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Back Catalogue: Coldwave/Synth

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Singles
Gutz (limited fluorescent orange vinyl 12")
Cat: CITI 015. Rel: 19 Nov 14
  1. Gutz
  2. Rut
  3. Save Us
Review: Earlier this year Minimal Wave offshoot provided one of this year's most visceral dancefloor weapons in Kino-I, the debut from Doug Lee's new An-I project. Taking inspiration from techno, jack, industrial and punk, An-I successfully drew a line under some of the Berlin-based artist's previous disco-flavoured endeavours. And then some! If you like the Kino-I 12" you will love the new triplet of An-I productions housed on this appropriately titled Gutz 12". The title track alone should come with a health warning; such is the furious onslaught of machine funk it contains, whilst the unnerving "Rut" is the most schizophrenic production you will hear this year. Best of all id closing track "Save Us" sounds like a cross between in Aeternam Vale and Silent Servant. Pressed on a rather thick and dashing slab of magenta orange vinyl!
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 in stock $17.02
Eletricidade (limited 10" + numbered insert)
Cat: MEC 031. Rel: 03 Apr 18
  1. Eletricidade (8:04)
  2. Espirito Das Maquinas (7:47)
Review: You could say that Kodiak Bachine is Brazil's greatest ever Brazilian electronic producer. That would not be an overstatement, it's just a simple fact. It was 1982 when he first released this EP, and it's been a classic, and a favourite of ours, ever since. In fact, "Electricidade" is so powerful because it sounds like it could have been made today; its tenebrous synths filling the airwaves from every angle, giving the track a strange sensation of lust and wonder. The flip, "Espirito Das Maquinas", is another enchanting ride through broken electric cables and abandoned power plants, a place where Bachine clearly thrives and surpasses all expectations. Highly recommend reissue!
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 in stock $13.78
Destruction EP (limited 12")
Cat: GOOILAND 06/ET023. Rel: 10 Jul 13
  1. The World Falls Apart
  2. She's In Love
  3. Orrendamente Solo
  4. Destruction
Review: Hot on the heels of the updated DAF stylings of that Schwefelgelb 12", Enfant Terrible / Gooiland Elektro demonstrate the breadth of their output with this plate from Tobias Bernstrup. A decorated contemporary artist from Gothenburg, Bernstrup is one of those annoyingly talented individuals who works across visual, interactive, performance art and electronic music mediums and if there's a new wave of Italo Disco he's definitely amongst the top 5%. The Destruction EP is classic Bernstrup mixing elements of Italo with synth pop and at times it sounds like Bernard Sumner's been in the studio with Ali Renault. Dancefloor hits for the neo-romantics among us!
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 in stock $15.67
Telomeres (12")
Cat: DE 097. Rel: 20 Jul 15
  1. Telomeres (4:13)
  2. Centrifuge (4:48)
  3. Automation (4:25)
  4. Laboratory (6:03)
  5. Necropolis (4:22)
  6. Fukushima (4:49)
Review: Analogue synthesizer enthusiast Bezier first surfaced on Dark Entries in 2012, delivering the hard-wired retro-futurist fantasy Ensconced. Two years on, he's finally ready to release the follow-up, the similarly sharp and sci-fi themed Telemores. As with his previous output, the influences are obvious - think Radiophonic Workshop, electro, minimal, new wave and Italo-disco - but he smartly steers clear of pastiche and empty revivalism. Instead, we're treated to a range of dancefloor-friendly instrumental cuts, cyborg jams, and intoxicating robot rinse-outs. Closer "Fukushima", in which he doffs a cap to the synthesized horror-disco of John Carpenter, is particularly potent.
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 in stock $15.67
Mina (12")
Cat: HNY 007. Rel: 28 Aug 15
  1. Mina (Everyone) (8:12)
  2. Serengeti Drive (4:53)
  3. Mysteries Of The Deep (5:02)
Review: You wait ages for a Bezier record, and two come along at once. Following hot on the heels from his excellent Telemores mini-album for Dark Entries, synthesizer enthusiast Bezier drops a surprise 12" for the affiliated Honey Soundsystem. As usual, the French producer has his sights set on mining the past for inspiration. "Mina (Everywhere)" begins in typical fashion - all spacey synthesizers and twinkling melodies - before morphing into a relentless chunk of dirty, Italo-and-EBM inspired house. The pleasingly sunny "Serengeti Drive" is more of a stripped-back Italo-disco bubbler (admittedly with dream-wave flourishes), while "Mysteries of the Deep" offers an intergalactic romp through cold-wave pastures with only cheap old synths and drum machines for company.
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 in stock $12.70
Tarzan Loves The Summer Nights (12" + lyric insert)
Cat: DE 057. Rel: 13 Jan 14
  1. Tarzan Loves The Summer Nights
  2. Tarzan
Review: Stupendously rare Italo gem from the criminally under-prolific Trieste-based Big Ben Tribe, this quirky poplet first came our way in 1984 on Gong. Last spotted changing hands for hundreds on auction sites, Dark Entries have done the disco world a favour and licensed a reissue. Untouched and naked in all its 80s glory, the synth patterns, abstract lyrics and arrangement were way ahead of their time and clearly influenced many electronic pop and Balearic bands who followed. Vocals just a bit too much for you? No worries, just flip for the instrumental. Tarzan loves summer nights, and we love Dark Entries for unearthing this utter classic.
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 in stock $13.24
Irene & Mavis (limited hand-numbered heavyweight vinyl 10")
Cat: MW 050. Rel: 25 Nov 13
  1. Disco-A-Bomb-Bomb
  2. Holiday Camp
  3. Overspreading Art Genius
  4. Concentration Baby
  5. Just Another Spectre
  6. Modichy In Aneration
Review: A special release from Minimal Wave here as the uber rare Irene & Mavis EP from UK synth poppers Blancmange is granted a reissue! Those with a pub quiz winning level of knowledge of UK synth pop will no doubt be familiar with the 80s hits of Blancmange duo Neil Arthur & Stephen Luscombe, yet this debut EP dating back to 1980 will still sound revelatory. The self released Irene & Mavis EP marked Arthur and Luscombe to be fully willing to experiment with DIY electronics, impressing Mute founder Daniel Miller sufficiently to proclaim them "maiden aunts of electronic music," and thus more than suited as a subject of focus from the Minimal Wave label. There are definite similarities between this nascent stage of Blancmange and the output of Cabaret Voltaire from the same era, particularly in the masked and disembodied nature of the vocals, whilst "Holiday Camp" and "Just Another Spectre" are wonderful examples of instrumental synth music. Despite originally being released in 7" format, the six newly remastered tracks are presented here in 10" format by Minimal Wave with the distinctive artwork retained!
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 in stock $15.94
Bryllyant (12")
Cat: DE 101. Rel: 17 Jan 19
  1. Bryllyant (33 1/3 Plus 8 remix) (5:28)
  2. Trigger Track (1984 12" edit) (5:59)
  3. Bryllyant (US remix) (5:06)
  4. You (extended version) (7:12)
Review: As per usual, those fiendish folks over at Dark Entries have amazed us once again with yet another barrel of 1980s gold from the depths of the underground. This time it's German new wave band Boytronic who see a reissue, and the EP in question is 1988's "Byllyant", which features the magnificent Plus 8 mix - a shot to the head made up of warm bass tones and hard-hitting drum machine patterns - and also the US mix, which literally sounds like it was made yesterday; for being an '80s EP, Boytronic steered well clear of cheesy and to be honest, they give New Order a proper run for their money. The 1984 mix of "Trigger Track" is a wonderful electro stormer, stamping its fast beats over eerie pads and growling basslines. This would be silly not to recommend! For the diggers.
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 in stock $14.04
Peaks (140 gram vinyl double 12")
Cat: ERS 024. Rel: 13 Jun 16
  1. Alpha Moon
  2. Crystal Cloud
  3. Mercury Ripples
  4. Light Space
  5. Nexus Vox
  6. To The Stars
  7. Traces
  8. Eclipse Predictions
Review: Gone beyond. That's what they say when an (astro) pilot crashes to earth and takes the journey into the big sky. When Juan Trippe took that last flight little did he know that his re-incarnated self would be an electronic pioneer. In tandem with his co-pilot Guido Zen (his own father also a pilot) and Kyle Martin (from the Land Of Light) they formed Brain Machine and scaled the highest Peaks to bring back music both unearthly and intensely human. Are we all not stardust anyway? This music proves it, takes you out flips you over and rolls you in stardust. Don't try and think it through, make sense of it, grasp it - just wander in wonder and bask in beauty.
Get lost again.
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 in stock $14.86
Cat: DE 118. Rel: 14 Apr 16
  1. Are You Loving? (vocal) (6:04)
  2. Are You Loving? (instrumental) (5:47)
Review: If you've ever wanted some straight-up italo disco but then wondered where to find it, where to start, who to ask, then Dark Entries have sorted you right out. As usual, the label come through strong, and this time they reissue an italo disco classic by Brand Image (T.Scarfone and M.Scarabelli) originally released in 19983, and representing the genre with flying colours. "Are You Loving?" contains the 1980's in every sense of the word: quirky, melancholic vocals riding over a grainy drum machine beat, and accompanied by massive synth stabs and an inimitable sort of groove - simply lovely. There's an instrumental on the flip just in case you love the sounds but are slightly scared by the power of the vocals...
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 in stock $12.70
Edge Of Darkness (140 gram vinyl 12")
Cat: VIVOD 022. Rel: 11 Jun 18
  1. Female Predator
  2. Fear Eats The Soul
  3. Edge Of Darkness
  4. Basic Structure
Review: Emergent duo Broken Arrows were previously spotted lurking around Giallo Disco back in 2015, so you should have some idea of the kind of lurid late night machine sleaze they like to get their hands dirty with. They've now slid over to the sympathetic but marginally more techno-minded Vivod imprint with a new clutch of deviant heaters for those adventurous dancefloor spaces where B-movie sounds reign supreme. "Female Predator" is a tough EBM-tinted workout with plenty of jack in its stack, while "Fear Eats The Soul" takes a more synth-wave approach with some speech samples thrown in for good measure. "Edge Of Darkness" is a more tense affair that pings arpeggios around a minor key refrain, and then "Basic Structure" whips out the hardest track on the record, a lithe industrial stomper laden with rhythmic noise and a mean synth bassline that will hit your solar plexus like a battering ram.
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 in stock $7.83
  1. Bruhaha Babelico - "Bruhaha II" (10:10)
  2. Individual Industry - "Eyes" (3:54)
Review: Music From Memory's first retrospective of obscure Brazilian electronic music, "Outro Tempo", was arguably one of the strongest compilations of 2017. There's a second volume on the way, with curator John Gomez this time focusing on music made between 1984 and '96. First, though, we get this taster EP featuring two previously cassette-only cuts. On the A-side you'll find Bruhaha Babelico's "Bruhaha II", a ghostly and mind-altering chunk of delay-laden new wave/industrial funk fusion full of fuzzy bass, echoing female vocals, dubbed-out electronics and psychedelic yelps. Turn to the flip and you're greeted by Individual Industry's off-kilter, outer-space synth-pop jam "Eyes". Like its predecessor, it's an unusual, intoxicating treat.
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 in stock $15.12
Remixes Volume 1 (140 gram vinyl 12")
Cat: ERC 046-1/MT 012. Rel: 29 May 18
  1. Autarkic - "Screaming (To Be With You)" (feat The White Screen)
  2. JD Twitch - "Dalbouka"
  3. Sneaker - "I Looked For You"
  4. Die Orangen - "Rattling Ghosts"
Review: After teaming up to release the scintillating works of C Cat Trance in their original 80s form on Screaming Ghosts, Emotional Rescue and Malka Tuti join forces once again to deliver a ludicrously talented roster of remixers who catapult John Rees Lewis' cult group into thrilling new spatial and temporal zones. Autarkic decides to go for the full-tilt cover version on "Screaming (To Be With You)", with ample help from The White Screen, while JD Twitch roughs up "Dalbouka" into a quintessential slab of ethno-motorik body music. Sneaker's take on "I Looked For You" emphasizes the atmospheric tension in the original, giving the track a cinematic scope, and Die Orangen's "Rattling Ghosts" finishes the record on an appropriately ominous, subtly industrial tone.
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 in stock $7.55
Remixes Volume 2 (140 gram vinyl 12")
Cat: ERC 046-2/MT 013. Rel: 29 May 18
  1. Red Axes - "Shake The Mind"
  2. Jamie Paton - "Take Me To The Beach"
  3. Prins Thomas - "Sudaniyya"
  4. Khidja - "Simple Helen" (feat Borusiade)
Review: Emotional Rescue and Malka Tuti serve up another round of top shelf remixes and revisions of John Rees Lewis' mid-late 80s project C Cat Trance, following in the wake of the Screaming Ghosts compilation. First up to bat are Red Axes, who bring a seductive line in loose and limber drumming to "Shake The Mind" that should suit the Fourth World dancefloor massive just fine. Jamie Paton brings a tough, clamouring intensity to "Take Me To The Beach," while Prins Thomas takes a truly spiritual approach when weaving the intricate arpeggios and percussion of "Sudaniyya." Khidja and Borusiade team up on "Simple Helen," presenting a dense and hazy trip into exotic territory with sinister undertones.
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 in stock $6.47
CC Dust (12")
Cat: LSSN 045. Rel: 12 Dec 16
  1. Never Going To Die (3:50)
  2. Tonopah (3:59)
  3. Baby Boy (4:45)
  4. Mutiny (3:32)
  5. Abra (3:20)
Review: Maryjane Dunphe and Laurent Dagincourt's debut as CC Dust, the Night School released "Shinkasen No. 1" 7", was impressive enough to mark them out as an act to watch. This eponymous EP delivers on that early promise, offering synth-pop cuts that gleefully reference some of their favourite bands. "Tonopah", for example, features synths and guitar motifs that recall early New Order, while "Never Going To Die" has the sort of low-slung bass and evocative vocals that will be familiar to fans of The Futureheads and Franz Ferdinand. Intriguingly, flipside cut "Mutiny" sits somewhere between those two tracks, while "Abra" is a synth-driven blast of emotion-rich pop melancholy.
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 in stock $14.86
DB7 001 (40 gram vinyl 7")
Cat: DB7 001. Rel: 25 Mar 19
  1. Blood, Campari & Sand (4:06)
  2. Meta Weta (4:38)
Review: The mighty Cherrystones originally dropped the crackling party heat of "Blood, Campari & Sand" on his own Bandcamp page, and now he's doing the right thing and committing it to wax via Duca Bianco. It's a vital, funk-rooted jam that revolves around dusty drum licks and piano, as badass as it is considered. "Meta Weta on the flip is equally cool in its execution, this time using some uneasy synth pulses that reverberate between the laconic step of the beat. Drawing on library music, Giallo and deep-digging grooves from the outer reaches, Cherrystones once again demonstrates his knack for off-kilter tackle to get the freakier party set moving in approval.
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 in stock $9.18
Cat: DE 223. Rel: 13 Aug 18
  1. Jennifer (4:30)
  2. Love Is A Stranger (4:06)
  3. She's Invisible Now (3:54)
  4. Step On The Beast (2:30)
  5. Never Gonna Cry Again (2:52)
  6. Invisible Hands (4:43)
  7. Monkey Monkey (1:35)
Review: Cold Beat is a San Francisco-based quartet fronted by Hannah Lew (synths, vocals) with Kyle King (synths, guitar), Luciano Talpini Aita (synths) and Sean Monaghan (guitar). Formed in 2013 the band has released three albums and two EPs. 'A Simple Reflection' is a 7-song collection of Eurythmics covers, yet feels just as personal as any of their original material. While digging through a collection of 12?s for her record shop Contact Records, Lew stumbled across the earliest Eurythmics B-sides and was floored. This lead to the discovery of their debut album 'In The Garden'. Annie Lennox's abstract and poetic lyrics really struck a chord with Hannah. What had started out as a single cover quickly snowballed into a full blown obsession. The synth and drum programming resonated with her songwriting process, so reimagining them was very creatively fulfilling. The covers on this EP are simultaneously dynamic and atmospheric post-punk that plays to Lew's ethereal vocals and King's crystalline guitar. All songs have been mixed by Mikey Young (Total Control) and mastered by George Horn at Fantasy Studios. The record is housed in a jacket designed by Eloise Leigh, which features pink and purple clouds that evoke a dreamy softness and DIY playfulness and photos Lew in her best Lennox-inspired drag. Each copy includes a postcard with photos and notes. "Sometimes a song seems to sing just for you, as if someone knows your most inner thoughts and feelings and has found a way to describe them effortlessly" - Hannah Lew
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 in stock $14.04
Moto (Man Power remix) (140 gram vinyl 12")
Cat: C 004. Rel: 18 Jun 18
  1. Moto
  2. Fe
  3. Ansia
  4. Moto (Man Power remix)
Review: After appearing on the first Calypso Records release out of Mexico last year, Colossio returns to the fray with a whole EP of sleazy jams for the warm up crowd to get nasty to. "Moto" is a grinding crossover track that features dirty garage guitars to match the low-slung synth undulations and sizzling disco beat, while "Fe" throws the windows open for a ranging cut centred around all kinds of instrumentation played with a post-punk looseness. "Ansia" keeps things nervous and atmospheric without skimping on party energy, and then Man Power swoops in for a remix of "Moto" that keeps things spooky while injecting a swinging groove into the mix.
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 in stock $9.71
Kickin' In (12")
Cat: HNY 009. Rel: 11 Nov 15
  1. Kickin' In (feat Loverde) (12:26)
  2. Thief Of Love (5:27)
  3. You Gotta Make It Loose (6:24)
Review: San Francisco's Honey Soundsystem are doing a good job in unearthing long-lost Patrick Cowley productions. Having previously joined forces with Dark Entries to release the pioneering producer's soundtrack to gay porn flick School Daze - and soon, a compilation of his other work for pornographic movies - they've decided to go solo on this 12". Kickin' In features a trio of previously unreleased Cowley disco workouts, recorded between 1975 and 1978. The real killer is the title track, a typically epic, 15-minute excursion that fuses Cowley's throbbing, masculine synthesizer lines with vocals and instrumentation from disco band Loverde. Flip for two groovy, low slung disco workouts that are, rather surprisingly, free of Cowley's usual Hi-NRG arpeggios. Instead, there are live basslines, organic percussion and decidedly sleazy spoken word vocals from the great man himself. In a word: essential.
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 in stock $12.70
  1. Patrick Cowley & Jorge Socarras - "You Laugh At My Face" (Tobias version) (7:15)
  2. Half Hawaii - "Watch The Flash" (6:07)
Review: For the latest release on his quietly impressive Foom label, Ben Freeney has secured the rights to release two killer cuts, both of which are significant in their own way. On the A you'll find a previously unreleased Tobias Freund remix of "You Laugh at My Face", an obscure late '70s proto-new wave collaboration between legendary disco producer Patrick Cowley and art-punk vocalist Jorge Socarras (best known for being part of San Fran band Indoor Life). Freund's version is undulating and evocative, with spacey analogue synth motifs and drowsy vocals rising above a pitched-down breakbeat groove. On the flip, German duo Half Hawaii return to action after a six-year break, offering up a slow-burn delight rich in drowsy, melancholic motifs, shuffling drums and dewy-eyed vocals.
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 in stock $10.79
Cat: DE 102. Rel: 11 Jan 16
  1. Jump Over Barrels (3:32)
  2. Jump Over Barrels (1981 demo) (3:32)
  3. Jump Over Barrels (Charles Manier remix) (3:33)
  4. Jump Over Barrels (early rehearsal version) (3:07)
Review: Post-punk aficionados may already by familiar with Crash Course In Science, a Philadelphia-based band who released two acclaimed singles between 1979 and '81, before going their separate ways. Here, one of the band's previously unheard 1981 demos gets mixed and released for the first time. "Jump Over Barrels" is a song about overcoming adversity, and in newly mixed form sounds like a lost post-punk classic. It's accompanied by a couple of demos - their initial 1981 recording, and an earlier, deliciously skeletal and heavy rehearsal version - and a fresh remix from Tadd Mullinix under his now familiar Charles Manier alias. The Ann Arbor-based producer does a good job of toughening up the track for modern dancefloors, whilst retaining the free-spirited essence of Crash Course In Science's original.
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 in stock $12.96
Cat: PARCEL 322. Rel: 19 Sep 17
  1. Eller Ghyll (15:56)
  2. Tenter Ground (16:11)
Review: While Netherfield Works might, on first listen, sound a bit like the cosmic side of German rock music pioneered by the likes of Can or Cluster back in the early 70s, the album is very much a product of post-industrial Britain. To be precise, Craven Faults are from Yorkshire, and this is their protest - their view of an existential future laid bare by the downfalls of industrialist culture. Debuting via the newly formed Lowfold Works, this lot sound like they know exactly what they want to say, with two 15+ minute voyages showcasing their skills as musicians, and their vision as an outfit. "Eller Ghyll" bounces off the walls with its supremely echoed riffs and meandering basslines, sounding like an ode to the powers that be; "Tenter Ground" is comparatively gentler in its approach, launching a barricade of starry harmonies up into the sky along with a driving, hypnotic percussive roll that could well slot this into the deeper of DJ sets across the board. TIP!
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 in stock $10.26
Compulsion (12")
Cat: DE 089. Rel: 01 May 15
  1. Compulsion (5:13)
  2. Absent Friends (3:58)
  3. Funnt To You (2:49)
  4. Each To His Own (1:33)
  5. We Said We Wouldn't Look Back (4:24)
Review: The Dark Entries label continue their impressive run of form with another killer reissue LP, this time by The Prefects member Joe Crow. Compulsion was Crow's first solo work from the early '80s and has been a digger's favourite for a long time, its itchy drum machine beats and disjointed guitar riffs being utterly singular at the time of the album's initial release. "Compulsion" itself is a mid-tempo beat jam containing Crow's own dreary vocals and beautiful synthesized keys. "Absent Friends" is slower, full of languish and life at the same time, while on the B-side, "Each To His Own" is the winner thanks to its punky aesthetic surrounded by that early 80's electronic oddity. A masterclass piece of music and an essential collector's item.
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Gespielt von: Rivet, DJ Glow / Populist
 in stock $14.32
Cat: SC&P 003. Rel: 25 Sep 17
  1. Another View
  2. Together In The Dark
  3. Together In The Dark (Inga Mauer remix)
  4. Another View (The Golden Filter Revision)
Review: Snap, Crackle & Pop does the business once again as Berlin-based producer Curses steps up with the distinctly 1980s new wave stylings of "Another View". It's the kind of track that will have lovers of early The Cure, Sisters Of Mercy et al dancing in a hazy fever dream where early goth and indie meets with contemporary beats. "Together In The Dark" makes the point even clearer with a brooding trip through languid guitar, beyond the grave vocals and scuffed drums. Inga Mauer takes an entirely different tact with her remix of the latter track, conjuring up a particularly chilling acid daemon to jangle the nerves before The Golden Filter spook out "Another View" with heavy doses of reverb.
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Gespielt von: Local Suicide
 in stock $7.83
Cat: SL 101. Rel: 25 Apr 17
  1. Jardim Zoologico (3:42)
  2. Tao (5:34)
Review: New kids on the reissue block, New Zealand's Strangelove Music are off to a flying start with this beautiful 1983 art pop record from subversive chanteuse Lena D'Agua. "Jardim Zoologico" fuses electro boogie with Afrofunk with healthy measures of cosmic polish while "Tao" is a straight up Balearic gem that sparkles with sentiment and horizontal soul. Only ever released on Portuguese label Valentim De Carvalho, this reissue is over 30 years overdue.
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 in stock $10.79
Marie Davidson (limited pink vinyl 12" + MP3 download code with obi-strip)
Cat: HD 017. Rel: 08 Jun 18
  1. Ma Vie Sans Toi (4:12)
  2. La Vallee D'Or (3:27)
  3. L'unique (3:18)
  4. Esthetique Privee (3:42)
  5. Le Lieu Ou Vous Voulez Vous Rendre (4:40)
  6. A L'interieur (7:01)
Review: Though now famed as a top-drawer live performer with a string of acclaimed albums to her name, there was a time when Marie Davidson's music was less widely appreciated. In fact, when this eponymous EP first appeared on cassette in 2013, she was pretty much unknown. As you'd expect, it's perhaps a little more lo-fi than some of her more recent work, but that's what makes the EP so appealing. Check, for example, the sleazy vocals, distant drum hits and cascading melodies of creepy opener "Ma Vie Sans Moi", the unsettling lead lines, ricocheting cymbal hits and powerful drone bassline of "L'unique" and the dystopian, high-tempo minimal wave-goes-bleep techno trip that is "Le Lieu Ou Vous Voulez Vous Rendre"; all three remain amongst Davidson's most arresting cuts to date.
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 in stock $21.60
Crepes EP (12" + insert)
Cat: DE 139. Rel: 06 Feb 17
  1. Seul Comme Sombre (3:44)
  2. Whole Body Irradiator (3:01)
  3. The Mud Man Is Coming (4:20)
  4. Francine (4:00)
  5. The Eyebrows Salesgirl (4:51)
  6. Demissionne En Tuant Ton Patron (4:03)
Review: Dark Entries has truly become a sensational imprint over the last few years, and they are showing no signs of stopping. In fact, they've just gotten better and better with each new release. We have a special one on our hands this time and, although the label have reissued a whole heap of glorious material, this is NEW music from the very best out there. Chicago industrial-tech-goth Beau Wanzer teams up with Unknown Precept's Maoupa Mazzocchetti, and the dup get on like a house on fire under their new De-Bons-En-Pierre moniker. Crepes is a gnarly little EP, blurring the lines between techno, EBM and industrial, but doing so in a way that makes the three genres sound like they should never ever be apart from one another. "Whole Body Irradiator", for instance, has all the beat elements of techno and yet the sounds are drenched in a punky, fuck-you kinda style that would make the Berghain faithful run for their lives, while we could easily imagine the torn, glitchy beats of "Francine" residing on some long-lost post-punk 7 inch from the likes of Pete Shelley. This is some mad gear - don't miss it.
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Gespielt von: Alexis Le-Tan, Ali Renault
 in stock $14.04
Cat: KH 019. Rel: 15 Jan 19
  1. Gewoon (3:04)
  2. Voorbenachte Rade (4:05)
  3. Beland In Bed (4:37)
  4. Nachtdichter (2:45)
Review: There's something strangely alluring about this curious - but undoubtedly inspired - debut EP from Belgian producer Victor De Roo. While brand new, it draws influence from a variety of vintage styles - Berlin school ambient, new wave, The Duratti Column and leftfield European synth-pop, in particular - and sounds like it could have been recorded straight to cassette in about 1984. De Roo's quirky, atmospheric musical sketches - the slo-mo early morning dream pop of "Voorbenachte Rade", spacey synth-scape "Beland In Bed", post-punk Factory Records drone of "Nachtdichter" and beautiful opener "Gewoon" - all come accompanied by stylish spoken word vocals by fellow Low Countries resident Alex Deforce, whose Flemish drawl adds an extra layer of cultured artiness.
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 in stock $11.87
Cat: DRONE 009. Rel: 23 Aug 16
  1. Consequences Of Love (6:34)
  2. Consequences Of Love (Chris & Cosey remix) (5:47)
Review: Ahead of an impending, headline performance at this year's edition of Berlin Atonal, Richard Fearless opens up his Death In Vegas project to the Industrial icons that are Chris & Cosey. It's "Consequence Of Love," an early highlight of the most recent DIV LP, Transmission, that is the focus of attentions here, and arguably a track that looks to Chris Carter and Cosey Fanni Tutti's Throbbing Gristle for inspiration. The original version is presented here on 12" format for those Death In Vegas loving selectors out there who want a loud pressing of the track and the accompanying Chris & Cosey remix does take it to a different place. That breathy vocal is given more prominence and fairly dominates the remix.
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 in stock $10.53
Cat: MNQ 055. Rel: 04 Feb 19
  1. On & On (Fears Keep On) (7:55)
  2. On & On (Fears Keep On) (dub version) (8:03)
Review: Mannequin Records first reissued Decadence's essential Italo-disco anthem "On & On (Fears Keep On)" back in 2014. Since every pressing Alessandro Adriano's label has done of the 1983 gem has sold out, they've decided to do another run. If you've yet to acquire a copy, you should certainly cop one of these. The A-side vocal version is particularly potent; a stylish, new wave influenced chunk of bubbling Italo-disco that's far less cheery and celebratory than your average Italo cut. In fact, it's rather gothic in tone, something not often associated with Italian electronic music of the period. On the flip you'll find an inspired Dub that includes plenty of tape-edits, drum delays and sparsely mixed vocal snippets. We prefer this mix, though both versions are superb.
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Gespielt von: Ali Renault
 in stock $12.70
Cat: SC&P 002. Rel: 08 May 17
  1. Disorder (5:07)
  2. Viideo Dreams (4:00)
  3. Unknown (4:53)
  4. Unknown (Bezier remix) (7:32)
  5. Disorder (The Field remix) (7:02)
Review: Junto Club kicked off Snap Crackle & Pop late last year, and now the label returns with the debut solo release from London-based outfit DEEDS. While Rollo and Kiri Inglis may have previously popped up on an obscure compilation on Anti-Ghost Moon Ray, this record should see their coldwave sound shoring up with many more adventurous listeners. "Video Dreams" is a beautifully melancholic slice of electronica while "Unknown" reaches for euphoric heights. Remixes from Bezier and The Field round the record out as a wonderful exercise in emotive home listening electronics for sensitive souls.
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Gespielt von: Honey Soundsystem
 in stock $7.55
Cat: DE 119. Rel: 14 Apr 16
  1. Eagles In The Night (8:21)
  2. Eagles In The Night (instrumental) (6:23)
Review: Dario Dell'aere cut his teeth in obscure Italian synth-pop outfits Ice Eyes and Fockewulf 90, before attempting to launch a solo career in 1985. While that didn't go all that swimmingly, his lone solo single, Eagles In The Night, has long been considered a hard-to-find Italo-disco classic. Here, it gets the re-issue treatment from Dark Entries, who as usual replicate the original track listing and artwork. Slower and more atmospheric than many Italo-disco tracks of the time, Eagles In The Night draws influence from eyeliner-clad new wave pop of the period, with Dell'aere's unusual English vocals stretching out over chiming melodies, bubbling synth lines and dreamy chords. The potency of the original production is confirmed by the superior Instrumental version lurking on the flip.
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 in stock $12.16
Cat: MFM 026. Rel: 08 Nov 17
  1. Skin 'N' Bones (5:15)
  2. Dub Oven (4:24)
  3. Millions Of Sensations (4:09)
Review: You'd be forgiven for being unfamiliar with the work of short-lived San Francisco band Dub Oven. After all, they only released one 12" single way back in 1983, and that was a self-released, private-press affair. Happily, the dusty-fingered diggers behind Music From Memory are big fans and here offer up a re-mastered reissue. Amazingly, each of the three tracks explores different sonic territory. Contrast, for example, the Tom Tom Club-goes-synth-funk eccentricity of lead cut "Skin 'n' Bones" and "Dub Oven", a thrillingly spaced-out chunk of no-wave/electro fusion that sounds like it could have been beamed down from another universe. Then there's closer "Millions of Sensations", which sits somewhere between Japanese new wave ambience and the post-punk funk of Bristolian outfits The Pop Group and Maximum Joy.
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 in stock $14.32
Eyes Of Glass (reissue) (12" + insert)
Cat: DE 144. Rel: 23 Jan 17
  1. Eyes Of Glass (vocal) (6:55)
  2. Eyes Of Glass (instrumental) (7:13)
Review: To accompany their re-release of East Wall's superb 1991 debut album, Silence, Dark Entries has decided to put out the Italian band's forgotten debut release, 1985 single "Eye of Glass". Tending towards the darker end of the Italo-disco spectrum, but blessed with typically cheery synthesizer melodies and skewed female vocals, it's a record that seems far more inspired by the earlier British new wave synth-pop movement than pleasing the clubs of Rome or Rimini. The vocal version is accompanied by a subtly different instrumental, which includes waves of warm synths and offers more prominence to the band's bubbly electronics, throbbing arpeggio bassline, and delay-laden drum machine hits.
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 in stock $12.16
Earth (blue vinyl 12" + MP3 download code)
Cat: DFA 2637LP. Rel: 18 Oct 19
  1. Earth (8:56)
  2. Corps Etranger (6:03)
  3. Earth (Passarani HiNRG remix) (8:50)
Review: It would be fair to say that Montreal duo Essaie Pas don't have a particularly positive view of our planet. "Earth, what a shithole," they moodily grumble on the title track from their latest EP on DFA, their first since the release of last year's "New Path" LP. The cut itself is perhaps not quite as dark as you'd expect, with its throbbing, dark Italo-style arpeggio bass and crunchy drum hits being peppered with sharp, trance style synthesizer motifs, bubbly electronic riffs and female vocals that add an extra frisson of positivity. Italian scene stalwart Marco Passarani delivers a flipside interpretation that brilliantly re-casts the cut as a Bobby Orlando style mid-1980s Hi-NRG club cut, while bonus track "Corps Etranger" is a pleasingly sparse, bubbly and alien-sounding chunk of intergalactic electro.
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 in stock $12.70
Cocktail Mexico (10" + insert)
Cat: KH 012. Rel: 01 Nov 17
  1. Yellow Destiny (3:26)
  2. Mucho Mucho (2:23)
  3. Cocktail Mexico (4:59)
  4. Go Forward (3:49)
Review: Laurene Exposito is back on Amsterdam's Knekelhuis with a follow up to her well received debut album. This new record is said to be very personal - life changes and her love life are said to be central themes. All tracks have been recorded at Exposito's home in the Rennes, France using all analogue equipment. Starting out with the seductive coldwave tribute "Yellow Density" which features some inventive synth action that reaches near acid moments over her deadpan vocals. On the flip, title track "Cocktail Mexico" goes for some Dopplereffekt style electro shenanigans and "Go Forward" conjuring up comparisons to early Tropic Of Cancer on this hazy lo-fi goth journey.
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 in stock $12.16
Mat At Duvorna (clear vinyl 12")
Cat: CITI 010. Rel: 17 Sep 13
  1. Om Igen
  2. Alan Turing
  3. Albatross
  4. A Million Years
  5. Broschyr
Review: Minimal Wave's Cititrax imprint has had one of its most prolific years to date in 2013, with the release of excellent albums from Streetwalker and The KVB, and a KVB remix EP featuring the likes of Regis, Silent Servant and Shifted. The Veronica Vasicka-helmed label looks to expand on that success with a number of forthcoming releases planned over the next few months commencing with the debut EP of Facit, whose Mat At Duvorna EP is described by the label as "quintessential melancholic Swedish wave at its finest." Comprised of Joakim Karlsson and Mai Nestor on vocals, the Gothenburg native Karlsson has previous form as Jocke & Elliot, under which name he released an electro-inspired 12-inch on Swedish label Kust Musik in 2010. this new project seems to be more downtempo in nature, with a sound that most resembles a modern day version of French synthwave duo Deux, making them perfect for the stable of labels run by Vasicka.
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 in stock $21.34
Cat: OMD 11. Rel: 23 May 18
  1. The Sun Is High (9:35)
  2. Holland Fly By (6:51)
  3. Without Sound (5:11)
Review: Newcomer Feon up next on Optimo Music, with some some gorgeous and sunkissed balearica. The London based producer wrote these tracks in a brisk 10 day session, shortly after the experience of Ayahuasca ceremony - which is evidenced in the psychedelic sound of the first track. He has explained that the production involved his vocals being layered 30 times in different harmonies, then put through a space echo and you can sure hear it! This one was awesome. On the flip, we have the trance inducing muscle disco of "Holland Fly By" with its super cosmic influences enough to propel your mind into the stratosphere. Finally there's something much more experimental on the solemn, breaks-driven tripper "Without Sound".
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 in stock $10.26
Exit/Accidental (Abstract) (12" + artprint + MP3 download code in hand-stamped die-cut sleeve)
Cat: EM 01. Rel: 24 May 18
  1. Blank Order (4:34)
  2. Clean Slate (4:30)
  3. Liberia (4:06)
  4. Discover The Truth (4:58)
  5. Medium (0:36)
  6. Exit/Accidental (4:41)
Review: For their first trick, recently launched label Ex Machina presents a selection of tunes extracted from M. Finnkreig's 1988 debut cassette, Exit/Accidental. There's much to admire throughout, from the foreboding, fuzz-laden new beat pulse of "Blank Order" and "Clean State", to the bubby but moody, alternative synth-pop bustle of "Discover The Truth" and high-pitched, manipulated acappella vocal cut "Medium". Elsewhere, "Exit-Accidental" is a cheery and out-there chunk of pitched-down electro rich in moody, post-apocalyptic chords and stuttering sample stabs, and "Liberia" is a woozy collage of layered spoken word snippets, lilting synthesizer melodies and wobbly drum machine programming.
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 in stock $20.52
The Floor Mixes (limited hand-numbered blue vinyl 12" in hand-stamped sleeve)
Cat: MW 065. Rel: 19 Dec 17
  1. Five Times Of Dust - "Computer Bank" (The Floor mix) (7:12)
  2. Five Times Of Dust - "Armoured Car" (6:57)
  3. Unovidual & Tara Cross - "Like I Am, Comme Je Suis" (The Floor mix) (7:11)
  4. Unovidual & Tara Cross - "Imponative" (3:28)
Review: Thanks to the eternally revered Minimal Wave imprint, out of NYC, Mark Phillips and Robert Lawrence's Five Times Of Dust project is going through a bit of a revival. The duo had first released some post-punk cassettes back in the 80s, and they clearly have not been forgotten. On this new remix EP, "Computer Bank" is given a makeover in the form of a The Floor remix, who proceeds to add all sorts of quirkiness over the tune's tough, heavy bass and driving rhythm; "Armoured Car" breaks the 4/4 in favour of something much closer to the band's original drum machine style. Once again, on the flip, we have a remix of "Like I Am, Comme Je Suis" by The Floor, who throws up a gnarly electro bass onto shady, neo-romantic vocals, and the whole things is finished off by "Imponative" from Unovodual and Tara Cross, who produce a slow, heady industrial groove for the dancefloor.
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Gespielt von: Alexis Le-Tan, Dj soFa
 in stock $16.75
Run For My Honey (7" + poster limited to 250 copies) (1 per customer)
Cat: PHI 12. Rel: 20 Feb 19
  1. Run For My Honey (4:00)
  2. Run For My Honey (Lexx & Kejeblos remix) (3:08)
Review: For their latest trip into musical paradise, Zurich's Phantom Island crew has turned to debutants The Gagosians, a trio made up of former Soulphiction guest vocalist Suzana Rozkosny, A.C. Kupper (Guitar) and Kay-Zee (Synths). In its original form "Run For My Honey" is a slightly creepy but hugely enjoyable 4-minute chunk of no-wave wonkiness, with Rozkosny's strutting, post punk style vocals rising above lo-fi drum machine beats, surf-rock style guitar loops and elongated organ chords. On the B-side, Label co-founders Lexx and Kejeblos provide a stellar remix that drags the track further towards skewed, Balearic-minded electrofunk territory. While many of the original instrumentation remains, their body-popping beats and thickset synth bassline give the cut a whole new dancefloor dimension.
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 in stock $13.78
Cat: DE 116. Rel: 14 Apr 16
  1. I'm Looking For You (6:30)
  2. I'm Looking For You (instrumental) (5:29)
Review: Dark Entries has always been rather canny when it comes to their Italo-disco reissues, often unearthing obscurities from one-shot artists who disappeared just as quickly as they arrived. Ghibli was one such artist. He only ever released one single, I'm Looking For You, back in 1985. That it still sounds fresh, despite its' obvious period features - bubbling, Bobby Orlando style synthesizer sequences, bold chords and a heavily accented Italian vocals - is testament to the skill of the record's original producer, Alfredo Baraldi. As with the original pressing, this Dark Entries edition comes back with the superior Instrumental version.
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 in stock $12.16
Geomancy (12")
Cat: MFM 006. Rel: 23 Sep 15
  1. Geomancy (6:31)
  2. Night (11:07)
Review: Earlier this year, Red Light Radio founder Orpheu de Jong stumbled across a cassette, originally self-released in 1984, from an unknown San Francisco musician called Joel Graham. On the strength of the two tracks showcased here, it would be fair to say that Graham was ahead of his time. Hypnotic and minimalist in the extreme, the drum machine and synthesizer workout "Geomancy" - apparently recorded in 1982 on pre-midi analogue equipment - sounds like a template for techno. B-side "Night" is similarly inspired, and bears an uncanny resemblance to pitched-down versions of some of the dreamy new age house and nu-Balearica currently doing the rounds. It's superb, and almost as good as the brilliant A-side. Another superb release from the guys at Music From Memory.
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 in stock $12.16
BAH 044 (140 gram vinyl 12")
Cat: BAH 044. Rel: 08 May 18
  1. Eclectic Day (9:20)
  2. Smokin' The Roach (6:08)
  3. The Box (5:51)
Review: Horton Jupiter has been skirting around various cosmically-inclined outfits for many years now, but this release marks his first outright solo venture, and where better for it to blast off from than the celestial circus sideshow of Bahnsteig 23? The record launches in a fit of kosmische bravado, all nagging arpeggios, warbling leads, sustained guitars and a healthy dose of drama. "Eclectic Day" is certainly a fitting title. "Smokin' The Roach" is an equally bombastic affair, although with a chirpier disposition and some Italian-sounding vocals, and then "The Box" finishes the EP off with a grungy trip through bongo beatdowns and fuzz guitar for those who like their psych music with a vintage twist.


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 in stock $9.18
KESS 06 (12")
Cat: KESS 06. Rel: 13 Sep 17
  1. Piron N'veut Nin Dinser (3:40)
  2. One Gayole De Bies (1:00)
  3. On A Tue No Pourcheau (2:56)
  4. El Nut Du Mariach (3:42)
  5. Marie Clap Chabot (1:42)
  6. Comme Les Autres Font (2:50)
Review: Former masked techno crusader Adam Rivet started the Kess Kill imprint a couple of years ago, to showcase some lesser known talents from the '80s scene in Europe. French producer Guy Clerbois began his musical career by transforming sounds: creating rhythms with scratched vinyl records and altering their playing speeds plus detuning his guitar. In collaboration with Guy Delhalle, he released a pop single in 1983. In the mid eighties, he began what would become the very concept of Vitor Hublot, making shifted reworks of existing ones. Nice N.D.W/ industrial in the tradition of Les Liaisons Dangereuses or D.A.F. All compositions originally issued on the '185 Millions De Francophones Et Moi, Et Moi, Et Moi...' LP via his own Psoria Discs in 1986.
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Gespielt von: Alexis Le-Tan
 in stock $11.62
  1. Peaceful Panic (6:21)
  2. Sleep Without Rest (4:35)
  3. Everything Is Done (feat Lasznikoff) (6:13)
Review: The latest instalment in Pinkman's white label Broken Dreams series is a collaborative affair with imprint affiliate Identified Patient joining forces with vocalist Sophie Du Palais, who has previously contributed to one of the producer's other EPs. Du Palais is in full on mascara-clad minimal wave mode on trippy opener "Peaceful Panic", a throbbing fusion of raw synthesizer riffs, mind-altering arpeggio lines and crunchy drum machine hits. Her stylish spoken word vocals come to the fore on dark and psychedelic electro number "Sleep Without Rest", before Lasznikoff joins in the fun on closer "Everything is Done", a fuzzy and up-tempo workout rich in macabre, low-register riffs, incessant percussion hits and trippy, late night aural textures.
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 in stock $11.08
Cat: DE 074. Rel: 08 Sep 14
  1. Holland Tunnel Dive
  2. On B'Way
Review: Ah, a real gem of the NYC No Wave era is the focus of Dark Entries attentions here as the stunning Holland Tunnel Dive by ImpLOG is given a more than timely reissue. For the uninitiated out there, ImpLOG were formed by The Contortions band members Don Christensen and Jody Harris under the name ImpLOG, after the former left the iconic No Wave act in 1979, and released just the two records together. The story goes that Christensen's recorded experiments with found sounds, and an array of instruments such as a Univox drum machine and Casio keyboards impressed Lust/Unlust Records founder Charles Ball sufficiently enough to issue two tracks from the submitted demo tape as the Holland Tunnel Dive 12? in 1980. It's remained a highly prized record ever since and this lovingly recreated edition from Dark Entries is a must!
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 in stock $12.16
La Piscine (limited coloured vinyl 12")
Cat: MW 041. Rel: 07 Aug 18
  1. La Piscine (14:13)
  2. Calling Somewhere (14:52)
Review: Fans of mechanical techno-not-techno sounds will be all over Minimal Wave's latest transmission from 80s French underground heroes In Aeternam Vale. Having reissued several essential lost works from the outfit last year, most notably the proto-Sandwell sound of "Highway Dark Veins", Veronica Vasicka delivers another two tracks from the vault. Stylistically mirroring that previous two track release the title track is an equally brilliant synth-techno beast which could easily pass for a Function track today, while B-side "Calling Somewhere" sounds like a cold wave version of proto-halfstep. Needless to say, the fact that these tracks are 22 years old literally left us speechless.
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 in stock $17.56
Je Ai Dissous (limited 160 gram coloured vinyl 12" gloss printed sleeve)
Cat: MW 063. Rel: 15 Nov 16
  1. Je Ai Dissous (6:34)
  2. Je Ai Dissous (Page R version) (7:37)
  3. Tendencia (About Blank version) (5:40)
  4. Tendencia (v6) (6:13)
Review: Fresh from releasing the superb Pink Flamingos album on Dement3d, In Aternam Vale returns to Minimal Wave. This time round, he's not alone. Each of the tracks features the breathy, stylish vocals of Madrid-based Belarusian, Anneq. Her sleazy, whispered refrain is the headline attraction on the throbbing, industrial pop-meets-techno hustle of "Je Ai Dissous", while she also chats seductively over the undulating arpeggio lines, restless drums and dystopian atmospheres of "Tendencia (About Blank Version"). The ambient-leaning "V6" take of that cut is also hugely inspiring, while the Page R version of "Je Ai Dissous" is a dark, atmospheric and intoxicating celebration of legendary '80s "computer musical instrument", the Fairlight CMI.
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 in stock $16.20
Commerce (12" + insert)
Cat: DE 213. Rel: 25 Jun 18
  1. Alles (4:32)
  2. Language (4:45)
  3. Schwarz (4:00)
  4. Commerce (4:59)
Review: San Francisco trio INHALT burst onto the scene back at the turn of the decade, going on to release a trio of well-regarded EPs on [Emotional] Especial and Dark Entries. Here they return to the latter label with their first 12" for almost four years. As usual, their music is stylish, dark and clandestine, with wild-eyed German vocals riding brooding, John Carpenter-influenced arpeggio lines, creepy chords and bustling drum machine grooves. Our pick of the bunch is probably the up-tempo, triple time hustle of "Commerce", though the more polished and atmospheric opener "Alles" and EBM-minded bubbler "Schwarz" are also mighty fine.
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Gespielt von: Snuffo
 in stock $12.16
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