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Back catalogue: Coldwave/Synth
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Review: Back in the early-to-mid 1990s, Robert Fripp collaborated with numerous ambient house-era electronic artists, including the Orb (see the largely forgotten FFWD>> album) and The Grid, who invited the long-time Brian Eno collaborator to recording sessions back in 1992. While some of the latter material made it onto their '90s albums, much of Fripp's work - dreamy guitar textures, drone works and other electronic experiments -was left in their archive. Leviathan is based around these unissued recordings, with Dave Ball and Richard Norris adding their own new sounds to create a string of beautiful, meditative, and picturesque ambient compositions that sit somewhere between their own ambient works, Norris's recent modular electronic explorations, and the forementioned FFWD>> project.
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Review: On his first album since signing with Ninja Tune offshoot Counter Records (his fourth in total), Roosevelt has tweaked both his working methods and the specifics of his songs and music. Embrace was recorded "on the road", with the Cologne-raised artist setting up his portable studio in a variety of cities, while the music itself combines a greater reliance on "80s disco basslines" (Gwen Guthrie's work with Sly and Robbie being an obvious touch point) and surprisingly honest lyrics that detail his feelings of alienation. In truth, it's not a huge departure - his glossy, wide-eyed take on electronic pop has always included nods to electrofunk, vintage synth-pop, nu-disco and contemporary dance-pop - but given the alluring nature of his sound, that's no bad thing.
… Read more in stock $10.90
