of the oscillator. (See LFO -> VCO control description above for more information about how the control works.)

ATTACK: Controls how fast the audio amplitude fades in when the gate is triggered. CCW is fast and CW is slow.

DECAY: Controls how fast the audio amplitude fades out when the gate is released. CCW is fast and CW is slow.

VOLUME: Controls the overall volume of the signal coming from AUDIO OUT.

FILTER: Changes the cutoff frequency of an analog low-pass filter. Turn the knob fully CW and all frequencies (that you can hear) are let through. Start turning it CCW and the high frequencies start getting cut off, until the sound becomes muddy / muffled. Use in conjunction with the SHAPE control to get the tonal quality you are looking for.

CV IN: Accepts a 1 volt/octave control voltage to control the pitch of the oscillator. It responds from about 0-5V, but voltages outside of this range won't cause damage. The CV input is quantized, so only valid (western scale) notes are played. This input is ignored when Sample & Hold is enabled.
GATE IN: A voltage greater than about 2.5V will turn on the gate and allow audio to come out the output of the synth.
AUDIO OUT: Connect to an amplifier or another synth. The jack has both the tip and ring connected, so you can even use stereo headphones and hear sound from both ears.
Power: Connect 7.5-15VDC to this 3.5mm TS jack to power the synthesizer. The tip is positive (don't worry, there's a protection diode in case you get it reversed). You can get power from a 9V battery, AC adapter, or you may even be able to find an output on your modular synthesizer that can provide enough current.

Power supply: 7-15VDC (reverse-polarity protected!)
Power connection: 3.5mm phone jack, center-positive
Current draw: 15ma
Dimensions: 3.5" x 2" (the same as a business card!)
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MRP:$105.78 SAVE 19%
coming soon $86.02
Arturia PolyBrute 6 Voice Analogue Polysynthesiser
Cat: 789226 Rel: 30 Sep 20
6-voice analogue polysynthesiser
Notes: Imagine using 6 analog voices to craft a sound that's powerful, raw, and entirely yours. Imagine a sound existing in two states simultaneously in a single preset, with seamless morphing between them. Imagine multi-axis performance controls offering next-generation musical expression. Imagine instant and limitless modulation at your fingertips. Imagine a polysynth made by musicians, for musicians.

Raw, powerful, organic. The analog Brute voice is an unmistakable sonic force to be reckoned with - how about six at once?

PolyBrute's six-voice power starts with two Brute waveshaping oscillators. With sprawling timbral versatility from delicate airy pads to snarling stacked bass, these are six voices you can count on to excel in every application.

The tactile and reactive nature of analog synthesis is right at the heart of PolyBrute's architecture. Tame or animate the oscillators with an expanded array of multiple filters, envelopes and LFOs for absolute control over the analog domain. Once you've harnessed its sound sources, PolyBrute is your vessel for an inspiring voyage into sound.

PolyBrute's morphing abilities let you perform, compose, and explore sound without boundaries.

Imagine being able to sweep all the parameter settings between two different patches all at once. PolyBrute goes even further with its groundbreaking ability to gradually morph between two completely different states within any patch.

For morphing to work, hands-on control is essential - PolyBrutes takes it to another level. The all-new Morphee three-dimensional performance touchpad ensures that intricate morphing expression is always right at your fingertips. Manipulate any facet of PolyBrute's sound, from delicate morphing to extreme dynamic shifts, across the X, Y and Z axis in an instant.

It doesn't end there; PolyBrute is armed to the teeth with articulate controllers to give your performances and compositions the elusive human touch.

This unparalleled sonic flexibility and expressivity is what earns PolyBrute its place in synthesizer history - a trailblazer of creativity.

The Matrix- the digital brain for PolyBrute's analog heart. The Matrix is where PolyBrute's analog reactivity and digital precision collide - an advanced architecture unlike any synth before it.

PolyBrute puts all that analog power right up front with dedicated knobs and switches, offering unmatched control and immediacy.

Almost everything you touch also generates MIDI, so you can capture your every move as part of your DAW productions. Need some instant attitude? Crank up the enhanced Steiner filter's Brute Factor. Want to change the cutoff on both filters at once? Grab the Master Cutoff knob. Time to move the floor beneath your feet? Dial in VCO 2's sub-oscillator. It's all right there in front of you.

Library management, parameter editing, and instant integration with your DAW.

Hook PolyBrute up to your computer and enjoy seamless bi-directional editing and organization. PolyBrute Connect bridges the gap between hardware and software like never before, letting you incorporate its expansive sound into your virtual studio workflow. Construct patches, go deeper with morphing tweaks, and control PolyBrute's sound in real-time from your Mac or PC - simple.

An instrument of this magnitude is deserving of only the highest attention to detail - PolyBrute is a synthesizer years in the making.

It's undergone rigorous testing to ensure a build quality of the finest calibre. Controls, buttons, and expressive components that are a delight to use, time after time. Its pristine metal chassis is embellished with luxurious dark walnut appointments for a timeless aesthetic, with a sleek, modern flare that sets it apart from the crowd.

PolyBrute is something unmistakably new, while remaining firmly rooted in synth design heritage.

Analog Morphing Synthesizer:
6 voices of Polyphony
Mono, Unison, Poly voicing
Single, Split, Layer modes

Two Analog VCOs:
Triangle + Metalizer
Square + Pulse Width
Linear FM
Hard Sync

Three LFOs:
LFO1 and LFO2 with waveform selection
LFO3 with waveform shaping using Shape and Symmetry
Rate control & Tempo Sync
Various retrig options

Three stereo digital effects:
Modulation FX : Chorus, Phaser, Flanger, Ring Modulation, ...
Delay : 9 algorithms including BBD, Digital delay, ...
Reverb : 9 algorithms including Hall, Plate, Spring, Shimmer,

Box contents:
PolyBrute unit
Power cable

Instrument size : 38.3 x 14.9 x 4.4 inches (972 x 378 x 110mm)
Instrument weight : 44 lbs. (20 Kg)
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MRP:$2,879.10 SAVE 17%
coming soon $2,399.25
Erica Synths Sequential Switch V1 Module
Cat: 780453
Switch module
Notes: Erica Synths 8 channel Sequential Switch is the first assembled module for Erica synths, and it allows you to sequence up to eight sound sources in advanced ways or route one sound source sequentially to eight different sound modifiers- VCFs, waweshapers, VCAs, etc.

It has unique control interface that allows you to pause, skip and merge steps, set sequence length, but what really sets it apart from other sequential switches is Gate output- when used with ADSR and VCA, you get really powerful sequencer with real time control over each sound source in the sequence. Use sequential Switch with random clock source and you get a heart of insane random, self-generating patches!

Technical characteristics:

Panel width: 14HP
Module depth: 20mm
Max power consumption (all LEDs on): 52mA@+12V, 13mA@-12V
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MRP:$142.74 SAVE 54%
coming soon $65.84
Tangible Waves AE Modular MS20 FILTER Module
Cat: 786479 Rel: 31 Oct 20
Filter module
Notes: The famous MS 20 filter for AE modular!

This adaptation of the filter used first in Korg's MS-20 synth for AE modular offers control knobs for cutoff frequency, resonance and CV attenuator. Two signal inputs for different signal levels control the "drive" of the module. Compared to the wasp filter this filter has a significant self resonance and also a very quick response to changes in the cutoff frequency.

The filter type is switchable between lowpass and highpass (LP/HP switch).
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MRP:$45.88 SAVE 17%
coming soon $38.22
Yamaha HS7 Matched Pair Powered Studio Monitors (black, pair)
Cat: 785335 Rel: 21 Oct 20
Studio monitors
Notes: In the 15 years since they were introduced, the HS Series powered studio monitors have become a favourite in professional, project and home studio environments.

The new special edition HS7 MP Set includes two HS7 monitors, both manufactured using a unique process and both utilising specially selected parts. The result is a pair of monitors, each as closely matched to one another as is possible.

2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer and 1" dome tweeter
54Hz - 30kHz (-10dB), 74Hz - 24kHz (-3dB) frequency response
45W LF plus 25W HF bi-amp system for high-performance 70W power amplification
ROOM CONTROL and HIGH TRIM response controls
XLR and TRS phone jack inputs accept balanced or unbalanced signals

The HS Series embodies the design philosophy on which Yamaha has long insisted for its studio monitors, and is now available as a special paired model that uses selected volume parts. The paired model series bears the designation of MP (Matched Pair), and MP stickers are affixed to the back of each unit. Manufactured at the same time and with paired serial numbers, the HS MP models can play a valued role in your recording, mixing, and mastering work.

Yamaha Pro Audio's history of aspiration and innovation goes back to 1969. Since the creation of Yamaha's first pro audio products (the VA120 and VA180 vocal amp systems), they've repeatedly aspired and innovated to create a wide-ranging lineup for applications including broadcast studios and commercial spaces, such as mixing consoles, power amplifiers, speakers, processors, and immersive sound solutions, each with the aim of becoming the new standard in their respective market.

Monitor speakers are one of the product areas that must be mentioned when speaking of Yamaha Pro Audio's fifty-year history. The NS10M STUDIO which went on sale in 1977 was a studio monitor speaker loved by numerous engineers, and earned a role in studios around the world. In 1998 came the MSP5 powered monitor speaker which focused on providing the painstakingly faithful playback of the original sound that is demanded from nearfield monitors. Subsequently, the MSP/MSP STUDIO series that appeared during the period 2000 through 2008 benefited from a full measure of the know-how and technology that has been accumulated in the field of pro studio monitor design, going on sale as a flagship model that boasted a stunning degree of perfection.

Yamaha have insisted on complete fidelity to the original sound and the ability to reproduce the subtle changes of tone and position in the mix, and these principles are exemplified in the HS series that appeared in 2005 with its bright white cones. As high-bit and high-sampling-rate continue as trends in the field of music production, leading to an increasing need for high-quality nearfield monitors, these speakers deliver the high-quality sound and accuracy that are ideal for the studio environment. In 2013, fusing the know-how and cutting-edge analysis technology that has been developed through many years of studio monitor design, and carefully rethinking every element, the next-generation HS series have been announced, adds yet more polish to the accuracy of these speakers.
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MRP:$712.45 SAVE 33%
coming soon $476.88
TC Electronic Clarity M Stereo Audio Meter
Cat: 781354
Stereo audio meter
Notes: Stereo and 5.1 Audio Loudness Meter with 7" High Resolution Display and USB Connection for Plug-In Metering.

The CLARITY M provides a comprehensive set of precision tools essential to the success of any audio producer. Ideally suited to stereo and 5.1 mixing, mastering and post-production, CLARITY M's 7" high-resolution LCD display provides a wealth of monitoring information at-a-glance via a single screen. Metering options include; the legendary LM6 Loudness Radar Meter; a state-of-the-art true peak meter; downmix compliance; stereo/surround correlation meters; and a RTA (Real Time Analyzer).

Source inputs come in a vast array of options including: USB for hassle-free VST*, Audio Units* and AAX* plug-in metering; 6 channels of unbalanced AES3 digital audio on 75 Ohm BNC connectors for broadcast-grade 5.1 metering; and stereo optical for maximum flexibility. CLARITY M is fully compliant with all major broadcast standards including ITU BS.1770-4, ATSC A/85, EBU R128, TR-B32 and OP-59, and is recommended for all studio environments.

CLARITY M provides a veritable toolbox of meter types to help you make the right mix and mastering decisions for truly professional recordings.

The high accuracy RTA with 1/3 octave resolution and individual band zoom provides a great overview of the spectral distribution of your mix.

Based on TC Electronic's highly acclaimed True-Peak Technology, the CLARITY M is your guard against otherwise unpredictable clipping.

Loudness Radar
The Loudness Radar is essential when it comes to monitoring the loudness of your mix. With the loudness history overview on the scope, the radar helps get the levels just right, while the momentary loudness in the outer ring keeps an eye on your instant loudness level.

Loudness Measures
Loudness statistics not only keep you compliant with loudness standards, they also provide crucial information on other important aspects of your mix, such as micro dynamics and macro dynamics.

Downmix Deviation
The Deviation meter is a fundamental tool to ensure your mix sounds great whether played back in 5.1, stereo or mono. This downmix compatibility meter is based on TC Electronic's Loudness Technology, and provides the best means for determining the status of your mix fold down.

Whether you mix in 5.1 surround or stereo, the correlation meter helps identify phasing issues and other anomalies that are easy to miss when relying solely on your ears.

While CLARITY M is an exceptional hardware stand-alone desktop meter, it also interacts seamlessly with your DAW workfl ow via plug-in metering - which is available for Pro Tools, Apple Logic Pro, Nuendo, and all other major VST*, AU* or AAX* compatible DAWs. CLARITY M is quite simply the ideal integration of two worlds.

CLARITY M provides a wealth of digital connectivity. Unbalanced AES3 (coaxial) and S/P DIF are available right out of the box, and optional adapters enable you to connect standard AES/EBU with ease. Additionally, you can use the TOSLink* port for optical input and the USB connection to work seamlessly with your favorite DAW.

CLARITY M includes an integrated stand, making it perfect for any desktop. A pair of mounting holes provides compatibility with RAM-Mounts, allowing convenient attachment to a wall or ceiling. Other options include a suction cup for mounting on hard surfaces and a tough-claw mount for mic stand applications, all of which are available separately.

With its high-resolution 7" display, wealth of metering tools, flexible connectivity and seamless DAW integration, CLARITY M sets the benchmark for computer integrated metering.
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coming soon $237.90
SynthRotek Passive Mult Module (black faceplate) (fully assembled)
Cat: 778295
passive multiplier module
Notes: The Synthrotek Passive Mult is the module that keeps on giving! Use this as either a 2x 1-to-3 passive multiplier or one 1-to-6 passive multiplier. Input one cascades to all 6 output jacks, or can be interrupted by plugging a cable into input two.

What is a passive mult? It is an ideal way of multiplying non-precise voltages in your Eurorack system. (Buffered multiples like the MST '07 Buff Mult are needed to maintain exact outputs of input voltages). Multiply any control voltage or audio sources across your system with ease in a very small and well priced package.

Available as an assembled unit, kit or PCB/panel combo. With such a small part count, this is a great module for first-time DIYers!

Width: 2HP
Depth: 14mm
Current draw: n/a
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MRP:$22.94 SAVE 13%
coming soon $19.92
Limaflo Motomouth Formant Filter Module (black faceplate, fully assembled)
Notes: Motomouth is an analogue 3-Band, Sedra + Espinoza Bandpass Filter (DABP) with resonant frequencies that are tuned to the same resonant frequencies found in the human mouth and nose cavities, and these can be varied, independently, to form different 'mouth shapes,' to emulate vowels such as A, E, I, O and U. Motomouth can emulate 16 vowels and 'morph' or 'glide' between each vowel using a single Control Voltage input (1V/Oct), and a Gate to 'snap' to each vowel when required.

Two of the bands (F1 and F2) are used to form the mouth cavity, and the third band (F3) is used to form the nasal cavity, which is reasonably static. Varying F3 makes little significant difference 'in the mix,' but having it is important.

The single Control Voltage is decoded to control F1 and F2 independently, because the frequency bands for each vowel are not proportional to each other over the vowel range. So Motomouth has learned how to 'speak,' so to speak, but it still needs to learn more, and that's where you come in.

Module width: 12HP
Module depth: 42mm
Power draw:
+12V: 80mA
-12V: 4mA
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MRP:$275.29 SAVE 19%
coming soon $223.02
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Coming Soon: Studio Equipment