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Startseite › Bestsellers › Broken Beat / Nu Jazz / Nu Soul › Broken Beat / Nu Jazz / Nu Soul › Diese Woche
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Review: Remote working is not new - artists have collaborated by exchanging files since Internet connection speeds allowed it - but few have pursued it more enthusiastically than Sons of the Sun, a duo made up of South East London beat-maker/multi-instrumentalist Maverick Quest and Texas-based singer and rapper JTronius. The duo initially met online and decided to spark up a Transatlantic collaboration. The results, as showcased on this fine debut album, are rarely less than inspired. Casually joining the dots between future soul, synth-powered P-funk, Afrobeat, jazz and hip-hop, it's a set that oozes musical quality from start to finish. At times it sounds a little like Plantlife or Thundercat, at other times like a hip-hop head's take on 21st century London jazz; throughout, you'll be royally entertained.
… Read morein stock $2.13
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I Swear, I Really Wanted To Make A "Rap" Album But This Is Literally The Way The Wind Blew Me This Time
The Slang Word P(*)ssy Rolls Off The Tongue With Far Better Ease Than The Proper Word Vagina Do You Agree?
That Night In Hawaii When I Turned Into A Panther & Started Making These Low Register Purring Tones That I Couldn't Control _ Sh¥t Was Wild
Review: Andre 3000s 87-minute flute epic makes it onto a double CD courtesy of Sony. One of the most intriguing, enveloping and therapeutic LPs of 2023, New Blue Sun sees the Outkast veteran drop the mic in favour of myriad flutes, both digital and acoustic, creating a loose, patient album which sounds somewhat like the lovechild of Jon Hassell and Ras G. The whimsically named tracks unfold in a languid dream sequence, feeling improvised but focused, sparse yet dense, and deeply emotive throughout. 3000's far-from-virtuosic flute performances add to the charm and unpredictability of the album, and ensure that the overwhelmingly gentle music doesn't veer too far into vapid new-agery. One for yer pensive off-days!
… Read more in stock $18.27
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Review: Electribe 101's 1990 debut album, Electribal Memories, is undoubtedly one of the strongest sets of the loved-up Balearic house era - a long-player firmly rooted in the Ecstasy experience, from the piano-sporting, wide-eyed tactility of house music of the period, to the after-hours, comedown-friendly downtempo soulfulness that the band's creative force and lead singer, Billie Ray Martin, was always so adept at delivering. This 'Deluxe Edition' expands the album across four CDs via a deep archive dive from dance music historian Bill Brewster. The DJ and author offers-up a wealth of released (and unreleased) club mixes, early versions and alternate takes, while the accompanying booklet features reflections from Billie-Ray Martin and an extensive essay from Pete Paphides.
… Read more in stock $35.52
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Taaaud (Feat. Sibusile Xaba, Jamael Dean, Nate Mercereau) (feat Sibusile Xaba, Jamael Dean, Nate Mercereau)
! low stock $15.18
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Review: Whether operating under his own name or the equally familiar Henry Wu alias, Kamaal Williams' next-level musical fusions are always rooted in soul and jazz. Both inspirations come to the fore on his superb contribution to the long running "DJ-Kicks" series, a smooth, atmospheric and ear-catching set that crams 29 scintillating cuts in 80 action-packed minutes. Sprinting between 21st century R&B, jazz-funk, deep house, dancefloor jazz, broken beat, kwaito, dub, drum and bass and off-kilter, impossible to pigeonhole cuts, the musician, producer and DJ manages to both educate and entertain in equal measure. Along the way you'll find plenty of exclusives, including a number of his own previously unreleased productions.
… Read more in stock $10.29
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Cat: HJ 0032. Rel: 29 May 20
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Cat: 773775 5. Rel: 15 Mar 19
Review: With their penchant for off-kilter psychedelic explorations, deep-rooted spiritual jazz excursions and cacophonous, otherworldly workouts, The Comet Is Coming is undoubtedly one of the most groundbreaking and essential jazz combos of recent times. It's for this reason that "Trust In The Lifeforce Of The Deep Mystery" - their first outing on legendary jazz label Impulse - feels like an event release. It is another stunning album, with the inspired trio flitting between sweaty, dancefloor-ready tracks soaked in psychedelic electronics and more melodious, laidback numbers that sail closer to traditional jazz pastures. Throughout, the level of imagination, creativity and uniqueness remains dizzyingly high.
… Read more in stock $5.92
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Preface
Lights On
Two Weeks
Hours
Pendulum
Video Girl
Numbers
Closer
Give Up
Kicks
Review: Young Turks clearly believe that Tahlilah Barnett, formerly known as Twigs (hence the FKA Twigs pseudonym) is a star in the making. They plucked her from obscurity last year and have since released a number of highly regarded singles. This debut album expands on her EPs to date, showcasing her woozy, intricate take on post-R&B. Naturally, her vocals - fragile and evocative, sounding not unlike Kate Bush on occasions - take centre stage, riding a bed of layered-up head-nodding rhythms, post dubstep grooves, trip-hop soundscapes, fizzing electronics and bubbling synthesizers. It's an intoxicating brew, all told, and one that delivers further proof of Barnett's immense potential.
… Read moreGespielt von: Juno Recommends CD Albums
in stock $7.98
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Review: Black Sands, the eagerly anticipated fourth album from Simon Green AKA Bonobo, is no revolutionary change from his signature sound but does come with perhaps even more subtlety and complexity than his previous offerings. Having constantly instilled a degree of integrity and value back into chill out music following the influx of Cafe Del Mar and Coffeeshop compilations, Green once again displays a musicianship that sets him apart as a true artist and producer amongst a sea of downtempo and chillout DJs.
His undeniably clear understanding of composition and arrangement of live instruments has enabled Green to make an album that reaches out through diverse styles, taking influence and inspiration from wherever possible. On Black Sands, Green delves into electronic music and bass more than he did across Animal Magic, Dial "M" For Monkey or Days To Come but does so with enough subtlety and finesse to refrain from causing a radical shift in his product. Tracks like "Kiara," "We Could Forever" and "All In Forms" all utilise beats and bass in a more contemporary outlook than we are used to with Bonobo. Of course the instrumental feel is still there for all to see. Title track "Black Sands" takes this position for almost seven minutes of a horn infused waltz whereas "Kong" assumes the traditional soul-jazz Bonobo take and "Animals" lets delicate drum patterns guide us through pleasing tempo shifts.
The instrumental vibe is highlighted further in the album's approach to vocals. Unlike his last album, Days To Come which was littered with vocals, Black Sands houses only three tracks that contain vocals. The breathy vocals of Andreya Triana complete tracks like "Stay the Same" and "The Keeper" turning them in more traditional songs. Black Sands is another loving crafted offering that uses orchestral arrangements but this time merged with more of a dance aesthetic. As he continues to make chillout more credible in his experimental way, it's no wonder that Bonobo is one of the biggest artists to come from the excellent Ninja Tune.
… Read moreHis undeniably clear understanding of composition and arrangement of live instruments has enabled Green to make an album that reaches out through diverse styles, taking influence and inspiration from wherever possible. On Black Sands, Green delves into electronic music and bass more than he did across Animal Magic, Dial "M" For Monkey or Days To Come but does so with enough subtlety and finesse to refrain from causing a radical shift in his product. Tracks like "Kiara," "We Could Forever" and "All In Forms" all utilise beats and bass in a more contemporary outlook than we are used to with Bonobo. Of course the instrumental feel is still there for all to see. Title track "Black Sands" takes this position for almost seven minutes of a horn infused waltz whereas "Kong" assumes the traditional soul-jazz Bonobo take and "Animals" lets delicate drum patterns guide us through pleasing tempo shifts.
The instrumental vibe is highlighted further in the album's approach to vocals. Unlike his last album, Days To Come which was littered with vocals, Black Sands houses only three tracks that contain vocals. The breathy vocals of Andreya Triana complete tracks like "Stay the Same" and "The Keeper" turning them in more traditional songs. Black Sands is another loving crafted offering that uses orchestral arrangements but this time merged with more of a dance aesthetic. As he continues to make chillout more credible in his experimental way, it's no wonder that Bonobo is one of the biggest artists to come from the excellent Ninja Tune.
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GUTS & MAMBO / VARIOUS
Pura Vida Presents Beach Diggin' Volume 4 (unmixed CD)
Cat: HS 154CD. Rel: 03 Oct 16
Review: Piloted by Ibiza-based producer Guts and Los Angeles' crate-digger Mambo, the Beach Diggin' series gleefully gathers together sun lounger-friendly cuts from around the World. While there's always a lazy, sun-ready feel to their selections, they stick closer to soul, funk, disco and boogie than many other like-minded collections. This fourth volume in the series is packed with more obscure, horizontally inclined material from the likes of Sue Barker (not the former tennis player, obviously), Alex Khaoli (the talk box-sporting, electrofunk-era jazz-funk beauty of "Cross Lines"), Brooski (the close-dance sweetness of "This Love"), and Jemaa (the reggae-soul shuffle of "Bob Marley").
… Read morein stock $11.81
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Review: Soil & Pimp Sessions is a Japanese jazz band with an explosive sound. Made up of five musicians Shacho, Tabu Zombie, Josei on piano, Akita Goldman on bass and Midorin on drums, they are primarily an expressive live outfit who serve up rough and ready sounds that fire your every single synapse. They have been playing for 20 years now but their breakout album Pimp Master came in 2006 and saw them go on to play at Glastonbury the year after. This latest record is another exceptional one that goes from intense and complex highs to beautiful tender and vulnerable moments of calm.
… Read moreGespielt von: RUSTAM OSPANOFF.
in stock $19.00
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Promises (CD)
Cat: LB 97CD. Rel: 26 Mar 21
Review: Over the years, Sam Shepheard's work as Floating Points has become increasingly ambitious, moving further away from his dancefloor roots and closer to spiritual jazz, new age and neo-classical. Even so, it was still a surprise when Shepheard announced Promises, a 46-minute piece in 10 "movements" featuring the London Symphony Orchestra and legendary saxophonist Pharoah Sanders. It's an undeniably remarkable piece all told; a constantly evolving fusion of neo-classical ambience, spiritual jazz and starry, synthesizer-laden soundscapes notable not only for Sanders' sublime sax-playing and Shepheard's memorable melodic themes, but also the intricate, detailed nature of the musical arrangements. It's a stunningly beautiful and life-affirming piece all told, and one that deserves your full attention.
… Read more in stock $11.07
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Review: Masterminded by Danish stwart Alex Puddu and the Ivisible Session's Luciano Cantone, The Afro Soul Prophecy is a collaborative project featuring contributions from seriously good jazz, soul and Afro-funk musicians from around the World. Of course, sometimes such all-star affairs fail to live up to the hype, but Heat In The City certainly does. Offering a mixture of Roy Ayers' style jazz-funk, Afro-beat, Latin grooves, disco and Blaxpolitation funk instrumentals, Puddu and Cantone have managed to get the most from their contributors while balancing free expression with a detailed, intricate musical script packed to the rafters with superb musical details. For that reason alone, we'd argue that the album is well worth picking up.
… Read moreGespielt von: Juno Recommends Broken Beat Nu Jazz
in stock $9.65
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Black To The Future (SHM-CD with obi-strip)
Cat: UNIJ 3141967. Rel: 27 May 21
in stock $36.10
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Review: Having previously decided to ditch the Chet Faker moniker for a couple of subsequently low-key albums, including last year's digital-only ambient excursion, Musical Silence, Nick Murphy has finally decided to resurrect it. In the process, the Australian artist has gone back to basics, with Hotel Surrender sounding far more like his much-loved 2014 debut, Built on Glass - a massive hit in his home country - then anything else he's recorded since. It was a smart move, because Murphy does synth-heavy, electronica-tinged pop far better than most. As a result, the album is full of confirmed earworms, from the blue-eyed soul of 'Oh Me, Oh My' and the string-drenched swell of 'Whatever Tomorrow', to the flash-friend funk-pop of 'Feel Good' and the Rhodes-clad R&B-soul of 'In Too Deep'.
… Read morein stock $7.99
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Review: While previous instalments of Jazzman's essential Spiritual Jazz series have focused on killer cuts and rare gems from the past (specifically material recorded between the 1950s and '80s), the thirteenth volume shines a light on what's happening right now. This second part (of two) successfully showcases the best of the contemporary scene, showcasing cuts from around the world that neatly encapsulate the breadth and diversity of 21st century spiritual jazz. The plentiful highlights include the exotic, Eastern-tinged spiritualism of Wildflower's 'Flute Song', the futurist jazz-funk deepness of Steve Reid's 'For Coltrane', the layered vocals and acoustic instrumentation of Angel Bat Dawid's 'What Should I Tell My Children Who Are Black' and the sparkling, sun-soaked positivity of 'Nova' by Menagerie.
… Read more in stock $12.34
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Cat: BBE 690ACD. Rel: 20 May 22
Review: Rubbing shoulders with DJ Amir and 180 Proof Records, BBE Music present this celebratory compilation, fawning over the Strata Records' best and brightest releasees. 'Strata Records - The Sound of Detroit - Reimagined by Jazzanova' hears DJ Amir and Jazzanova shed the work of a Detroit jazz great into something much newer and fresher, through incredible nu-jazz retakes on classic Motor City standards from the likes of Lyman Woodard and Malauwi.
… Read more in stock $11.32
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Review: Kokoroko, a London-based eight-piece featuring musicians with disparate cultural roots and a love of improvised performance, have long been tipped as future stars of British music. Could We Be More, the award-winning outfit's debut album, more than delivers on the promise of their previous singles, offering up a set shaped by their communal love of Afrobeat, dub, Highlife, percussion workouts, spiritual jazz and smooth grooves. Highlights come thick and fast throughout, from the deep and sun-splashed shuffle of 'Ewa Inu' and the warming, sunset-ready soul-jazz of 'Dide O', to the horn-heavy celebration that is 'We Give Thanks' and the Balearic, beat-free bliss of 'Home'.
… Read more in stock $7.20
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Succession (CD with obi-strip)
Cat: UCCJ 2206. Rel: 04 May 22
Review: Kyoto Jazz Sextet are an acoustic jazz 'unit' established in 2015 fronted by Shuya Okino. After their first two albums 'Mission' and 'Unity' this new third album channels only the best of what Tokyo's jazz scene has to offer, illuminating both past and present musical narratives in Japan by enlisting both new artists and legends (Takeo Moryiama appears on drums) alike.
… Read moreGespielt von: Mukatsuku Records Chart, * Record Breakin' Music *
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Review: Much has changed for violinist, composer and singer-songwriter Bev Lee Harling since the release of her acclaimed debut album, Barefoot In Your Kitchen, nine years ago. It's these changes - parenthood, family life, the difficulty of retaining artistic creativity and vision when it plays second fiddle to other life commitments - that inspired Little Anchor, a sophomore album recorded at different times and places over the last decade. First and foremost, the song is full of superb songs with plenty to say, with Harling's distinctive vocal delivery being joined by imaginative musical arrangements (her violin is naturally present throughout) and production that variously touches on soul, future synth-pop, jazz and dreamy electronica.
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Review: Simon Greene aka. Bonobo is set to put forth yet another album from his own personal ether; 'Fragments' was born from actual sonic 'fragments' that were later repurposed into twelve full 'sonic affirmations'. A later escape into the wilds of California's deserts formed the bulk of this album's downtempo magnum opi; watch out for collabs with a foray of world-downtempo electronica acts including Jamila Woods, O'Flynn and Miguel Atwood-Ferguson. One of his most heartfelt albums, expect all from lilting future garage ('Rosewood') to rave-nostalgic slow builds.
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Review: SAULT's body of work is almost untouchable. The mysterious collective has turned out plenty of it in the last couple of years with no fewer than four fantastic albums. This one is a complete left turn, though, which ditches the edgy alt-rock, sou land jazz for an altogether more subbed and symphonic sound. It is a soaring astral soundtrack with plenty of wide open spaces, grand arrangements and plenty of uplifting and celebratory sounds drawn from hugely spiritual choral music and contemporary classical.
… Read more in stock $9.25
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Review: Since making his debut midway through the last decade, saxophonist and producer Sam Gendel has released an insane number of solo and collaborative albums, variously turning his hand to ambient jazz, experimental electronica, abstract soundscapes, free-jazz and, most recently, jazz-fusion. On Superstore, officially a follow-up to 2021's Fresh Bread, Gendel does it all, turning his hand to a dizzying array of styles on a mixtape style excursion full to bursting with quick blasts of brilliance, off-kilter experiments and 21st century mutations of jazz. Yet despite this eclectism (a product of it being a collection of cuts recorded at different times, with different people), the album holds together brilliantly, with his love of hip-hop soul, skewed jazz-funk, abstract jazz and ambient providing a kind of loose sonic glue.
… Read more in stock $23.94
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Review: If you thought Moor Mother's 2021 album Black Encyclopaedia of the Air was good - and it was a genuine triumph - wait until you hear this follow-up. In summary, Jazz Codes takes her impossible-to-pigeonhole personal style - a mixture of smoky trip-hop beats, heady ambient sounds, jazz instrumentation, thickset aural textures, crackly samples, soul vocals, spoken word monologues and trippy effects aplenty - and takes it to the next level. While the album features a dizzying array of guest vocalists and musicians (a complete list of which would run to several pages of A4), it never sounds like anything other than a Moor Mother album. It's her widescreen Afro-futurist vision, executed to perfection. Don't sleep!
… Read more in stock $10.81
