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Malekko Varigate 4+ Module (black faceplate)
Cat: 766093
Sequencer module
Notes: The Varigate 4+ is a 4-channel, 8-step sequencer that includes most features of the original Varigate 4, PLUS the new option to output both CV (quantized or unquantized) and gates simultaneously. Other new features include a Play/Stop function, Preset Banks (4×4), Glide Per Step, Scales and can also be configured as master for the Malekko Voltage Block as well as a slave to the Varigate 8+ if you're looking to expand your total channels and presets (up to 14 channels and 100 presets with V8+).

Each Channel (or Track) correlates with it's own sequencer (so 4 independent sequencers). The addition of the Gate/CV Switch allows for switching between 4 channels of CV, 2/2 for 2 channels of CV and 2 channels of gates, or all 4 channels to output only gates. Additionally, each step of a sequencer can be programmed with Probability for gates, Repeats, Glide and Notes (when in a CV mode). There is a also a Randomization feature for Repeats, Notes and Glide. Channel parameters for Scales, Sequence Direction (Forward, Reverse, Pendulum and Random), Sequence Length, Division, Multiplication and Pulsewidth are all easily accessible using Track Mode.

Easy Preset Recall makes the Varigate 4+ perfect for live performance. Pair it with the Malekko Voltage Block for maximum control.
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MRP:$346.49 SAVE 17%
coming soon $288.75
Star Wars: The Mandalorian: Season One (Soundtrack)
Star Wars: The Mandalorian: Season One (Soundtrack) (limited 180 gram vinyl 8xLP box set)
Cat: MOND 299.
Gespielt von: Stephane Attias
coming soon $293.27
Qu Bit Cascade Ratcheting Envelope Generator Module
Cat: 766031
envelope generator module
Notes: Cascade is a ratcheting envelope generator featuring burst generation, a flexible curve parameter, and two discrete level controls. Freeze allows you to lock the output voltage exactly where it is with the press of a button or a gate input. The Cascade can be transformed into several other modes, including ASR, ADSR, dual AD, and a gravity-based bouncy-ball mode.
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MRP:$270.40 SAVE 17%
coming soon $225.33
Sensel Morph USB & Bluetooth MIDI Controller (standalone)
Cat: 785452
USB & Bluetooth MIDI controller
Notes: Swap overlays to change from music, writing, gaming, and more. USB or Bluetooth means the Morph works anywhere. Experience a new level of expression with 20,000 pressure sensors at your fingertips. Whatever your passion, you can make it with Morph.

Comes with:
Sensel Morph
One overlay of your choice: Piano, Music Production, Drum Pad, Buchla Thunder (+$20=$269), Innovator's, Video Editing, Keyboard, Gaming
License to Arturia's Analog Lab Lite synthesizer software
License to Bitwig's Studio 8-Track music-creation software (when purchased with a MIDI overlay*)
USB Cable

The Sensel Morph uses Sensel's patented PressureGrid technology: a high-resolution, multi-touch, pressure sensing touch technology with a sensitivity range of 5g to 5kg and a tracking accuracy of ~0.1mm.

Compatibility: Windows, OS X, iOS, Android, Linux, Arduino (see final product image for more details on compatibility)
Dimensions: 240 mm x 169.5 mm
Active Area: 230 mm x 130 mm
Thickness: 6.75 mm
Weight: 0.4 kg
Latency: 2 ms - 8 ms (mode dependent)
Resolution: 6,502 DPI
Connectivity: USB, Bluetooth LE, and Serial
Power: USB, Rechargeable Battery
MIDI: USB Class-compliant, MIDI Polyphonic Expression (MPE), Bluetooth MIDI
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MRP:$365.52 SAVE 33%
coming soon $243.44
Arturia MicroFreak Vocoder Limited Edition (B-STOCK)
Cat: 800834
B-STOCK: Box slightly damaged, product unopened & in perfect working order
Notes: ***B-STOCK: Box slightly damaged, product unopened & in perfect working order***

The uniquely unpredictable MicroFreak but not as you know it. 14 digital oscillator modes, velvety analog filters and heaps of modulation/randomization controls, supercharged with wild vocoding abilities.

Arturia have created an entirely new 16-band mode to transform your voice in the Freakiest way possible. The vocoder engine features 3 waveforms - sawtooth, pulse width and noise - while the Timbre and Shape knobs adjust the response of the 16 frequency bands.

MicroFreak Vocoder Edition goes beyond robot vocals. 16 new presets give you instant access to android translations, crystalline harmonies and vibrant formant sequences galore. Connect an ex-ternal sound source like a drum machine or synth via the headphone socket for glitchy sound pro-cessing. Step up to the mic A simple, removable mic attachment that lets you sprinkle your voice into the mix. A gooseneck design means quick position adjustment, with easy connection straight into the headphone socket alongside your cans. The utility menu lets you set your preferred mic gain and noise gate settings. A new dress code First impressions make a difference. MicroFreak has always been out to make a statement, and the Vocoder Edition is no exception. The control panel has been given a makeover. The center strip boasts a bold new Swan graphic, while a sleek white finish makes this limited edition Freak stand out from the crowd - as if it didn't already. The Freak within Behind the revamped appearance and microphone attachment is the same lovable maniac that set the synth world spinning. Sparkling digital and wavetable oscillators collide with warm analog filters. A unique poly-after-touch PCB keyboard combines with a distinctly freaky arpeggiator & sequencer. Bathe your mix in sonic hysterics with the erratic mod matrix or the unique Spice & Dice randomizers.

Box contents:
MicroFreak Vocoder unit
Electret mic with gooseneck and headphone adapter
Power supply

Size & weight
Instrument size : 12.2 x 9.2 x 2.2 inches (311 x 233 x 55mm)
Instrument weight : 2.3 lbs. (1.02 Kg)

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coming soon $272.14
Tesseract Modular Tukra Trigger Sequencer Module With Audio & MIDI
Cat: 803469 Rel: 28 Feb 21
Clock generator/drum/MIDI/sequencer module
Notes: Trigger sequencer with audio and midi

TUKRA is an 8 track eurorack trigger sequencer with drum synth, sample player and midi.

This module can be an 'all in one' solution for drums, but also has great integration capabilities with other gear (eurorack modules, drum boxes, DAWs, midi devices and midi surface controllers).

There are no submenus, all functions and views are accessible all the time.

Brief overview:
- Up to 64 steps per pattern, 64 patterns, 64 parts and 16 songs per project. 64 projects in the microSD card.
- Play mode, clock divider, length & choke settings independent per track & pattern.
- Step value (can be used for modulation, to define the midi velocity, midi note & drum synth pitch or sample selection).

Ins & outs:
- 8 trigger/gate, clock & reset outputs. Clock & reset inputs.
- 4 CV inputs with offset potentiometers (so they're manual controls when no CV is plugged in).
- Audio L & R out (6 additional ones with the expander for independent track output).
- Front panel midi TRS in & out, and USB host for midi controllers.

Midi and audio:
- Midi note and channel configurable per track & song, midi note and velocity can be set by the step value.
- Drum synth, noise with envelope and 'one shot' sample player (factory and user banks) per track.
- Flexible sample selection (each track can play up to 128 samples).
- Mixer with volume, balance, reverb, bit crusher, filter cutoff, resonance and type (smoothly crossfades LP - BP - HP).

- CV & assignable midi CC plus 8 internal LFOs, 3 stepped random sources and step value.
- Modulation matrix for almost all parameters.

Rhythm variation:
- Probability for step, gate and roll.
- Euclidean Rhythm Generator.
- 'Ramifications' generative tool.
- Live view with solo, mute, fill, roll, invert pattern, reverse play direction and rotate.

- High precision clock source and low latency.
- External sync (via trigger, midi TRS or USB).
- Triplets and swing (aka 'shuffle'), triplet and swing can be generated from a straight clock input or midi clock.
- Micro grid edit, each step has 6 micro steps (24 ppq).
- Half and double tempo functions.
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MRP:$358.72 SAVE 17%
coming soon $296.67
IO Instruments KALLICHORE Six Voice Digitally Controlled Oscillator Module
Cat: 795935 Rel: 31 Mar 21
CV modulation/MIDI/oscillator/ring modulator synth module
Notes: SIX VOICE FPGA based oscillator

Three pairs of DCOs controlled by CV&MIDI

MONO, 3 and 6 POLY VOICE mode

Internal & external SYNC, 3 RINGMODs


FREQ range from 0,1 Hz to 10 KHz


Modulation via 3 CV INs & DCO 4/5/6

Multiple MOD sources to one target

300 programs

TFT display & continuous potentiometer

Easy user interface for studio & live

Future features planned via SD Card update


Width: 20 HP
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coming soon $252.51
Pearl (reissue)
Pearl (reissue) (limited 180 gram audiophile vinyl 2xLP box set)
Cat: UD 1S2013. Rel: 01 Feb 21
coming soon $207.20
Cosmotronic Cosmix Aural Enhancing Stereo Mixer Module
Cat: 803497 Rel: 18 Jan 21
Distortion/dual & stereo/mixer/dynamics/effect/panning synth module
Notes: Cosmix is an 8-channel stereo mixer with a built in analog stereo dual band maximizer.

It has four mono channels and two stereo channels, the left inputs 5 and 7 are normalised to the right inputs 6 and 8 respectively.

The four mono channels have panning- and aux send controls.

All channels are accommodated with a dedicated mute switch for live performance.

The aux output can be routed to an external effect and the four small switches below the volume faders set whether the signal that is routed to the aux bus is pre or post fader.

The master bus can optionally be fed into the stereo Drive circuit.

This circuit is true stereo, and improves almost any sound source, with full bass and amazing spatial resolution.

It works like a dual band maximizer, with separate faders for high and low frequencies.

The analog overdrive circuit can be bypassed but we don't recommend it as it sounds great and really glues the whole mix together nicely.

The overall volume can be set with the main volume knob.

The output of the compressor feeds into a diode clipping circuit, to to create a warm saturated distortion.

By playing with the levels of each channel different clipping characteristics can be achieved.

However if you prefer to keep the output signal clean, the bypass switch allows you to bypass the circuit.

The white lines indicate the non-distorted 0dB point for each channel, when the drive circuit is active and the sliders are set to zero.

Driving a channel above the white line pushes it into more overdrive and distortion, assuming 10vpp Eurorack level.

Different tones can be created by playing around with the gain staging!

Main output is eurorack level (10vpp)
Input impedance: 100k
Output impedance: 1k

70 mA +12V
70 mA -12V
0 mA 5V
20 mm deep
Read more
coming soon $268.35
Presonus Eris Sub8 8 Inch Studio Subwoofer
Cat: 791881 Rel: 31 May 21
8-inch 100W studio subwoofer
Notes: The Eris Sub8 is the first subwoofer to join the lauded and best-selling Eris studio monitor line. This product was named Eris because it's been designed from the ground up to be part of the family; it compliments the voicing and frequency response of the modern Eris classics. Of course, they'll play nice with other monitors, too, but if you've got a pair of Eris in your home or studio already, the Eris Sub8 is the single best subwoofer you can get to put a little boom in your room.

The surprisingly loud 100-Watt Eris Sub8 drops down to a molar-rattling 30Hz- a full 50Hz below the Eris 3.5s. This allows you to both rock harder and produce better mixes, as you'll be hearing an accurate representation of your work. For EDM and hip-hop producers in particular, a sub is a must-have. The Eris Sub8 lets you naturally extend the reach of your Eris E3.5 or E4.5 monitors in a manner appropriate to smaller rooms; exactly where these monitors excel.

Thanks to robust configuration and I/O, you'll be able to tailor your Eris Sub8 configuration exactly to your mixing and listening needs. You can connect your existing monitors via 1/4" TRS or RCA, set the input level to your liking, and even invert the polarity. Most importantly, you get a High Pass Filter and a Low Pass Crossover control that ensures your Eris Sub8 starts working at the precise low-frequency point where your main monitors stop working. This makes sure you avoid the flubbery, smudged, low-end mess that one hears in redundant, duplicate, redundant bass reproduction that occurs without a crossover.

While the Sub8 has been designed to compliment our smaller-form Eris media reference monitors, gamers, partiers, and movie buffs alike still all enjoy some room-rattle now and again. So rest easy knowing that the Eris Sub8s will upgrade the performance of any powered speaker configuration in a home theatre or gaming rig.

When you hear the low-frequency foundation of your mix accurately, you can make more informed decisions and create more translatable mixes. You'll also have more fun.

2- Balanced 1/4" TRS

2- Unbalanced RCA

2- Balanced 1/4" TRS (full range with 80 Hz HPF option)

2- Unbalanced RCA (full range with 80 Hz HPF option)

Frequency Response: 30 Hz - 200 Hz
Low Pass Filter Frequency: 50 - 130 Hz (variable)
Signal-to-Noise Ratio: >95 dB (A weighted)
THD: 0.05%
Amplifier Power: 100W peak, 50W RMS
Power Consumption: 100W
Amplifier Type: Class AB
Peak SPL at 1m: 113 dB
Woofer: 8" paper-composite with high-elasticity rubber surround, front-firing
Acoustic Port: Front-firing bass reflex

User Controls:
Input Gain Range: -30 to +6 dB
Polarity Switch: 0- or 180-
Low Pass Filter Control:50 Hz to 130 Hz
High Pass Filter Switch: On/Off

RF interference

Output-current limiting


Turn-on/off transient

Subsonic filter

External mains fuse

100-120V ~50/60 Hz or 220-240V ~50/60 Hz

Vinyl-laminated MDF

Width: 9.8" (250 mm)
Depth: 12.75" (324 mm)
Height: 11.6" (295 mm)
Weight: 16.3 lbs (7.4 kg)
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MRP:$245.94 SAVE 17%
coming soon $204.95
Michigan Synth Works Typhoon Module (black faceplate)
Michigan Synth Works Typhoon Module (black faceplate) (delay/dual & stereo/effect/pitch shifter/reverb/sampling synth module)
Cat: 802262 Rel: 18 Jan 21
Audio processor module
Notes: 16HP Deluxe Clouds Clone with individual controls for each Parameter, VCAs for the left and right channel, additional storage so ALL extra functions are available at once.

Anodized natural aluminium or black aluminum panel.


25mm Deep

140/35 mA +12/-12V
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MRP:$322.04 SAVE 31%
coming soon $220.79
Erica Synths Black LPG Lowpass Gate Black Series Module
Cat: 807310 Rel: 31 Mar 21
Envelope generator/filterlow pass gate/VCA module
Notes: The Black LPG is Erica Synths' take on Lowpass Gate idea - it's designed from scratch featuring 2nd order lowpass VCF (the original Buchla lowpass gate was 1st order VCF) and VCA combo with distinct resonance circuit on top. Voltage control over VCF cutoff frequency/VCA offset and mode (VCF/VCF+VCA/VCA), as well as built in decay envelope generator makes it a versatile module for sound shaping in any modular setup.

Audio output amplitude: 10Vptp

CV range (full span): -5V - +5V

Max Decay time: 4''

Panel width: 10HP

Module depth: 35mm

Power consumption: 44mA@+12V, 45mA@-12V
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MRP:$247.30 SAVE 17%
coming soon $206.08
After Later Audio Beehive Plaits 8HP Redesign Module
Cat: 805370 Rel: 01 Feb 21
Macro oscillator module
Notes: Functionally identical clone of the Mutable Instruments Plaits. Beehive strikes a nice balance between size, reducing 12hp down to 8hp, and playability by offering full size knobs for the four main functions. Beehive also retains the same depth of the original module at 25mm. This module uses After Later's new aluminum knobs which have a nice non-slip texture and allow for more finger space over the standard 1900H Davies knobs.
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MRP:$252.74 SAVE 20%
coming soon $201.55
Acid Rain Technology Chainsaw Digital Oscillator Module
Cat: 804567 Rel: 25 Jan 21
Digital/dual & stereo/oscillator module
Notes: Chainsaw is a powerful digital oscillator designed to bring polyphony to your rack in a compact and playable interface. We were inspired by the super-saw; a mainstay of electronic music production, and a waveform rich with harmonics for filters and effects to chew on. Chainsaw features 3 voices of 7 waves, with individual pitch control per voice. All waves morph from super saw to super square for giant hollow basslines and more.



35mm deep

110 mA on +12V, 10 mA on -12V, 0 mA on +5V
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MRP:$320.68 SAVE 17%
coming soon $267.22
Tenderfoot Electronics Quad Quantizer Module
Cat: 805847 Rel: 01 Feb 21
4-channel CV quantizer module
Notes: A four-channel CV quantizer

The new Quad Quantizer from tenderfoot electronics is a versatile 4-channel CV quantizer.

This module has custom note selection, 12 pre-programmed scales and key transpositions that can be manually selected, or CV selected via the associated CV inputs.

Each channel features:
CV input - which accepts the input you wish to quantize
trigger input - which samples and holds the current voltage at the CV input (left unpatched, the quantizer continually processes the CV input)
CV output - where your freshly tuned and reordered CV will emerge to go on to your VCO or otherwise in your modular system.
trigger output - where a trigger signal is outputted every time a new CV value is produced at the CV output.

The encoder allows you to select various notes within the scale, with the left-hand button adding or deleting the selected note.

The right-hand button has multiple functions:

long press (2 seconds) - deletes all of the currently selected notes to leave you with a blank canvas.
middle press (1/2 second) - quick-saves the current selected notes into memory.
momentary press - this switches between the current panel settings and the settings saved in the quick menu.

Width: 12HP

Depth: 32mm

Current draw:

101 mA +12V
10 mA -12V
0 mA 5V
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MRP:$311.17 SAVE 18%
coming soon $254.76
Cosmotronic Delta-V Dual Amped Envelope Generator Module
Cat: 803494 Rel: 18 Jan 21
CV modulation/envelope generator/LFO/polariser/slew limiter/utility/VCA module
Notes: Delta-V is a fully analog dual channel function generator with a dedicated VCA and cycle switch per channel.

it's a versatile and powerful tool that packs a great amount of functionality in only 10HP.

Trigger envelopes, slew incoming gates and signals or generate LFO's with control over both attack and decay.

Dedicated End Of Cycle outputs, a summed output, providing a mix of DC coupled outputs that handles both audio and cv.

The dedicated VCA for each envelope provides plenty of room for experiment and more complex patches.

The trigger input takes a trigger or gate to start an attack-decay envelope, the link switch on the front normalises trigger input 1 to trigger input 2.

Without anything patched into the VCA's input, the module produces variable cv, an envelope set by the attack, decay and shape knobs. By patching an audio signal into the VCA input, the audio output signal will be shaped according to the settings of the envelope.

An LFO patched into the VCA input, will modulate the amplitude of the envelopes.

The slew input is used to slew, round off, incoming gates or voltages.

The overall shape of the envelopes is set with the shape-, the attack- and decay knobs.

The knobs can be set to produce short, snappy or very long envelopes.

The shape knob transforms the envelope from exponential to linear to logarithmic.

There are many ways to utilise Delta-V. Challenge yourself to explore new, unconventional territories!

70 mA +12V
70 mA -12V
0 mA 5V
20 mm deep
Read more
coming soon $212.87
Dick's Picks Vol 36: The Spectrum Philadelphia PA 9/21/72
Dick's Picks Vol 36: The Spectrum Philadelphia PA 9/21/72 (limited hand-numbered 7xLP box set)
Cat: RLGM 11381PMI. Rel: 12 Mar 21
coming soon $233.25
Moog Grandmother SR Series Case
Cat: 792865
Case for Moog Grandmother
Notes: Moog SR Series Cases are here to safeguard your Moog Grandmother synthesizer where you need it most and ensure your sound travels far and wide.

Musician's report the most important performance a case can offer are protection from impact and protection from water - in that order. With that in mind, Moog SR Series Cases have been developed to be the first line of defense for your synthesizer.

Moog SR Series Cases feature generous padding around a semi-rigid ABS shell, a rugged Ballistic Cordura outer that resists tears and abrasions, and laminated water-resistant zippers to offer on-the-go protection and safe storage for your instrument. Multiple strap and handle configurations keep your commute comfortable, and multifunction pockets ensure you're organized on arrival.

Moog SR Series Cases are a perfect fit for your Moog Grandmother Synthesizer.

PLEASE NOTE: The Moog Grandmother is not included in this purchase, it is for demonstration only.


INTERNAL: Padded plush liner
EXTERNAL: Durable abrasion resistant 1680D Cordura, water-resistant
Laminated zippers, reinforced stitching and metal rivets

PADDING: Semi-rigid ABS, generous foam padding

(2) Smooth and durable webbed handles (top and side) with reinforced stitching
Removable anti-slip shoulder strap,
Removable air-mesh padded backpack straps

External Pockets
Multi-compartment Exterior Pocket
Rear pocket for storing tablet or laptop
Internal Pockets
Zippered pockets
Velcro pocket
Pen holders

Grandmother Semi-Rigid Bag
Removable Backpack Straps
Removable Shoulder Harness


INTERNAL IMPERIAL (in): L 23" x W 14." x H 5.5" (tapers down to 3")
EXTERNAL IMPERIAL (in): L 25" x W 16" x H 7"
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MRP:$270.40 SAVE 17%
coming soon $225.33
Reloop Buddy Compact 2-Deck DJay Controller For iOS/iPad OS/Android/Mac & PC
Cat: 803169 Rel: 28 Feb 21
2-deck DJ controller with 8 performance modes
Notes: This compact and powerful 2-channel DJ controller was designed and developed in close partnership with Algoriddim for the tightest integration possible with their award-winning djay app.

The Reloop Buddy offers DJs of any level all the tools they need to perform creatively and efficiently at a high level. Thanks to its powerful features and the brand new Neural Mix controls, the BUDDY is space-saving without compromising any functionality.

Whether you're a complete beginner or an experienced DJ, the Reloop Buddy offers you full control over your mixes thanks to powerful features including the intuitive pad section consisting of 8 performance modes (hot cue, auto loop, touch FX, sampler, slicer, bounce loop, Neural Mix™, looper), dedicated loop controls, a flexible effect section with FX paddles (hold & toggle), and responsive jog wheels for precise mixing and scratching.

Also, the Reloop Buddy includes extensive Neural Mix controls (pad / EQ mode) to isolate beats, instruments, and vocals of any song in real-time for even more creative mixing possibilities.

The Reloop Buddy offers you large FX Paddles with HOLD and ON positions for instant effect mixing.

In terms of outputs, a full headphones cue section and 14 inch jack are conveniently located at the side of the unit, together with an RCA out port for direct connection to active speakers and sound systems.

Thanks to its dedicated integration with Algoriddim's djay software, and built-in USB audio interface, the Reloop Buddy enables instant plug and play compatibility with smartphones, tablets, and computers.

The Reloop Buddy is built from quality, durable materials, and its space-saving, highly-portable design makes it perfect for your home setup, mobile use, and even on-the-go or while traveling. Furthermore, its built-in device slot can hold smartphones and tablets up to 12.9", which keeps the overall footprint of the unit to a minimum.

Not only can tracks be loaded to djay from your crates and libraries, but it's also even possible to mix millions of tracks instantly from popular streaming services such Tidal*, Soundcloud Go+*, Beatport LINK*, and Beatsource LINK*.

*Please note: An internet connection and a TIDAL Premium or HiFi subscription, Soundcloud GO+ subscription is required. Beatport Link and Beatsource Link are accessible with all 3 offered subscriptions.


Compact performance controller for djay across all platforms (iOS/Mac/PC)

Powerful features: FX paddles, sound filters and 8 performance modes

Neural Mix controls for real-time vocal and instrumental separation
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MRP:$270.40 SAVE 17%
coming soon $225.33
The Glitz The Glamour
The Glitz The Glamour (12xLP box set)
Cat: LMMPF 2002. Rel: 22 Jan 21
coming soon $276.28
Sound Force SFC-5 V2 USB MIDI Controller
Cat: 804286 Rel: 25 Jan 21
USB MIDI controller
Notes: The SoundForce SFC-5 is a class-compliant boutique USB MIDI controller dedicated to the U-he Repro-5 and the Arturia Prophet V. The 2020 V2 model offers fantastic upgrades compared to the original V1 model: 100% sheet metal case, wobble-free metal shaft pots and walnut side panels.

With 32 rotary pots and 28 switches, you can finally control your virtual instrument in an instinctive and fun way. Create better synth sounds easier and improve your overall experience. A couple of extra "user" controls let you control for instance your external FX plugins. The controller sends out standard MIDI cc messages and can be used with any software that is MIDI-mappable. A web-based control panel app allows the user to change the cc messages number for each control and save or load different configurations.

Build quality:
The enclosure is made of 100% sheet metal and is manufactured by Grawart in Poland. The case is made of bent steel and powder coated in black. The front panel is aluminium, also powder coated and screen printed with scratch-proof white ink. Walnut wood side panels of 8mm thickness are fitted to both sides of the controller. The sides are made in Amsterdam by Rob Gould.

The SFC-5 V2 is a boutique-manufactured product assembled in small quantities in the Netherlands. A lot of operations are still performed by hand and automation is used when possible to improve quality and processes.

Length x Width x Height : 370 mm x 140mm x 60mm

System supported:
Mac/Windows (other OS not tested)
Class compliant USB MIDI device
DAWs : Tested and working in Pro Tools 10/11/12, Logic 9/X, Cubase 7/8/9, Abelton 9/10, Reaper, Bitwig

- USB 2.0 Type-B plug (cable provided)

Power :
- USB-bus powered
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MRP:$360.08 SAVE 25%
coming soon $269.49
Livestock Electronics Ellis Macro Controller Module
Livestock Electronics Ellis Macro Controller Module (controller/digital/sequencer synth module)
Cat: 802750 Rel: 18 Jan 21
Controller module
Notes: Do you want to gradually fade between sounds in a live set? Create chords of up to 8 voices? Or be able to retrieve settings on a module without presets? Ellis is the preset maker for cv inputs!

Ellis is a controller module that allows you to create presets for cv inputs on your other modules. It has been designed to easily go from one preset to another by turning the fade knob or by automating it entirely. Preset selection, morphing and fading can all be modulated with CV, which will ease your way into that next track!

The outputs are V/oct (+-5V), and can be transposed using the trans input. While the trig output sends out a gate or trigger when a preset is changed. This is what makes Ellis great as a chord creator too!

Width: 12HP

Depth Back: 25MM

Depth Front: 25MM

Weight: 133g

Power @ +12V: 160mA

Power @ -12V: 40mA
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MRP:$308.45 SAVE 20%
coming soon $247.97
Wildflowers & All The Rest (Indie Deluxe Edition)
coming soon $295.53
Zoom F2-BT Field Recorder With Bluetooth & Lavalier Microphone
Cat: 800235 Rel: 28 Feb 21
Field recorder with Bluetooth & lavalier microphone
Notes: For podcasters, videographers, bloggers, journalists and more, the F2 is the perfect audio solution for creators on the move.

The F2 is incredibly small, but its audio quality will amaze you.

The F2 features 32-bit float recording technology, allowing you to record the loudest audio signals without worrying about clipping. It will also record the quietest signals in beautiful detail. And the best part is you don't have to worry about setting the gain. Just plug in the lav and hit record.

Once you start your recording, use the F2's HOLD switch to ensure you don't accidentally stop recording.

Screw-lock connectors keep your lav plugged-in securely no matter the situation.

With the F2 actors can record and playback their lines to perfect their delivery.

The F2-BT comes with built-in Bluetooth. And with the free Zoom F2 Control app the F2-BT can wirelessly start/stop recordings, display battery levels, adjust output volume, control lo-cut and more.

You can also pair the F2-BT with a Bluetooth timecode synchronization device to receive and write timecode to recorded files. See Bluetooth Control features here.

The F2 Editor for PC and Mac allows you to adjust settings, format SD cards and more. Simply connect your F2 or F2-BT via a USB cable and launch the editor. The USB connection also makes it easy to transfer files to your computer. See the F2 Editor features here.

Whether a stroll through your garden, or the whispers and shouts of a dramatic reading, the F2 provides crystal clear recordings.

The F2 can record up to 15 hours (14 hours on the F2-BT) with two AAA batteries.

Record on microSD, microSDHC, and microSDXC cards up to 512GB.

The LMF-2 omnidirectional lavalier microphone has a low-profiled design, captures high-quality audio, and includes a windscreen and lapel mic clip.

The F2 Field Recorder gives you the option to choose the recording format that works best for your projects. Choose from 44.1 kHz/32-bit float or 48 kHz/32-bit float mono WAV files.

The F2 Is Perfect For Recording Interviews Anywhere.


Lavalier mic
Connector: 3,5 mm stereo mini (with screw lock)
Directionality: Omnidirectional
Sensitivity: -32 dB/Pa at 1 kHz
Maximum sound pressure input: 115 dB SPL
Cable length: 160 cm

F2 / F2-BT
Connector: 3,5 mm stereo mini (with screw lock) Supports plug-in power (2.5 V)
Input impedance: 2 k? or more
Maximum input level: -5,5 dBu
Connector: 3,5 mm stereo mini (with screw lock)
Maximum output level: 20 mW + 20 mW (into 32 O load)
Recording media
Cards compatible with microSD/microSDHC/microSDXC specifications (Class 4 or higher, 512 GB maximum)
Recording formats
WAV, 44.1kHz/32-bit float, 48kHz/32-bit float Mono, BWF format supported WAV
Note: Use a USB cable that supports data transfer. USB bus power is supported.
Mass storage operation: USB 2.0 High Speed
PC app operation: USB 2.0 High Speed
2 AAA batteries (alkaline, lithium or rechargeable NiMH batteries)
AC adaptor
Bluetooth Ver4.2

The above values are approximate. Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

External dimensions: 57,5 mm (w) x 46,4 mm (D) x 22,4 mm (H)
Weight (main unit only): 32 g
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MRP:$243.23 SAVE 17%
coming soon $202.69
Sound Force VCF & VCA 6 Voltage Controlled Filter & Amplifier Module
Cat: 804304 Rel: 25 Jan 21
VCF/VCA module
Notes: The SoundForce VCF/VCF 6 is a Eurorack interpretation of the Juno 60/106 VCF, VCA and HPF sections. It was built based on the original service manuals documentation using modern components.

Signal flow:

The SoundForce VCF / VCA 6 features a simple 2-input audio mixer, a voltage controlled low pass filter (VCF), a VCA and a high-pass filter with 3 fixed cutoff frequencies plus a bass boost position. The signal flow is: mixer -> VCF -> VCA -> HPF.


The VCF section is a voltage-controlled low pass filter with a selection between 4 poles (24db/octave) or 2 poles (12db/octave). The travel of the FREQ slider has been calibrated to give you the best experience in the original 4 poles mode. FM1 and FM2 CV inputs can be used to modulate the cutoff frequency of the filter. Those CV signals are added to manual position of the FREQ slider. Note that you can invert the polarity of FM1 using a toggle switch. The VOCT input can be used to close the filter more or less based on the pitch of the note played by your musical CV source. It can also be used to "play" the filter when it is self-resonating. The filter will be in tune across about 8 octaves. Self-resonance is occurring when the RES slider is around position 9 or higher. The resonance can be also voltage-controlled using the Q CV input, this signal is added to the manual position of the RES slider. Please note all CV inputs have attenuators expect the VOCT input.


LDC stands for "loudness drop compensation", it is engaged when the switch is in the upper position. This feature avoid the usual input signal loudness drop with high level of resonance. Please note you will need to lower the input signal and/or VCA level to avoid distortion as LDC requires some extra headroom.


This section is a "vintage-style" single OTA VCA. There is a manual slider control as well a CV input for the VCA. Both are summed together.


The high-pass filter section is a combination of both the Juno 60 and 106 HPFs. Position 0 will give you the bass boost from the 106. Position 1 will not filter at all. From position 2 to 4 will cut progressively more bass and the cut off frequencies are 225 Hz, 339Hz and 720Hz.


Depth: 38mm (including power connector)
Power: +12V 91mA, -12V 51mA
V/OCT, FM1, FM2: input range -5 to 5V
QCV, ACV: input range 0V to 10V
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MRP:$319.32 SAVE 17%
coming soon $266.09
AniModule M1xXOR Module
AniModule M1xXOR Module (mixer / sequencer / switch synth module)
Cat: 793792
CV sequencer module
Notes: The Animodule M1xXOR is the Jon Snow of Animodule's product lineup. Described as a "bastard progeny" and "unholy union" by its creators, the module is an amalgamation of the V9a, VCSS, XXX_OR, and MixMan modules. Each of the module's channels, as well as the mixer, can be used independently of the sequencer, enabling a variety of self-contained and inter-module uses. When used independently for self-contained functionality, the module can function as a 4-channel DC-coupled mixer or as 4 individual channels of gated attenuation.

How It Works:
-Signal goes in to Channel Input (it's DC connected so you can use Audio OR CV).
-Signal is attenuated via Channel Attenuator.
-Signal is allowed to pass through to Individual Channel Output AND Mixer Output IF Gate Input is High OR Switch is depressed.

-Clock Pulse High in to Clock Input Moves Sequence forward 1 Step.
-The Channel that the step is On will be open
-CV can be used to control the Sequencer via the CV Input.
-There is a resolution of 5 steps (4 channels and a 0 step allowing for all channels to be cleared from the Sequencer).
-There is an attenuator and offset to help properly scale and position your CV Input.
-CV Input is expecting 0V to +5V, but with the Attenuator and Offset will easily work with -/+5V.
-Clock and CV maybe used in tandem resulting in some mind melting rhythms!
-In that case the Clock will step forward 1 step from it's current position (unless it's on step 4 in which case it will roll over to step 1)
-The Clock used in conjunction with the CV will bitshift the sequence to the left, incrementing the static position of the step counter by 1 (wrapping around to step 1 after step 4).
-Fer' Instance, 2 Clock counts and CV is on 0. Step will be on Channel 2
-Gate High in to Reset will reset Clock counter to step 1 OR if Clock Input is being used in conjunction with the CV Input the reset will clear the Clock Counter and return the step to where the CV indicates it should be without any BitShifting

*Gate Input / Switches in conjunction with Sequencer:
-The Sequencer and the Gate Input / Switches combine in a XOR gate. If one is High and the other is not, that channel will be open. If BOTH are High, that channel will be closed.

Despite the lengthy description, the M1xXOR is very intuitive (and unbelievably Fun!) to use.
Each Channel (and the Mixer) May be used independently of the Sequencer.
So if you're not in the mood for Rhythmic Insanity You still have a gateable 4 Channel DC-Coupled Mixer AND/OR 4 independent and gateable channels of Attenuation.
You will NEVER just have it filling space in your cabinet.
You will find a use for it in EVERY patch!

All this in 8HP with a depth of 33mm (from rear of Front Panel).
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MRP:$248.66 SAVE 17%
coming soon $207.20
Patching Panda Vibrazum V2 Triple Multimode VCF Module
Cat: 804368 Rel: 25 Jan 21
Triple multimode VCF module
Notes: Versatile triple multimode VCF capable of subtle to extreme tone shaping without losing the performance availability.

The three channels have dedicated outputs, as well as a mix output.

Multiple combinations of frequencies drawings are possible.

It was designed to create a movement to the sound thanks to the individual frequencies voltage control inputs.

Each channel is able to sweep through all the frequency spectrum.

A dedicated shift control with attenuverter cv input is able to swap all 3 filtres at the same time.

The Vibrazum shines at high feedback with 24dB slope, the resonance is well compensated and performative, even taking it to the extreme will not go out of control.

It sounds very “creamy” and full of rich harmonics from a gnarly tone-­shaping tool of sonic destruction, vowel robotic sounds, acid basslines, resonant percussive sounds and more…

Simple layout without compromising the wide range of sonic possibilities.


Width: 14hp
Depth: Skiff-friendly
Current draw: +12V: <65mA, -12V: <68 mA
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MRP:$336.98 SAVE 17%
coming soon $280.81
Magma Solid Blaze Pack 120 DJ & Production Equipment Backpack
Cat: 807949 Rel: 30 Apr 21
DJ/production equipment backpack
Notes: A true packing backpack designed to carry what you need.

Made from 120 recycled 0,5l (16oz) plastic bottles, the SOLID BLAZE PACK 120 is an all-purpose travel backpack with modular interior layout crafted for versatility. Whether you are hauling DJ or production gear, photo or video equipment, or other electronics, the SOLID BLAZE PACK 120 enables you to easily and conveniently organize your gear. The spacious and expandable main compartment features removable EVA padding and multiple dividers for ultimate packing experience. The customizable padded interior ensures your gear travels with you safely. Loads of additional compartments, pouches and zippered pockets offer intuitive accessory management and quick access to your belongings. The SOLID BLAZE PACK 120 is crafted from only the highest quality materials, such as its water-repellent RPET 900D shell and YKKr AquaGuardr zippers to protect your laptop, tablet, timecode records and other expensive gear from the elements. Travel comfortably knowing your gear is safe inside the MAGMA SOLID BLAZE PACK 120.


Pioneer DJM-S11
Pioneer DJM-S9
Pioneer S-1000
Pioneer Toraiz SP-16
Rane Seventy-Two
Rane Seventy
Rane Sixty-Two
Reloop Elite
Akai MPC Live
Akai MPC Live 2
Ableton Push 2
Roland SP404
NI Maschine MK2
NI Maschine+
Denon Prime Go
12" vinyl
Rodecaster Pro
Laptops up to 17"
Camera gear etc.

Outer dimensions: (H/B/T): 52 x 35 x 23-26*cm / 20.5" x 13.75"x 9"-10.25"* (*extended)

Inner dimensions: 45 x 32 x 14 -17* / 17.75" x 12.5" x 5.5"-6.75"* (*extended)

Weight: 2,3 kg / 5lb
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MRP:$298.94 SAVE 17%
coming soon $249.11
Audient iD14 MKII 10-In 6-Out High Performance USB Audio Interface With Scroll Control
Cat: 809809 Rel: 30 Apr 21
10-in 6-out USB audio interface
Notes: Your recordings made better.

Designed to take your recordings to the next level in every way, the iD14 (MKII) delivers professional audio performance in a compact and modern desktop package, giving you everything you need to make studio quality recordings at home.

Every iD interface features the Audient Console Mic Preamp, the same discrete circuit design found in our renowned recording console the ASP8024-HE. Designed to deliver ultra- low noise and low distortion with a touch of classic analogue warmth, iD14's two Audient mic pre's will give you the professional sound you deserve.

The Audient mic pre is a high grade hybrid discrete and op amp design that delivers a clean, accurate and detailed translation of your source.

With a noise floor 30,000 times quieter than the signal level your recordings will be captured with stunning clarity.

iD14's converters make sure you hear every nuance, every detail of your audio, enabling you to take your recordings to the next level. Offering an incredible 120dB of dynamic range you will hear your audio more accurately, make better creative decisions and experience stunning clarity directly from your desktop.

Connect and listen to your mixes through two sets of speakers with iD14's four line outputs. Alternatively use the extra line outputs to send audio to an external headphone amp for distribution to your artists.

Equipped with both a jack and mini jack connection and a powerful headphone amp capable of driving headphones up to 600Ohms, iD14 is ready to take on the most demanding recording sessions.

Designed to replicate the input stage of a classic valve amplifier, iD14's harmonically rich JFET Instrument Input is the perfect sonic foundation for your guitar or bass and amp sims.

Plan for the future with iD14's digital input. Supporting both ADAT and SPDIF, iD14 gives you the option to add up to eight extra mic pre inputs letting you expand your rig and take on larger sessions.

Keep it simple with the powerful but intuitive iD Mixer. Create and customise low latency headphone mixes, utilise the flexible monitor control or simply keep an eye on your levels - all from one easy to use app.

iD14's dedicated talkback technology enables you to use any audio source connected to your computer such as a built in or USB microphone as your talkback mic, freeing up valuable mic pres for recording.

Speed up your workflow with the iD button. Assign any of iD14's advanced monitoring features to the iD button, including DIM, CUT, Polarity Reverse, Mono Sum, Talkback or Cue Mix monitoring, and experience complete control at your fingertips.

With Audient you will be in good company as our mic pres have been used to record 1000's of hit records all over the world.

Designed to deliver true phantom power over USB, iD14 will make sure your mics get the power they need to ensure optimal sonic performance.

No need to find a power outlet as iD14 is powered directly from your computer via USB, without compromising on sound quality or performance.

Turn iD14's volume knob into a virtual scroll wheel and take control of a variety of compatible onscreen parameters. Quickly dial in settings, adjust faders or even write in automation without spending hours staring at the screen.

Engineered to survive everyday use, iD14 delivers professional quality audio in a small but durable package.

Bundled with a free suite of creative software including Cubase LE and Cubasis LE for iOS, alongside industry leading plugins and virtual instruments, you can start recording as soon as you open the box.


D.I / Instrument Input

LINEUP: 12dBu = 0dBFS
THD+N @ 0dBu: 0.1%
SNR: 100dBu A-Weighted
1/4" TS JACK: Tip (Hot) & Sleeve (Shield)

Microphone preamplifier

LINEUP: 12dBu = 0dBFS
THD+N @ 0dBu: 0.00170%
SNR: 101dBu A-Weighted
EIN: 129dB A-Weighted
CMRR @ 1k: >75dB
XLR COMBI FEMALE: Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield)
1/4" TRS JACK: Tip (Hot), Ring (Cold) & Sleeve (Shield)

Analogue to Digital Converter:

THD+N @ -1dBFS: 0.001%
DYNAMIC RANGE: 120dB A-Weighted
CMRR: >80dB
FREQUENCY RESPONSE: i0.5dB 10Hz to 40kHz

Line Outputs (DAC):

LINEUP: 12dBu = 0dBFS
THD+N @ -1dBFS: 0.0006%
DYNAMIC RANGE: 125.5dB A-Weighted
FREQUENCY RESPONSE: i0.1dB 10Hz to 40kHz
1/4" TRS JACK: Tip (Left), Ring (Right) & Sleeve (Shield)Line Outputs (DAC):

Headphone Outputs:

LINEUP: 18.5dBu = 0dBFS
THD+N @ -1dBFS: 0.0009%
DYNAMIC RANGE: 125.5dB A-Weighted
FREQUENCY RESPONSE: i0.25dB 10Hz to 40kHz
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MRP:$271.76 SAVE 17%
coming soon $226.46
IO Instruments DIA High-End Preamplifier Module
IO Instruments DIA High-End Preamplifier Module (external/filter/preamp synth module)
Cat: 795949 Rel: 31 Jan 21
Preamplifier module


Up to 80dB MIC GAIN

Low distortion and noise

High CMRR, sweet sound

Variable HI and LO PASS

PAD switch - 20dB



All switching is with relays


XLR, 6,3 & 3,5 mm OUTs


Width: 12 HP
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coming soon $269.49
Tenderfoot Electronics Lattice 12 Step Sequencer Module
Cat: 805814 Rel: 01 Feb 21
12-step sequencer module
Notes: Lattice is a 12-step sequencer laid out in 4 rows of 3 steps. These steps can be navigated horizontally, vertically, or sequentially through all 12 steps. Sending different clock inputs from related or unrelated signals can open up a whole world of evolving, polyrhythmic goodness.
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MRP:$297.58 SAVE 24%
coming soon $226.46
LA67 LR4 Crossover Module
Cat: 806154 Rel: 01 Feb 21
Three-way crossover module
Notes: A three-way crossover under voltage control. Two four-pole state variable filters in series allow an input signal to be split into three non-overlapping bands, while the fourth-order Linkwitz-Riley slopes provide ideal band separation. And because both filters are full range, the bandwidths are arbitrary, not range-restricted.

Technical Specifications

20mm depth
Current draw: 45mA/45mA +12v/-12v

Reverse power polarity protection
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coming soon $210.60
AniModule Lil' Monster VCO Module
AniModule Lil' Monster VCO Module (oscillator synth module)
Cat: 794393
VCO module
Notes: At 8HP and 28mm deep this is A Frightening little Oscillator with Monstrous PWM, Sick, Sick Sync, and Terrifying FM capabilities!!

Great 1V/Oct tracking

Range from below to above the audible

All Waveforms respond to your Sync Input signal

Current Draw: +12V = 21mA, -12V = -21mA 8HP, 29mm Deep
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MRP:$254.10 SAVE 17%
coming soon $211.74
Patching Panda Moon Phase Stereo Multimode Filter Module
Cat: 804366 Rel: 25 Jan 21
Stereo multimode filter module
Notes: Stereo 12dB/octave state-variable multimode filter with powerful imaging technique to enhance and alter the stereo field.

The resonance sounds beyond any other filter when you play with the stereo imager control.

With 8 different combinations and span to separate both filters, you increase the possibilities to treat your sounds and open them in the stereo field.

Applying audio rate cv to the stereo imager or span control input and sweeping the cutoff control will create a unique character to the filter.

The resonant peaks can be shifted around the stereo field, every cv input can be modulated up to audio rate frequencies creating a wide palette of sonic combinations.

Size: 14HP

Power consumption 82mA@+12V, 63mA@-12V
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MRP:$328.83 SAVE 17%
coming soon $274.02
AniModule V9a Module
AniModule V9a Module (clock generator / sequencer / waveshaper synth module)
Cat: 793809
VC sequencer & waveshaper module
Notes: Here's a powerful animal to add to your sequencing arsenal.

Send your CV to the CV In. As the Voltage increases the sequence steps forward. As the voltage decreases the sequence steps back.
Scale and adjust your input voltage to taste with the Onboard Attenuator and Offset.

Control the Output CV with an individual Potentiometer for each step.

When a step changes, a 10MS trigger is sent to it's corresponding switch. If the latching switch is depressed it allows the trigger to pass to the Trigger Out.

There is a switch per step for slew (portamento/slide).
and a Potentiometer to control the Slew Amount.
There is also an input to allow gated control of when the slew turns on and off which will work in conjunction with the switches.

This module is looking for 0V to +5V. The Offset is 0V to +5V.

To allow for chaining of the V9a and rests, 0V will put you under the sequencer range and +5V will put you over the sequencer range.
When the sequence drops below step 1 or over step 9, 0V will be sent to the CV Out and No Trigger will be sent to the Trig Out.
When step 1 or 9 is activated a trigger will be sent to the Trig buss.

Max Current Draw:
+12V = 40mA
-12V = 11mA

Width: 14HP Depth: 39mm
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MRP:$311.17 SAVE 17%
coming soon $259.30
Mackie Element Series Chromium Premium USB Condenser Microphone
Cat: 785653
USB condenser with built-in 2-channel mixer
Notes: This mic is a true beast for your home studio with tons of I/O and control for an array of different uses. Offering pristine sound with 4 selectable polar patterns and out legendary Onyx Preamp circuitry. On top of that, you get a 1/4" instrument input that you can mix with the mic. Want to play along with a track? Connect anything with a headphone output to the 1/8" Aux in and hear it in your headphones.

Suitable for home studio use, podcasting and content creation.
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coming soon $208.34
Old Blood Noise Blackcap Dual Asynchronous Harmonic Tremolo Pedal
Cat: 806604 Rel: 31 Mar 21
Harmonic tremolo effects pedal
Notes: Old Blood Noise is now offering a harmonic take on their Whitecap dual asynchronous tremolo as a full member of the OBNE roster. The Blackcap retains the analog tremolo side of the original and takes the highly functional digital tap side into the realm of harmonic tremolo. Where before it turned your volume up and down, now it crossfades between your highs and lows. Mixed in parallel or series with the amplitude modulating tremolo, it's a new aural experience.
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MRP:$270.40 SAVE 17%
coming soon $225.33
The Alabama Box
The Alabama Box (8xCD box + book)
Cat: BESHARP 6181188.
coming soon $212.87
The Nine Worlds Of Falkenbach
Cat: PRO 306BOX.
coming soon $211.74
The Nine Worlds Of Falkenbach
The Nine Worlds Of Falkenbach (gold vinyl 9xLP box set)
Cat: PRO 306BOXG.
coming soon $226.46
Analogue Systems RS-110N Multimode Filter Module
Cat: 777031 Rel: 31 Jan 21
multimode filter module
Notes: The RS-110 is a resonant analog multimode filter with excellent sound, resonance and four simultaneously available filter types. An insert function in the feedback loop allows you to insert other audio processors.

The module has two audio inputs, each with a level control. "unity gain" is reached at position 4, beyond this the signal will be overdriven at the filter input.

The cutoff frequency can be set manually in a range of 30Hz to over 15kHz, with additional CVs even up to 50kHz.

Separate audio outputs for the four filter types are available: 24dB low pass, 24dB high pass, 12dB band pass and 12dB notch.

Resonance goes up to self-oscillation and besides that it offers an unique feature: the socket Res-Out and Res-In act like an insert i.e. they allow you to process the audio signal in the feedback loop by other audio processors like filters, distortions, delays, frequency shifters etc.

You get very wicked results when you connect the notch output with the resonance input. It sounds very metallic and the filter behaviour gets more aggressive. Generally it is fun to cross-connect the separate outputs with the CV and audio inputs and to use the filter in a modular way.

In use:

The RS-110N consists of a two channel audio mixer followed by four, parallel, resonant filters with voltage controlled frequency and a unique "insert" point in the feedback path that generates and controls resonance.

Filter Modes

The RS-110N offers four filter modes. These are 24dB/Oct low-pass , 24dB/Oct high-pass, 12dB/Oct band-pass and 12dB/Oct band reject (often called 'notch') filtering, with the cutoff frequencies (Fc) of the high-pass and low-pass outputs being the centre frequencies of the band-pass and notch outputs. Each of these filter characteristics is described in appendix 2.

There is no switch to select between the modes because all four are available simultaneously from the appropriate output sockets. However, the cut-off and resonance can not be defined individually for each, and the controls act upon each mode equally

You can determine Fc in the range 3Hz to 50kHz using combinations of the frequency control knob and the voltage control inputs.

If you apply a CV conforming to the 1V/Oct standard, Fc will track the CV in exactly the same way as an RS-90 VCO would if you applied the same CV to its CV-IN 1V/Oct socket. If the CV is supplied from a keyboard then, in common parlance, the filter is tracking the keyboard 100% and, with the resonance at maximum, you can 'play' the filter as if it were a conventional oscillator.

You can also use this facility to make a notch or band-pass filter "track" the notes you are playing, and this can be used to create many special effects.

You may wish Fc to track incoming CVs differently, so the C V-IN VARY input is provided. This socket and its associated LEVEL control allow you to specify the filter's sensitivity to C Vs within the range 8V/oct to approximately 0.4V/Oct. The former of these makes the filter invariant to incoming CVs, while the latter makes it oversensitive compared to CV-IN.


The filters have a common resonance, 'Q', that you can control using the RESONANCE knob. In its fully anticlockwise position, Q is approximately zero, and there is no emphasis of the signal at Fc. As you rotate the knob clockwise Q will increase, whereupon every mode of the RS-110N will accentuate the harmonics that lie close to the cut-off frequency, Fc. Increasing Q further, the filters will exhibit ringing, and will severely colour any signals passed through them. Finally, if you continue to increase the resonance beyond a certain point, the filter will itself begin to oscillate, even in the absence of an input. Each mode will now produce a stable tone at the cutoff frequency determined by the various controls. This oscillation takes the form of (approximately) a sine wave, and it is produced by all four of the conventional audio outputs. The exact nature of the wave varies slightly from mode to mode, and you can use these subtle differences to create tonal variation when using the RS-110N as an oscillator.

Uses for RES OUT and RES IN include the introduction of voltage controlled resonance (achieved by routing the signal via an RS-180 VCA) or the creation of special effects (achieved by modifying the signal using devices such as reverb units).
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MRP:$266.32 SAVE 17%
coming soon $221.93
Solid Gold FX Spanish Castle Dual Vintage Fuzz Effects Pedal
Notes: The year 1969: Not only was Led Zeppelin's eponymous album released, but Woodstock took place in August. 1969 marks a turning point in the gear world also; it was the year that Dallas-Arbiter switched Fuzz Face production from the lower-gain germanium transistor core to readily available higher-gain silicon devices. The Spanish Castle pays tribute to this year.

Packed to the turrets with fuzz spread across two separate and footswitchable If 6 Was 9 circuits, the Spanish Castle is the perfect device for the fuzz-crazy and fuzz-curious alike.

The right side of the Spanish Castle represents the warmer pre-'69 circuit and is equipped with low-gain silicon transistors that emulate the rich character of germanium with more stable and consistent operation. Carbon-composition resistors further round everything out for a sound that is just like they used to roll them off the line. Unlike the Faces of yore, this circuit is equipped with a bias circuit to dial in just the right flavor, and cleans up like a champ. The original tenant of the Spanish Castle would have loved it.

On the left side, the post-'69 If 6 Was 9 circuit lies in wait. This wing of the Spanish Castle offers up higher-gain silicon transistors for a more buzzsaw-like grind, metal film resistors for tighter tolerances and an extended bias range for dialing in ripping gated fuzz textures as well as full-bodied snarl.

Each side offers up two toggle switches- Colour is a three-position switch that adjusts the EQ of its respective side, from flat EQ to two settings that shave off treble and mids. The Input toggle is also a three-position switch, changing gain and bass values that make the Spanish Castle adapt better to your wahs and other pedals.

If that's not enough control for you, each side contains an internal switch that changes between Bold and Comp modes, the former increasing the output and midrange, and the latter offering a softer, more compressed tone.

Please enjoy your stay in the Spanish Castle. You'd better make yourself at home. You're going to be here a while.


Fuzz: Most Fuzz Face-style pedals only produce usable fuzz amounts at the end of the knob. Not ours. Each Fuzz knob is designed to give you an even sweep of fuzz throughout.

Bias: These knobs vary the voltage to the collector of of the second transistor, giving you burlier (clockwise) or leaner/gated fuzz tones (counter-clockwise).

Volume: Gives you more output than vintage-style Fuzz Faces. Note: when running both sides at once, Side B's Vol control becomes the "master volume" while Side A's control becomes a "saturation" control.


Color: These three-position switches adjust the EQ of the side they're found on. The center position of each switch bypass the EQing, while the "left" positions shave a small amount of treble and scoop a small amount of mids from their respective sides. The "right" positions shave an even greater amount of treble while scooping a greater amount of mid frequencies.

Input: These three-position switches adjust the input attenuation and wah friendliness of the side they're found on. The "right" positions leaves its respective side alone with regards to attenuation. The center positions heavily cut gain and bass, while the "left" positions mildly cut gain and bass. The center and left positions help adapt the Spanish Castle to a more wah-friendly fuzz.

UNDER THE HOOD:Bold/Comp (internal DIP): Each side contains a DIP switch that toggles between Bold and Comp settings. The Bold side increases the output level and the midrange content, while Comp delivers a softer and more compressed tone. The default setting is with Comp on.


Input: Instrument or other pedal goes here (right side).

Output: Amplifier or other pedal goes here (left side).

True bypass footswitches: Turns each side of the effect on and off.

POWER: The Spanish Castle requires a center-negative 9-to-18VDC power adapter with at least 10mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand. There is no option for a battery.


4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$332.91 SAVE 17%
coming soon $277.43
Solid Gold FX Surf Rider III Spring Reverb Effects Pedal
Notes: Reverb purists often point to amp reverb as being the pinnacle of spring reverb. That may be all well and good, but what if your amp just doesn't have reverb? What if your amp's reverb isn't good? What if you want more options after a simple "level" control? It is time to ride the waves into the Surf Rider III.

The Surf Rider III is the 'verb sound that Fender's engineers would have put into their Deluxes and Vibroverbs if they had access to today's technology. Solid Gold's finest 'verb box gives you that familiar Level control but then adds a plethora of options, including a boost and some nifty resonance features that adds some juice to your tank without the springs.

Versatility is the name of the Surf Rider's game. The Level control is just the beginning, adjusting the amount of reverb in the total signal. The Surf Rider also offers a Depth knob that adjusts the intensity of the reverberations, for some hauntingly huge verbs that fill the room. The expression jack on the side overrides this control, should you feel so inclined.

The Decay control increases the size of the virtual reverb tank, opening up the pedal and giving you verb tones that go on seemingly forever. Speaking of tones, there's a handy Tone knob that brightens or darkens the reverb signal, which helps tame harsh pickups or beef up flimsy ones. It's especially helpful if the Surf Rider III is your only pedalia splendid idea.

The Resonance switch unlocks the "drippiness" of the reverb tank, giving you a lot (upper position), a little (lower position) or none at all (center). Cracking open the Surf Rider III gives you a trimpot to set the lower level for just the right amount of splash.

The Boost section lets you boost or cut the reverb level. With the LED on, the pedal is in Hi mode, and off is Lo mode. There's another internal trimmer that lets you dial in Lo mode. Surf's up.


Tone: This knob lightens or darkens the frequency of the reverb signal only, from dark and moody to bright and biting.

Decay: Turning the Decay control up increases the decay time of the reverb signal, giving you access to huge, surf-inspired 'verbs that linger seemingly forever.

Depth: Increases the size of the virtual spring tank and the intensity of the signal. When connecting an expression pedal, you can control this knob hands-free.

Level: Controls the volume of the reverb (wet) signal.


Res: This is a three-position switch that alters the resonance of the tank. The upper position adds a high amount of resonance, while the lower position adds an amount that you set via internal trimpot (see "Under the hood" below). In the center position, the toggle adds no resonance.


Res (trimpot): This trimpot allows you to adjust the amount of resonance in the reverb signal while in the "Lo" (bottom) position of the Res toggle.

Boost (trimpot): When the Boost is in the off position (LED off), a portion of the reverb level is reduced. This trimpot lets you adjust how much is reduced to fine-tune the reverb signal.


Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

Expression jack: Connecting an expression pedal here gives you hands-free control over the Depth knob.

True bypass footswitch: Turns the effect on and off.

Boost footswitch: With the LED on, the Surf Rider III is in "Hi" mode, boosting the reverb signal. With the LED off, the Surf Rider III is in "Lo" mode, and a bit of the reverb level is reduced. You can adjust how much with the Boost trimpot (see above in "Under the hood").


The Surf Rider III requires a center-negative 9VDC power adapter with at least 53mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.


4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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Solid Gold FX Counter Current Reverb & Feedbacker Effects Pedal
Cat: 792808
Reverb + feedback pedal
Notes: You've dipped your toes in the water with the Surf Rider, now it's time to get swept away in the Counter Current- the do-it-all immersive lo-fi reverb unit that gives you just the type of degraded reverb madness that you need to create crumbling walls of verb, 8-track garage rock ambience, and swells of bit-starved echo.

The heart of the Counter Current is three interconnected and highly interactive controls and one footswitch: F.Back (Feedback), Decay, Drive and the Momentary Feedback switch. By using these controls together and with generosity, all kinds of reverb sounds open right up.

Let's start with the Decay control: This knob affects the end result of all your careful knob placement, by extending the, well, decay time of the virtual reverb tank. Dialing it in nice and high keeps the trails ringing out longer and really lets you flood the front end of your amp with the heart of the Counter Current.

In keeping with lo-fi reverb tradition, the Drive control overloads the virtual reverb tank transducers, saturating the front end with a touch of extra gain that excites your tone in the best way. Dialing this control back gives you a characterfully clean reverb sound that still sounds an absolute treat, but go ahead- tweak that thang.

The Counter Current's Feedback control recycles the post-'verb signal into the front end for a chaotically rich reverb tone, increasing the resonance and augmenting the Drive control. Turning the control fully counterclockwise shuts the back door and keeps the feedback out of the input, retaining sparkle and clarity.

Of course, the Tone knob does wet-signal tone knob things, lightening or darkening the reverb signal, and the Level control adds wet signal to the mix. After you set those, it's time to examine the Momentary Feedback switch. Buckle up.

The Counter Current's secret weapon, the Momentary Feedback switch ramps up the feedback for some oscillating blasts of reverb just when you want them. Not only is it a killer tone, but it's a rock 'n' roll set ender. This switch's function, as you might expect, is extremely dependent on where the "core three" knobs are set, giving you everything from crunchy spring drip to bottomless wells of soft scuzzy ambience and everything in between. Step inside the Counter Current. It'll treat you well.


Tone: This knob adjusts the frequencies of the reverb signal only, giving you 'verb tones from dark and intimate to bright and present.

F. Back: This adjusts the intensity of the momentary feedback footswitch function and works in conjunction with the drive and tone controls. Increasing this control will create a faster and more intense feedback.

Decay: Increases the size of the reverb space and the intensity of the signal.

Drive: This control lets you saturate the virtual transducers on the reverb unit, giving you additional grit, grime and drive before the 'verb kicks in.

Level: Controls the volume of the reverb (wet) signal.


Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

Expression jack: Connecting an expression pedal here gives you hands-free control over the Drive.

True bypass footswitch: Turns the effect on and off.

Momentary feedback footswitch: Hitting this switch will cause the reverb to feed back into itself creating sounds ranging from a mild oscillation to a screeching howl depending on where the f.back and drive controls are set.


The Counter Current requires a center-negative 9VDC power adapter with at least 53mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.


4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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Solid Gold FX Funkzilla Tap Tempo Envelope Filter Effects Pedal
Cat: 792820
Envelope filter effects pedal
Notes: When it comes to envelope filters, there are a funkload of options. Unfortunately, there are plenty of parameters with which to control them, and almost all envelope filters deny you access to at least one. "Let's just not give them a frequency control", some might say. Fear not, funkseeker, as the Funkzilla smashes all preconceptions of what an envelope filter should do and sound like- and it works on everything; guitars, bass, keys, you name it.

The Funkzilla is Solid Gold's take on everything enveloped, filtered or both. While all envelope filters give you the ability to coax that familiar "quack" sound from them, the Funkzilla contains the ability to shift the filtering from envelope control to LFO control. In other words, it's the ultimate funk box.

Attack, Depth and Freq(uency) controls come standard, as does the envelope direction (up or down). Beyond that, the heart of the Funkzilla lies within its Tap/Env switch. This switch toggles between standard envelope filter sounds and more dynamic autosweep sounds that take away the need for dynamics.

With this switch set to Tap, a plethora of options opens up. The Speed and Mode knobs become active, as does the tap switch, along with 1-2-4 and Wave toggles. The Speed knob now controls the speed of the auto-sweep (overridden by the Tap switch), and the 1-2-4 toggle controls the time subdivisions.

You can adjust the Funkzilla's Mode control to one of eight different rhythmic patterns for the utmost expression, and across those patterns, you can choose one of three different waveformsisine, ramp, and square.

An expression jack overrides the Speed control for some truly expressive filtering options, with some phaser and flanger overtones available for the brave.

Even without the bells and whistles, the Funkzilla is one killer envelope box and funks the joint up right out of the box. With the bells and whistles? Look out.


Speed: When in Tap mode, this knob controls the rate at which the filter sweeps automatically, from near-frozen pulses to hyperdrive.

Mode: This eight-position control cycles through several rhythms and accents when in Tap mode. Because of the different rhythms, it is highly interactive with the standard filtering controls. Turning the Mode control fully left bypasses all functions.

Depth: Controls the intensity of the filter sweep across both Tap and Envelope modes.

Freq: Adjusts the center frequency of the filter sweeps. Turning the knob lower centers the filtering on the dubby side of things while turning it up gets you into Zappa territory. Works across both Tap and Envelope modes.

Attack: This control adjusts the time it takes for the filter to "open." Turning it doesn causes the envelope to open slowly, and turning it up opens the envelope very quickly. This knob works only in Envelope mode.


1 2 4: The tempo range of the Funkzilla lives in this switch. In Tap mode, it sets the subdivisions of your tapping. In standard mode, it sets the range of the Speed control.

Wave: A three position switch changes LFO waveforms between Sine, Ramp and Square modes. This switch is only available in Tap mode.

Dir: This switch toggles between forward and reverse envelope operations, and is available across both Envelope and Tap modes.

Tap/Env: Changes between the two main modes: Tap and Envelope. In Tap mode, the filter speed is set by either Speed knob, expression pedal or tap tempo. Each control will override the last one used. Envelope mode works as a standard envelope filter. Make sure that your instrument's volume is set to maximum for best results.


Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

Expression jack: In Tap mode, connecting an expression pedal gives hands-free control over the Speed knob for some psychedelic filter action. This effect is not available in Envelope mode.

True bypass footswitch: Turns the effect on and off.

Tap tempo footswitch: In Tap mode, sets the tempo of the filter sweeps.


The Funkzilla requires a center-negative 9VDC power adapter with at least 15mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.


4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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Solid Gold FX Beta DLX Deluxe Bass Preamp Overdrive & Boost Effects Pedal
Cat: 792793
Preamp overdrive & boost effects pedal
Notes: What if you had an all-in-one tonal powerhouse that could keep your tone snappy and crisp, with a boatload of options to keep your signal buoyant? The Beta DLX is such a device. By pairing it with your bass, you create a highly sophisticated tonal symbiote and your audience and bandmates will thank you.

The makeup of the Beta DLX is a super-customizable drive circuit that's paired with a juicy boost. Let's start with the drive circuit.

Volume, Tone and Gain controls come standard, and each one has an unreal range of flavors, but the five-pack of toggle switches are where the magic happens. The Beta DLX offers up fine-tuning for both channels, but Body, Mids and Clip are within the drive side's domain. Body adjusts the bass frequencies, while Mids does the same with the midrange frequencies. Clip changes the clipping threshold of the drive side. A bonus trimpot inside lets you adjust the overall gain for this side- truly putting the DLX in Beta DLX.

The Boost section of the Beta DLX gives you a powerful JFET-equipped boost. Yes, you can use it just by itself- a miracle! On this side, the B. Tone control alters the bass frequencies of the boost, while Pre/Post determines whether or not the boost side comes before or after the drive sideiuse the Pre side to push the drive side into sweet saturation, or use the Post side to kick your drive tone up a notch.

If you've ever found your bass tone lacking due to the multitude of hurdles you're forced to jump, the Beta DLX is your ace in the hole.


Volume: Gives you a tasteful amount of volume on tap, enough to work with all kinds of setups.

Tone: Adjusts the bass and treble content of the drive side.

Gain: Adjusts both the amount of overdrive and the amount of treble. As you roll the Gain up, more high end enters the signal path, allowing for clarity within the saturation.

Level: Governs the amount of boost engaged when in Boost mode. Be careful with this one!


Post/Pre: This switch controls the order of both channels when they are used simultaneously. Toggling this switch puts the Boost before the Drive or vice-versa for two different stacked tones.

Tone: This three-position toggle controls the level of the bass frequencies pushed by the Boost channel. When set to the left, the bass is the stock value. In the center, you'll find a bass cut, and the right position is a bass boost.

Body: Controls the level of the bass frequencies in the Drive channel. The corresponding switch positions are the same as the B. Tone switch above.

Mids: Adjusts the amount of mids present in the Drive channel. The left position is flat, center position s boosted, and the right position is scooped.

Clip: This three-position switch controls which type of clipping diodes are present in the drive channel. The left position selects a silicon-germanium hybrid for a bit more compression and crunch, the right position selects silicon parts for a bit more dynamics and sizzle, and the center position removes them altogether for a raw, throaty tone.


Gain (trimpot): Adjusts the overall gain of the drive channel, and thusly, the range of the external Gain control.

Bias 1 and Bias 2 trimpots are not user-adjustable.


Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitches: Turns corresponding channels on and off.


The Beta DLX requires a center-negative 9VDC power adapter with at least 30mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.


4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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Solid Gold FX Lysis Poly Octave Down Fuzz Modulator Effects Pedal
Cat: 792822
Fuzz/modulation/filter pedal
Notes: If you've ever awoken in a cold sweat dreaming of synthesizers, here's the ticket: Lysis. There's always been something about synth players for which guitarists and bassists alike have yearned. Though they're essentially the same instrument, the onboard accoutrements are what makes all the differenceioscillators, filters, LFOs; these are the makings of true electronic synthesis, and these are all things we stuffed into the Lysis.

All of the bells and whistles of synths are featured in full within the walls of the Lysis. For starters, the Lysis serves up a specially-designed wave-shaping fuzz circuit. This helps the Lysis sound more like a square wave or sawtooth wave.

The DSP-controlled polyphonic octave circuit takes all the clang you've cooked up and sends it south, to a rich two-voice octave-down synthesizer that tracks one note or 88, all at once. Serve Lysis your longest signal chain on a platter, and it will eat it for breakfast.

The Filter section is where things get really interesting. For starters, the Lysis gives you the option to blend the octave/fuzz section with the filtering, so you can enjoy punishing octave-down fuzz, rich, goopy filter sweeps or anything in between. The Lysis also gives you a switchable high-pass and low-pass filter, along with the option to manually manipulate the filter's cutoff or have it automatically modulate.

If you choose the manual path, an expression pedal jack gives you hands-free control of the Freq knob, for a sound-bending filter-wah effect that can absorb the impact of the most well-equipped dirt section. Should you choose modulation, the Freq knob controls the rate of the effect. An expression pedal gives you foot control over the speed for some psychedelic guitar freakouts or smooth undulation.

An onboard vibrato circuit finishes off the signal path of the Lysis. When in fixed mode, Lysis kicks in the vibrato, but in modulated mode, a filter LFO is engaged and Mod controls the rate of that. The two-position Warp switch works in tandem with the corresponding footswitch, either maxing or killing the Mod knob depending on the position.
Much more than a mere effect Lysis is its own future forward entity, a cellular organism of the sonic variety bursting with possibilities.


The Lysis requires a center-negative 9VDC power adapter with at least 60mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand. There is no option for a battery.


4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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Solid Gold FX 76 Plus Octave-Up Fuzz & Filter Effects Pedal
Cat: 792775
Fuzz & filter effects pedal
Notes: Introducing the new 76 Plus Octave-Up Fuzz & Filter Effects Pedal. The 76 Plus takes inspiration from the lauded Univox Super Fuzz, Shin-Ei Companion and Ibanez Standard Fuzz. It's a powerful, cutting fuzz with a baked-in octave up that's especially apparent the higher you go up the fretboard. Do you like fuzz? Then you'll especially like this fuzz.

But what really makes this pedal special is the inclusion of an independent wah-like filter that's as tasty as it is useable. The filter section of the 76 Plus offers a mind-boggling number of ways to add movement to your tone, from triangle and sawtooth waveforms, to 2, 3 and 4-step sequences.

This filter speed can be dialed in perfectly via the speed knob or for you control-freaks, you can use an external expression pedal (not included) to give you infinitely variable control. Rather than "boxing you in," the 76 Plus gives you both options.

Knobs & Switches:

Vol Knob (Right): Adjusts the Fuzz output volume, from quiet to your mum yelling, "TURN IT DOWN!"

Texture Knob: This control adjusts the mid frequency of the 76 Plus from a deep scoop to a mid-drenched grind.

Fuzz Knob: When you turn the Fuzz knob up, you get more fuzz- and vice versa.

Speed Knob: Adjusts the speed of the filter (disconnected when expression is plugged in).

Volume Knob (Left): Adjusts the output volume of the filter.

Color Switch: Shaves some top-end for a smoother, woolier fuzz. "Left" rolls off some treble, "Right" rolls off even more treble, and "Center" rolls off no treble.

Clip Switch: "Left" is the original vintage setting (heavy compression & extra breakup), "Right" is a tamer, balanced option, and "Center" is a punchy setting with the compression dialed back a bit.

Mode Switch: Toggles between three available filter modes: Manual (left), Triangle (center), and Square (right). Each mode has 3 corresponding shapes, controlled by the "Shape" switch.

Input/Output:Instrument or other pedal goes on the right side, Amplifier or other pedal goes on the left side.

EXP Input: Enables the Filter to be controlled by an expression pedal (not included).

True bypass Footswitches:Turns each side of the effect on and off.

Power:This pedal requires a center-negative 9-to-18VDC power adapter with at least 10mA of current (not included). There is no option for a battery.

Dimensions:4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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Solid Gold FX Zeta DLX Deluxe Preamp Overdrive & Boost Effects Pedal
Cat: 792830
Overdriver & boost effects pedal
Notes: Guitar tone is tricky business- guitarists are sometimes forced to choose between great tone and utility. Are you also tired of choosing? Venture ahead, brothers and sisters of tone - introducing the Zeta DLX.

The Zeta DLX combines three of the most useful tricks in the gain-based tonal world: Preamp, drive and boost. The entirety of the Zeta DLX comprises a preamp circuit, so that you can keep your tone fresh even if you have to go direct, or your amp options are limited on fly-out gigs. However, each since each side is individually switchable, we must look at the sum of the parts.

The left side of the Zeta DLX serves up a generous drive circuit that has extremely wide sweeps of all the parameters, from jangly boost to crunchy OD. Three of the toggle switches give you options to tailor the Zeta DLX to your individual needs. The Mids and Body toggles allow you to adjust the range of those particular frequency bands, while the Clip switch lets you change the clipping characteristics. A bonus trimpot inside even lets you adjust the overall gain of the circuit.

On the right side of the Zeta DLX is the JFET-equipped individually selectable boost function, with a single knob to control the amount. The B. Tone toggle gives you control over the bass frequencies of the boost, while Pre/Post lets you choose whether the boost goes before or after the drive circuit. You can use this to great effect when trying to get either a super-saturated dirt tone or a burlier version of the drive side.

Don't get caught between a rock and a tonal hard place againiplug into the Zeta DLX and feel the gear instead of just hearing it.


Volume: Gives you a tasteful amount of volume on tap, enough to work with all kinds of setups.

Tone: Adjusts the bass and treble content of the drive side.

Gain: Adjusts both the amount of overdrive and the amount of treble. As you roll the Gain up, more high end enters the signal path, allowing for clarity within the saturation.

Level: Governs the amount of boost engaged when in Boost mode. Be careful with this one!


Post/Pre: This switch controls the order of both channels when they are used simultaneously. Toggling this switch puts the Boost before the Drive or vice-versa for two different stacked tones.

Tone: This three-position toggle controls the level of the bass frequencies pushed by the Boost channel. When set to the left, the bass is the stock value. In the center, you'll find a bass cut, and the right position is a bass boost.

Body: Controls the level of the bass frequencies in the Drive channel. The corresponding switch positions are the same as the B. Tone switch above.

Mids: Adjusts the amount of mids present in the Drive channel. The left position is flat, center position s boosted, and the right position is scooped.

Clip: This three-position switch controls which type of clipping diodes are present in the drive channel. The left position selects a silicon-germanium hybrid for a bit more compression and crunch, the right position selects silicon parts for a bit more dynamics and sizzle, and the center position removes them altogether for a raw, throaty tone.


Gain (trimpot): Adjusts the overall gain of the drive channel, and thusly, the range of the external Gain control.

Bias 1 and Bias 2 trimpots are not user-adjustable.


Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitches: Turns corresponding channels on and off.


The Zeta DLX requires a center-negative 9VDC power adapter with at least 30mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.


4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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Edifier R2000DB Black 2.0 Book Shelf Speakers (pair, black)
Cat: 808952
120W Bluetooth speakers with wireless controls
Notes: Edifier R2000DB Black 2.0 Book Shelf Speakers Bluetooth Optical Input120 Watts Piano Black

Versatile speakers equipped to deliver an authentic listening experience.

Astonishing sound - Not only is the R2000DB stunning, this bookshelf speaker will leave you speechless. An ideal speaker for computers, gaming consoles and mini home theatres. Its comfortable in just about any environment, giving it the diverse functionality suited for any lifestyle. It houses an encased MDF wooden enclosure which minimises acoustic resonance. The R2000DB bookshelf speakers considers your Hi-tech needs and concerns while driving quality performance and entertainment value. Edifier's bookshelf speakers with Bluetooth capability produces spectacular sound with exceptional presentation.

Eagle Eye - Using newly developed 25mm silk dome "Eagle Eye" tweeters, this bookshelf speaker makes the slightest sounds clear. With desirable dimensions and improved specs the "Eagle Eye" lives up to its reputation and demand. With the redesigned elements of the R2000DB bookshelf speakers, distortion in your audio experience is a thing of the past. Edifier has built in Digital Signal Processing (DSP) and Dynamic Range Control (DRC) to minimise distortion, keeping your listening experience in mind. Your studio is precious and should not be defiled with the inconsistencies of outdated designs.

Function meets style - Edifier's R2000DB bookshelf speakers has a high gloss piano finish as a touch of elegance to match your rooms decor. Any studio or living space housing these bookshelf speakers should be met with thoughtful design and comfortable style. The luxury of a gloss finish is something Edifier does not take for granted. The R2000DB speakers exemplify this reality.

Versatile and dual connection - Connect devices to the R2000DB through optical and RCA input. You can also have more than one device plugged in at a time. Using Bluetooth, you can pair your smartphone and avoid using wires. The versatility of the R2000DB bookshelf speakers seek to deliver an authentic listening experience mirrored with Hi-tech wireless functionality. Edifier providers all the bells and whistles characteristic of Bluetooth aptitude.

Built-in and wireless controls - The R2000DB comes with a wireless remote for your convenience. Or use the side panel on the speaker to adjust bass, treble and master volume. Control your bookshelf speakers and connect to your device in comfort. The classic design of the R2000DB fits right in your hand and gives you total demand of your experience; all at your fingertips.
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