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Alben
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Review: Lake Haze's third album on Shall Not Fade is another triumph with his signature shimmering melodies strung out over lush beats. Drawing on house, disco, garage and broken beat it is a rich affair with a strong UK vibe. There is elegance and symphony to opener 'Xyleac' that immediately gets your head amongst the stars. 'Diluspth' keeps up the majestic synth while 'Bbyncole' is double-speed techno with balmy celestial synths and hurried bass that locks you in. Tender ambient pieces like 'Shores Of Eternal Life' reset the mood and then the second half is a series of shorter sketches packed with electronic soul.
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Perfect World (limited gatefold opaque sand vinyl LP + booklet)
Cat: LIBA 0411906. Rel: 20 Oct 23
in stock $65.31
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Bound By Naked Skies (limited white vinyl LP + poster with obi-strip)
Cat: SBR 328. Rel: 14 Sep 23
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MID: The First Annual Report Of Lausbub (LP + insert)
Cat: NJS 774. Rel: 22 Feb 24
in stock $29.29
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Comme Dans Un Penthouse (limited translucent blue vinyl LP)
Cat: LLR 0206LP. Rel: 11 Apr 24
Review: Le Couleur consistently sidesteps complacency with each new album presenting a fresh musical experiment without ever losing its familiar foundation. With Comme dans un penthouse, the band takes its biggest leap into musical exploration yet as they revisit elements of 'Voyage Love' while delving deeper into disco infused with new wave nuances. The result is a cooler, more distant vibe compared to their previous work. The album crafts a narrative universe around Barbara, introduced in 'POP,' as she seeks excess, pleasure, and happiness amidst frenetic rhythms. From the Krautrock-inspired 'Autobahn' to futuristic tracks reminiscent of Das Mortal, Le Couleur deftly balances innovation with familiarity here on another sublime-sounding album.
… Read more in stock $25.67
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Join Us (remastered) (gatefold eco vinyl 2xLP + booklet with obi-strip)
Cat: DWO 16E. Rel: 17 Aug 23
in stock $35.25
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Library Music Volume One (2xLP + insert)
Cat: WIA 109LP. Rel: 28 Oct 22
in stock $19.05
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Aeppreciation V (limited gatefold translucent green vinyl LP)
Cat: CLOLP 2556GREEN. Rel: 19 Nov 21
in stock $19.24
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Wat Doe Je Met Me? (white vinyl 12" in die-cut sleeve)
Cat: RUBBER 011. Rel: 13 Oct 22
Review: Ton Lebbink has led an active life; first as a drummer for the Dutch punk band Mecano, then as an odd-jobs sleuth, then finally a fitness instructor. When house music took the world by storm in the early 90s, Lebbink hopped on the bandwagon - trading in his cult status as one of the main faces of the 1980s underground, for a life spent toiling to produce sampledelic house music in comparative anonymity. Wat Doe Je Met Me is one of many fruits of Lebbink's labour during this renaissance period: only three tracks appear on the EP, but all make up an unusual early house sound tempered by Gregorian chant, cut-up vocal, subdued synth plucks and an overall hazy sound.
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Good Girl (feat Asia Argento)
Losers (feat Anna Prior)
One More Time (feat Delila Paz)
Ghost Rider
Everyone (feat Jehnny Beth)
New Love (feat Best Youth)
Bright Lights, Big City (feat Ray & Sean Riley)
Keep It Burning (feat Sarah Rebecca)
Once I Knew No Pain (feat Calcuta)
Will We Be Alright
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Review: Leroy Se Meurt make a bold statement here with their new long player on the Mannequin label. It finds the Parisian pair keeping the foundational sounds of EBM, post-punk and electro at the core but also explores around the edges in fantastic fashion. The mood here is heavy and abrasive rock textures permeate the tracks next to electric synths and over worked samplers. The tracks feature lyrics sung in Turkish and French and are hard hitting affairs with floor facing, repetitive loop madness next to double-tempo cuts with chaotic guitars amongst much more.
… Read more in stock $20.22
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Internet Teenage Lover (pink vinyl LP + insert with obi-strip)
Cat: PLP 8060. Rel: 02 Apr 24
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Review: Mannequin really can do no wrong if you're looking for cold wave, synth oddities, EBM and the like. As this LFT outing goes to show. Born in a twisted, semi-industrial place that's packed with percussion, reverberated noises, growling basslines, and a kind of sinister sexual energy (or maybe that's just us?), it's timeless stuff providing your concept of time begins and ends in the modern era. A retro futurist palette with punk smeared across its face.
Nevertheless, variety abounds once you have started to pick things apart. There's the slow, hypnosis of 'Blood Vessel', a track that sounds like acid meeting a rather monotone political speech. Meanwhile, 'Narcissist', featuring the vocal prowess of Rosaceae, could be the product of Blondie spending a night at KitKat Club in the late-1980s. We could go on, but simply put it's a visceral adventure into dark synth pop, and a highly enjoyable experience from start to finish.
… Read moreNevertheless, variety abounds once you have started to pick things apart. There's the slow, hypnosis of 'Blood Vessel', a track that sounds like acid meeting a rather monotone political speech. Meanwhile, 'Narcissist', featuring the vocal prowess of Rosaceae, could be the product of Blondie spending a night at KitKat Club in the late-1980s. We could go on, but simply put it's a visceral adventure into dark synth pop, and a highly enjoyable experience from start to finish.
Gespielt von: Wes Baggaley, Mimi
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Light Asylum (reissue) (gatefold LP + poster + insert (indie exclusive))
Cat: DFA 2694LP. Rel: 12 Oct 23
Review: Wearing 1980s synth pop influences on their sleeve, and sounding exactly like they belong on the mighty DFA, Brooklyn's Light Asylum were rightly praised at the time they put out their debut - and, to this date - only studio album, circa 2012. Critics noted that, at a time when dance-punk crossover was everywhere, driven by LCD Soundsystem and many of the acts frontman James Murphy signed to DFA, the New Yorkers manage to differentiate themselves from the pack in several ways.
Taking a hint of Depeche Mode (well, maybe a bit more), a pinch of Nine Inch Nails, and parts of Throbbing Gristle, Gary Numan, and other pioneers, Light Asylum managed to introduce some much-needed light and spatiality into the often claustrophobically dark and oppressive industrial synth world. In doing so, they offer a sound that's somehow both universally accessible and niche, which is never an easy line to tread.
… Read moreTaking a hint of Depeche Mode (well, maybe a bit more), a pinch of Nine Inch Nails, and parts of Throbbing Gristle, Gary Numan, and other pioneers, Light Asylum managed to introduce some much-needed light and spatiality into the often claustrophobically dark and oppressive industrial synth world. In doing so, they offer a sound that's somehow both universally accessible and niche, which is never an easy line to tread.
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As Leaves Fall (CD limited to 200 copies)
Cat: STANDA 2242. Rel: 27 Apr 22
in stock $11.01
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Linea Aspera (10th Anniversary Edition) (limited clear vinyl LP + insert)
Cat: DE 031C. Rel: 31 Aug 22
Review: Linea Aspera is the London duo of Ryan Ambridge (Synths/Programming) and Alison Lewis (Vocals/Synths). They began the project in November 2011, technically drawing inspiration from electronic music from the early 1980s. Within the duo, Alison writes and performs all vocal elements, while Ryan is responsible for the writing and performing of the electronics, as well as recording and mixing of the final recordings. For their debut album they utilized small, simple analog synthesizer set up: Roland SH-09, Roland Juno 6, Vermona DRM MKiii, Korg Poly 800 and Analogue Solutions Semblance. Linea Aspera's sound includes clear influences from early electronic body music, classic synth-pop and, in some instances, industrial and noise. Lyrically the band incorporates the sciences of osteology, neuroscience, and anthropology weaving a new medical language around themes of desire, despair and renewal. Linea Aspera serve up an icebox of dark doom riding on Alison's powerful vocals with a soft but sharp touch.
… Read moreGespielt von: Juno Recommends Leftfield
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On The Screen (heavyweight vinyl LP + large postcard)
Cat: MW 013. Rel: 28 Oct 19
Review: On The Screen: an LP from the Belgian band Linear Movement originally slated for release in 1983. Linear Movement is mastermind Peter Bonne (A Split-Second, Twilight Ritual, Autumn) joined by Peter Koutstaal, and Lieve Van Steerteghem on vocals for several tracks. Some tracks appear on the exquisite Pulse Music cassette while the rest are previously unreleased. Linear Movement was featured on V/A The Lost Tapes compilation LP with their highly acclaimed The Game, described as an "unstoppable pop song". Linear Movement have been called "a more primitive, cold wave Visage", and have been compared to the Human League. Peter differentiated LM from his other projects TR and Aut by the distinct sound of the compositions: they were poppier.
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Love Feeling (translucent orange vinyl LP)
Cat: LRFMS 12001LP. Rel: 07 Dec 23
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Venus (reissue) (LP + booklet with obi-strip)
Cat: UPJY 9356. Rel: 04 Mar 24
in stock $39.15
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Wave Construction (blue vinyl LP + MP3 download code)
Cat: CIS 119. Rel: 23 Oct 23
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The Birth Of Techno (limited red vinyl LP + insert)
Cat: HYPSPLP 05. Rel: 24 Dec 21
Review: This playfully titled release features David Javelosa (on synth and vocals) along with Meg Brazill (on bass and vocals) plus drummer Todd "Rosa" Rosencrans. Side One features five studio tracks, none of which were included on the band's 1981 Posh Boy LP, Life After Breakfast. Three of these tracks were recorded in '82; there's no information regarding the provenance of the other two songs. The records' second side collects five live recordings, capturing Los Microwaves onstage in New York City (The Peppermint Lounge) and Boston as well as at San Francisco's own I-Beam, a venue that often played host to the band. Those tracks date form roughly the same ear, 1980-83. Sonically the songs variously recall Blondie, Flying Lizards, Gang of Four and a far less dour Human League. Importantly, the band rocks, even when it's employing a spare drum kit, solid but elemental bass, and monophonic analog synthesizers. The stripped down aesthetics of the group - necessitated by its minimalist instrumental approach - are nonetheless thrilling. Even if you weren't there in 1980, this'll take you back.
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Grey With Breaks (grey vinyl LP + MP3 download code)
Cat: SUCTION 058GREY. Rel: 04 May 23
Gespielt von: Juno Recommends Electro
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There Must Be Someone (limited 5xCD box set in spot-varnished box)
Cat: DAIS 203CD. Rel: 26 Jan 23
Review: In honour of the 25th birthday of painter-turned-DIY musician Tor Lundvall's hard-to-find debut album, 'Passing Through Alone', Dais has joined forces with the New York-based creative polymath to produce a career-spanning, five-disc box set. Naturally, it begins with that 1997 debut - on which he laid down his now familiar "signature palette of synth, sequencers, guitar, drum machines, and hushed spectral voice" (as the label puts it) - before delivering an expanded edition of his 2010 odds-and-ends collection 'Ghost Years'. What follows is inaugural CD editions of three of Lundvall's most recent albums: 'A Strangeness In Motion' (a collection of lo-fi pop tracks recorded across the 90s), 'A Dark Place' and 'Beautiful Illusions'. A fitting celebration of a genuinely unique artist.
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A Day In The Stark Corner (limited gatefold translucent green vinyl 2xLP)
Cat: AVLPC 441. Rel: 31 May 22
Review: A Day in the Stark Corner was the third album by American band Lycia, released in 1993 on Sam Rosenthal's Projekt Records. This much deserved reissue on Milan-based Avantgarde Records features all 10 original tracks which bear the Arizona outfit's well-known sound signatures: Mike VanPortfleet's bleak vocal delivery with wailing wall of noise guitars and haunting synth textures, underpinned by skeletal, reverberated rhythms of a minimalist nature. Tracks such as 'Pygmalion', 'The Body Electric', 'The Remnants & The Ruins' and 'Sorrow Is Her Name' are a zeitgeist of the early '90s ethereal darkwave subgenre.
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Let Us Prey (Soundtrack) (Special Edition) (limited coloured vinyl LP + insert + MP3 download code)
Cat: BWR 061LP. Rel: 09 Feb 22
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Random Rooms (LP + postcard)
Cat: SCR 001. Rel: 28 Mar 23
Review: Danish artists Niels Lyngso and Morten Sondergaard initially bonded over their mutual love of DIY electronic music experiments, before realising that they were both poets. On the same day in 1992, they both released their debut poetry books and this collaborative album - a now sought-after obscurity that has been remastered and reissued by brand-new imprint Sunny Crypt. It's a fascinating and surprisingly on-point collection that effortlessly flits between keyboard solo-sporting instrumental street soul (the deliciously loved-up 'Dromte Mig En Drom'), tactile, organ-sporting slo-mo synth-pop ('Variete'), beat-free synth-tango ('Tango Del Amor'), poodle perm-sporting Scandinavian metal ('Vagvisa'), music concrete ('Edektronika', 'Babylon Gebbesogt') and hard-to-pigeonhole electronic soundscapes ('No. 8').
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Review: After a long emergence in and adjacent to the South London underground music scene, producer, singer, performer and outlandish mask donner Lynks returns to the fore with the announcement of their debut album, Abomination. Moving between the well-paired, current twinnings of post punk, art pop, and rubbery electronica, Lynks lays down a whopping debut full-length here, commenting on casual hookup culture and queer psychic contemporaneity amid a brash and ironically relentless weirdo rave faux-schlock.
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