Neuzeitliche Bodenbelage & Sam Irl - "Faeden" (5:35)
Review: Earlier in the year, Fantastic Twins' Julienne Dessagne offered up the first volume in a new series of multi-artist EPs with a decidedly psychedelic electronic bent. Four months on, she's assembled another team of musical miscreants to deliver more audio "Microdosing". Oceanic kicks things off with the Steve Reich style melodic loops and gently pulsating electronic rhythms of "Parallel Lines Of Stripes", before Versatile Records founder Gilb'R dives deep into swirling ambient waters via the multi-speed oddness of "Cosmogonie". Over on side B, Lucas Croon fuses post-dubstep rhythms, skittish drum solos, twisted acid lines and intergalactic electronics on "Threshold Stimulus", while Neuzeitliche Bodenbelage and Sam Irl join forces for the kosmiche throb of "Faeden".
Review: Earlier this year, Red Light Radio founder Orpheu de Jong stumbled across a cassette, originally self-released in 1984, from an unknown San Francisco musician called Joel Graham. On the strength of the two tracks showcased here, it would be fair to say that Graham was ahead of his time. Hypnotic and minimalist in the extreme, the drum machine and synthesizer workout "Geomancy" - apparently recorded in 1982 on pre-midi analogue equipment - sounds like a template for techno. B-side "Night" is similarly inspired, and bears an uncanny resemblance to pitched-down versions of some of the dreamy new age house and nu-Balearica currently doing the rounds. It's superb, and almost as good as the brilliant A-side. Another superb release from the guys at Music From Memory.
Review: Dark Entries has always been rather canny when it comes to their Italo-disco reissues, often unearthing obscurities from one-shot artists who disappeared just as quickly as they arrived. Ghibli was one such artist. He only ever released one single, I'm Looking For You, back in 1985. That it still sounds fresh, despite its' obvious period features - bubbling, Bobby Orlando style synthesizer sequences, bold chords and a heavily accented Italian vocals - is testament to the skill of the record's original producer, Alfredo Baraldi. As with the original pressing, this Dark Entries edition comes back with the superior Instrumental version.
Review: For their latest trip into musical paradise, Zurich's Phantom Island crew has turned to debutants The Gagosians, a trio made up of former Soulphiction guest vocalist Suzana Rozkosny, A.C. Kupper (Guitar) and Kay-Zee (Synths). In its original form "Run For My Honey" is a slightly creepy but hugely enjoyable 4-minute chunk of no-wave wonkiness, with Rozkosny's strutting, post punk style vocals rising above lo-fi drum machine beats, surf-rock style guitar loops and elongated organ chords. On the B-side, Label co-founders Lexx and Kejeblos provide a stellar remix that drags the track further towards skewed, Balearic-minded electrofunk territory. While many of the original instrumentation remains, their body-popping beats and thickset synth bassline give the cut a whole new dancefloor dimension.
Me! I Diconnect From You (BBC Peel Session) (3:07)
Down In The Park (BBC Peel Session) (4:18)
I Nearly Married A Human (BBC Peel Session) (6:38)
Review: Beggars Banquet turn to their Arkive arm for this 40th anniversary edition of Tubeway Army's classic early works. "The First Recordings", from 1979 has been identically sequenced as the original release with early versions of the tracks. Alongside hits "Replicas" and "Are "Friends" Electric?", our picks of the batch are "Me! I Disconnect From You", an archetypal deadpan delivery with mechanical grooves, the grungy and rock-laced "Only A Downstat" and lovable robo-pop "We Have A Technical".
Review: Originally released back in the early '80s, Veronica Vasicka's label has done its audience a fine service by re-releasing Portrait by Swiss duo Guyers Connection. Full of self-conscious vocals and in places decidedly lo-fi synth lines, it's surprising and disappointing that this collection wasn't a big hit first time round. After all, both "Pogo of Techno" and "Keep the City Clean" are as catchy as an oddball Yazoo, "Die Grille" is a jaw-dropping, windswept synth composition and "National Und Stander" sees the duo fuse ponderous piano lines with pulsing, rippling basslines. Best of all though is "Ein Glas Voll Gurken" a breathy synth-pop song that could have conquered charts had it been sung in English.
Review: Roy Garrett born Roy Sambar in Colonia, New Jersey arrived in New York City hungry to explore the sex and porn scenes he'd seen advertised in the Village Voice's classified section. He danced in Times Square theaters The Gaiety, Ramrod, and Big Top before moving into adult film. From 1979 through 1983 Garret starred in ten films, five of them for Joe Gage, including his lead role in 'Heatstroke'. Throughout this period of self-discovery, he wrote the suite of poems that became 'Hot Rod to Hell'. In 1982 he recorded 48 of the poems with haunting, atmospheric score by Man Parrish, who also did several soundtracks for Gage. The project was produced for the stage and for cassette by Manhattan illustrator Robert W. Richards. Richards calls 'Hot Rod', "a searing voyage through the labyrinths of modern male sexuality; it's geography ranging from porn theaters to back room bars to the intimacy of shared beds. Only a man born at exactly the moment in gay history that Garrett was could have lived through and conceived this work." Roy Garrett tells his stories of sex, violence, truth, and illusion, a visceral and personal a record as any of that moment in gay history pre-AIDS. Joe Gage, describes 'Hot Rod' as, "...sweet danger. This is a perceptive look at the underside of love. It is funny, scary, surprisingly moving and best of all, extremely acute in observing the specifics of the human condition." All poems have been carefully remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The records come housed in a jacket designed by Gwenael Rattke and includes an 44-page full color magazine with all 48 'Hot Rod' poems plus 44 previously unpublished poems from Garrett's archive. All proceeds from 'Hot Rod' will be donated to Housing Works, a New York City based non-profit fighting the twin crises of AIDS and homelessness.