Review: 'Palais' is a 12 track multi-faceted exploration of Kris Baha's musical sensitivity. The one man band's namesake LP title, 'Palais' is based around the concepts of alienation, detachment, melancholia and lust. All songs written, performed, recorded and mixed by Kris between 2015 - 2018 in Berlin, laced in his signature industrial sound. 'Palais' encompasses a range of shades from dance-floor works ' Living Nothingness', 'Brink Reality (Part 2)' & 'Non For The Sane' to experimental cinematic undertones 'You Told Yourself This Would Get Worse'. Also embodied are modern classics like the machine funk metallics of 'Steel Sands' and 'Defied', a year 2042 cyber punk hit. There's even a dark room inspired theme for the black leather lovers. From his own batch of psychedelia to post-punk and electronic romanticism this album is full of surprises and we at Cocktail d'Amore Music are absolutely proud to present this outstanding work.
Review: The second album to be reissued by Mannequin and Platform 23 Records of the music from Bourbonese Qualk, Hope saw the politically active musical entity expand on their mix of music, art and politics.
Staunchly independent, doing the recording and design via their Recloose Organisation label, by 1984 the group had occupied a large disused building on the Old Kent Road, becoming the base for the band's activities as well as other creative and political activism.
Recorded at the Ambulance Station, Hope is full of unceasing drum machine rhythms, electro pulses, echoing samples and lo-fi synths matched with strummed guitars and dub bass. The accompanying drones and snarled vocals go beyond any early 80's industrial tag to be something more unique, with the uncompromising, conceptual and avant flashes showing a more experimental buzz, an awkward quasi-funk noisy nuisance.
Remastered by Rude 66, this is music as much for then and today, a radical, revolutionary cultural force that acts as a positive social charge.